'&-&?
&iMmak mn iii i Mifrsjjjjiffiti" t'ni 4
ByWxnJJn'U lavfJ31JHlJbAJLJflUHtA, WMtoiJJfiaDAY JUga 1010.
WE PRESS AG8NT
SCENARIO DEPARTMENT
w;
Mrs1. Wlllard Pleads for French Women
'Mrs. Mary Hatch Wlllard, chairman of
the. International Surgical Dressings Com
mittee has Issued an appeal for funds for
the relief, of the unemployed women. o(
France who have no breadwinners at the
frontf through Mrs. Ilodmah E. Grlccom.
chairman of the Pennsylvania section. A1I
contributions may be sent to Mrs. Rodman
E. Grlscom, at the Emergency Aid head
quarters. 1423 Walnut street, and should
be marked for the "French Women's
Fund."
MARKET nelow 17TII,
HUMAN VOICE OltOAN.
a'lUn'L' I'MMENTATION
uriro nonuerpiay
QWuR
TODAT
Bel
tomorrow
ONLZ.
RALPH
HERZ
IN
'THE
PURPLE LADY
X PlcturtMtlon of the Play or the Barn Name
" Uy Sydney Rosenfeld.
(Mr, Htn will be remembered In "The Soul
KIM," "Madame Sherry." "Dr, D Luxe" and
"Kocdea of Red Gap.")
. Ceet of Characters
Riles Otlworthr, PAT PH HFP7
of the Uplift Society. iWVI-rtt tlEOtZ.
Count Louie PeteUer ............. Alan Hale
Mr. Severn ,....,..,. Howard True.de II
Detective lister . .,, Oeorse Pauncetote
Julaa Desert ,.,....,....... .OuUo Colucct
Adelaide Severn .......... .Oretchen Hartman
Jtrav Severn ................ lira. wm. llechtel
r. jiscsrs bora Williams
Fi&Melotte
Irene Howley
Promioent
Plwtepby PresenlaUons
WEST PHILADELPHIA.
VERBROOK MDAND,ivDEa-vB.
gjla-NOT-MT
THE MOONSHINER"
B ALTIMQKE bawimorb. avp,
? 'The UtUe Samarilin"
"WHEN MIGHT IS RIGHT'
EUREKA 0TUUWBTWa
CHARLES RICHMAN In
'Tbi Hf9 el SuiNeMrwc D-2"
Nevrir
BroiJSbr t
l pOaraiw
INSTINCT
(BROAD DELQVT
EI1IK
AND .
PJtIMAL,
s4iPBJI!J
'? I ITU ST. AND
Jm& r.EHi:ir AVisvifB?
AWHWkUUnd
fcOlf CJLW" Picrurw
i mt . i wp'iw-m' 11 n
.X-uMift 6?ts Out it Weekly
Fjress Sheet on Wall
;.t; Paper
. Br th Jtk61)plaj Editor
Swi JMiotoplayiidttor found .tills on his
, ftteVth other'diy. It bor the marks Of
Mm'it about It;
at Arbtdor to thb photoplay;
BDtTOn,
TIm tiA.M nrlntftr caII,! tin In nv thnf
( woiild be a delay o a. couple of days;
I' i-unnlng oft the current Issue of 'Screen'1
Raws,"
He blamed It, bf course, ori the war and
a. consequent shortage of white paper. Ho
.too alluded to the freight embargo and a
Myf other things and said that tn account
f the holillnn; up of a consignment or
per, "Screen N'ews" would be about twd
Iters' late this week. He said this almost
nonchalantly, as though It was an Incident)
Mel not a cataclysmic phenomenon like tho
IrUn omitting to rise for a few days on ac
count of a shortage of planetary Juice or
something.
It was explained to him that In the four
ejtlarters of the globe photo-play editors
w;r expectantly depending upon the ar
rival of "Screen News" on schedule time.
' To which the printer cxar, with tho sar
aittlo' touch which Is the Ultimate refuge
ef hi profession, replied:
"Well, if It Is as Important as all that,'
we might get It out on time ty printing
H on wallpnper."
Composing rooms usually get the best of
any kind of argument. Usually, but not
this time,
"All right, print It on wallpaper."
