EVENING LEDGKRPHTL ADELPHI A, SATTJBTJAT,v OOTOBfcB 26, 11
ITH CAMERA MAN AND REPORTER IN THE REALMS BEHIND THE SCREEN AND THE CURT
-
PHILADELPHIA
' ' PHOTOPLAY
PARAGRAPHS
UrMouHnlir Uw most Inttrtstlnt an
aMMMWrt Mrhlch has tmsnated from the
4m(wt "t which htrsJds the prsstn
tfttten nxt week, ot "Uomo and Juliet. ' the
tee-toplny masterpiece. This will mark the
,SrM showing- ot Utls picture In Wdst Phlla
Mtthln, It U quite probnble that the snow
hNT which la an experiment or the man.
cement to undfirtnke will prove a notable
achievement and attract audiences of ca-
Tpactty, alee at each performance, "here
to a musical accompaniment which addi
harm.
WUHam B. Hart In 'The Return of 'Draw'
Bnn." will l tho main feature at the
Victoria the first three daye of the com
ic week. Hart has a role of tho sort he
has lifted out of tho commonplace, and
Mentlfled with hie own ruined personality.
Tha play la a speedy, breoxy western
drama, and la full of atlrrlns action. Louise
CMaum and Marjory Wilson are In the sup
portlnf cost. The comedy feature of the
Mil will bo a Keyetone, "The Scoundrels
Toll.-
Character studies, auch as Barney Her
iard offers In "Phantom Fortunes" at the
Garden, are not often shown on the screen.
... ... I- ,f ft r ! .1.. D.mll'l
"Anniversary vceK, m ."'i .
Apollo Theater will be celebrated next week
An exceptionally nne jrumum nu ..
arranged from tho best of the film output
"Shell l" will show II. n. 'Warner, at
' tho Eureka on Saturday, In a part that does
not call for action, but Is replete with tense
Interest-compelling- work. All the action Is
supplied by the excellent cast
"The Common Iaw." which when rlrst
written by Robert W. Chambers became a
"best s'aller," still continues to maintain Us
popularity, and will be seen In film form at
tho Palace next week. The demand to see
this production at the Btanley this week
caused tho Palare management to show it
as the main, attraction.
' 4
In Bouth Philadelphia the only oppor
tunity to witness Paramount pictures Is at
tho Alhambra. The nrat three days noxt
week will show Mario Doro In 'The Lash,
fcy Paul West. 8he Is supported by a caBt
Including Elliott Dexter. James Nelll,
' Thomas Delmar, Veda McEvers, naymond
Hatton, James Wolff and Josephine nice.
A prorram of exceptional appeal Is that
announced for next week by the manage
ment of tho Arcadia Theatre. Bessie Love,
'the demure, gentle and sweet, In her first
starring vehicle "A 8lster of Six." will be
the main attraction the first half of the
week.
7nMM Tnimmi whnHA work as n. star
Is winning her success, will nppear at tho
Locust on Monday and Tuesday in "Cap
tivating Mary Carstatrs." Friday and Satur
day E. II. Bothern. supported by Peggy
Ilyland, appears In "The Chattel." It may
be said that Peggy Hyland has never been
seen In any other film or on the spoken
stage to such advantage. '
The final eplsodo of "The drip of Evil"
will bo shown at the- Olympla on Thursday.
John W. Noble, West Tolnt man and
former lieutenant In tho Unltod States
army, directed "The Brand of Cowardice,"
with Lionel Barrymore and a race Valentine
as co-stara, which will be at the Regent
tho concluding half of the week. The sur
rounding programs are diversified, Including
a musical program.
Robert Edeson in "The Light That
railed," has been tho final selection for Sat
urday at the Ruby. It was only after care
ful consideration of Its merits that this
Pathe play was booked.
Eessue Ilayakawa, tho Japanese star,
who will be the attraction nt the Cedar on
Friday, In "The Honorable Friend," is de
lighted with the story, not only for Its
t value from a dramatic standpoint, but from
the fact that It has three fights In It one
of them being between himself and some
of hla fellow countrymen, fought entirely
a la Jtu Jitsu.
Paylowa in "The Dumb Girl of Portlcl"
Is a pretentious film play.-nnd the Park will
offer It on Saturday. The matinee will be
gin at 2:15 p. in., and admission will be
ten cents.
