1111, apt"
EVENING LEDGBK-3?HIIiAlELPHIA, THURSDAY, JUNE 8, 1916.
If
IS
fUlLADELPHlA
MAiauM o
Ai,t ANDFLOUH
&KMV
gthern
uzi
li.oipi,??
s rea.
steamer
ri i re-
tint
a
uti
tt. '
a.
lett-'
' on -
fof1
list;
the;
tiirn?
tpfe.
i on"
ood-1t
loon
rom '
thai
ointl
kit. ,
IE Selected II. 060e.
..? nuvlcta.
"i&.RASl0Sb."Sr 770 ft... 80
:. nn v --
7- ..... no8 bush
i3TSAB
PS'fXM&ii'
The market ruled
white. 45H
tnniin. iiTf
purified oate
"LOW VISIBILITY" An Artist's Application of the Naval Term to Battles on Land
Z? 4. E. Hayward
5fHHc' on hhls and 1.441.084 lbs.
POu" .re WHS.!11;10 V-?ii,-..,lnff are the
afmrifTR i1"'.- itifla trauma " p. '"
CKib Tr I",, Ld Followln- are th
'S'.v n4 n.A,,1r?,iii; Winter, dear.
- ?'-... IDO ID. I". ""'VI aKXan.mi ilo..
rafctoisSft assets
,?' &!."
patent,
Isht.
cotto;
S.CK"..
I5.in0n.30i
nn hv.". .- r-..
Stain. ..J''?.n.?'fi,i. rhnlca and fancy
m wsfflws
I1HI 1I.U '" -- a, ...- llahl
t .taAiir mint: i unit
?WW.V.fl.t l5s.oo v w
ws?'
ik?
PROVISIONS
fe.jvAiftSSiSS
, ittfc enw"tS oni , rltv be. KnucKie. n
f :- imnKFU ii - r- .-.hKam viuijnri
".vrrri" a . nniiea.
ion-- nuv:'.4 InnHf).
!le 'la; ?' "WlileV. In pickle, nccordlnu
LKuc'l,r iSK. 'Western., refined.
.211
if
IlTO, iVrlndered,
v r..ui iiuc t Ho., cure
o-'..luu", 'fiirv, h. 'Hn..
HH
. ".I-.... Ul'
wz,u rhnattea in wei-. -
r. ".;"
itlM REFINED SUGARS
atow?av5.ss?T-rv.iw
aKB. i' .tides. 0B5WT.BOC.
JSrj We. I " - nrTTwTO
"-DAIKI I'BUUUi;"
SaiSffiwigVi
OP i'. " Jit Heroso extra, ac. nrii
Sfnli. ftM. Ji:- 5a5c earl cky prints,
BI!2fcI iKffnr ili T? "f JnVr print.. 8T4 Or
W'fe' Ir'SJS'w.ii I Kool di-mSnd foritrlctly
hju--;,"- ., Wh rh ru ed nrm unaer nsm.
' A,!5,,:I; nearby currnt rfcelpu, lp.no
ftft'i WeitW tr.. 2:
J
,000
itch. 5.
Juaa d
oli,
rket fs
fr. rf
l i
onr,
309
s
ftnf 'ilH
n i.iB
rUr
ami
IUI.
will ija
tak.
n
isei
xn .
- - - -
I . jQ &A1M lktm. TmarryI Aow visiBiuTr-) HMHi
S zXl' 7 I 1 C "1 VtStBIUTY H
" rTW, 111 111 WHAT5 VMRoMgTN -""" X
sA' 2l ( I If - J I 5R? YOU ORDERED) Xr,,.,uimiTV
-"T - -the LATEST I T I YOU SIR ? V ! ( TH,RTY DAV
SKIRTS K Vl x-7 -T-r-
2 J) - VJU'niNj' ro. vwm-i -
&EPMAW t fidtz-M ! VAW". ... jM M , . $ luh.e
I I I - . 1 I I I A-G'HAYWARb
I ik ' ' ' "
1
EVENING LEDGER NEWS
FEMSSTARTTODAY
nearby current m'',v,';
-Ac- nT..Y"i!i mien i
K .f.,,B"S1 rl.4 wr caiV. fancy
Cy!c.ndjed freili tcl wcra jobblne at
imULmXtm wa fair and yaluea wer
iWSSIr-SSS ?un.1ercVe,arS.n"fann,c"y. SSJ
fescTpe?ll nieher: do., fly., fair to
iawr. "WeiBe ! do., do., part aUlma. 0
lSc-
POULTRY
Wnm-rmrli werf pretty well cleaned up at
l,ITO-rowi v.v' cT,cicen8 wero mora
SSMnl""!- andPlower. Quotation.: Fo.
SKKh.. naitera 18llc.: .prlnp chickens.
WVSuVmJ: i-eUhtni'lS?. ft. apiece.
tVUI UHltk fc 111
!c; do.
fceHa5i'.: duck. a to "'"inffla
m
"rTfri&ElfiThe" market ruled Arm. with de-
Quotations follow:
nsv. . -- . J ,,n
RStkiikd poultry, dry-packed Kowla. 1. to
KKS.,irked. fincy .elected, 23c... veUhlnK
M (4f ! IM. apiece.
il . wAltrhlnrr 4 lb., apiece,
lv". .. .. 1, .!... 4IUn waIfTI
BKray j&PSaSrafe
IMi '
nd
bmi. fancy.
ijiiinot. woirhlny
A lbs. apiece. 22c.