He did, and here you are. If the scis
sors don't take too many slices nt It It may
come In handy to cover that dent In the
wall behind your head where the Inkwell
landed.
Grace Cunard, co-star with Francis' Ford
of tho new Universal serial "Peg o' the
Ring," has given out that any one desiring
a photograph of her In the future must
end 26 cents with tho request There
Is a good and sufficient reason for this.
It became known that she always sent a
picture when requested to do so, and tho
result Is that she has actually sent out
iridro than 10.000 photos In a comparatively
short time. This has drawn too much on
her Income, and has taken far too much
time In autographing. She has made tho
ultimatum with regret. Tho public has no
idea what a drain letters, photos and stamps
are. on a popular artist.
Traffic, on the principal thoroughfare In
Jacksonville, Fla., was suspended for ovor
hall an hour one day last week whllo Rose
Melville." the creator ot the famous SIb Hop
kins., strolled across the street and a Kalem
camera clicked as It recorded the scene. In
full regalia gingham apron, plg-talls and
all the fomlllnr attributes ot the famous
fun-maker. Miss Melville was surely sight
hough to "make the local citizens Btop In
wonder-
To add to the confusion, many persons
In the crowd did not know that a motion
picture was being made, since the director
had, carefully concealed the camera by tak
ing the scene from the upstairs window of
the Mason House. One passer-by. perceiving-
the lone country girl struggling along
with her heavy carpet bag, offered to aid
at the street crossing.
Grasping the humor of the situation Miss
Melville accepted the proffer and nllowed
the- stranger to carry the bag to the op
posite corner, after which she thanked him
and said, "In a few weeks you will bo nble
to see yourself In the movies."
Due to a cold contracted during the film
teg ot the exterior Bcenes work on "The
' Vagabond" the third of Chaplin-Mutual
omedies. in succession, to "The Fireman"
had to be suspended for several' days, whllo
Charles Chaplin placed, himself under the
caro of a physician. '
In one of the scenes Chaplin takes a
tumble into a tub of wator In the open. At
tho time a chill wind was blowing' and the
water was anything but warm. Chaplin
accomplished the scene all right, but failed
to dry his hair, as Is the custom. That
night he complained of a chl(l and a physl
'elan,, who was summoned, ordered that he
remain In bed for a day.
Chaplin returned to the studio the next
day, but, acting under the ndvlce of Busi
ness Manager Cautfleld' and his physician,
did nothing more strenuous than to super
vise the rehearsal of several scenes and the
construction of several of the Important
sets.
LESSON 1& The Close-Up
, The ETrnlnK todxrr' Dully Scenario teentie bfirnn Jntie S.
Rrlce rAntt fAi a mniirlA In h nrndnpd In I'nllnrielnhm itlth ft
and nr nil the leonn Cor folnre reftrrnce In the wrlllnr of our ecenarlo.
he followni hr i
In tnl. Cut out
Th, K,.,ln, f.a.l 4vlll h lt n anatOTtf In ltd Vnlnmni nnr nn4lna nnllne: ulreMIV
With points In the leuon and of (enerai Interest to. rendtre.
IVrAN'r .writers seem to' be
JLVJl trouble with '"Close-ups."
To write a good script you must know
when and whero to uso the "close-up."
T6 write n good script It Is essential to
know Just when and where to bring the
'.Photographic subjects Into the "close-mi.'.'
'"tV few years ago the "close-up was used
extensively, but today there hro fewer Used,
Vatlohs devices are Worked to avoid
throwing s.lhe picture constantly Into largo
fl(rurvs. This can be Illustrated by showing
two methods of writing a scene.
Scene 21-JOti DAN'S iN.N'HIt OFFICE.
Jordan I seated nt htn dek. Tho door open
By HARRY 0. HOYT
Head of tho Metro Scenario Staff
having
and nrltirs enters.
Scene 23 CI.U8B UP,
Urlarse at aoor. lie to
look malovotently ton-Ard
ANOLD OV JORDAN'S
Jnrtlfln.
Scene 21 WlDEn
ur r HJI-;.
Jordan hears eom one open tho door and turna
and stares at .(tripes.
Scene ! cr.OSli UP.
Jordsn la afraid. Ho stares at nri-s half
doubttnc his sens-e.
Se-nnzaFVLU VIEW OP JORDAN'S OF
FICE.
