tiVKMlM jLEDGKK-PHLLADELPHIA, HATtTKDAY. OCTOBKB I ISM
WmSmt WALNUT. "NATURAL LAW"- MF.TROPrtLTTAN. "HIP HIP HOORAY" SATURDAj
TLc Wisdom of tkc Stars
FIVE yers In a single parti George Arlisa has told a New
York reporter that he thinks his seasons of stagnation in
. "Disraeli" "a terrible thing" for him. It is just as terrible a
thing for the American stage. For it is one symptom of tho
wfeofesale gamble that makes good art and good amusement so
1 BMch rarer than they should bo.
Things don't have to bo that way. And tho actor himself can
jdbw us the way out. Unfortunately it is only tho players from
abroad men and women who know anothor sort of theater
1 that understand.
Londoners, for instance, liko Mario Tempest and her hus
band, Graham Browno, know a theater in which the actor-artist
Is, king. "Of course," said Miss Tempest tho other day, "critics
attacked tho 'actor-manager in London just ns they do tho 'com
mercial theater' in America. But tho actor-manager means an
artist instead of a business man at tho head of a theater. It
means a playhouse with tho samo class of plays and almost tho
same company of players season after season. And, of courso,
bat means the sort of loyal and profitable clicntclo which you
ean't expect in America."
. . "And," interrupted Mr. Browne, who is one of England's
moat expert stage directors as well as a finished player, "it means
a real 'ensemble.' Tho actor-managor, liko Trco, Aloxandor,
Forbes-Robertson, is not a star in the American sense. Ho heads
his company, but ho often has ns good players as himself about
him, and ho always has actors whom he can drill into a perfect
working unit. He does thiB becauso ho is responsible for his
theater and ho takes prido in a fino production by a fine company."
"In many cases," said Miss Tempest, "the actor-mnnagcr
establishes a genuine repertory theater. Wo had such an organi
zation before the war and tho result was that it enabled us to
develop not only acting but drama. Arnold Bennett, Harold
Chapin and a number of playwrights you don't know over here
got their first taste of stage success at our Royalty Theater."
"And yet, do you know," broke in Mr. -Browne, "it is the
author and the actor that stand in the way of the repertory
theater in America. The playwright wants tho long run and the
big royalty, and the actor well, tho actor can't see his own best
interest. He seems to be happier with $150 a week and the
risk of getting into a failure and out of a job than ho would be
with $75 assured him week after week for a whole season. Or,
if he's a star, he won't co-operate. Four distinguished actors
could manage an American theater of real art and real pros
perity if they could only agreo to sink their own personalities
w'hen tho moment demands it."
Yes, Arliss can do something better than bemoan the "terri
ble thing" that has been done to him. But will ho?
Miss Tempest says that the American-bred star doesn't feel
his responsibility as a public servant. Perhaps that's the
answer. K. M.
FAIRY FANTASIES FROM A FORTHCOMING FILM
Introducing the Producer
7 . ". . .
Burnside. Stage Director, Librettist and Genius of
the New York Hippodrome Which Sends Us
'vHip Hip Hooray"
With Philadelphia Interested In tho me
efcantcal difficulties of transporting "Hip.
Hip, Hooray," the New York Hippodrome
spoctnelo which cornea
to tho Metropolitan
Opera Houio October
H, attention naturally
centers In II. II. Burn
sldo. Charles Dllltng
ham's general stage
manager, who pro
duced the pageant and
who Is attending to all
the details preparatory
to the premiere hero.
They call him Durny
at the Hippodrome,
He has been associ
ated with the theater
alt hli life. He Is a
Scotchman who has
been pretty well Amer
icanized In the twenty
five years or more
that lie has spent In
this country. He began his stage career
In hts mother's arms when he was carried
on In "Little Emily," tho cost of which was
headed by Henry Lorraine, the father of
Robert Lorraine.
"But," he was asked yesterday at the
Metropolitan, "every one knows you've pro-
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iluccd numerous recent successes, besides
the two Hippodrome spectacles. Tell Just
what they were."
"Well. T'll I.AV. U n rtftiAM tn mnv
whether they were successes, but among
mo iimy i prouucea ror unaries Hilling-
hHtn W.r. 'Ht-A. Ihn Ullupl .,ll. 1.-.1.1tjk T.-n.r.