Mflfti
UZk.c. i
MtKt. 11040c.. .mailer .lie., sutfaoc: quck..
i.w nrlnr. "0CT21-.! -auan.. per uuj.
..i..'.Uhlfl- 11
tl. white, well
1112 'ib per doi.. I4.7B?
SCENARIO DEPARTMENT
LESSON 6 Construction by "Cut Back" and "Leader"
The Kvenlnf I-edter'n Dallr Sfennrlo I.son; l.ean Jun 8. They w
nu. ..nt.i tnw n ...nn. h in h. nrmlured In riulndleuhl n with n rhllade
and .?T. nil the le.ion. for future reference. In i th. ll""f'r ". .
Ilinntl til ! UIU'MH 14HVVB.V.-V -
will be followed by a
phltt cat. cui out
-k. V.Ih f .f.. u-lll h. rind In dTm
...c .-.. ...,,. ." . -"---. rj..Vi . .....
tne le.sona ana 01 lenrrai iihwcm . im.n.,
with point.
enlt
In i
By HARRY 0. HOYT
llend of the Mrtro Scennrlo Staff
We lined to
LKtU.
J 10: malt and No. 2, 30c. 11.
FRESH FRUITS
!rhni .inrk. .old fairly and ruled ateaay
d moderate orferlnw Quotation.: Apple..
DDL IHeOl, tO.UVVT, unw-.H. ,-w ..
Davl.. -WfiJ, oilier varieiicB. i,ituu-.uw,
2. 1.252. Apple.. We.tem. per box.
(Lisa 1.75 Orange., Florida, per crate, law1
1Z3. urapeiruil, iioriaa, per crHLe, fovt.
non.. per oax, tni. (iiir.i,yicB. vuu
o. per crate. I1.50&3. Strawberrle., per
1st Delaware. S&10c; Eaatern Shore and
Htryiano, ovriuc. iiiacaDerne., iortn .aro
itti. per ot., 8012c. Pcache., Florida, per car-
klir, 1202.00. Watermelon., FJorlda, per car.
KJ0O4OO. . . .
vjiut.rAiiL.iia '
Tkn yfam n fair Innulrv tnr rhnlre iitnpk and
Iwuet itnerally were .teadlly held. Quotations:
w)U Ht"toe., per buBh. t'enn.ylvanla, 11.30
tLSjXw York. tl.2S01.3U: We.lern, tl.25
in: vane potatoea, per odi. rio. i rioriaa
. rioriaa.
(MS5.75
ettl Carolina,
No,
I4W4.K0: No. 1
1S0S.23: No. 2 South Caro
ls 500 4. .iveet potatoes. Jersey, per
Hint No. 1. 45000c: No. 2. 2H03OC.: sweet
Eniou, Jersey. Delaware and .Maryland, per
or No. I. 78c.0tl: No. 2, 500c.i
kJssi, Texa, per cummer crate No. 1. 11.75
flSSj No. 2. 114001.60, cabbage, Norfolk
ui Eaitarn Shore, per bbl.-crate, IKPl.AO;
M, Norfolk, per hbl . 83c.0ll.S9i celery.
JwMi. per crate, II 7S02.25: watercre... per
IM bunchei, tl.SO02.3O: lettuce, Vlr.lnla, per
fU'tt, 23c. Oil: bean., North Carolina, per
MjbbU bulut Wax. jl.S301.T8i Oreen. il.BO
ei.ls: bean.. North Carolina, per W-bbl. bos
pt 11.7502: bean.. Norfolk, creen, per Vi-bbl.
EMi.1! il-7302. beans South Carolina, per
H-tU. buket, J14M 23, peaa, Norfolk; and
feftini Shore, per (,-bbl. ba.ket Larae, il.BO
ft: .mall. Ilorl t5'. nenn.ra. Wlnriiim. ner
Rf?I-.f!.,'i,02, ergplant, Florida, per crate,
KI.?:-0: 'Quash. South Carolina, per crate.
tfl.:5: cucumbers. Florida, cer ba.ket. 12.23
It.'?'! .""i orin uarouna. per 100 bunctiea,
wwitoo, worroik. per ion bunche., i4B: to.
Hr" .slSr.'4?i P1, carrier Fancy. tS03.SO:
J W 02.78; a.para-u. Jersey, per bunch
.: uiib. u jr
DC
sum
We see
Into the
tc! Mlllhrruima n JIV V -!.."
IG i'iui uasnci,
ic,iPli.
111
I -a
Prudential Oil on Curb
f-NEW YOItK. June 8. The stock of the
JPredentlal Oil & Gas Company, Ltd., was
1 unreduced on the Curb today. The com
(Hnjr holds under lease about 13,000 acres
M ell and gas territory In the province of
'"" Canada. According to tho presi
liwtand general manager of the company,
?2ii 8re Producing approximately 40,
i Urrels of oil In a month. The product
(Ml Mid for 11 a hnrrol Th. i-nmnhn-. In
I lUllzed at Sl.000,000. all common stock,
WUtandtng,
V
j; .
