LGDALENE THEME ( OBVIOUSLY TREATED ,fH. McLaughlin's New Play, W at wa'nuc, may uwi-uy Thank Its Star RTltrlNAl. MAODAI.ENK." A l .ebert iu VleMuthMn. ?entment drama ! w VrVSn.ha.m Smollel ?. WJr dmu m. Ole.eon.. .Mi.,,iAHh'Sa5rrtI f Vfent". V 7.V.". . . .'. . ... . . B KS'f'J P?TJ'. v- .V.VVA ...... ft nnr Cllltord (,...... IJ'.V- Yfl.Mi.wBt. Act I irWiTEllJ Dt'iih'w'i " Act n Btme. ACt III JO BBmB. There are three ways that the theme of eras Sternal Mnitdalene" might have been tiUtrd In muslo as a fine sonata, as an Mkwtrious poem or aa a popular and un 2miT play. Mr. nobert 11. McLaughlin kelnr. apparently, no musician or poet, hat MioweA the last-named courae and he has rEty tailored a semlretlglous melodrama Jrth, measure of Miss Kugenle Blair and wir'cowrtltuents. Their name la legion. Sf,y m"' than "comfortably filled" the Wsiout Street Theater laat night. And Uli .ma .inw that competent actress that Teas stock tradition can still thrill and sting. .. . .u. rum thaw w.m mnrn nlt.n. Towara mu ij ...- ...-.- . .,.:. ,.,( n,. v inolt It In trood part always. mt it not glvo Miss lllalr back her cnlclum IfMtmet and her robes of light that she used m wear in me anie-cmenm ui there not a gorgeous and mouth-filling aeeh for the star at the close of act two, one good thick preliminary emotion, one . . . Mill .ft. .a.4 .n ... nd the numorous uum umi . r disdained! r. McLaughlin's work Is frankly for .v whn fl rather than think. Some- 'what broadly he treats of the pretty Idea that beneain me Bcariei ioiut ucm i arays the heart of. motherhood and love. It Is a theme, as has been said, more sus ceptible 'to muslo and poetry than the foot-Whts- There It becomes largely a matter 3,1 blue, spangles, "baby spots." rhetoric, !..--, ..a.nn.l.tlnn. V.aisll ftM hVIM. icnDllcai l'H wi'. "-, ..".. ., crltes, gentie-minaeu proyuuus. nuuro uu the new evangelism, pinkish Ingenues and iwhat the movies call "visions." By "fad W out" In act onj Into a sort of "Servant la the House" preachment, with "The Eter- (Ml Magdalene as me preacner 10 mo nuw eld hypocrite and "raaing-into" reality in set three, the author completes three hours t entertainment and sometimes a bit of boredom. That this boredom, which Is not exces sive. Is due to Miss Blair, no one In his lenses would affirm, a deft technician, polseful, beautifully vocative, and skilled, through lonr' training In the economy of , gesture and the blandishment of the eye, "th is a far more Interesting study than Ejjir. McLaughlin. She has the old tricks, fitlie sltmateu s, tne upsweep oi tne voice . 'fAr hnmnr and the downaween for Bathos. LMand (he sense of posture and ease of bear- Fitng. Kot always real, not always tne best I'ef Its sort, but the genuine product of a ? genuine school, not a chance success tnrougn i a babyish, personality or a mincing- or hoy--'denlsh mannerism. In short, an actress. Just how valuable Is the possession of " this quality, when trained, may be guessed ' when It is feald that sot a single titter '.greeted the line, "Into the gutter!" wnen .the said It. "The pity of It I" which Is cer "talnly as old as "Camllle," really had quite sa pltlrul little ring to it when sue earn it. jBhe put a new alamour, or at least the re 3 flection of the oiU glamor, on all such stuff. '.One almost wished the dayu of stock were lUllve now. For the "movies," while great fa their way, cannot give us warm voloes and the proximity of the speaker. 