... ...w w.v. .u ltiui null uuw ' u ,
Tho Lady of the Hllpper,' with Montgomery
nnd Stone and Klnlc Janls; 'Watch Your
mep, witn mo castles; "Chin Chin,' with
Montgomery and Stone; "Stop, Look and
Listen,' with Gaby Deslys. And then there
was Tho Beauty Shop,' for Cohan and
Harris."
"And what about the earlier productions
you staged T"
Mr. Burnside took out a pencil, and oq a
tablet lying before him wrote the following
Lllst to refresh hts own mind while he talked:
-ine uunaways," with Fay Templeton;
'Tho Hmeratd Isle," with Jeff do Angells;
"Fantana." "Sergeant Kitty," with Virginia
Korle; 'The Taurlsts," with Julia Sander
son, Hlchard Golden and William Hodge;
'The Social Whirl." with Joseph Coyne;
'The Gay Whlto Way," with Blanche Illng
and an all-star cast; 'The Earl and the
Glrl,'vwlth Hddlo Foy; "Happy Land" and
'The Pled Piper," with Do Wolf Hopper,
"Besides those," he added, "I wrote and
produced 'Sporting Days,' 'A Trip to
Japan' nnd Tho International Cup,' each of
which ran for one year. And then I was
with the Bontonlans for two seasons, when
Bornabee, Macdonald, Eugene Cowlcs,
Jessie Bartlett Davis, Alios Nielsen and
Orace Van Etuddlford woro In the cast.
"For Lillian Ilussolt I producod The
Grand Duchess' and 'La Perlehole' and
'Lady Teazle.' And there was Delia Fpx,
for whom I produced Tho Little Trooper
and "Flour do Lis' ; and Jeff de Angolls, for
whom I produced The Jolly Musketeer' and
Tho Itoyal Itogua'; and Churles Frohman.
ror whom j produced, The Girl from Mont
martre, with Hattle Williams as the star,
I also staged The Red nose,' by Harry B.
Smith, at the aiobe in 1811. and recently I
went tt England to start Wntch Your
Step' In London, with Joseph Coyno, Ethel
Levey and George Graves In the cast."
It was Lillian Itussell who brought Mr,
Burnside to America. She was playing at
tho Lyceum In 'London In 'The Queen of
Brilliants". When they met. Before that ho
had a theatrical career of fifteen years or
more, 'dating from his tunning away to
join a trbups of players at Brighton when
he was ten years old. He went to London
with these plnyern to the Gaiety Theater,
worklnr as callboy, and three months passed
before hts family located him and brought
him back. About four months after that he
ran away again and worked as callboy for
Rlohard Barker, tho famous stage manager
who produced the Gilbert and Sullivan
operas at tho Savoy. Then after four or
Ave months he began working for Henry J,
Leslie at Her Majesty's Theater, which was
conduotod on the same order as Drury
Lane. The Tivoll, the Alhambra, the
Palaee, under various noted managers,
wero then successfully the scene of his ex
periences. Mr. Burnside now has the new Hippo
drome pageant, 'Tho Dig Show," running
with precision and order, and the Immense
cast and the hundreds of employes move
Jlke. a .well-disciplined army. He will de
vote all his time to the opening here.
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A chnrmlnj? bit of photography from Herbert Brcnon's spectacle, "A Daughter of tho Gods," in wnicn Annetto
Kcllcrmnnn will bo presented to patrons of tho Chest nut Street Opera House ten days henco by William Fox.
Between the Lines of "A Lady's Name
i
CYIIIL HAIirOUItT In his comedy, "A
Pair of Silk Stockings." proved his
nblllty ns a writer of brisk and smart dia
logue. He has further dernonetrated capa
bilities In this particular In "A Lady's
Name," written for Miss Mnrle Tempest
nnd now on view nt tho Broad Street The
nler. Hern we have portions of the scene
botwren Mabel Vere, lady novollst, played
by Miss Temprdt. and Mr. Adams, a porson
who has come In answer to her adver
tisement for a husband. Mr. Adams Is
nnturally In tho dark to tho fact, which
tho nudlcnco ltnowB, that Miss Vcro Is
ATTACKED BY MOBS
IN THE TROPICS,
BUT SHE LIVES
There wns once a variety act, welt re
membered by otd-tlmcrs. In which one part
ner apparently crucified tho other, ending
up the proceedings by setting fire to tho
hair of his colleague, and then apparently
chopping him In two with a meat ax. Some
thing of this sort of ninth degreo persecu.
tlon Booms to have been Inflicted on Annette
Kcllormann by her directors In tho William
Fox fantasy, "A Daughter of tho Gods;"
which will be presented at tho Chestnut
Street Opera Houso, opening Tuesday eve
ning, October IT.