Theatrinnl Rnorlolroy
tcSr?.'I:".,JorJ Barbara." with Oraca
trir VSSnL"n "'"' wno win. hi. dauihter
i, ,ii.,'H?,.8ll9n Army -work to a .Bare.
f ioiiTh. ... ""Dr .,BV Poverty l.-a crime and
fcif VlSlh.ilmSFfr 1 fh" the only true one.
nir!l - J018, 0n week onl''
sSKwlPn,r&Jii,nu' From Broadway."
R SSJ JL, .ttPW'SPatrJan SocKty , a... It.
.w"nofh.,Sin S ih.!.' 'ol",
PBATURB FILUS
CRResi" iCT-w- . . . .
fcJ.fJv!?.wSl T! famou. dancr, with h.n!
iii-.r. ti." .7!mD"- ausmentea By pnoio
sS?..?f.'n? Unlver.al Film Manufacturlna-
r.tn ..",v"?.a,r,n in an elaborate .creen
fiiiiiew Maniuo."
tf uf,.l?I."-'VVedneday. "Th Peud oirl."
MMaetfiS"0'. 1mou. riay.r.-Paramount
'irh. fe,. Th!ir(ll'l. "WW and Saturday.
IIBSh.IawUJn1 ?0',fr Husband." wlfr,
IJffl 8wMt- a I-asky-raramount produo-
lr '"I'JT!1 Bu' ci" lh WIIIU Col.
ir-TTUMi; Ji,ii'",UI4rv!,l production for th.
nWwSvf !?' m running all week.
t!ihi!vf ?ne.day. -The, Law Decide.,"
Caeii; v..'"' lroth Kelly and Bobby
' h Mvr.iVluL'"'h-v' !- K. productlor
b"IHYtt reel.. ThuraHa- V-rllau . Ct...L
357. i. o J..T--.7J .-- ..- w.u.
'lf lUrl , -opeUtaq wodictlon"
ll SfaSaS. : A?"-...
with Olca
with S-
I.a.Uy.
Iia-,": Production. Thursday. Prldar
BfCir. lax"r- "Maria Hoa." with Oeraldlna
HrBr 5s?. R,'Uuy. a.
Th. Lava lfiakj
La.ky-Paramount plc-
fcSSSi. "JJ.? Tlclfort, a Fa-
B,"-1-. wi" Alary j
ruyer.-Paramount nlm,
iSaraiur'
mzz '""
tekiXS:"Hday and Thursday. "Fata'a
If'taTdVyr'w"' m?11!?..?" .. HsJ?.
"ta and Mariuerlta enow.
VAUDBVIHiB
PS bTmiIv Bh.ll.,.1. J a .
t,.:.i., ' ""i"""- ria uoia.n.
W BisT wS'" nnjas Sophya Bar
S ?Bn5. vJUcto- 5JJn Homy Boy Mtn.treln
imffij ".y-98." J Sidney and TownUyi
i"frlbup5?tui0B..",'wTa' J3""- and
i'wE'S? ?S' and hi. Purlu. lttn.tr. 1.:
-isr'chiioi0r."rnN'u?j -ajass:
f' A.k?, ta P-aapar. Dr.aojy China.
SvH. paion put of Waahinaton
lSlfS 6 f wk, Sol DairM-a
81GGiil
i"Mpd, mdf i
el wk, o OaM-
ickjj- s4 Bellas Jdli.
CONTINUITY, as pointed out yesterday.
Is tho string on which we thread the
pearls of the Btory. The closer you weave
your plot the easier It Is to obtain con
tinuity, as continuity Is, after all. but a
relative term.
If you have lapses of time In your story.
you are bound to have dimculty In mechan
leal continuity. You must have leaders, o
subtitles to- get past or over tho holes, sua'
expressions as, "Later." "Two years later,"
"The next day," etc., aro not used as much
as formerly. We now try to get away
from hackneyed expressions and use some
thing different. We try to avoid giving the
Impression of such abrupt transitions, unless
necessary to the action of the story-
If we show that a plot Is to culminate
on the morning of a certain day we might
say, "The next morning." If Instead wo
use a leader such as "A summer's dawn,
we get away from the stereotyped leader.
Or. If wo are to show an abduction at
tempted, we might say "Shadows on a sum
mer's dayn."
In this way wo keep In the spirit of the
action to follow without giving the action
away. If the he.ro overcomes difficulties
In darkest Africa and returns to New York
to hlB sweetheart, the easiest way out
would be to show him leaving Africa and
then use a leader. "Two months later.
Then we would show them reunited In
New York. Suppose, Instead, we say. "At
the end of a perfect day," The audience
will realize that time has elapsed
dent to get him back to America,
the clrl waiting, and he walks
room.
quotations from poems are frequently
used because they are beautiful. They lend
atmosphere to your story. We use them
also when the plot of the story Is compli
cated and too large to develop properly in
five reels.
Instead of 20 scenes to develop a situa
tion convincingly, we can use two or three
with something poetic in leaaers io wrrj
out the idea. Usually this occurs In the
counterplot. We develop the principal
characters carefully, but have not the space
to develop characters in the counterplot.
Suppose that something vital to the plot
requires, that a certain character in the
counterplot take a strong stand for prin
ciples or convictions which he hqlds. We
have not time to show In actloif why he
has such convictions or principles. Yet
wo must make this character consistent.