Pauline Frederick ground the motion
picture camera while Marguerite Clark
waved an American flag, as the bravo boys
of tho Fighting Twelfth Regiment of New
York passed the Famous Players studio.
"Ashes of Embers" will provide the patrons
or tho Fifty-sixth Street Theater with an
opportunity to see Mlsa Frederick on Friday
and Saturday.
Eleanor Woodruff will play at the Bouth
Broad Street Theater (In the flesh) the
same day she appears in tho photoplay
story "Jaffrey" with C. Aubrey Smith at
the Falrmuunt
Douglas Fairbanks Is In "Manhattan
Madness" at the Liberty. It Is a play ot
Sast and West, displaying the athletic and
effervescent star In chaps, dress suit and
very gradation of masculine attire between.
It's all kinds ot a picture, this "Manhattan
Madness" a society picture, a mystery pic
ture, an adventure picture, 'a comedy plo
tare. Helen Tracy, who acta in the William
Fox plcturliatlon of "Romeo and Juliet,"
had an Important role in "Vlrglntua" when
she was only fifteen. She will be seen with
Theda Bara at the Jefferson on Friday and
Saturday when the former play appears.
For the special attraction at the Market
Street Theater on Friday the latest Brady
made World picture, "The Hidden Scar,"
has been secured. Ethel Clayton and Ho.
brook Bllnn, both popular favorites here,
are the stars.
Mary Anderson, the charming Vttagraph
girl, will have her first star part In 'The
Last Man," which will be seen at the Prln-
on Wednesday, A. R. P.
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SIGHTS, SCENES AND PERSONALITIES FROM ODD ANGLES
A peep into tho American homo of
Sessuo Ilayakawa and his actress-
bride. Ho will bo seen at tho Stan
ley noxt week in tho Lasky-I'ara-mountfllm,"Tho
Soul of Kura-San."
GRACE IS DEMANDED
OF CONDUCTORS;
STRANSKY HAS IT
Military band conductors arc moro or
loss given to heavily accentuated gesticu
lation in directing their musical forces.
Some of them. In fact, draw audiences who
nro as Interested in watching the conduc
tor's gymnastic gyrations as In listening to
tho band.
Conductors of symphonic orchestras, ns a
rule, are noted for tho easo and grace of
their movements. Ono of these Is Josef
Stransky, conductor of the New York rhll
harmonic Orchestra, which playH In the
Academy of Music Monday evening, Novem
ber 13, for the first time In this city since
the death of Oustav Mahler.
"The presence of Strnnsky Is reassuring,"
writes a musical crltlo In giving a pen-picture
of the man nnd his work. "Ho Is digni
fied and of a serious mien, with a face that
shows but faintly the satisfaction in an
audience's enthusiasm. Ills mood of direct
ing is absorbed, eloquent nnd graceful. His
peculiar stylo of tho dainty, poking beat has
largely been swallowed up in a wider mo
tion. "As he turned to direct the concerto, one
caught hints of grace which wero not so
noticeably apparent when he stood with his
back to the audience. He makes no un
necessary motion, and thcro Is absolutely
nothing wild or frantic about him. It Is
all smooth and easy, evon when he works
up to stressful climaxes.
"In his Impersonal and concentrated at
tention to the task In hand there Is not tho
smallest sign of consciousness or gallery
play. Ho seems to forget everything but
tho work ot tho moment His performance
Is tho embodiment of the poetry of motion,
and through It all appear the master's grip
on the subject In hand nnd thd absolute con
trol of tho forces under his direction."
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Hsssssssssss9siir S EX&EzlMBFhiSx So says Will Page, of tho "Expcri-
;;i&E25B i n IsWaBsBBBWfeJfcSW'-w'ti enco" Company at the Adclphl, He
HllHr' jb 19 marvels of "A Daughter of the BnmRT?35iV&jW
VUllM U Gods," at the Chestnut. The PrJ jtthJ3ffl I)
AhHEHI V HtUe dcnr is somo hut,-dri 'cct fmyy
faumvwJ , J V JTW Jtf&pflffi Warm fall days cut no ice wfth theso fair skaters of "Hip Hip Hooray,"
-WMiJ.fo a f "S3 '"" , VJsvCj as they Proctico their "steps" up at the Metropolitan
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choreography!