Tho strangest part of It Is that Miss Kel
lermann, Instead of being a much-mutilated
corpse lying In tho Jamaica Jungle, is nllvo
and kicking In Now York, working twelve
hours a day, and enjoying herself, with
scarcely a scratch to tell of tho fearful
ordeal.
"I was thrown to the crocodiles," said
Miss Kollcrmann. "I was bound hand and
foot, to bo Immersed In a raging series of
rapids, from which I plunged headlong
down a waterfall. I was beaten with sticks
by 1200 negro boys disguised by means
of long falno beards as gnomeB. I had to
Jump 10S feet out of n Hghthouso tower to
escape a wicked old sultan, and was chased
by fifty black swlmmerBtho swiftest swim
merB In tho tropics, each of .them with a
knlfo In his teeth, with which to stab mo.
I was tossed between Jagged points of
sclsors-llko rock, again bound hand and
foot, nnd unable to make a landing, I went
through flro, flood, tunoko, ljurrlcano, mira
cle, battle, until finally I was .killed by a
long spear thrust administered by my own
lover, who believed mo to bo the leader
of the opposing army, Yetj hero I am. I
was never seriously hurt, and I never over
exerted my heart or the muscles of my
body. This proves what perfect bodily con
dition will do In enabling an athleto to un
dergo the simulation of all kinds of perils."
Movie Ball Soon
World's Series
on Scoreboard
JVllawW the modern method of bring
tng the mountain to Mahomet, Topi May's
KlestrU We4V lierakled as "the roere
boart m cd as the real gams," 'will In
Utl KK tn Mm Forrest Theater and tick
off thi world's swiM gawes for rhlladel.
phlana an MeswUy.tTiissaVar. Thrs4ay and
Friday Mt toaafc.
The massUiie (c al4 to show every move
made on fee Met, aad r4in 4d detail
am not vaati; U( its tMrsWxuuuMS,
Mi' flu wtu boc mmm tit sjnMw
Halloween Night will be gay for many
poople, and especially gay for movie fans.
For that occasion tho Philadelphia Motion
Picture l'mployes' Association will Klve a
mnnked ball at Ragles' Temple, Broad and
Spring Garden streets. You can go there
and sea your film favorites. It Is an an
nual event.
Stars of the Bluebird Companies and
of other concerns have promised to attend,
Thero will be muslo by an orchestra and
a string band to rag the popular fags.
Thero has been a lurge ticket sale.
merely seeking material for her newest
novel.
(Knlir Adama. He Is a daftrtntlsl, mrnlal
man, nbout fortX'two).
Mtl You r Mr. Adams, of course?
Adams Ve, miss. Ilobert 'Bnerr Bholto
Adams, IlsptlMd rrxulsr.
Mabfl oh, I em. Thank you very much.
Adami (morn to h.rV TUtsli' pardon, mill.
am I uddrroln Miss Xf.
Mabal Well, ytm. I did alsn mrself X when
I wrote to yrm, Mr. Adams.
Adams (mekly Thank you, mtaa.
Mabel Won't you lit down and let ms take
your hat?
Adam I'll mind It, thank you, miss. (Hits
down nervously).
Mabl (tttlnr down desk) Wry wait. Now,
I suppose o'd btter com straleht to the point,
hadn't we? And perhafs you'll telt m Just why
you answered my advertisement, will you?
Adams Wall, mUi, It read very sensible. Ilk".
In ,. manner of speasln'. What with tno belns
a man wishful to settle down, as you tntsht say.
Hut I don't know as you'rn quits th sort of
young person ss I eipected to see.
Malel Oh. dear. I'm sorry If I'm a dlsap-
Klntinent ss soen as this, Thst's a very but
slnnlns'. l'n't It?
Adams A yuuns person In business I aipected
to sen, or somethlns o' that.
Malel Ah. I'm not In business. I do well,
I do vrrltlns work.
Adams Ah. secketary, I a'pose, or somethlns
o' that. Iteferrln' to your advertisement, miss
(he does so). 1 sea you ses "an attractive man."
Mabel Well, yes. I bellova I did. What I
meant wss
Adams In answer to that, miss, I may say
as I've been popular with the ladles from
boyood, tn a msnner of spesklnc.
Mabel (weakly) Oh, ye.