We use a poetic subtitle or leads once
or twice, and the character of the man is
planted.
In a recent picture this was Illustrated.
The 'picture had to get over the fact that
a man, whlla grasping and cruel In many
respects, had a warm heart for little chil
dren. Ho was not one of tho principal
characters In the play, but at a certain mo
ment this one weakness for children, de
stroyed the plans of one of the principal
characters.
It would be difficult to Imagine a man
who brooked 'no Inteference In his plana
weakening In such a moment unless wa
had planted firmly the other side of his
character. This would require several
Bcenes to work It up convincingly.
When the man was introduced, there
appeared the following leader, "In a man
alon of gold, a soul cried out jfor peace
and happiness, and tho caress of a child
to Btlll the acha of the lonely years."
The title can be Improved upon, but the
audience knew what this hard fisted old
man was like. They knew his heart. A
scene -or two with children camo later, and
the audience looked for the tenderness and
found it- , ,L
To get back to continuity once more.
The leader or subtitle will tie your story
up, but. even bo, a story may be "Jumpy."
It will not do to make too many passages
of time or .you will never get, action In the
-ii 1 nl.nen intilnm fni"
story. Tne auaienco ia umnja n,t.., -
something to happen, and If It takes you to
the middle of the last reel to establish
your characters and your premises the
audience Is but mildly interested In your
ooiinn ni- vour dramatic scenes.
They are tired of the long-winded pre
lude to your story, It Is the sara as
though you were about to tell a story and
prefaced your remarks by Baying, "In order
tp. understand this story you must know
that Blank Is a banker and Punk Is a
lawyer, and Mrs. Blank la a society woman
and Mrs. Bunk would be a society woman,
and Mrs. Blank's maid came from France,
where Mr- and Mrs. Blank met her at
Cannes." etc etc. Your auditor would
probably get tired trying to keep the char
acters straight, and the point would be
loat in the maze of explanations.
When you come to the climax of the
itory, you use the "cut-back" or "flah
back" to keep your continuity perfect, if
you use leaders here you, destroy the illu
slon. The audience Is forced to read some
thing1 when, they want to see the action. If
the villain has the girl locked In a. room
beeide. a keg of powder, with lighted fuse
attached, the, audience doesn't want to read
about ths hero, having OnUhed his work
in the city, starting to call on his sweat.
Get all th explanations of this kind out
of the way before the flise Is lighted. Flash
to th hero comlnt; And "cut-pack to him,
getting nearer as th fuaa set shorter.
tu. .Md HLoa?ra.Dh clctuxes used, the 'oath-
back" mora than wa do today. Our atorlea.
MEMORIES OF COLLEGE DAYS MAY BE
REVIVED BY PHONOGRAPH CONCERT
"Old Grads" Can Enjoy Alumni Night at Home if Circum
stances Prevent Getting Back to Campus at
Commencement The Week's New Records
build the story up to the
melodramatic situation and work up tho
suspense by cutting to various characters
in the act of villainy or heroism. The "cut
back" gave vitality to the old so-called
"chase" pictures and mado them popular.
When we come to the article In suspense
and the "punch," we will Illustrate tne
value of tho "cut-back" In detail. It is,
however, necessary for continuity, nnd Is
used In other than "suspense" scenes to
avoid a leader, as Illustrated in a previous
number, where we cut to Intermediate ac
tion to give a man time to get from his
house to his ofllce.
It would be natural to nssume that a
story In which all tho nctlon takes, place
within the space of a few hours would bo
the easiest to handle. If n story could be
written of sufficient dramatic strength. It
would be. but the difficulty lies In the fact
that we usually have to give some details
concerning tho characters or situations that
occurred prior to the opening of the play.
Whenever we find a story taking place
within, say. 24 hours, we usually find that
our Btory Is the climax of situations that
hnv develoned before. In other words.
there are few big dramatic plays that can
originate, develop and culminate within that
space of time.
If you have hut three or four characters
you will find that your story Is tighter or
closer woven, but because you have little
to "cut" to, you need more subtitles. As
n rule, we would advise few characters and
get them all together. The trouble with
most authors Is that they have their char
acters separated. You get the big dramatic
nctlon when there Is the clash, when the
characters meet. Keep them together.
We will suppose that you have an Idea
for a five-reel feature picture. Block out
your principal scenes as we sugested last
week. Next fill In roughly the scenes that
take place between your principal episodes,
and then work out the continuity.
You will find that you must use leaders
at various points to overcome a "Jump."
On a more careful examination you will
find that you can make two pieces of ac
tion simultaneous and by cutting from one
to the other you will do away with leaders.
Having your story now all together, you
must examine It critically.
Have you made all the characters natural
and human?
Have you made the locations real?
Do you think the audience will be In
doubt about any of them?
Are the actions of all your people logical?
Is there atmosphere to your picture?
This requires detailed study. Say to your
st.f: "Would Helen go to John under these
circumstances, or would she make further
Inquiry, or would she be afraid If she did
that her actions might be misunderstood?"
(Tomorrow Lesson 7 Heart Interest.)