BECOMES
CHIRQGRAPHY
This is no comedian; merely the
Ballet Russe's great star, Nijfnsky,
trying to amuse his baby
BARNEY BERNARD,
ALIAS POTASH
ssssssssssmBEw J
BCtMY KATB
At lUlkalJBBlM fJaassV
Barney Bernard, alias Abe Potash, who
playB one ot tho famous partners In "Potash
and Perlmutter In Society," coming to the
Garrlck Theatre No
vember 6, is a native
of Rochester, N. Y..
and Is thirty-eight
years of age. Ho has
repeatedly denied tho
soft impoachment that
ho la in any way re
lated to Sam Bernard.
"I went to New
York when I was fif
teen years old," re
lates Mr. Bernard,
"My first Introduction
to tho stagy came with
an original monologue,
which I gave at a ben
efit performanco at
Terrace Garden. It
went over nnd I was
offered a week's en
gagement at Miner s
Bowery Theater with Fred Rider's Moulin
Rouge burlesque company at $26 per week.
I went on nt a Monday afternoon per
formance with the understanding that It
the monologua was a success I should re
ceive an engagement. Having written the
monologua myself, I accepted the challenge
with confidence. At the end of my turn I
asked tho manager It I could stay all week
He said 'all season.' Whereupon It dawned
upon me that the author and Interpreter ot
so successful a piece of stage writing could
not afford to work for ?25 per week.
"I was offered 135 a week, but my book
ing agents advised me not to take It, as
they said I could earn more money by
playing desultory engagements around New
York. Then I went Into vaudevlllo nnd
played Keith's Union Square Theater, After
that I was engaged as principal comedian
with Fred Irwin's burlesque show nt a
salary of $45 per week, which was In
creased to 155 the following season Then
came an engagement to play David War
field's part In "Flddle-dee-deo" In Buffalo
during the. Pan-American Exposition, I was
there twentyslx weeks, went on tour and
wap then engaged to play the same part at
Fischer's Theater, San Francisco, with Kolb
and Dill, for twenty weeks. I stayed Ave
years. I played everythlrx from Juveniles
to Hhylock I thought at first that tho role
of Shylock was a Joke because there were
no laughs In It. I was then twenty-three
years old, and one of the critics called me
the youngest Shylock In captivity. Then I
came to New York nnd tried to get a part,
hut all I got waa the opportunity to stand
out in front of a drop and tell Jokes In a
musical show, I begged the managers to
glvo me something more to my liking, but
without avail until A, II, Woods came along
with 'Potash nnd Perlmutter,' three years
ago. and here I am, still playing the role of
Abo Potash,"
The Overruling Passion
Everybody's writing dramas to be
shown upon the screen;
Thin , thiek men, well men, sick
mw authors fat snd au
thors lean
One-reel killers, twp-reel thrillers are
a-buwlRK in th'e knobs
Of the jaute, inglorious Shakespeare
who have left their stcudy
And thewriUr of this ditty must
eoMlude these few remark,
For he's workUg on a drama Jer
aamle vin pietar sfcaciu.
HTssejaMs Commsroiai 4pp3.
The Musical Glasses
Saturday, October 1$.
Repetition of the Philadelphia Orchestra's
concert of yesterday, In the Academy of
Music. The program: Cherublnl'B "Ana
rreon" toverturo ; Rlmsky-Korsakow'a ynv
phonlo suite, "Scheherazade," an Brams's
violin concerto In D, played by KraiiU Olt
telson. Tonight,
Monday, October SO.
First Boston Symphony cpneert of this
season In the Academy. Tho program:
Schumann's "Rhenish" symphony, Wngnor's
"A Faust Overture," Brahma's "Academic
Festival" overture and Krnest Hchelllng'u
concerto for violin, played by Krelsler, Its
first local performance. Night.
Wednesday, November J,
Recital by Elizabeth Dickinson, mezzo
soprano, In Wltherspoan Hall, with 13. C.
Hammann at the piano. Afternoon.
Thurtday, November t.
Recital by Dorothy Goldsmith, pianist.
In Witherspoon Hall. Night.
Thunday, November 9,
Recital by Josef Hofmann in the'.Acad
emy. Afternoon.
