EVENING LEDGEfe-PHILADELlPirrA. SATFTCDAY, 60TOBER 28, 1010
!XT WEEK: SKINNER IN "MISTER ANTONIO" AT THE BROAD "FOLLIES AT THE FORRE!
lis Proteus
"Isn't Scared
I By His Roles
ft They Include Ghosts
rand Scarce ows and
Other Creatures
tV one rmaln, the many Changs and
." -while an -aamiraDie aescripuon or
' single-role actor would bo th worst
In tho world for George Hnasell, who
kslsrlnff with such rare unction the part
V. .... ... w i -
INA, CLAIRE, MIMIC AND SUCCESSOR TO CISSIE LOFTUS
A
ir
vy
lender In "The
atrl From Dra
all." at the Lyric
Theater The
dramatic re
porter, when he
penetrated the
scctilc caverns
at Broad and
Cherry streets,
already knew
the actor for a
g o n 1 1 e man of
m m viiw-j?:
t. ffiil v n i 1 1 (I k ilia
ny )ocni icm
Qermnn In "The
High Cost ot
L o v I n g," his
stodgy Honor
able George In
ccles of ned Gap" and hla quasl-fantas-
nondescrlpt In "Hands Upt" But he
rcely expected to meet-a person who had
everything nerore we looiugnta irom
scarecrow In "The Wizard -or Ox" to
Ohot of Hamlet's rather, nnd from
vtd Harum" to Stephano In "The Tern-
It was almost shocking to learn that
. rich protean talents hadn't been more
cly Illuminated before. ,
('Mr. Hassell Is, besides, a theatrical
Hy. He has read much, traveled, studied
land monstrosities and Is so replete with
"conv that even the most retentive
bin might quail at the" task of transmit-
all his taking Ideas and suggestions
KMd Impressions. While the chorus ladles
humming ana rutting about and gen-
lly getting under foot, Mr. Hassell fixed
reporter wun nis large, amiable eye
I spoke somewhat as follows:
. "I have two great sorrows In life. One
1 that I ve never had a proper chance to
1 Dickens's characters In the theater. The
Is that the physicians have debarred
from the king of Indoor sports. No
for me the festive flagon, tho cheer-
cocktail or the hilarious highball. My
lth wouldn't stand that kind of amuse-
nt, so from Interior decoration I have
hed to exterior. Behold In me, sir, a
ater In oils. My 'school'7 I should
Impressionistic. I take, for example, a
oral scene with n chastely classic pump
I the middle 'Oh, what a grand tree I' re-
Its a friend. Saying nothing to him. I
tptltlously dab a bit of green on. nnd
t my artistic conscience. I have trans-
ned an angel Into a browsing cow. nnd
L lyrical lane into a purling brook with less
ut1e than It takes me to discuss It." At
i point, several chorus ladles who were
rten'ng In" betrayed signs of fainting.
ned Mr. Hassell. being a humanitarian.
Uanged titer subject back to Charles of
J Hill.
"Seriously. I am hipped on the subject
r Dickens," said he, with reol appreciation
t a master In his voice. "Walt till ydu see
he Highway of Life.' the dramatization
t 'David Copperfleld,' which was done at
bRM Majesty's In London, but which hasn't
ems he e. Mlcawber: what apart! I would
v given half of my life's hlnhwav in hv
4oe It." Mr. Hassell struck an attitude
IWfgestlng most amusingly "the remains of
1 mien lower" in that Immortal volume.