QUESTIONS AND ANSWERS
PURPLE Stick to dramas until you
have mastered them. Quite to the contrary
to your statement, comedies are harder to
write. It Is the same In writing vaudeville
sketches and plays. There Is always a mar
ket for good comedies, for they are always
scarce.
BVROSt Be careful to keep your com
edy out of your big dramatic situations.
Comedy has its place In the serious drama,
but It Is sometimes harmful, and the dra
matic climax may be wrecked If you em
ploy comedy at this moment,
M, K. M. The editor of the Scenario De
partment cannot recommend any text-books
on photo-play writing. However, the books
most frequently mentioned are those writ
ten by Epes W. Sargent and Wm. Lord
WrlBht.
Negro Held for Theft of Microscopes
Samuel Potts, a negro, living at 1208
Potts street, an assistant janitor at me
Woman's Sledlcal College, at :2d street
and West College, avenue, was held In
400 bail by Magistrate Beaton at the
Central Station this morning, charged with
stealing four microscopical Instruments,
valued, at. M8" from the college. The In
struments disappeared on May 30, the
same day that Potts Is said to have left
the place. They were recovered In loan
offices and were Identified today by Miss
Esther M. Well, who la connected with
the college.
partieulariy lh Jmi e !itur pWums, am gnSiTM I l 63l 63 61
not Marly tedstaUe. 1 gj.',."'i . -...-
THE WEATHER
Official Forecast
WASHINGTON, June 8.
Vn, aantrn Pennavlvanta. and TChw Jer
sey: Partly cloudy tonight and Friday,
with probably occasional showers; not
much change In temperature i light variable
winds.
A disturbance of moderate energy devel
oped over Virginia yeaterday and moved
northeastward oft the coast, while the west,
ern storm made an unusual retrograde
movement to the northwestward and Is cen
tral over Wisconsin this morning. Under
the Influence of these disturbances showers
have covered the Middle Atlantic States
and southern New England, the Lake re
gion, and the upper Ohio and upper Mis
sissippi valleys during: the last 34 hours.
The temperatures have remained nearly
stationary, with a moderate deficiency in
nearly all districts.
TKrKKATUBli AT aUOT H0C3E.
yrnkTTuTuTiaT 1K3) at 4 &
THIS season of commencements me om
songs of coUcgo days nre being sung on
countless campUses. by tho "gate," at tho
"fence" or on the "steps." Tho fresh young
voices chant tho familiar melodies of alma
mater's particular song and tho choruses
ot the favorite ballads of yore piece out tho
Impromptu program. ...... ,
Commencement, with Its attendant cIbbs
reunions. Is a magnet that draws loyal
alumni 'cross continent and over seas to
he on hand to slap the "boys" of bygono
times on the back, even If one of them la
now Judge nnd another doctor and still an
other the Hon. Mr. Something or Other.
All distinctions are leveled when the collego
anthem floatB out on the breeze.
Sometimes It Is not possible to traverse
the miles that Intervene between the home
town and the elms or maples that shade
the old recitation hall or the ivied commons.
But there Is no reason why, when the sea
son 1b hcie and the mood upon the "old
grad," that he should not have an alumni
nii-hi nt hnma and bv means of the phono
graph revive old times and old scenes. Not
only can the melodies associated with one's
owii college be found In the records, but the
old fnshloned tunes that are perennial In ap
peal that the glee club used to sing enn
be ndded to the program.
Springtime, collego reunions, the memory
of balmy cvenlnss when a "bunch of tho
old boyB" used to wander and warble and
all that sort of stuff; when one Just wants
to hear the good old harmonies even 'If
business and the baby do keep one from
"going back" these aro all to bo recalled.
There's many an "old grad" who will
enjoy reviewing his troop of college memor
ies as they como mnchlng by to tho tunes
now aa!lable, Some have orchestral ac
companiment; to others there Is no accom
paniment, just the fine old harmonies as
one used to hear them when the crowd col
lected on "chapel steps" or "under1 tho
elms" ; songs that set a fellow back on
the path of life some 15 or 20 years.
For "Old Penn" the record catalogue has
several numbers, and none of her gradu
ates who are kept by business or family
reasons from being In the "Big Quad"
and on Franklin Field next week need be
minus memories that will restore College
Hall and Dental Hall, Franklin Field and
the Houston Club vividly to the mind.
Tho two favorite undergraduate songs
that have cheered many n Penn eleven to
victory on Thanksgiving Day and other tri
umphant occasions are combined on one
Columbia, record (A 1574). These are
"Alma Maier" and "The Red and Blue,"
both sung officially by the University of
Pennsylvania quartet. The Victor has the
University hymn, "Hall Pennsylvania," and
'The Red and Blue" on a single record
(17384).
For Harvard men the Victor doubles
"Fair Harvard" and "Johnny Harvard"
(17413). by the Orpheus Quartet, and also
"Good Night Harvard Men." by the United
States Marine Band and "Whoop It Up
March" by Pryor'a Band (17603). This
should be enough to set the pulses beating
and the feet keeping time of all loyal sons
of the Crimson, For them, too, the Columbia
has recorded a Football Song Medley and
"Sparkling Piper Heldsleck" (A 1049), by
the Harvard Olee Club Double Quartet and
the same vocal ensemble sings for this
company "Johnny Harvard" and "Here's a
Health to King Charles" (A 1018).