The Philadelphia Operatic Society will
produce "La Bohemo" at tho Academy un
der Wasslll Leps's direction, livening.
Friday, November 10,
Concert by the Philadelphia Orchestra In
the Academy. The program: Mendelcsohn's
"Ruy Bias" overture;, Schumann's "Rhen
ish" symphony, overturo to "Die Melster
slnger" and Brahma's concerto No. 1, played
by Olga Samaroff. Afternoon.
Saturday, November II,
Recital by Fritz Krelsler In tho Academy.
Afternoon.
Repetition of the Orchestra's concert of
Friday in the Academy, Night.
Monday, November 13,
Concert by tho New York Philharmonic
at tho Academy, with Josef Stransky con
ducting, The program: Dvorak's fourth
symphony, Max Berger's "Variations and
Fugue for Orchestra on a Theme by Mo
zart," prrludo to "Die Melsterslnger" and
Rrahms's D major concerto, played by Sas
cha Jacoblnoff. the violinist, Evening.
Opening of the Boston National Opera
Company's senson at the Metropolitan with
a revival of Giordano's "Andrea Chenelr,"
to be followed by a week's repertoire.
Wednesday, November IS,
Concert by the Schmidt Quartet in
Witherspoon Hall, with Anthony Torello,
contra bass, as soloist. Night.
No ono would think this young
lady n mother of six. Dut such is
tho Triangle star, Bcssio Love, in
the Arcadia's new film of that
name
NO MORE LEGITIMATE
FORMR.MEIGHAN;
LIKES FILMS
WEEK OF VIOLENT
DEATHS PROMISED
Teyte is to sing Mlml. Maggie looks sort
of consumptive, but Isn't. She's just di
vorced. '
Local experts of the fox trot u ,
iii hx hii voieu in aiini ,.,
NlJInsky, premier dancer and In
En". IA !" MMeil
.n,.v, n.itv., UUBllH inr H 1 m t
ment at the Metropolitan Opera ul
ginning November M. h h -"T
tlent effort got his muscles Into w7l
that thv rn.r,l. ... .!!.? e.1
.;.r- r.:r a..l v" "wi.,
.. '". -" . "n ne wants u
ins mntoiAi mar . .
...w .....,.. aims, wu 1 cnirQTlCl tfl A
flat, he gives himself the tn..u..
vf t.l1.rlfl, .... .1 . . - niVQ
nv.- ... ichuui wnicn Mr.
the desired scale. Every day h ,
"" " oticii, going up and ,
tween hla torso until he Is anaton
ttinn. Thin whn t .k
Just the right muscles are called ii '
calls for.
How utterly simple this m.V
IstlnA saerM I "
li'BV Dcctii
doing forward, with tht mnUi. .
t...i. tm.i... l . .r9
,mi 4iuion)r is now working t
every dance to a systemalle rZJ? .
one trained to the art may follow tki
tloni lust nn h n,nnn k. ..f!
..... i - ... ""-" " " PiI !
bwio, m uo ouro ne is aanclBg i
to note.
When the eminent dancer prfei.l
riADtr HVfltAm tlA mHHa (. Urn M ..'!""ji
Ity In what might be called and if
,o jhbv huuui i-u ud caiiea"A new i
rupny lor cnoreograpny."
"This book Is to be my life w
lated tho dancer recentlr. "
uruiiuii uurunu on account or the, i
mo mo unaiico x nceuea 10 ovin
But the project has been In roy i
some years.
"Tho Idea Is to evolve a system of ?j
Liu i a vy which me cnoreograpny ot k i
can be transcribed on paper, Just at i
is rccoruea mrougn tne medium et i
I claim no priority In the connti. .
Idea. For a century or more projeeti
Ing toward this end have claimed ilu
tlon of dancers. No end of labor Kaai
expended, but thus far frultlMii. .
collapse of the numerous exprlmij
beon due only to persistent failure I j
cover a jiiera wnicn was sutnolenuy I
irv;iiciiiiiv) huu inurougn. oo reiieb i
pucaiion una too nine directness
pllcltness tiereated these alma I Ml
that I have overcome those obstiek. '
"Although I cannot yet make pAHti
oiscovery, l oenovo It IS suptrltllT 1
lue uiiu uv;iu uiiu anMlO(OUS 10 '
notation. Not only will It be as i
record a complete dance, as It new '
rtcord a symphony or sonata, but m i
musically trained Is capable of.htutea
symphony mentally by merely rtaelail
score, so it win now De possible ff i
minu a eye 10 conceive me wnolf Ml
perusing what I might call Its score, i
will be set forth by the symbol! I !
devised.