'The Eternal Magdelene," according to IVu records, was written for Julia Arthur's 1, re-entry onto tho modern Btage. It bears r tin marks of being written to order; It Is ijlirfely a matter of mechanical contrivance. ei ratner odvious Daiance, ratner stale . touch-and-go. Yet It Is not a bad play, M ola-roshlonea plays go, and some of Its eutspokenneis Is likely to give it a factitious Value In a certain public's mind. It has one or two bright bits; a reporter more rep ertorlal than most, and a woman of light Virtue who Is educated. That It will be popular Is a good wager, for It la easily Understood and It has an actress. U. D. Theatrical Baedeker ,'KlOAn"Th Two Janes' with Htrry Fiiher. a rauaicai larce. wltn Dock uy Norman I Swartout; lyrlca bv W. M. Cruiy and Ted Jtoblmon, and mualo by alax Kaetkenlieurer. Frt metropolitan production. rORREST "Mlia Sprlnrtlmt." with Sari rtiraia. John E. llajiard and aori MacFarlane. A VIctrolafDl of delicious Vtan nil muilc, with sood corned added. ! OARRICK "Sport of Law." with Mary Boland na Frederick Truradell. A drama by Utuart iroi. baaed upon tin motlva of revenaa which '-poaaeaalon of a youna? womanT mind. " , nrat metropolitan production of a pro Modal and Incenuoua tarlller. p tTniC "Robinaon Cruaoe. Jr.." with Al Jol- ?!!?. iwrenco uorily and Kitty Doner. A w'n'er-Oarden 'allow with a plot and all the other thlnja. Jolaon at hla beat. ADELPHI-Eipcrlence." . with Erneat Qlen. uiunma. iviiiarn inseraou ana a 'larse caet. A mojern morality play," with more reality ana numanneaa about It than sraced "Every woman." Qlendlnnlnr acts auperbly. EVENING LEDGER-PtoUADELPHIA", TUESDAY. SEPTEMBER 19, 1916 5 tv i.WALNUT- AT POPULAIl PniCES ;"The Eternal Masdalene with Eu- tfl Blair, A drama In which '"tha eternal revlvallat to hla town to I bla opinion of Bin tr If. SrwS'n cornea In a dream to a reformer, .. uu urouan( a revivauai clean up Ita moralat ha alters tne "oldeat profeaalon." lffiSTNtlT STHEET OPERA HOOBE "The ' ." a jMaiipn," win Henry U. Walthal . laa March, l.llllan nih TlAlil.U llarrnn VJat. SrMJl?!3 ni1 the well-remembered caa't. D. aeen lait vr at ih. i7...- -n - .' l!H.n,,n" ,0. th cU 'or "a nrat ahowlnc at Popular prlcea. Limited ensaaement. fltNICKERBOCICKR "Tha Olrl He Couldn't ' SX'a wh,Mabell fcatella and othera. A ,.- I -Mtw"riu, Hireaay laminar 10 Ilia th. '. In yhlcb a forlorn youna rl realaia VS. jeniPtatlona of a man who haa ruined Mr father, NEW IrttlTffntfl TTiTnia SfTljJ.IsFTJr,Prft?i b", ', wk. 'The Ilouaa of t ';. -W"h Edna (loodricb. a Moroaco-fara. mount nimi a nurton Holmes Travelocu from "'"sow to Udlnburah. and tner uaual rounded M'1?' It liall of week, "The Howard R.iR' l!act ' with I-oulao liuff and lottlo and oth rmou, Mayers-Paramount film. IfPJA y rat. half of week, 'Tha Dawn. ..! others. rfff-lrft half of weak. "Each Pearl a 2S.V, i. ?i..WA- '.'..ky-Para. ,;--,V"". " "re. .aft nan wi Willi The Victory of Conaclence," with Lou Telle S,,?? c'eo Blis'ar, a Laaky-l'aramounl Production, and others. -i in rrancea I fH-ady-made World "The Revolt on and Arthur Ashler, a Mat nn and others. tSiftNCTnral half of week, JMI of week. "Mlater U." with Harold Ick. JWMand May Allison, a Vorka-Metro pro- --...v,( ifit oinera. "The Patriot." rtanile (lira. od k. "Mlater 44." k..ir.,,- jr.r.m "". ".i." -."..i, vivuutiiua, auu oiucra. VAT)DBVILLB '1 riprans- Tempeat and Marlon Sun. in --A nroaaway nouauet"! Harry 'TOR'A-Wrat half Of weak, "1 4JiVe. La ht'ljin )D,!rtan.1 $& ilarold Lockwqod TrJI ila mtnrA "'r. iiaurlc Urlerre and Uur. a. fweuty Odd Yeara") alls Hi.P'Wi-a.nd Bmma Kauai Dut-an ani Syftaond In tHi. X"!r. Htm Tbay Auto Know i. ssrrs.' '-;! .r.""