The Princeton "Cannon Song" and "Step
Song" are both on one Columbia record
(A10S3), sung with genuine spirit by the
Nassau Male Quartet. The Victor contribu
tions are "Old Nassau" (16,880) and
"Orange and Black'" (16,873), both ung
by Relnald Werrenrath. the distinguished
baritone, supported by the Haydn Quartet,
Musto should be harmonious and rivalry
confined to sports, and In recognition of this
principle the Victor people have coupled
the "Yale Boola" song, with the first record
by Werrenrath and "Lord Geoffrey Am
herst," the Amherst song, with the second.
They also offer the "Boola" song In March
arrangement by Pryor's Band (16,499), and
wearers of the Blue also have "Men of
Yale," march, by Pryor's Band ; "Ell Yale"
and "Dear Old Yale," both by the Haydn
Quartet, on a Blngle record (16.713). "Lord
Geoffrey Amherst" is on the Columbia list,
combined with "Cheer for Old Amherst"
A1182).
Old Cornell is represented on the Co.
lumbla by "Alma Mater" and "Cornell"
(AI503), sung by the Ithaca Glee Club.
The Victor lists songs of West Point and
Michigan, and the Columbia those of Wel
lesley, Tufts and Williams. Of general
nature are the former's "College Medley,"
by Jack Norworth (J0011), and "College
Life," march, with vocal chorus; Victor
Orchestra (16312) and the latter's sets of
college medleys on one record (A 6616).
Sentimental and humorous memories will
flock to mind at various recordings by the
Edison, Victor and Columbia of such old
ditties as "Upldee," "Jingle Bells," "Sweet
Genevieve." "Bring Back My Bonnie,"
"Alice. Where Art Thou," "Darling Nellie
Gray," ."Drink to Me Only with Thine
Eyes," "Juantta." "Sally in Our Alley,"
"Spanish Cavalier," "Ben Bolt," "It Was
My Last, Cigar," "White Wings." "Bo,
hunkus," "Old Dog fray."
" SOME! EDISON DANCE MUSIC.
Three waltzes from 'The Girl Who
Smiles" la an, Edison offering that gives a
ot for the money. "The Girl Who Smilea."
with Eva Tanguay as th atar, waa one of
the roiulcAl comedy successes of the tea-
son. on una .record is a special arrange
ment Gsraprwg three of the ifadlog num-
By the Phonograph Editor
bcrs of the operetta, played by jauaas fao
clcty Orchestra In waltz rhythm especially
for dancing. The three selections used arc
In the order given 'Teach Me to Smile,"
"Who Is She?" and "Lot Us Dance."
Tho "Universal Fox Trot" Is arranged
for Vess Gasman's Banjo Orchestra. For
foot-tlckllng dance muHlo nothing enn beat
n banjo. Joe Roscy'n "Universal Fox
Trot" is ono of tho best numbers written
for this favorlto dance.
In tho Jnudas' Society Orchestra's "Vir
ginia Reel" three of the oldest and best
known reels In the world are given In
medley, in the order played they nre
"Irish Washerwoman," "Rory O'Moro" and
"Pop Goes the Weasel." The record Is
especially prepared for dnncing the "Vir
ginia Reel" and Is Ideal for Its purpose
"Hezeklnh," by tho National Promenade
Orchestra, Is nn old-fashioned Cakewalk
ono of tho kind that wo used to hear be
fore tangos nnd turkey trots came Into
vogue. It makes an Interesting record as
well as a' good dance number.
BROADWAY HITS ON COLUMBIA
"Very Good Eddie" packed a Broadway
theatre every night for the past few
months, nnd one of the popular hits from
It Is "On the Shoro at Lo Lol Wl." It's
a catchy fox trot tho kind that an or
chestra gets a request for on nn average
of every 16 minutes and that a fellow with
a whlstlo Just can't leave nlone.
For the person who Is right up to the
minute thoro's a new Columbia record a
counter-tenor solo "There's a Broken
Heart for Every Light on Broadway." It
is one of the really popular hits alto
gether a very satisfying record for easy
entertainment on summer nights.
"When Cupid Calls," the "surprise" hit
from the popular "Sybil," Is Included In
the new Issue of Columbia records. Here
Is a swinging, dashing, clever piece of
music splendid singing and original In
strumentation. This Is next to having tho
charming Julia Sanderson herself olng,
"When Cupid Calls."
VICTOR CARUSO RECORDS
Now that tho lyric nnd opulently voiced
CnruHo has left American opera houseB till
tho fall restores his golden tones, the Victor
supplies them In satisfying re-creation. Ho
sings very beautifully "Luna d'Estate";
"Summer Moon," a folk ballad which has
modern nrtlstlc touches. "O Sole Mlo," the
Neapolitan song, represents Caruso at his
best, his voice free from tho stridency
which sometimes marks It In opera.
For tho Victor Mlscha Elman has ar
ranged Weber's melodious and pastoral
"Lncnd'llchcr Tanz" ("Country Danco") and
his violin Interprets It with splendid art
istry. Alma Gluck Is represented by a new re
cording, that of Musetta's coquettish and
captivating ' song from Puccini's "La
Bohcme." It Is fctchlngly rendered.