"Just as the layman may now U i
to make some practical use of a 1
piano technique, he should simile
able In so far as physical attrtbuti
mit to acquire a certain teri
facility or his own.
Casual jottings In the new symbol i
pnjlnsky created were almost hla '
while a prisoner In Austria. Ills j
new dances were discovered, and w ne c
could decipher their meaning, he tu j
cused or being a spy, and narrowly
arrest.
"R will take a good strong ropo to haul
me back to the speaking stnge again," re
marked Thomas Melghan, tho Lasky star,
who 111 be seen at the Stanley Theatre the
first three days of next week In the Lasky
production of "The Heir to tho Hoornh,"
In which he Is costarred with Anita King.
"Tommy," as he Is hotter linown, was sit
ting in his dressing room at the studio with
his feet on n tablo littered with cosmetics,
matches, cigarettes, letters, pIpcB, shoo
laces, cameras, ashes and tobacco crumbs.
He had Just finished prowling nround tho
room looking for a towel with which to
remove his make-up and was starting to
wipe It from his face. "Thcro was a report
recently," he continued, "that I was to go
out in vaudeville and then another that I
was to'pUy a stock company engagement
but not for little Tommy I AH tho time I
have been with tho Lasky Company I have
had offers of good parts in tho I&st, but
I turned them all down. I am very fond
ot London engagements I have played sev
eral and J evert had nne of those offered
mo, but havo fully decided to stay with the
silent drama. A lot of people who came
from the ttage to the screen say you never
get an opportunity to use your voice In.
tne puoioarama, pui innvs an wrung, uui
here we have to learn to speak, just as wo
do behind the footlights, so I really cap
see no difference.
So lengthy Is tho list of murders nnd
tragedies of the operatlo stage that tho
gentle assassinations of Nero, Lucretla Bor
gia, Herod nnd other celebrated humani
tarians of history appear like the tender re
cital ot tho benefactions ot a modern char
itable organization. Never since the first
prima donna warbled forth her Initial ca
denza or the primordial self-effacing tenor
sang his couplets to the property moon has
thcro been a grand opera without murder.
If tho plot was not built on bloodshed. It
uas not grand opera. Matrlcldo seems, to
bo tho slno qua non of this most elevating
and most plutocratlo of the arts. Is there
uny special significance In the association
of the two adjectives? I wonder, as Nat
Goodwin Says.
Take Marguerite, for Instance, which role
Maggie Teyto will sing when the Boston
National Grand Opera gives Its season here
tho week of November 13. Poor little
Gretchcn. Sho not only commits Infanticide,
but her brother nnd all kinds of relatives
dlo or get murdered nB a result ot her
fall from graqel Besides, Faust la sent to
help populate tho vlllago grcons of the
Infernal regions, and there Is tho devil to
pay generally. Then look at petite "Madama
Butterfly." Sho only kills herself, but (t Is
a grucsomo act at best, and the tear vials
are in abundant evidence when the final
curtain falls. "Iris," another Oriental hero
lno who is also crossed in loe, jumps or
is pushed Into a vlle-smelllng sewer. At
leant that Ib what tho libretto says, but the
audience thanks Its stars that the produc
tion has not been staged by David Belasco.
"The Love of Three Kings' literally reeks
with death. Hverybody gets murdered but
the chorus, and as grand opera choruses
have never competed with the Follies in
pulchritude, one might wish that It, wero
tho other way around. Mlml In "La Bo
heme" demises with the lingering agonies
of tuberculosis. The average cantatrlce la
not a realist In art. Consequently she finds
It dllHcult to convey tho physical Illusions
of a wasting malady with the adipose cumu
lations due to a strict adherence to tho laws
enunciated In the woll-known Manual ot
Mammals, "Qorgo and Blow Up." Maggie
Prominent Photoplay Presentations'
sissssnvT f LA f tC, mrr Jw w
M&Jf
All pictures rflflewn
ktalnuc pictures tbreush
AIUAMDD A1:th. Morrla I'uayunk Ave.