? Pictorial Newa, II uu Pelt er"i the f?b'r."'."3 Verera. and Bell frl- raa aelden-orlajv itmiiu .i . ,! l"J!1?,'Bd,,l?!'r,i 5."et.' WlldUh In . Wfil Ppw and DWI Wtafior a.od LMUOlHi !") UOJiH uo 'in uicai ?J L'f aMJOirhi Oordnns, and (. i Inadone In '"john'e New Car'' tb rar. Mualcal Oclellei t -n.Kutr In Willi Johm' iKt Hfalirll r An nnanll . kT.t.. X F. 1 lb Patha Newa and liutual Xf-Mi- I3afr-r?r.-'yill..... IB "IWVI VJ'k. .Laao KtlfrtVl.ar k i . . . "uitaitam, - fen lUy Xuoj l)t t wk, "TtM 8M AnaaarbAi aoaMOVi utitv MyMiWB SIDELIGHT ON THE DYING SUMMER LID SEASON Catty I U B S. MM &tr ilfln, 'ivrilw STlfAOUUS OH.SoCft'fA fc CQOU . 3ZJSZ0!A ? I ytOrTOcnTPX LOOK tiKB I fCEL? M , I I HOVO IT FBCLS rr: A CHIP OH TWE. SHOOLDBR frfSffSS A VERY TIMELY BILL DELIGHTS AT KEITH'S Tempest nnd Sunshine, Deluxe Maids of Vaudeville, Head Good Show depleting the mingled feelings of citizens who consider It rcnlly too early for n felt and yet rather lato for a straw. "BHITH OF A NATION" STILL FASCINATING Arcadia, Stanley, Regent Ruby Offer New Film Programs and By the Photoplay Editor They who escape romance, do so at the loss of an Immortal crown. Thus George Meredith. He never saw "The Birth of a Nation" and thcrellB nothing to prove he would have enjoyed It. But what ro mance is there: and how It endures I Yes terday the famous film came to town, for the last time, on this occasion opening the season at the Chestnut Street Opera House. The photoplay editor "dropped in" for five minutes and stayed for tin hour and a half so compelling is tho force animating D. W, Griffith's greatest motion picture. "Intolerance" Is not excepted In that state ment. For 'The Birth of a Nation" has what "Intolerance" has not : a well-focused. In tense story, the tragedy- of a lost cause, the beauty of belief In a theme that all do not believe In. Its cunning balancing of Incident: Us extraordinary character painting; Its moments erf holy grief and passionate revenge these make It un paralleled. It Is a wonder and a delight oven when one has seen It a dozen times. There was present a large audience which "took sides" with old-time enthusiasm, and united In applause of crucial points. With a bit of fall snap In the air, the acres of snow which Mr. Ince managed to dig up for "The Dawn Maker," at the Arcadia, are more than welcome. In many ways, they are the best part of the new Triangle film, so far as novel angles go. W, S. Hart plays an Indian half-breed with the thorough artistry which he has customarily given to western preachers and bad men. and he receives excellent support from Wil liam Desmond and Blanche White. But the story of this drama of the Canadian North west seems just a lttle thin. It Is straight forward enough ; we learn of the love of Joe Elk. half-breed and son of a chief, for the factor's daughter, and we see the sacri fice by, which he saves her and her nance from death In the winter wilderness. But If there were any tremendous moments In the brlglnal script, the censor has removed them. Undeniably, the snow scenes and the Indian details amply compensate, however. The Stanley showed yesterday, In "The House of I.les," a film not up to the usunt high standard of the house. And this In spite of the fact that the new Morosco Paramount featuro contains some of the finest photography nnd the mast beautiful "locations" ever shown on local screens. Director William D. Taylor has done ex traordinarily well. But oh I what a scenario'! From start to finish It Is either wildly Impossible or sentimental In the I -aura Jean Llbbey vein. Let us draw the critical veil and congratulate Mr. Taylor once more on his genuine artistry. The general level of production In Mr. Morosco's Alms has been steadily rising. In 'The House of Lies" he has the most satisfying optical display that he has yet achieved. Edna Goodrich was well supported. 