ANSWERS TO QUERIES
A. W. P. The Russian national anthem
Is found for your Victor In Marcel Jour
net's rendering. Ono stanza Is sung In
Russian, tho other In French. You are right
In believing that the melody has been used
to set a college hymn ; right here at home
the University of Pennsylvania.
L. C. D. Tho Columbia Stellar Quartet
sings all the numbers.
TOPPY. Bond Is singing for tho Edison.
Also Alice Vcrlet. Sho has not been heard
In opera in this country.
Weekly Service Launched
Through 185 Theatres With
Aid of Universal
a .
By the Photoplay Editor
Fans In some 185 moving picture the
atres In the Philadelphia district wilt see
the following words flashed upon the screen
tonight, "Philadelphia Evening LEMEn.
Universal Animated Weekly." It will
mean the co-operation of tho EvENitfO
LcDOEn's news forces with tho camera
men of one of the largest and best equipped
motion picture companies ot America In
the gathering' of news films.
The Evening LEtxiKn-Unlversal Weekly
will not bo tho rut-and-drled affair that
most services of news films have been In
the past. It will mean a large local section
In every Issuo Instead of a single stand
ardized act of pictures sent out to all cities
alike
Tho Universal la the only company em
ploying the exclusive Bcrvlces of a camera
man In Philadelphia. Others rely upon
"frco-lance" aid. The Evenino LEDQBn
Unlversal Weekly will have William J.
Gnnz chasing ecry big piece of news In
town. From Mr. Ganz's "copy" a special
edition of tho general news weekly will
be made up for the 18S theatres on the Uni
versal list In Philadelphia and neighboring1
cities. Tho Evenino LEDOEn-Unlversal
Weekly will thercforo have more of local
Interest In It than any other Bervlce. ,,
Through an arrangement with Joseph S.
Klotz, the Universal has ncqulred motion
pictures of the Doctor Dorsey Expedition,
which traversed tho greater portion of
India, Japan. China, Mongolia, Ceylon nnd
Persia. The films nre of an cducntlonal and
scenic nature, nnd will bo released weekly
In split reels under the Powers brand.
George Ovey, chief fun-maker of Cub.
Mutual comedies, had been operating the
lever all morning during tho rehearsal of
a trapdoor scene. At noon, while the com
pany was grouped around the studio eating
Its pickles and beans, Claire Alexander nnd
Janet Sully skipped gaily across the set;
for a second Pimento sandwich. George,
bolng a creaturo of habit, unconsciously
yanked the lever, precipitating the girls 10
foot Into n padded "dungeon." Unfortu
nntely, tho photographer was behind a cof
fee mug, Instead of his camera, at the time.
Time: the morning after. Place: the
studio ynrd. Dramatli pcrsonae: Ono
sweet young thing and William Duncan,
Vltagrnph leading man and athlete. Sweet
young thing: "Oh, Mr. Duncan, how did
you like It last night? Wasn't, It great?"
Surprlso on Duncan's part then warming
up to a favorlto subject: "Well, the first
two bouts were pretty fair but the rest
was not up to much." "Why, Mr. Duncan
what do you mean?" "Huh? Why, the
nirhtn at Vernon, of course." And a shocked
young lady explained with much dignity
that she had referred to the Shakespeare
revival, not tho horrid old fights!
Red Bank Lumber Factory Burns
RED BANK, N. J.. June 8. Fire de
stroyed Waters & Osborne's sash and blind
factory and lumber shed here today. Loss,
175,000.
"NOTHING BUT JSDISONB"
The New
EDISON
"B. and B. Service"
Meant
Complete Ilecord Stock
Disc and Cylinder. Free
Mechanical Inspection. Free
line of "Ite-Crrntlon Ilall."
AnDroral Drlvlleae. FJasv Terms
Blake & Burkart
haasPlrnl '
fiaSSlI '
11 m
1100-1102 Walnut St.
ft ' , 1
Prominent Photoplay Presentations
"7 ' ' ' " r.
Iuiiiiiiih",",,,,,,,,""""""""""""""""""""""","N
a aa B9Bseeanss
I
VICTOR
Dance
Record
Book
Free
Write or call TODAY for a copy
of this beautiful illustrated de-
'neunV. scriptive
PcNN v booklet. It is
&a worth having
W0zrl .. vniirc nn re
quest.
17 South Ninth St
Opposite Post ofllce
I
RBaaaaaM
I PHONOGRjg)
H fl I
Prominent
Photoplay Presentations
WEST riULAPELHHA
C3D A HAVER-
FOIID AVE.
OVERBROOK
The De Havens in 'The Mad Cap'
"Peg o the Ring"
BALTIMORE baltimokb ave.
Henry Whitmore c.n.,j tl nDark"
Van Dyke Brook In "A Caliph of New Baf4td"
T0M
Sotika Grrmomu
aJiMrtnJonlneNL-SV tihloy " '"
LIBERTY BROAD AND
" - COLUMBIA
NORMA TALMADGE in
THE CHILDREN IN THE HOUSE"
12th. Morris rassyunk Ave.
Mat. Dally at 2 i Ess., T & 9.