JOI
Fnrdan atrtrtn trt Hha hill Ttlra fnmMM pinlttlv
jowara mm nna Jordan sinus wenxiy duck in
the rhalr. urlsirs drnna up n chair and sits
beside Jordan. He tnlks rapidly.
Scene 27 cr.OHB UP.
Jordan and Urlcgs seated. Ilrlsss has come to
set his revenue lie tnlks rapidly, ete.
If wo analyze these scones wo discover
why the "close-ups" were used. Brlggs
probably tins stored his revenge for years
waiting for this day. We come Into tho
"cloBe-Up" and depict the glontlng sntls-
action of tho man as he views his hated
enemy. Tho "close-up" Is used to make thn
point stronger. It helps tho suspenso and
drives homo the fact that there Is a bitter
enmity here.
Then we show Jordan hearing somo one
enter and his turning. As he turns he sees
the one man In all tho world whom ho
fears. We come Into tho "close-up" again
to. catch this expression nnd continue to1
point up he suspense nnd the value of tho
dramatic moment.
After another wide angle scene wo come
Into the third "close-up" showing Drlggs
talking. Wo catch tho expressions of both
men nOw and wait for the denoument. To
avoid the use of so many "cloBe-ups" some
directors would write the scene In tho fol
lowing manner:
Scene 22 JORDAN'S INNBR OFFICE.
Jordan la seated nt his desk w'nrklwr. The
door opens and RrlRc enters. He pauses n
moment nt thn door nnd rloses it softly. Then
he comes swiftly to Jordan nnd tnpa htm on
the back. Jordan turns nnd sprlnss to his
feet In nlarm.
Scene 23 CLOSE UP.
Jordan -and Irtsgs. Itrlirsa tnlks excitedly, Jor
dan la nfrnld and seeks some means of escape,
etc.
Wo can do awny with the "close-up" alto
gether. If necessary., We can plnnt the
camera near the desk where Jordan Is nt
work. He Is In what amounts to a "close
up" at tho opening of the' scene. Brlggs'
enters nnd comes Into the "close-up" when
he sits nt the desk. ,
If we do It this way wo must get over
In provlous Bcenes the hatred of Brlggs for
Jordan nnd Jordan's fear thnt some day
Brlggs will return, Wo must plnnt It
strong enough so thnt tho moment BrlggS
enters the room the nUdlcnee will feci the
suspsnse. "
When Brlggs softly closes tho door nnd
pauses n moment to gloat over his revenge,
tho nudlenco must have been prepared nnd
It must bo nt once cleat In their minds the
full Import of tho call. The "close-up" Ir
used to make tho point elenr and to add to
the suspense, There arc other reasons for
using the "close-up," but these two are tho
Important ones.
I.Ike most other good things the "close
up" hns been overdone, it Is used some
times to such nn extent that It causes the
nctlon to drag, Tho moment It docs this
you have destroyed Is value In the story,
The nudlenco knows, it doesn't need to
bo hit over tho head with a sledge-hammer
to drive n point home,
if tho point to bo made Is unusual or
some particular plcco of business needs
delineation or It somo lay flguro or prop
erty needs Identification It Is well to use tho
"close-up." It Is difficult, for Instance, to
deptlct emotions ndequntely when the char
acters are some distance from the camera.
The related circumstances should govern
In each case.
If we have seen n weeping heroine In
several scenes we do not need to como
Into a "close-up" for each cry. Once Is
quite enough. "Close-ups" nre Invnlunblo
In chnrnctcr drawing. If, for example, n
bandit holds up n stago conch nnd you have
several different types In the conch you can
get a good laugh by picking out the charac
ters ono nt a time.
This brings us to another use of tho
"close-up." If you have a number of the
characters In a scene the nudlence will be
unable In the Bpnce of 25 feet to grasp
the various types, particularly If there
Is some Important nctlon taking place
In the scene. These characters can all bo
Identified by means of the "close-up."
Tho "close-up" hnB another use thnt may
be mentioned here, but as far as tho
scenario writer Is concerned, It Is unneces
sary to consider It very deeply. It happens
occasionally thnt some scenes photograph
badly or perhaps there Is some other defect
In the scene. By using a "close-up" of
some of the characters nnd plnylng nil the
nctlon In tho "closo-up" the defect In the
picture may be pnssed over.