'The Revolt," as a play of some sea sons ago, was rather a poor play. 'The Revolt," as a World-Brady photodrama at the Regent, Is rather a good photodrama. That Is, where It hasn't been Bclssored by the powers. Under tho guise of a sociologi cal treatise, this product of Edward Locke, tells the old story of the double moral standard. It has been neatly directed by Barry O'Xell, once of Lublnvllle, and ade quately enacted by tho petite Frances Nel son and the homely Arthur Ashley. The fact that the man's loose life has been reduced to nothing doesn't make the case for his wife very strong. But picture patrons ought to be used to that by now, Theda Bara and a valise have the chief roles In "Her Double Life," which sounds like a Keystone, but Isn't. It was at the Ruhyvyesterday, and might have remained over Jon Its merits, which are not slight. Produced by J. Gordon Kdwards for Fox, the film mounts up to a good melodramatic climax. In which MIbs Bara, by appropriat ing the valise, pawns herself oft on a noble English family as a relative, and wins a clergyman's heart. havo her discharged. At the climacteric moment Hope finds a champion In Joe May nard, who has taken to a career of crime because of an undeserved jail sentence. Mabelle Rstelle repeated her success In the role of Hope Nelson, and Harry Dewey was seen to advantage, as Joe Maynard, Irene Reels as Kitty Burns and Bert B. Melville furnished the comedy throughout tho play. Two of the very best elements In vaude ville rro Florenz Tempest and Marlon Sun shine It Is quite fitting that the offering which they present at Keith's should be "A Broadway Bouquet." It consists of songs, fresh evidently from fertile soil, rendered In a dainty, fascinating manner wh'ch holds your ear to every word. Their gowns seem to be In keeping with the spirit of their melodies. Miss Tempest belles her name There seems to be little savoring of the storm or the tornado about her. Like her partner sho radiates sun shlno which help to keep "A Broadway Bouquet" In the full bloom of success. Horry Bcresford and company In 'Twen ty Odd Years," a very clever charactertstlo playlet of rural life, made equally ns good an Impression ns on their first visit In this sketch. It was reviewed In these columns before. Tommy Dugan nnd Miss Raymond, for mer I'hlladelphlana who deserted us for I.ong Island, won no end of laughs with their comedy auto act. It was their first appearance In the "two-a-day" class In this city. Tho results proved that they belong to tho big show, Dugan's quiet way of doling out comedy Is refreshing. Miss Ray mond shared flfty-nfty In tho "clean-up." Their auto act should speed right along the path of success. King and Harvey, In comedy songs, scored the applause hit of the show. Dainty bits of vaudevtlto flavored with comedy were offered by Brleno and King. They re ceived emphatic approval. Mabelle Osgood and Emma Raus pleased In musical selections. The Lelghtons aroused laughs. Tho Barclnr performed daring acrobatic feats nnd Roberts and Verera presented the best juggling net seen hero In