Adams Though perhaps I shouldn't be the
one to say It.
Mabel Oh. wall
Adams Then rou ses clean
Mabel Well, yes. I bellevs I did. But, of
course., I only meant
Adams Well, miss. I, 'ope I'm clean.
Mabel I hop so. Mr. Adams.
Adams As for details
Mabel rerbapa we needn't so Into them.
Adams Forty-two years though I be, com
February, I takea a hot bath of a Baturday
nlsht year In year out.
Mallei (weakly) Oh, yea.
Adams Shirts and collars, three a week
unless 'ot.
Mabel. I aee.
Adams And that seems tn me, speaklnc rea
sonable, to bo as clean as a person can set.
There's fanatics, ot course, but 1 don't bold
with them.
Mabel Would you mind tf I took a few notes.
Ma; Adams? (X around table). Other gentlemen
have answered my advertisement, too, you see,
and I don't want to set contused.
(tine writes In notebook).
Adams Very plessed, I'm sure, mtss,
Mabel (making notes) Rvery Baturday, I
think you said. ,
Adams Winter snd summer. Escept when
suffering from a cold In tho 'ead.
Mabel Oh. yes. And then?
Adams (emphatically) Then I wouldn't put
water to th body It you was to offer me a ten
pound note.
Mabel I see. And what are you, Mr. Adams,
by profession?
Adams Ms? I'm butler, mtss.
Mabel (Interested) Ilutler? Are you. Indeed?
Adams I'm slons with a bachelor sentleman
at present. 'Arf butler, 'art valet, as you mlsht
. in a small way, he Is, but ho pays ' h,
wry 'Uh, owlne to the small accommodation
Four servants kept. Away a soodlan bit, he Is,
mountalneerlnc and such llks.
Mabel And whan you leavo. Mr, Adams, whst
do you propose then? If w If we married
If It cam to that?
Adams (confidentially) It'a my Idea to set up
a little spartment 'ouse, miss, near th clubs.
Mabel Ob, but should I do for an apart
ment house, do you think?
Adams Well, there's comfort In It and
there's money In It.
Mabel Is tbsrs? Yes, I suppos there
would be.
Adams There's rlcklnrs. A bit on her and
a bit on there. They never notices. A bit on
the washtn', a Dlt on ths breakfasts. And, now,
what about you, miss? When I com In I sex.
"un, tnis is a uu loo srana tor you, Aoams.-
can see that. And I dar say you ha a little
bit put by, a a savins youns woman should.
Mabel Well. I hav saved a little money,
yes.
Adams I'm not en to object to any one
keenlnr thetrselves smart and decent. I don't
hold with an untidy women. And what would
you say, miss, to walkln' out?
Mabel Walktnr out? You mean
Adams Them as hopes to lrv tot ether should
understand each other.
e e
Adstn (sits sofa) rm took with you, miss,
thoush I sex It.
Mabel Oh, that' very good of you, I'm sure,
Mr, Adams.
Adams No, miss. It's Jut nature.
WHY MODERN DRESS
BEATS ANTIQUE
By Marie Doro
(Mies' Doro will be seen st ths Htanley In th
photoplay which she describes below, beginning
next Monday.)
My sympathy goes out to any woman
In n country where they have to wear
sabots. I think they are horrible things.
It Is bad enough for me 'to have to wear
them two or throo hours here at the studio,
but Imagine peoplo having to wear them
week in and week outl They each weigh
a ton and hurt In the most unexpected
places. 'When I was In Brittany, I used to
admire quaint costumes and Imagined that
I would like to wear one. I do enjoy climb
ing around tho rocks In this queer skirt
and funny boots, but when I can slip Into
a nice, new Parisian evening gown for
some of tho other scenes, I really feel
much better.
You know K takes a lot of time to learn
how to wear a costumo as If you had been
born to It For a whole week before we got
ready to photograph 'Tho Lash" I put on
my St Ba'tlste costume every morning and
did all my gardening In It, until finally I
became accustomed to It It was very ex
citing down at the beach. The little hole
between the rocks, through which Elliott
Dexter and the fisherman had to shoot their
boat on the creet of a wave, was very dan
gerous, and several times I thought they
wero going to be thrown against tho Jagged
rocks. In tho story I am supposed to be a
Httlo flshermald, who sees tho two men cap.