We remember one picture wherein the
Ii!!lli!il!llllll!llill!l!!l!lin!l!i!l!ii!U!!!!I!inillil!ll!lll!I 8 1' ;,:.: ;.: T-;'.' i: ! :J ' jJ -l'--. ;:
For Window Display MJJlJmi
Reaching- the public throuch , I 9" J r 111'
the dealers' window with tho II - ga-CTpY , ,g?rpT-l l
most powerful sales talk. II TaTQrlgSsyrjyfpgr-3, 'In1
Moving pictures of goods, ,,ll I ill ' I'SJMBWilWeWHI'aMiii I I'll
ihowlna- their manufacture, use 1 Fiilrffill.j' jETmTxTLuTrjrl W.
JiEJifffM g'iiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiitiiiil
iaLLLuTCeBMIaHHK: lrfnii' e-"" 1 ml I .
wmm
THE
PATHESCOPE
Is tho most powerful publicity
ntrcnt human centus has ever
conceived. We have plans for
"direct touch methods with
the use of Pathescope motion
pictures which you may learn
for the n siting-. Dozens of the
country's greatest Industries
successfully Hpd prnfltnbly use
1'athescope Motion Pictures.
PATHESmPE. ' Inc.
I Croier lllilr.. 1420 Chestnut si.
rmiaueipnia.
Exhibition dally, 0 n. m.
until 10 p. m. Week
June 20 to July 1.
Prominent Photoplay Presentations
ip
1Bn&u 8oo$m7 Grrmrm
THE following theatres obtain their pictures thronili the HTAM.KV Ilooklnx
Company, which U n xuaruntee of early showing- of the finest production.
All pictures reviewed before exhibition. ,k for the theatre In jour locality
obtalnlnr pictures throusb the .STANLEY 1IOOKI.M1 COMPANY.
ALHAMBRA
12th. Morris & Passyunk Ave.
Mat. Dally at 2; Eves., 7 i 0.
paramount Pictures,
& "TUoli-ar Honrla"
ARCADIA
Rupert Julian
Francella, Blllinston In
CHESTNUT
BELOW 10TH
11 c U..t In 'THE APOSTLE
Wm. 3. Hart op venobance"
milla Rurke In "Glorla'a Romance." 8th Episode
APOLLO mM,DnISSSeSSiur
Edmund Breese '" J'the1 vukon-
'IRON CLAWV'lTth Episode
D17I ArrYMT B!D ABOVE MARKET
DEiLIVlUIN i Mats. 1:30 3:30. J0c
r.VgS., l.a. n. umu, 4uv
in -uuisirA
GREEN"
Marguerite Clark
60TU AND
CEDAR AVE.
CEDAR
PABAJfOU.VT
THEATRE
! :fJ r ...J in "Tho Trail
Winurcu uiramuuu f the Thief
"SECRET OF THE BUnMARINE"
FAIRMOUNT MT" arard ave.
gjffiSwti'Hia Brother's Wife'
FRANKFORD ""TS
Alice Brady in "TnrtRled Fates"
"WHO'S GUlLTYr'
56TH ST. Theatre "SSE?
Del. Spruce. Eves. 7 to 11.
TRIANGLE PICTURE
HR WnrniT ' "THE MARKET
. . warnct op VA,N DESIRE"
SPECIAL FIRST EPISODE
BUlie Burke ln ""wcg-
GERMANT OWN ss08 toXve.