a long time. Tho latest news was flnshed In the pictures. J, a. C, Golden Troupe Globe An exhibition of tho wild nnd primitive Russian folk dances by the Golden Orloff Troupe In nn act entitled "Christmas In Moscow" heads the bill at tho Globe this week. The bright and nrtlstlo costumes worn by tho performers and an appropriate musical accompaniment added to tho suc cess of the net. Charles E. WIldlBh and company were seen In "The Tool Room," a dramatic offering, with a strong moral lesson, which was warmly received. Ed munds and Edna Leedom scored nn em phatic hit and won many laughs In a com edy playlet. "Going to the Wedding"; Jones and Johnson, comedians ; Dow and Dow, the Hebrew Sailors. Welmors and Burt, the Gordons, Qorceo Brothers, knockabout come dians, and the Musical Clovers. The pic tures were up to the minute. ' TCtnntrA DM ftf ftV!fin Hrnnil Eight pretty girls playing bras Instru ments In the Empire Musical Octette prove tha chief attraction at the Nixon Grand In a program that Is good all tho way through. Tho other acts nre the Three I.angdons In a comedy, "Johnny's New Car": Joe Browning In a clever chnracter study, 'Tho Return of Solomon"; Kuter. Hughes and Kuter In a sketch, "Willie Jones's Stepmother" Abbott nnd White, musicians, and Neher and Kapelle, skaters, Sons of Abraham Cross Keys There Is nn abundance of fun and orig inality In "The Sons of Abraham," which headlines tho bill at tho Cross Keys. The cast Is especially cipabto and tho act Is punctuated with many laughs. The bill Includes Daisy Hat-court, Eng lish comedienne; Billy Kenny, singer nnd mimic; Hecnan nnd Clark, Knight nnd Saw telle and an entertaining photoplay. Lcona LnMnr William Pcnn Leona LnMar. 'The Girl With a Thousand Eyes," mystified and entertained an appre ciative audlenco at the William Penn. Her Lability to answer questions readily about persons ana tilings amazed those present. Ryan nnd Lee aroused no end of laughs. Arthur Havel and company presented "Play mates" with good results. Tho show also Included Flsko nnd Dalton, singers and dancers, and the photoplay, "Lieutenant Danny of the U. S. A." Vare's Mule; Dumonts Vare's Mule kicked up no end of a fuss at Dumonts last night to the delight of a big audience. The complications caused by the workmen's compensation net were also shown In the course of a funny sketch. Pete Shaw, Tom Mnlono. Eddlo Cassaday, Benny Franklin. Vie Richards, Alt Gibson and others had a big share In the fun-making. "MELO" AT THE KNICKERBOCKER "Tho Girl He Couldn't Buy" Returns to Philadelphia 'The Girl He Couldn't Buy," which re turns to this city at the Knickerbocker The ater this week, has all the thrills of a regu lar oldtlme melodrama, the poor but honest working girl, tho villain, tho hero in the per son of a "cracksman" and the struggle to regain a lost fortune. Hope Nelson Is forced Into reduced circumstances by the death of her father and works In a de partment store. David Burnham, her father's unscrupulous business associate, tries to get the girl In his power. When she spurns his advances he threatens to Son KiiSfiaraaTOieiamnBtiHifmraiiM Prominent Photoplay Presentations TTi5 Bodima Gmpamu P1IK followlnr theater obtain their plcturee through the STANLEY Ilooklnr Ills igiHPWMI . - - ..t. .ft,Ml.,. !. nua.l (.Mrlrifl Una. wmff .aa7n.u w . aa.... .- -,...,..