Or Chadbandl Exuding oil and the odor
toast" Here he expanded, beamed
aiily and took on the aroma of self-
clous sanctity, 1
! "Why doh't VOU ret Knm nn n n1n
a, Dickens novel properly nnd piny In lt7"
wa asKca. xno actor didn't seem to
wak most of such ndantattnnx wrA m,..
l'uI' but expressed himself as always In-
mini ana aieri lor such a part. He
n't have many kind words for musical
wedy, but the. topic brought him around
' bis theory of clowns and acbwnlncr. "I
m to this present role fresh from The
""par ne added, "and I Just play
rkel as If he were Stephano. Plavera
tOO apt to treat Shakegnenrenn fnnt
Wently. They forget that nonsense Is
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Here is tho original Jane Cowl, of "Common Cmy," now nt the Gnrrick.
not for an age, but nil tlmo.' I don't see
why "Begone, thou malapert I' shouldn't be
voiced In the same eln as 'Getout, you
bloody Idiot I' Facial play, though. Is h'ghly
Important In broad comedy. I consider
one of the neatest compliments I ever got
was the opinion that I could look like a re
tiring turtle. As to make up, that's largely
a matter of mood. Large mood, large eye
brows: repressed mood, repressed wrinkles
and so forth.
"I've acted pretty much everywhere '
Africa, Australia, England where I was
born and America. I've done every con
ceivable sort of part In stock, musical
shows, tragedy nnd comedy. My versa
tility got Its hardest twist In Plttsneld.
Mass., where I went to fill a week's en
gagement and stayed about n year. It was
a queer company, composed of lots ot
Broadwny actors who came there, liked the
social atmosphero and stayed. We H'erally
acted everything. By the way, I began as
a 'heavy.'"
Mr. Hassell gave the final flourish to his
interview of surprises when he said he'd
begun his career In the British army. He
got a bullet In the chest In the Boer War.
But what's a bullet more or less to a man
who has a straw man and. David Harum,
a Mlcawber and four thousand other char
acters rolled up In his head? B. D.
On Their Way
Frances Starr will begin a- 'limited en
gagement at tho Broad Street Theatre
Monday, November 27, Vhen she will bo
seen In -her new play, "Little Lady In
Blue," a comedy with Its scenes laid In
France and England In the year of 1!20.
The play "presents somo pictures of the
gruff old seadogs Svho helped Nelson make
England supreme on tho seas." Miss Starr
has tho rolo o, a young English girl who
has been a governess, but who plays the
adventuress In order to get hold of some
money with which to lighten her poxcrty.
The Knickerbocker, In West Philadelphia,
la on the Job with an announcement of the
frst local production of "Tho Home With
out Children," by Robert McLaughlin, for
tho week of November 6, Of course, "Old
Home Week" will be celebrated.
EVIDENCE FROM
"COMMON
CLAY"
Here is Miss Clniro's "Follies" vcr
sion of Fnrrnr's Cnrmcn. It is nn
unennny impersonation nml con
trasts widely with tho parody at
the right.
And litre Is the imitation bf Misj Cowl, as it will be seen nt the Forrest.
Ed Wynn, Wko Soon Passes .
to L
ync m
"P
assm
gSh
11
ow
Ev4 miL
I was born in Philadelphia, November 9, 1886.
Played violin at children's concert at Academy of Music when
ten years of age.
At fourteen" years of age was one of the founders of the Bal-
bazoo Theatrical Organization, now an annual
event in the city.
At fifteen years of age started taking
Wharton Courso at University of Pennsyl
vania. At sixteen years of age tan awnjrfrom
homo and joined traveling repertoire company
for $12 per week. Thurber, Nasher Company
1 10-20-30. With it twenty-seven weeks.
Stranded at Bangor, Maine, Wynn played in
eleven different shows a week matinee every
day but Monday. Played piano in the hotel
and took up collection to get money to go home.
nrr ot-nrm ommn mnnt Via tinned jierainwroto
frio own vaudeville act, Wynn and Lewis. Jack Lewis is now in
vaudeville doing monologues. ,
Been on tho stage fourteen years and wrpte all my own
teaterial, such as dialogues and songs, etc. .
At seventeen years of age went on vaudeville stage, where I
nained for eleven years, playing a different act each year except
ing the use of "The Funny Hat." v L , , .
Wrote all my parts and now working on material for
"Passing Show oM917."
Will be thirty years old ninth of November un I'miaaeipmaj ,
Son of Joseph Leopold, retired hat manufacturer.
, Am negotiating with Mr. Harry Perry to send my acts and
writings to England and Australia. ,,,.,.,, u
Am writing book, "Oritjcizing urjtics ssoi. jurainaut;;.