Harold Lpckwnod and llae Allison In
THE MASKED RIDER"
Added. plllle Uurke Jn "ClorU'a Romano"
(TI nni? 68TH MARKET 2:tll-T-6
KxlAJOlU (IS.OOO KIMIIALL ORGAN
FRANK SHERIDAN in
"PERILS OF DIVORCE"
rlRAUn AVENUE THEATRE
VaitVVlvl-' nn aiRAHD AVENUE
BESSIE BARRISCALE in
KOTMl SISTER"
He-oat NrrVlpm BRO-U ST.EniB
OLGA PETROVA in
PLAYINa WITH yiRE"
JRIS THEATRE ""ggg"
W. S. HsytixHE ARYAN"'
JEFFERSON m" t&vSS"
Mwrguerk Snow ,n '" WEJV
dosed Tfyirta? for taprovemjc U. 'eogenJulrO
LAFAYETTE "yife
VlctorMre .THE RACE"
I FAHPP FORTY-FIRST AND
LiLirlUdn, LANCASTER AVENUE
LIONEL BARRYMORE in
-.. "DORIAN'S DIVORCE"
I I R F R T Y BROAD AND
L,1DL ' COLUMUIA
. . VITAGRAPH Presents
Anita Stewart in "The Suspect"
LOGAN THEATRE. 4?, SMAD
Franci. x. ni:ii: r:. ..-
.r-i iTiiiiiuii a iviiiiuic
Romance"
Dushman In
I1ILLIE BURKE In "Gloria's
API TCT D AND LOCUST
JjVUUiJI Mats. 1:30 and 3:30, 10c
... , Evgs. 0:30. 8. 0:30, 15o
Alice Brady in "La Boheme"
Market St7fheatre 'aSrsr
s'tXRtTin "Three Godfathers"
PEG O" THE RINO"
ORPHFIIM OEHMANTOWN AND
unrntuiu chelten aves.
FRANCES NELSON ARTHUR A8HLEY In
"What Happened at 22"
PALACE 12U MAnKET STREET
Marguerite Clark ,n "w,lPLower"
BlllleBurke In "Qlorla'a Romance," 6th Epl,
PARK" It'DGE AVE. a DAUPHIN 8t!
r1Xl MAT., 2:15. EVE.. aili to 11.
Lionel Barrymore ,n ""IS w
CHAS, CHAPLIN In "THE FLOORWALKER"
PRINCESS
METRO P1CTU
Edmund Brprsf ln "rHE fiHooTiNo
iuiiiuiiu jareese 0f dan mccrew
1018 MARKET
,,nn ... ",ct,
"oiiiu rii.-i'uifisa present
RTAI TO OBRMANTOWK AVE.
mnLiiu AT TULPEIIOCKEN ST.
CHARLES RICHMAN in
"THE. MAN FROM HOME"
R 1 1 R Y "ABKET STREET
SESSUE HAYAldX C?
ta aju,b..- buum '
SAVOY tnt UAHKET
mm m m. m RTRRFTT
GAZELLE MARCHE in
-eiiULUl A UAUY DIBr
TIQGA 1TfU AND VENANOO STB."
MAUfcA, TALIAFERRO in
tJia aftuwuutir'
VICTORIA fiU,
WIecW-t;. oS
!; Mrs. Sid Drew la "THE SCHEMERS-!
STANLEY r-& xmyittTuT"
cQNTK4oua rauiajB Frederick in
wasp. m. asBAT PNbb''
tight reflected from a glass door In an
office caused hn halation about tho white
head of an did man, one of the principal
characters. After tho picture was finished
this Was discovered. The director took
several "cldsf-ups" bf this character ngatnst
a neutral background. When tho picture
was finally hssembled this character pljiyed
his oince scenes mostly In "close-ups." '
TJther characters would be seen to entei
the room, but before tho nudlence would
notice the Unusual halation the "close-up"
would come and' th0 scene bo played out
In It. It you feel that you nt-e In doubt ns
to whether the "close-up" should bo used
III the scenario It Is best to leave It out.
The director will put In all tho "closd
ups" necessary, When he takes the. scenes
ho will know where tho "close-ups" should
be and put them In. If you Use too mnnv
-close-ups" no win often Imagine that you
hnve tod little story and nre taking this
means of padding It out.
Study tho scenes on the screen nnd you
will soon see Just where they ore used.
Wheh you see one, stop a moment And ask
yourself why It was used, ,You will see
the reason for Its use If you nro a student
of scenario writing.
If you must show n mnn reaching for
his knlfo oh a gun, gel ,lt In a "close-up."
If the nlan suddenly Is seen to have a knife,
whon n moment before ho was empty
hnnded, It Is nulto likely that tho audience
will laugh. TJils Is the renson they BhoW
mo net or rencning ror his Knife. Tlio
nudlenco Bhould be permitted to know whero
tho knife came from.