Blxed and goes down to help them. I didn't
need any acting at all for thoso Bcenes, be.
causo I really was terribly frightened. The
waves kept throwing the boat around so that
I feared at any moment It would strike Mr,
Dexter or the other man, or that they would
be caught between the boat and tho rocks,
but they came out all right outside of a
good wetting and a few bruises. It Is
strange how ono becomes so Intent upon
making a plcturo a success that one dlsre
garde all danger.
Masque Offers Prizes
Mabel Oh, but you musn't think I'm ron-
reueu. vteu now, wnai can ivu rvm i lira
her with a lady.
Adams A companion, llks?
Mabel Well, yss, I suppose I am a sort of
companion.
Adams rarent living?
Mabel No.
Adams They air you a good education, I
Members of art organlxatlons, as well as
the general public, have been Invited to sub.
mlt scenarios for a masque to be held early
In 1017 at tho Academy of Muslo, with
about 300 performers. Details of the con
test are given by the executive committee
of the pageant, at the Pennsylvania Acad
emy of the Fine Arts.
It Is recommended that the scenarios re
quire neither spoken words nor much dra
matlo aotlon, but constat, rather, of a Berles
of moving stage plotures to dissolve Into
one another or be separated by Intervals;
that only one setting be employed; that It
be decorative, not realistic, and that the
action should consumo not more than two
hours. Soenarlos should be sent not later
than Octobor 16 to the committee.
"MELANCHOLY ME" IN THE MIDST OF THE MOVIES
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It U more than vpUy that E. II. Sothern hariiothlngr to ay in his book of rem,lnlcnci. "The MUnholy
Tale of Mf,w -bout hia pliptoplay wtpei-iencs, Here he ir,t the nwrcy of a movte mob for the ftrat tierwin
oa of the fetoek-brokinjc iikj in "Tb. Chattel , the Qrr ViUjrj4i film, which will he him at the
wo-Jjarre
led Lyric Interview
THE duplex Interview In Thyme
Is herewith offered.
The victims chosen ot this time
Are Joseph Cawthorn, German mime,
And Clifton Crawford.
The latter doesn't wont to net
For Shakespeare highbrows.
He's dono ono movie, for a fact
A Scottish chap of quiet tact
We print his eyebrows.
"Repose," says he, "is -what you need
If you would put lights
Around your name. That Is my creed,
Though oft Inclined to scratch, a deed
Not for the footlights."
To sum our subject up: A dash
Of Bennett's "Dcnry,"
With added wit, nnd with a flash
Sartorially of old Ueau Nash,
Likewise O. Henry.
Now, turn we to another typo
Unknown to Hawthorne.
"Teutonic dialect Is rino
For drastic changes: it's a pipe"
Thus Mister Cawthorn.
"Tho Wcbcrflcldlan chat has passed;
It's brand Is yellow.
Effeto Dutch talk has come at last," V
Our subject snid (one might say gassed),
Tho comic fellow I
"I caro not for the stellar glow
So many long for.
A star's the man who -works, you know,
Ills hardest in each season's show.
But what I'm strong for
P
Is royalties for us 'coracdes,'
Our own Bpurs winning.
Wo plant our jokes like little seeds
And merely grin when we pluck weeds."
Observe him grinning. .
Tke Theatrical Baedeker
"The Natural Law," at the Walnut, the Only NewJ
Play Monday uHp Hip Hooray" Gomes
to the Metropolitan Saturday
METROPOLITAN "Hip Hip Hooray" with Charlotte, the famous skater; John
Fhtllp Sousa and his band, Nat M. Wills, Charles T. Aldrlch, tho Bogannrs,1
Mallla and Dcrt and many other specialties. The bis entertainment, from th1
New York Hippodrome, opens Saturday night of neat week for a four weeks'!
engagement.
CONTIttUlNO PLAYB
LYRIC "Her Soldier Boy," with Clifton
Crawford, John Charles Thomas and
Margaret Romalne. A Belclumlzed Teu
tonlo operetta, with a coat of, pro-Ally
whitewash, and some songs In the "grand
manner" capably suns;. Crawford
amuses with familiar material,
BROAD "A Lady's Name," with Marie
Tempest. Gossamer comedy by Cyril
Hareourt, who wrote "A Pair of 811k
Blockings," very deftly Interpreted by
Miss Tempest and W. Graham Browne.
But the star's the thing.
QARRICK "The House of CHass," with
Mary Ityan. Max Marcln'a drama ot
criminals pursued, unjustly, by the law,
with a fling at circumstantial evidence.