-. me ineaier ju your locauir I npi TCT mo and LOCUST LULU31 Mala. 1:80 and 3:.1 eve a., u :su, s. I .rv ki.i. I. ..aHHlM ar aarlv ftha Alii Dletum mimed Vefore Mlflblrtoiir X.k for Aa thT.r .fnlMlctiathroush the STANDBY UOOKINO C01HWN 2th, Morrla ft Paaayunj atj. ,tat. dallr at 2: Evsa.. o: aramoum -iu.. ALHAMBRAij ii a In 'TUB HONOR. Scuue HaytUiaABLEjwEND T nr nl A CHESTNUT ARC A JJ 1 A BELOW 10TH Wm. S. Hart in "The Dawnmaker, OLOniA'B nOMAKCgj . rfti-ftt f BJD AND THOMPSON APOLLVJ MATINEE DAILY BLANCHE SWEET "Tho Dupe" CHARLIE CHAPLIN In "TUB COUNT" Vint HT-lVTrr B2D ABOVE MARKET BELMONT Ma,.; ijm so. Rita Jolivetj-JIIilSiSs'T Arr. A T 60TH AND CEDAR AVE. CEDAK PARAUOVNT THEATBB MAE MURRAY in THE DREAM Qk" 20T1I AND UIHAHU AVENUJ3 CAIRMOUNT Cleo Ridgley and Wallace Reid In WV ' ,I,?.'fliMiifti1l WAtriM" '"lilla O"" Ja '2ZZZ?Z- TU FRANKrORD j AVENUS In FRANKFORD Dustin Farnum Cameo''Kirby,f .-.,1 cT THEATER, MAT. DAILY, 50 111 3 Bl. Sprue. E.ra. T to Jl, PAULINE FREDERICK in THE WOMAN IN THE CABE" JEFFERSON Nance O'Neill :T1I AND DAUPHIN HTKKETH "The Witch" rORTY'FJRBT AND liAnUAVllill AVBIftUJS I P AnF.R PAULINE FREDERICK in "THW ny " " ; ,"" , ,, BROAD AND COLUMBIA I IIF.RTY HOUSE PETERS & GAIL KAN nv" VBLVBT PAW" In ' SID N. BROAD t or. AN THEATER rU Rideley and WaHaee Reid in "T. .VT.r. urlift. Ik. lloLUn Wlnlnw." Toe lHa ". . "- ..-, - .10. 10a. VMSO. 16a LIONEL BARRYMORE otIq,ii. Market St. Theater an nas MARKET STREET OLGA PETROVA in "THE SOUL MARKET" PALACE 12U MARKr STREET FANNIE WARD1"2"0" . OLORIA'a ROMANCE NO. 18 PARIf niDOB AVE. ft DAUPHIN BT. r-rtl.rw MAT.. 2:10. EVO 0:45 to 11. William Desmond & Enid Markey in 'r.ireiTTi-ftjAK'p niiiMvi. PRINCESS "'btSeet MARY MacLAREN in "SAVING THE FAMILY NAME" DrrifwT M MARKET STREET Frances Nelson & Arthur Ashley in I "THE REVOLT" MIA! TTl OERMANTOWN AVE. IIJLIKJ AT TULPEJIOCKEN BT. VIRGINIA PEARSON in 5HJC TORTURED HEART" IID V MARKET 8TREBT U I BELOW TTH 8TRKET Aiita Stewart u combat" savoy y&sg." WALTER LAW in THB UNWELCOME) MOTHKR" I7TII -AND VENANdO 8TS. TIOGA MARIE DORO in "CCMMON fl HOUND" VICTORIA ABOVJC NINTH W. S. HARTn-nw, Patriot" CTAWI B"V MARKET ABOVE 19TII ' O 1 JUNLtb I 11 110 A. M. to 11U5 P. M. EDNA GOODRICH in THE HOUSE OV XJaH'l WMT rHtXAPMJHIA I HnriTJi PHILABBf PIA V 1 1 at F aC A MARKaTT BTB. juMl Morrison and Botty Howe in JHW HTHE ALIBI" wsm.u. HAblNp mYstm Willkm RuwaU te "aSoRaw Bip Alto "MYSTERIES OrMYKA tarjpK& m mnttm Mam fc $1800 Kennels Burned During a thunderstorm which swept over th6 city laat night lightning struck tho Montlbello Kennels on tho estate of Mrs. P. D. M, Cardeza, Washington lano west of Limekiln pike. The kennels were burned, with a loss of $1800. "TIIE TWO JANES" ARE TWO TOO MAN?) Weirdest Entertainment Sine Cherry Sisters Tried on the Dog at Broad Tim TWO, JANE8" A mualcal fares ha. i noon nr Norman Lea Hwartoui, Moan ' Ma VaetVanhauar. Lvrlcs hr W. N. Crar ant Tad Robinson, stared by Fr4rtfc acts nr lllahoD. C"nr- "roan Manarmnt Rarva Products Caaaj. Ejnj-, jiroan HI ima imiidoti Street Theater. ,ii,ii.,DianHr 99 .urauwi watt . . . . Jamee McKlhfm m wffii:m0Snnkf.VV"V"V: Aunt Jans ,.,.., .....Llman U i".,. Maria Fasoliaaattl oh tiayler, Frederick TrsjrWMia lienlamm Moor.. Harry rMjaf Sallla un actrraa) ..Jane Faarnhif Alma (a dancer) Victoria rWarafc Tlma On dar In Auruat, 115. riaee JIalrcon Hotel, Cataklll Mountains. 