In connection with this It might bo men
tioned that tho net of reaching for a knlfo
or n gun has been used In the same old
way to such nn extent thnt It now gpts a
laugh, If a man Is Been to open n drawer
and reach for something tho nudlence
knows thnt ho Is after his revolver. They
havo seen It so many times.
Try to think of now ways to get the gun
or the knlfo Into tho possession of your
character. It Is the knnck of doing the
old things In n new nnd original manner
that mnkes tho photoplaywrlght of value.
tfnlrmotftil Bond at Belmont
Tho Fftlrmoupt Park Band, under the
leadership bf Wcfiard tichmldt plays this
afternoon and 'jntght, lit Belmont Man
sion. (
The prpgrnm"fo1iowa'l '
,' PAhtil.
Afternoon, 4 to o O'clock.'
t. Overture, "Her Freltschuts'- . ... .n.Webef
J. "Uimitlnn. Hn et" .; HVI'rVl!nJ.
3 (a) "Love's; Dream After the Ball," CstbulkW
(h) March. ''.Tho. .Fairest of tho Fair," .Bousa
-I. "Sonjs oi uur nation - it., .min
,1. Wnlts front "Tho Quaker, Ulri"....Monckton
it. Melodies .from "Carmen" ., .'.j.,..,. .(Ultet
7. ta) "Uncle Tom's Cabin" . , . , ...T. .Mmpe
lb) "Down on tn Swanee River," Ctydilieton
8. Excerpts fr.om "The Broken Idol," Alstjne
PART Ilf .
Evenlna", 8 to 10 O'clock,
I flverlttr,.'. "Tllr.indttl' '. . 1 . . LnchneC
2. Motives from ''Gloconds" , , ,, ,,,.Poiirhelll
8. tnl-"Rustle Dance," from "Rustle Weddln
Symphony" , , ,,i,... i,,,i,.OoldmarK
(h) "Kokuskn,"" n Russian Peasant D'nre,
Dvorak
t. Xylophor" if"'ri. "Jo"v1 Robbers" ....Spppe
Soloist. Mr. Peler lewln. .
.1 "Ndrweaiait i arimvai." ,, , ,. i.. ,i .Svendson
0. Waltz. r,0n tho Beautiful Blue Danube."
Strauss
7.1Therne jind Variations from "The .Two
Plseons" , .n . i ....... i ,..,... . . i Mejsnrer
8, Melodies f-inr "Oh, .O'i, Dlphlno1'..Caryll
"Stnr-Spnnsled Bahner."
50UBEDS
TO U. S. BY WOMEN
1700 Members of Railroad Chap
ter of Preparedness Division
Contribute Funds
i t
The Pennsylvania Railroad Chapter of
tho Pennsylvania Women's Division for
National Preparedness has offerod the
United States Government BOO beds fully
equipped for use In the event of war with
Mexico, Tho announcement was made by
Mrs. "George Dallas Dixon, chairman of
the chapter. The money' for the beds will
be contributed by more than 1700' members
of the railroad chapter ln tho various parts
of the State.
ln 'her plan to prepare refreshments for
tho .troops passing through Philadelphia,
Mrs. n-n has been offWJ
Uio town house of aeotgs qi
Wit, at J721 Wftlnut " ""
win bo carried to th mil
C3i'
i"-BMa
T-m,n
..?' 1 .." of feS ,
tVeo.d.l!r'reuTYoeDrM''Ei
lamsport Chapter, of wmchtJhW,
,"UtJl. !?. . WlM fflSa&J?
re.hnSenrasra,rgs
S,ii"Th chaitT raised 't
110,000 for the relief of families ft M
Threo hundred men werO aimiJ i .
Chopter, whldf "is ffil' MUk
'"""'" wnnptcr, wh ch Js headM V
Ahna C. Illley. Miss QertrSde 3? bIr
rcnortoil thnt K..nt.ii l'u?.8 -11- A4ifci
caro of Company P. Jetl" Jrtfaht? UiJ !
Snnburv nhnni.. ... '?lt Ta.
midnight Saturday to uldlcH i In . J5JJJ l ' W
r Mynl Oretna tho memblrs of oKSS!