HLnfllllDUftMal. Dally at 2; Ev(i. 0:4 V.
1'ara.mount flcturcs.
Blanche Sweet in "The Storm"
i a Buarantfo of earl tbowlnc f
before exhibition," Auk for tue
tiro ugh too hTANLKV HOOKING C
LOCUST
rnllE followlnr theaters fthtaln their Dlctnrai thronxh the BTANLEY Beetles
m. Comimnr. wlilfh It a suaranlro or early tbowloe of the unfit preaotueu.
APHT I ft Gl AND THOMPSON
VULLU MATINEU DAILT
By Jlqurat Ttwtiirn Knsainiit cf
"THE NE'ER DO WELL"
ARCADIA CHK8TNUT
rv aui A nui.ow iotu
NORMA TALMADGE in
"FIFTY-FirTY"
gELMONT i
UD ABOVE MAIIKET
Man., 1:30 A s:so, loe
Kir... fliliO. 8. 11:30 l&e
rrann;A xh.a m -each i-baul
A TEATt"
CVTi A R Tn AND CEDAIl AVE.
LUf PAItAUOVNT THEATEIl
DOUGLAS FAIRBANKS in
"nEQOlI? MIXKrf JN"
FAIRMOUNT "Pi,Sp AVENUE
BLANCHE SWEET in
"PUni.IC QJ'INION"
RfiTH W THEATEIl.
H
DANCING
STYLE OP
DISTINCTION
AT THE STUDIOS OV
C. EHwood Carpenter
1123 Cliwtnut Street
PltlVATE LESSONS
CLASS LK8SONS
Every Day and Eyenlng
UKAHN TO DAKCK
TK Only RU PImm
ASIIER'S POM. MU AKP WAUHUt
T-' :. mhu..vit
.twntkffwrio
)vm-, 1.M
TMAM
&'T:I
WAGNER DANCING
1T00 N, BUOAD rilONE OIA. 838
SCHOLAR NIGHTS
THIS WEEK MONDAY AND TIIUHBDAY
ANNUAL HAIIDI QHAS
PRIZE MASQUE
" HALLOWEEN T-
Dancing Until 1 A, M.
CASH 1'HIZKsV aVOUVKNIUS
COUNTRY v-'J LfJVK4 jOV. SP
It BluU or t Prt. .r. M. Alitr It Noon,
VQVAU BANCIt WATV-KDAV KVHMXO
AotjHmr at liRlng, Broad.
wr P Wi Camdeo, N, 4, ,
TOWERS
Wt-Ed Roctptitm Tonight
Otaaaaa Wwiaay aa4 frUy shenleaa o'ciook
ALL MASQUE 2&F&1 '
IdajsssasMsa sliurt laillsssuT ssMJilt isst la UV
Where the Evening
Ledger-Universal
Weekly
Can Be Seen
MONDAY
Savor Theater. Market HU.
Jumbo Theater, Front and Cilnrd An.
lionirrtet llteutcr, Henilnston Ate, and Sam-
treet St. . '
Keyalone Theater, 10th and South 81a.
Verdi Hal), lib and Clirl.tUn Hte.
TUESDAY
riasa Theater, Broad and Forter Sle.
Vlrlur Theater. Franklin and ClearHeU
Century Theater. Marshall Nt. and Krlo A?.
'letur Theater, J-rnnklln and Clearfield 8U.
Keyetone, 10th and boutii Sta,
Wednesday
Vrciuler.
Palm Theater.
totti Street Theater.
Maiomstu Theater. 7l St, sad Olrard At.
faiuaa Theater,
llVflVti.ne.
Ka.tHlck.
TIIUKSDAV
Stanley Theater, UtU and Market Bis,
Tuxedo Theater.
JCuiiIrp Tltenjfr, Frankford.
MqiiMirauaa. 4eu(r.
MAT. DAILY
Del, Spruce. Eraa, T to It.
EDNA GOODRICH in
"XLIK lOUHK Of JilRB"
FRANKFORD Tn frankasv3ernub
BLANCHE SWEET in
''PHumo opinion"
fl ADnUM BSD A LANSDOWNE AVE.