Paramount ii"'
AIHAMBRA
sISSS? oTtHE BMAi1.r?iyr&
r-ifRRTNlTT
BELOW 16TI1
A R C. A D I A
Willie Collier, Jr., and Anna Lehr
sirtT I - B2D AND THOMPSON
APOLLO MATINEE DAILY
Alice Brady in "Tangled Fates"
WHO'S GUILTY," Sth Chapter
ABOVE MARKET
1130 L 3:30, 100.
0:30. 8. 0i80, loo
ETERNAL
BELMONT g
. n. l . J In "THE ETERNAL
Mary Pickrord grind-
darTve. CEDAR tre
Harold Lockwood & Mae Allison
In "THE COME-BACK"
FAIRMOUNT IflTH aSard ave.
BLANCHE SWEET in
THE SOWERS"
T11 FRANKFORD
AVnVa
PP ATMKFORD
VALL1 VALLI in
"HER DE11T OF HONOR'
56TH ST. Theatre
MATINEE
DAILY
Bel Spruce. Evss. T to 11
TO"AYRL0EB"cirApf.yN3"1n"0'LI,SE"""
CiERMANTOWN &B5
MARGUERITE SNOW in
"NOTORIOUS GALLAGHER"
LOGAN THEATRE "10 SROad
OLGA PETROVA in
"PLAYING WITH FIRE"
LOCUST
Mollie King
BSD AND LOCUST
Mats. 1:30 A 3:30. 10c
Etsa., 6:30, a. 0:30, lee.
In '(FATE'S BOOMERANG"
or "A LOVE 8ACRIFICE"
Market St. Theatre 833 Set
METRO Presents OLGA PETROVA In
"PLAYINa WITH FIRE"
See "PEG O THE RINO," every Wednesday
ORPMFIIM GERMAN-TOWN AND
JIrriE-kl CHELTEN AVES.
Anita Stewart in "The Suspect"
THE IRON CLAW" 10th Epliode
PAI APF KU MARKET STREET
rALrltC jo A. M. to 1U15 P. M.
Geraldine Farrar & Wallace Reid
"MARIA ROSA"
PARK" niDOE AVE. DAUPHIN ST.
rrAK.r, MAT .j5, EVE) B-,5 to ji.
H. B. WARNER in
"THE BEGGAR OF CAWNFORE"
1018 MARKET
STREET
" ' --vol- BOTH A MARKET 2:lB-T-
GLOBE J1B.000 KIMBALL ORGAN
LENORE ULRICH in
THE HEART OF PAULA"
ir inn AVENUE THEATRE
GIRARU TTH AND aiRARD AVENUE
F X. Bushman & Beverly Bayr.e
' In "THE HALF MILLION BRIBE"
EUREKA
Frank Keenan & My Boland in
"The Stepping Stone"
53D A LANSDQWNB AVE.
Lili-'-" MAT. 3 EVG, 6:30
Barbara Tennant in 'The Butterfly'
Mary Page Serial
NOBTU
Broad Street Casino ZSi"1
"' EVENINGS T:1S AND 8
WINIFRED GREENWOOD in
"LTINO LIPS"
11TH ST. AND
LEH1QH AVENUE
KEYSTONE
VAUDEVILLE and
"IRON CLAW" Pictures
! XT .lU.n BROAD ST.. ERIE I
Great INortnernoERMANTowN aves.
MARGUERITE CLARK in
OUT OF THE DRIFTS"
1RISTHEATRE '" ig"0"
PAULINE FREDERICK in
"AUDREY"
JEFFERSON
Charles Chaplin
OTH
AND DAUPHIN
STREETS
"POLICE"
KNICKERBOCKER TmaK
EMILY STEVENS in
"HOUSE OF TEARS"
PRINCESS
Mary Anderson ln ""'adventure-
(.-IIAtlLEH CJIAfUN In "PpLlCE"
D1ATTH oermantown ave.
11L. IU AT TULPEHOCKEN BT,
House Peters & Mabel Van Buren
'THE GIRL OF THE GOLDEN WEST"
RPHFNT I63 MARKET STREET
UEAjCn I 11V11AN YOIOB OBQAH
OLGA PETROVA in
THE SCARLET WOMAN"
RITD V MARKET STREET
U JJ I BELOW TTH STREET
VALENTINE GRANT in
THE INNOCENT HE"
SHERWOOD "SiSpa.
' KITTY GORDON in
"HER MATERNAL RIGHT"
SAVOY "y1
VITAORAPH PRESENTS
Dorothy Kelly in "i
LAW DECIDES"
LAFAYETTE S8U IvSS
EMEUE POLINI in
LITTLE CHURCH AROUND THE CORNER"
f 17 inCD rORTr-FIRST AND
U'JWE'tX LANCASTER AVENUE
EDMUND BREESE in
THE SPELL OF THE TfUKON"
HiiViiiiiiiuuumiiiiiimiiiiiiiuiiiio
TIQQ ITTH AND .VENANGO STB.
Billie Burke ."omance-
And VTUB CUORALdELQ" (Celestial Mmlc)
VICTORIA ABOVE NINTH
OLGA PETROVA in
THE SCARLET WOMAN"
CT" K XJT t?V MARKET ABQVB
ff.feB,Y Blanche Swett
11:1 . ra t
UtlS P-
mm
m
"THK THOUSAND-
DOLLAR UQeuMMtr
atMjjw fj f f s,r
SI
V,
m
n