O, 6th neglment, were nirnlshtd.-MJlf?
by the Doylestown Chapter, in.. 5,
ootti hobs, the chairman, reporU ..!? ' Jti
food was supplied by contrafct U l "" 1
Phllndclphin Band at City Hall
The Philadelphia Hand, under tho lcnilor
shlp of Sllns K. iiummel, will play tonight
In City Hnll Plaza. Tho program follows i
I. Overture, "I,orelcy" ., , Lucliner
1. Hulte tie Concert II.'Arlesiennel lllxnt
Prelude.
b) Mlnuettn.
ill Le Carillon.
3. (3rnnl selection (from Mnrenco's ballot.
"Excelslnr") , Mercnco
4. Contralto solo, selected
Ilrrthn Drinker D'Albltes.
s. Echoes from the Opera Tobnnl
it. Piccolo solo. "Tho Itummlnc Bird", .. .Alford
Gus FnbnzL Soloist.
7. Ballet Music nnd Soldiers March from
"William Tell" , Rossini
8. March. "More Fraternity" Flilmnra
Municipal Band Concert
Tho Municipal Hand, under the leader
ship of'HonJnmln lloeshman, will play to
night nt Urond. and Spruce Btreets. . Tho
program follows!
i Overture, "Lluhl, Cnvnlry"
j. (al "In Kntisits.'" humoresque ...
(b) "La C.arlna''
.1, liallet. "Knyptlen"
tn) Allegro non troppo.
(hi Allca-retto.
(c) Amlnn(e sostanuto.
Id) Andante epreaslvo. ...
i, Gms from "The, Chocolate Soldier.
S. Tenor solo, selected,
,,Suppo
, Brooke
, .Unnne
.Lulglnl
rt. Otnrldselectlon.
7. Valso dl concert,
.l.rrv flhnw.
'fiyifiR iiiitenmsn,"
Wnitner
"AMna il'AmiA.IP.'
U'nldt.tlfel
8. Popular medley. "Tho Kins Pin" . .'WRmark
HEAL ESTATE FOR SAEE
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Mend for Tree Booklet.
S.V. REEVES, Mfr.
45 N. Second St,
INDUSTRIAL MOTION PIGTURES
MANUFACTURERS
often need something more than words to con
vince the skeptical.
Your sales force , can tell you that there are
as many "show me" men. in your own territory
as there ever was in Missouri.
Show, them all. We tell you how.
DUFF C. LAW
204 Osborne Street Wissahickon, Phila., a.
, I " " ' ' 1'
: ' -ST
a
yi
U'hi
li
is
FIVE months ago we announced the JefFery Six. The car literally
sold itself. So immediate was the appeal of its roll-edge body, its
chassis simplicity, its riding-comfort and driving-comfort, that within
one month after its appearance the Thomas B. JefFery Company was
compelled to double its planned output of , this spectacular car.
Uii
Meanwhile the JefFery Four .nationally
accepted as the best car $1000 will buy sold in
such tremendous numbers that JefFery dealers
everywhere were compelled to double and
Uebls their original allotments.
As the warm, days of Spring came on. the
demand for both JefFery cars kept on increase
ing and at the same time jhre arose a strong
demand for a car combining the .quality and
value of the famous Four with the roll-edge
beauty and divanIuxurv of the Six at a price
lower than that of the ix. -
The prices of materials had doubled and
trebled other manufacturers had raised the
announced prices of their cars but the JefFery
engineers had bought large stocks of material
last year at cash prices r when the market
was lowest; '
By giving the car buyer the benefit of
the. JefFery foresight and forehandedness. the
JefFery engineers were enabled . to produce
the-new Roll-Edge pour seven passengers
simplified chassis and ,93 JefFery built
for $1095.
Today the Roll-Edge Four is readyvfbr your inspection the first'car of its beauty,
quality, size and finish tovsell below $14001 " '
We predict that its successwill be as instantaneous as that of the JefFery. Six.
We know' fax the planned output cannot be increased we know that the thousands
of automobile buyers. who want JefFery cars are going to be disappointed. - . x
Come and see the New Roll-Edge JefFery Foui" NOW. Decide now that you
will have your JefFery when you will get the most good out of it NOW.
Th NiwRoll-EJre hfftrs fytir $1QS
Tht Jiffiry Six, $1450 .jgl
r.u.u. Aemfia
HURLEY & EARLEY, Inc.
S. E. Cor. Broad & Race Sts. Phila.
Bell Phone Walnut 700
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