': Am writinc book. "Just Plain Nut."
Married Miss Hilda Keenan, who made
Wg hit as Aggie, in "Within the Law."
MJs Keenan is the daughter of Frank Keenan,
e eminent ctor.
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. On July 27 last son was born, named
wer granddad, ''Frank Kewan Wynn."
Will appear in two screen produc
ttona next July, of my own writing.
Have signed
ith ShiiberU for
Bxt fte years.
My -first ap-
Pranee pro-fssionall.y
Smith'! Tlaft.
r. BridMMi. (Vmn.. Aumiat 8, 19u2
Lord PennfoftQft to -Mra. Jack
f I I I , , ipi II II
JJcfn7 tho two rrndal bits 0 dialogue, th
ftrtt from act two 0 "Common Clay" at
the Oarrick, the second rom net three, by
tcnfcA the audience and the people of the
play learn that the lawyer. Judge Filson,
ha been crost-examlntna his own (llrpltl-
mate daughter.
Judge Filson (UelatltiK the story ot n
youthful Indiscretion) I asked her to
marry me. She refused. She said she
wouk bo wrecking my life. And then she
did what women can so damned well
she sacrificed herself. The next day she
was found floating down the river. Just bo-
klow the city.
Mr, Fullerton And what of the child?
Judge Filson It was never born. She
mailed me this note: "When you get this
note, Sam, I'll be dead. I won't pull you
down with mo, and I hope you'll take tho
chance I am giving you to go up. Now,
don't act like a fool nnd gie the thing
away. It will be too late to do any good,
I want to repay you for being straight with
me, nnd this Is the best way I know how.
Good-by. Dolly Montrose. V, &. I want
you to go to tho top."
''
Judge Filson Let me ask the witness a
question. Mrs. Neal, have Joihnny good
renson for declining to tell me who this
girl's .father and mother were?
Mrs. Ncnl I don't know who they were
that Is
Judge Filson Don't know who either of
them was7
Mrs. NeolI knew her mother.
Judge Filson And have you a good reti
son for not telling who Bho was?
Mrs. Neal I've promised not ta and I've
kept my word so far. That child herself
thought up to now that I was her mother.
As I nm a Christian woman, I have tried to
be a mother to her.
Judge Filson May It please the court, I
will not press thLi woman any further. I
am sure had you been her mother her
career would have been different. Hut you
can't expect much of those who come of a
bad lot.
Mrs. Neal She didn't come of no bad tot,
sho didn't. Somo might call her mother
bad, but her father was one ot the biggest
men In this town.
Judge Filson1 Well, he ought to be hero
right now. Where Is he?
Mrst. Neal Judge, your honor, I don't
know 'who he was. Nobody knows. He
don't een know himself.
Judge Filson What?
Mrs. Neal It was this way I'm going
to tell It all and she loved him and didn't
want anything to stand tn his way. "If 1
tell him what'a happened he'll want to
marry me," she Bays, "to set It right, and
that will bo ruin to him. Nothln' must
stand In his way," she said.' "He mustn't
even know that the child was born." Bho
wouldn't tell me who the man was, and I
don't know to this day, but she said I had
to help her to help him. And I took the
baby, and I said, "I'll help you, Dolly," "I
want that 'kid' to be1 educated and reared
as though nothing had ever happened," she
aid.
Judge Filson Dolly t
Mrs. Neal That was her name, lawyer
She was a woman of the town they called
her Dolly Montrose. And the next day they
found her body floating down the river.
She didn't want to stand In the man's way,
and she didn't want either him or the child
to be In each other's wny Hut you enn't
say, lawyer, that the child enmo ot any
bad lot. Men like you m'ght cult her
mother bad, but her father was ono of the
biggest men In tho town. Hut thnt ain't
salng he'll bo any bigger or better than
Dolly Montrose In tho kingdom came.