8ct Rotunda of tha Hotel Halcron. "Have iou met tclln on accidenti" "I don't know Jutt what II it, hut I hav met uith an accident." From "Tht Two Janet." Havo you ever been a dogT The kind they try It onT If you haven't, go to the Ilroad. But borrow Tom Daly'a Uunkhound and take him with you, There Is ome thing up there that needs his attention. Our theatrical suburb waa diverted last night with tho most remarkable contraption of a "try-out" In years. They tailed It The Two Janes." and It piled the Os of "What Happened" on the Potion of "The Dluo Knvelopo," In sublime and confident amateurishness of book, lyrics, scenery, muslo and acting. It holds out the hope that tho present generation has at last pro. duced something to stand beside the Cherry Sisters. The book had some momenta of varu lucidity when the author stopped writing and Harry Fisher said, 'Those la thorn" and "I aro here," and barked at his fellow canines out In front. Then for a moment there was surceaso from: "Kver been In lover "No, but I've had the measles." Klsher's fun and tho author's fun are about tho samo age, of course, but Fisher's once was funny. There wits a plot. There was also muslo. Tho management was unkind enough to cut out what Fisher would call "two of It" and let tho plot in. But even at that, "Tho Two Janes" lasted only two hours. . It was put on. appropriately enough, by a producing company calling; Itself 'the ltescrve. If only-ah. If only fL,t had-used a little more of that estlmabU quality. mm. EiBlW IHHi, wmammmmmmmmm The Wise Men (?) A Modern Piano Fable Once upon a time a wise (?) man rnnrfti'vprl the idea that lots of money could be made by buying and selling Pianos, this wise (?) man icausuiuiactne puoiic as a majority did not understand Diano values. So with this in mind he went forth into the highways and byways where pianos are made to be sold to just such wise (?) men, and he bought many instruments with shiny cases and pretty keys that were to adorn the homes of the many people in his city. He then spent lots of hard earned money in tellino- the hnme dwellers of these wonderful nianns fW wouid make any home look more heanf-ifiil. and he sold many pianos. So. like him. did m many more wise (?) men go to the cities where beautiful-looking pianos are made, they also resounding the praise of these wonderful wares. But one day a WISE buyer who did not sell pianos, but understood music and tone values, wanted to buy a piano that he could hand down to his children and his grandchildren. He shopped in the stores of many of these wise (?) men, and not being especially interested in outward show, but desiring lasting music,' he conceived the idea of going to a concern which for many years had been constructing pianos. He had these instruments played, he listenejd attentively to the tones, he inspected the interior construction and he bought a piano from the concern that made them, that understood them, and whose broad guarantee covered every vital part of the instrument. And lo! behold! he found that by buying from the maker he saved 25 on the prices asked by the1 wise (?) men ana the value he received was greater. Moral It pays to buy from the maker who sells to the home direct rather than from a dealer who buys and sells pianos. If A II II KftSnjaasiflHTSftaT&BTBMh. SuKff vWmk 1k Vk Mink! fl.ir-VJfcdsviR. JieKsJ--a 1 A ' fmfKXg3&Wt WiL V jffiullll IT if l itii??ielilSrTiiiifflii liesTJii ityyfrL. iiK?s . vt&Mm &xffLfft220&mMffl)t (I is- jGUb Bsfflil XSLJL.nMmF gHfcagr mmmW &4Hr!.BbwiNcMH& nKnr IT PAYS TO THINK Mi PIANOS PIANO CO. CovyrliM, 11th and Chestnut Sts. Factory; 50th and Parkslde Avanue Wot PMUdelpkla Brawh iti sM Ckaalnut SUmU Norlh PWIftdelphla Braih A ay VJV c .7 r ..v -" sy.sy :ax q. c? y&A .. 7 .' y' .-' .voV . ' .' ,' . && SSxj t.v y M i .: '&$ r .&A . j WZ