UrtlUU1 EVENIa 0:80 TQ It
Double Trtancle Hill. Dorothy Dalton In "Tho
J unfile Child." Ford Sterllnc In Trlnnile-
Keytono Comedy
JEFFERSON smi ?i?nrxaOTUM
ALICE BRADY in
TIIK Oir.DKn QAOE"
I ' 'J. 1"...' ' '
I FAnFR FOltTY-FIRST AND
UUtUlZtI. I.ANCA8TEII AVENUE
EDNA GOODRICH in
"THE HOUSE OF LIES"
HHIaiaai iBiiaii mm.:m
LIBERTY
NEI.t. HIIII'MAK.
nKOitoi: iiour in '
Added "THE 811
IinOAD AND
UUI.UMUIA
'Tiinongi
llELDINU
Nance P'NeU
theater la yea IseaJttr
COMfANY.
S2D AND LOCUST
Mats , 1 :30 and I ;
lvaa., oiso. e. en
in "ilia wu.i
M
Market St Theater
U D uadmcd : -
a a- a. r-ii4
'THE APOSTI.K OK VKSOBAJI
rrr?rrnri-iir eao HAY!
j v crvoiv-vrrw UejtM bh t
SESSUE HAYAKAWAl
. "THE HONOItAIII.H TRIK
PALACE ,,M "Eoc81
Marie Doro
10o 20c.
"THE 1
IX
PARK
ninnFi AVE. a DAUPH
MAT.. 3115. EVO..
WILLIAM S. HART i
'TitB nisrtpi.w
nnKT-iKoc 1018 Ma
riviiicoa strh
"DIANA OF T1IH FOt.T If S"
LILLIAN UU5M
rr-i7ikYn 1R34 market BTR1
in,jfvii i a it ii in void
F. X. Bushman & Beverly
In 'THE DIPLOMATIC SKBVB
D I A I T Cm OEIIMJINTOWMJ
I I n JU a V AT TUWHV
mae Murray w
"TUB niiBAM omi."
-ft e v v ir xranirnrr firrnEET
K U D I IJKLOW TTH I
MABEL TALIAFERRO!
'-TirE DAWN OF UWfiZ-
SAVOY wyttEF
NANCE O'NEIL in
. ITHB WON WOMAN-.
inn a mee mr MARKET AS
3 1 AlMLIi Y i.i a a.m. la It
CLARA KIMBALL YOl
in iniy ' wwu" ." t i
UNO AN nnd
I THE WAU
B1IAUOW"
t i n n a T p vw
DUSTIN FARNUM i
"THW rBBON; OF PANA1
VICTORIA WIS
F. X. Bwhman & Beverfyl
la "ItOMBK) AND lVUlVfl i
vrvsj riiiMPi:i.rniA
AllnUnjr Theater,
FRIDAY
SUnler Theater, l&th b4 Market 8ts.
Market St. Theater, 8lT Market 81.
f-nhotkelnli . TheaUr, ami .Diamond gu.
Klchuiond TfeeuUr, Klehuoud aud Clearsell.
PalrowuiU TeUr'
(lirtarlu Tlifatfr.,1. ,
(treat Southern Theater,
Warn neater,
SATUKDAY
Stanley TUjattr, HH pud M
llterbruuk .Tbwler. UimI J
ket Bt(.
ayertead Awe.
JP''
jr ana
1L'9&
flfMT- ? m,r au . .
wufr, oh aw yf ynssj l, ,
5s2jjrrT. A rslwwsA An.
SfBIWR
MASK
faltowa'
m
fB
EUREKA
Wm. S. Hwt
10TH MAUKEV BTS.
THE PATRIOT"
NORTH rillLADKLfHIA
GIRARD mA"D AVK' SHa'nd' .
VAtinKVtI.T.H AND FHOTOPLJIYB '
SOUTH PHIMDKLrHIA
Al VMDl A BROAD
WILLIAM FARNl
"tfh FIRJW or cojisort
" l
Mhen Vou Wt U Km W fj
Phaloftor K Tkif V"f
In tho Kveoln Idfer,
.ANNOUNCKMENf
, RJCHAD SACK, ornist, forarly of the Stnky'Th
wubm to Inrortn hi frUndj and followers of .his prcMB
ion witli the feewtiful
FRANKFORD THBJATKR
4715 Frankford Ayonuc
Win.; uw iricads and will b gUd to
Yhre ht I rtfistty
tltt old OHM,
- i.