FROM THE WASHING
TON SQUARE
PLAYERS
The list of plays to bo presented by the
Washington Saunre Players, of New York,
a tho i.lttle Theater, this city, beginning
Not ember 6, Includes "Kugenlcilly Spenk
Ing," by lMuard Goodman; "Literature."
by Arthur -Schnluler, flrst glcn hero by
Mrs. Jay's company In tho same playhouse:
"In April," by lloso I'ustor Stokcn, and
"Helena's Husband." by Philip Mocllcr.
These pieces will bo produced Monday,
Tuesday nnd Wednesday nights.
On Thursday, FrliUiy and Saturiliy eve
nli.gs, and nt both mMlnees, Thursday nnd
Saturday, tho bill will lie: "A Hear," by
Arton Tchekhov; "A Hoadhouse In Arden,"
by Philip Moeller; "Interior," by Maurlcq
Maeterlinck, and "Pierre Potclln," a fit
tcenth century farce.
OTIS SKINNER ON
DICTION AND
THE STAGE
Alia NazimoYfc'
For Photoplay,
But Not Movie
Star of Brenon War
Brides" Praises In
tensity of Screen
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With Otis Skinner returning, nftcr many
n relatively long absence, to tho city that
Is his home. It Is Interesting to recall
sundry wise words on better Hngllsh for
the stage uttered by him within tho hcarltig
of a New York nowepnper man.
'The stage has n far moro suptle In
fluence over our notions tr. in the class
room or the personnel of business Institu
tion"," raid Mr Skinner, who will nppear
at the llroiul Monday. "Particularly do wo
go to the theater nt Iho Impressionable,
hnblt-formlng age, predisposed to admlro
what wo seo nnd hear Admiration soon
turns to imitation and Imitation to adoption
of the specfth and manner of tho model.
'Thti has been notlceablo In tho rank and
file of my own profession. I recall how
prono the members of Sir Henry Irvlng'a
company wcro to tako on suggestions ot
tho eccentric delivery ot their chief Law
rence nnrrctt's company was strongly Im
bued with tho pcdantlo elocution ot the
star nnd tho membcra of John McCul
lough's support were nenrly all llttlo Mc
CultoughH. During tho height of Ada
Ilehnn'H popularity nt Daly's theater, It
was nlwnys amusing to hear young women
both on nnd oft the staco Imitating the
Hehnn drawl.
'The dramatic art ot England and
America suffers from want of standard,
especially ns regards Its pronunciation and
enunciation. It Is not bo with tho stage In
France nnd Germany. In those countries
tho spoken language Is to bo heard In Its
perfection from thn stages of tho lending
theaters, nnd foreign Btudents of the nntlvo
tongues nre sent to llBten to plnyn to nt
tune their cars to correctness. This Is, alaa!
not the condition with us. Slovenliness,
whllo not the rule, Is too often found, nnd
provincialism obtrudes painfully at times.
"I believe," houevor, wo are bettering the
speech of our American actors and wo nre
tlndlng that many of them aro not past
ocal euro.
"In school nnd collcgo much can bo ac
complished for tho purity of ntago Hngllsh.
What would be of nlue would bo speech
classes that would havp for part of their
work tho criticism of the manner of actors
In high school plays that aro produced on
10 Htages of urlous clues, l-'ouuy singo
Itatlon, Instead 01 ueing a menace oy
Ing n model, would become 11 norrinie
tffjMSye tnrougn me ueiccuon ui ua im-
purines, iiio youui. urmi:n wuiu m.t.u,.
tho faultH In class with Imitations and ex
amples after an ctenlng at tho piny,
"I.Ike the botany nnd geology classes
that are Bent among tho plants and rocks,
tjie students of the spoken, word rovld 6ml
examples anionic the best nnd the wjrt ot
actors nnd public speakers. Speech experts
should be the tcachem nt such clauses and
form a part of tho faculty of every college
In America.
"And think of the stimulus to the actor,
when he knew that a largo group ot young
nnd eager critics Is attending his perform
nnces to pass upon his enunciation."
entertainments) slnco September 30, It Is
Interesting to dip Into tho statistic at and
Juggle a bit with dlxry figures. "Where
do they nil come from?" asks the Hippo
drome visitor, nnd you will have to look
elsewhere than on this page for the answer.