FORRBBT "Sybil." with Julia Sanderson,
Donald Brian and Joseph Cawthorn. A
pretty star, an agile star, a comlo star,
plus some pretentiously orchestrated mel
odise. ADKLrilt "Experience," with Ernest
Qlendlnntng. A "modern morality play"
with more humanness than graced
"Everywoman." There's a large cast
Qlendlnntng acts superbly.
AT POPULAR PRICES
WALNUT "The Natural Law." a drama
by Charles Sumner, with a Bex angle to
It, which has created considerable com
ment because of th frankness with which
Its theme Is handled by the author.
KNICKERBOCKER 'The Path of Polly,"
with Dorothy Howard. Others In the
cast, George Kennedy, Robert Lawrence
and Clifford Alexander.
OIIBBTNUT BTRBBT OPERA BOUBE
The Birth of a Nation," with Henry B.
Walthall, Lillian Olsh, Mae Marsh and
Griffith players. Lost week ot the run
here begins next Monday.
NBW PHOTOPLAYS
BTANLEY "The Lash," with Marie Doro.
a Laalcy.Paramount ploture, nrst half of
week, "Her Father's Bon." with Vivian
Martin, a Morosco, latter half of week.
Holmes travelogue, "In Old Ireland," and
comedies also billed.
ARCADIA "Th Chattel," with E. H,
Sothern and Peggy Hyland, all week.
The debut In the movies of the well,
known stage star in a production said
to have cost the Vltagraph a large sum.
REGENT "The Scarlet Oath," with Gall
Kane, a World-Brady film, first half of
wek. "The Iron Woman." with Nance
O'Neill, a Metro, latter half of week.
vrnrnrirA"rh nwn u,. ,.. ......
Ham 8. Hart, an Ince-Triangle picture,
first half ot week. "Diane of the Kolllea,"
with Lillian Glsh, a Bine Arts, latter half
of week. Comedies: "Vampire Ambrose
and "Th French Milliner," Also 'Th
Firemen's School." v
PALACE "Ashes of Embers with Pauline
Frederick, a Famous Flayers production,
all week. News, travel and comlo films
also shown.
ALBAUBRA "Manhattan Madness." with
Douglas Fairbanks, a Fine Arts-Triangle
first half of week. The Reward f Pa.
Uence." with Louis Huff, a Famous
Players feature, latter half of week. Also
Tbs Firemen's Sehool" Mno
YAVOSVILLB I
KKITB'B Daisy Jean, Belgian entertainer
and musician Cloeollnl, tenor: Harrv
Cooper la "The Mall Carrier": Isabel
D'Artaoad and Bobby O'Nell: Bessl
nempel and players: Howard, "sub-vocil.
1st": Jos Faaten and oemiiayj Mai
MuUerSell. and Monde, alll, ne
WILUAU PBNN'Vh, Black and WWU
Review" Mrt Johnson's trtsi JtaZ
WUUamaj M and Hyai, aMnuB.!
JM yoUie.," Ms. HrVt ; L
der; Flek arid Fallon, and "The Derlf
Needle." photoplay, latter half of week, t
OLOBE "The Bank's Half-Million"; Rbtf
ley and Lernor; Vab and the Wnrd glrlij
tho Four Pl!ntla. t!in.r.ll Vnt.n TTIl.!
lard and Tlnnrf . xtum-a anH atapiin.'
Laypo and Benjamin; the Combar trio,
and Walton and Moore. ';
CROSS K EYB "Around the Globe"; Stells'
Tracey and Carl McBrlde; Whirl's liar
monists; Nan Sullivan and company?
Duffy and Montague, nnd Flying Venus,
first half of week; Dan Sherman and
company ; Jack Goldle ; Pearl Andres and
company; Alvln and Williams; "Crosj
town Corners" and "Three Types," latter,
hsLlf of week. d
ORAND Lambert and company ; Ray Fern
and Marlon Davis; Adams and Miller;
Billy Wayne and Warren Sisters; the
Florenil Duo; Max Lnube, and motion
pictures. 1
UlNBTRELB
DUUONT'S Varied program of blackface
entertainment, with interpolated special.
ties by members of the resident companjr
t& '
"Rvnter.HTrtwM
That ought to, be Marie Doro'
nwtto, f or the star of "The La,: ri
dw tt the Stanley Mondy7 1
Jtandjnsr by a plllaf of her Qall-
nvuse, wnien is quit M Mu
toy aoldier at tWop
W lsVs