On November 27 tho Hippodrome cele
brated Its 100th performance with a record
of 517,400 patrons up to tfiat time. On
January 25 the 200th performance was
reached 1,011,400 was the attendance fig
ure, Tho 400th performance, reached on
JMny 19, brought tho figure to 2.021,100.
For eight months tho average dally attend
ance was moro than 10.00Q persons.
In other words, the aggregate nttendance
this season has been ns large ns the entire
population of Manhattan borough as large
ns the poulntlon of Berlin, Paris, Chicago,
Toklo, Vienna or Pctrogradj as large as
Philadelphia and Moscow put together.
Last season "Chin-Chin," In Us second
season, succeeded In rolling up nn attend
ance toll ot n llttlo over a million. This
year's grand Hippodrome total Is 2 118.110.
"Hen-Hur" played two years In n New York
thentcr Seating less than 3000 people to
something under 1,000,000 patrons. "Amer
Icn," the spectacle which occupied the Au
ditorium of Chicago during the World's
Fair, broko all attendance records up to that
tlmo by playing to 350,000 patrons In five
months. Mnudo Adams presented "Jeanne
d'Arc" at tho Stadium In Oakland, Cab, to
60,000 peoplo In three performances, But
nothing npproachjng the history ot the Hip
podrome run this season has over been recorded.
Here and There
The fifth dramatic season of the Chicago
Little Theater was recently opened with
Allan Monkhouso's "Mary IJroome," a play
familiar tp readers of tho printed drama.
It was the flrst American presentation of
thf piece.
The St. Lou's Llttlo Playhouse opens for
tht, season on November 15, with John
Galsworthy's "Joy." Tho thentcr has a
setting capacity of 2E0.
Frltzl Schorr will shortly star In a musical
piny, called "Husbands Guaranteed." ' It's
an adaptation from the German.
Lee Kugcl's comedy, "Old Lady No. 31,"
Is to have n New York booking, Rachel
Crothers dramatized It from tho novel of
tho same name.
(The following detente 0 motion
U from an Interview cith Alia Nattmtm,
who held out aoalrut them for a lenf Hut,
finally giving in to the pertuatlon Her
bert Urenon, who van prnent tut umiwh
tar in a film vtrtion of "War SrUet," 'Mr.
Urenon alto directed the WtlMam Ftm
facie, 'M Daughter of the Oodt," now at tin
Cheitnut' Street Opera lloute.)
It used to be that when a player so tor
forgot the dlgnlly ot the theatrical pre
teuton as to appear In a motion pletwe, t
friends would gather In little groups a
speak of Vie Incident In hushed tones an4
with grave expressions. You 1 almost ex
pected them to send wreaths of Immer- -
telles to the dear departed. It wasn't
"done." It was as terrible a faux pas m
wearing satin slippers with a riding habit.
Those daring pioneers were almost ostra
clxed from rctpcctable theatrical society,
and when their financial success was erl-'
denced by the possession of An homes and
automobiles, these gains were looked upon
by the superior "legitimates" as badges ot
their shame and downfall It was under
stood that no one would "go Into (he mov
ies" except :o make money.
Nor could one blame the lofty critic
ot those days for their attitude. Intrinsi
cally the pictures produced then were net
artistic. The plots were crude, th
photography mediocre and glaring Incon
sistencies appeared constantly. The sincere
artist could not but shudder at the thought
ot being seen in such productions. But
whose was the fault? The men and women
who were doing their best to evolve a new
art with what material they could obtain
or the more talented ones who refused ta
tend their aid? Personally I do not feel
that there Is any blame to be attached to
either. The world of art, like the worll
of commerce, develops In all directions be
cause of the diversity ot Individual am
bition and taste.
Here, then. Is substantial proof of the
vitality ot this new art that tn addition to
nil the other difficulties which anything new
must encounter It has had to face and over
come, not mere apathy, but distrust from
those who should have been most sym
pathetic and helpful, oven If they felt no
desire to Join In the movement toward
creating a new medium of expression. Be
neath this opposition, possibly, there was a
touch ot antagonism, not unmixed yrlth
vacuo fear, that here was a new ana
dangerous competitor, overbidding th
spoken drama In salaries, underselling It in
output and Imperiling Its standards. They
may have felt that the playgolng public,
witnessing these cheap and trashy enter
tainments, would become satisfied with
something less7 than the stage Itself could
give and no longer be willing to play, as
In the past, for tho best plays offered by
tho greatest players and producers. That
fear has been destroyed by the history of
the last few years. Good plays are In aa
great demand as ever.
Those pioneer days are now past. Thla
la proved, not In the great mass ot movlnK
pictures we see, but In the flashes of ge
nius which show what can lo done when
true artists devote themselves sincerely to
creative work. On the speaking stage thero
have always been more bad plays than
good ones, but no one ever argued from thla
that the drama was a failure. We must
always Judge an art by Its best examples,
not by Its worst, nor eveh Its second beet.
Each art must represent a distinctive
form of expression. Sculpture speaks
through form, painting by form and color,
muslo In sound, poetry In rhythmic words.
But what Is the essential thing which the
moving picture does which cannot be done
at well or better by the drama? My an
swer would "be: Intensity. The photo drama,
eliminates from the story everything ,but
the fundamentals. There Is no dialogue,
except for brief explanatory sentence.
Nothing Is told but the essential part of
tho story, and so the photo drama haa
found Its forte In EMPHASIS.
A LA TOM DALY
Otis Skinner, who returns to Phila
delphia via the Broad next. Mon
day, has exchanged tho volublo
beggar of "Kismet" for the equally
volublo organ grinder of uootli
Tnrkington's new 'play, "Mister
Antonio."
FIGURES DON'T LIE
FOR DILLINGHAM
The famous dictum about "figures lying"
cannot bo "pulled" on Charles Dillingham,
producer of the New York Hippodrome
show and of "Hip, Hip, Hooray I" now nt
tho Metropolitan Concerning the former
entertainment, which closed Its run In New
York city during tho week, wo nre Indebted
to a New York newspaper for this:
Since the Hippodrome has a capacity of
CS74 and has been playing twelve times
weekly (exclusUe of the HuridaV evening
WHERE METRO SHOOTS ITS CELLULOID
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Beingf a Rkymed Review of
"A Daugkter bf tke.Gods
A (luuiti of u lonwr uf Un Kulft Metro atudtu, win r tin ilimtu n u.o fio-u vuiu is, Ui jntnlu Uie m
mux Ledger pruu- ntuki, "Phil and Doiphuw." Work will un within the uixt furtuighl
Tho largo dressmaking bills of wives
Their thrifty husbands oft regret;
And ladies throw away their lives
A'planning not to go in debt
Sartorially; suggestion drives
Tho thought homo: 'Why not apo Annette?"
Miss Kcllcrmann, in other words, i
She's playing at tho Opera House
In a movie filled with gnomes and birds;
Perhaps tho cast has got a mouse
Somewhere concealed within its herds
Of humans, witches, cats and cows. .
Wearing a sad and filmy smile,
And little else, I'm forced to add,
The diver moves midst scenes of guile;
A foreign ruler, old and bad, .
Pursues her many a weary mile -
Pcdcstrianism seems his fad.
Wis hindly, young adopted son, .
The hro of this talc,
Is also hept upon tho run , i
To save Annette; ho doesn't fail'., j''- ''
To ball things up (this taUes the bun)
When armored in a suit of mail.
Tin dues the eirl a deadly thrust, .
J.,, J 7it Itnr in tho nitv timlL 4& , tfr
irl ,. IU - .w V"J w"- -.iHa.
While battling armies, docked in duk,t
Your agitated eye appall;
You see, with many a martial gust
Of splendor that greet city fait.
Tho memory ef moonlit isle K
Will liHger taith you till yen iU.
The mermaid cleaving liquid tilting
Are Uaauliful, you o't dmmt
Of rmmte, lha story's oUmr
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