rt F 7 nO CENSORS WHEiN THE STAS WALK THE STREETS OF PHILADELPHIA MOVIELAND AS THE CAMERA SEES IT . Th A - - I . ... J jVJAiFATHir.R tR THJt drf THE OCEAN )jigIl)ER IMMORAL VEKING IEDGKB-iKHILADDLPHlA; SATUBBAY, MAY 0, 110. M yJqWwTTNc fatlfatt In Vafious A,anaa,funt ttltency la Always founu pown In Europe lBtho lllta (I written Brume on juropean . Mrtvirur pictures, V Hoger j tin June number of .Photoplay With a aort or amenta jeer ntur-rres that "Sfnoa the feet rZ first rail, man has wde LT( wldt pleaaure In tailing his . what styla of Bit ha oujtnt to "tti mouth of hla pfcMurM ana i fan continucie 11 th tinlted State, who hoots all tra 0r IltHSny, compimii uiuwv k. .fnfullv at the 'tlrou-shalt-not' ui Mm of the photoplay censors. v .. . ... ... :-j w k .-iUM. too onen wun muon :. llidrt somewhat Of (he meth- rr hN blood brothers adross the (pf Kufope is " "' ...,. TYticn ten ,n ""8"1"0 n HJ Stn. passes UP" n" n,m" before m Tm'..v k, iiv Oia nrodueera. In . .t. ..Atiitrai thjimaAlvea pn. n " i.j. .hi v-.; "nS,.U!:,'tS- hv -nhTi fillilrtf an uncenfeordd fllm is public Sst ftfld Iosa of thefttro patronage. ;t-incA th photorfay Induatry !fl pro- w we -'"", '"' "V - - - ." it competed of Rome 300 film ...Li. If fh rlAnnrfmnhf nf a. ih French Parliament assail a Ear tne business, aa n whole, the a BrnOICaie win up ma iimucr .i.. Llll, IV, nLiurAfn thftt h. It nwnybMtleiitfor tho "movies" in m Germany both the general and local kltd lh result l of ton very' burden- If any deleted rootage or mm i tat theatre la llmmedlately closed police, and thetro Is no appal or maYle" business In Bavaria, la con tr tne uunicn itoyai i'oiico com . V.iKml AtiriMt body. Children II may not be admitted to Any teUl children's pprformances, which t ClVcn on three afternoons iirta. U no IteJ strict, and epectal rta performances are compulsory. t Utlft tlftes to take his "movlo" raw men blood ana tminaer tne better; f..i1w ! TtitlUn TarllMlrlnt nititftMil firbiddlnc the display of Immoral ad of the Cxars frowns forblddtnaly 1 jtctopl&ys which burlesque nusslan h efficerv. ltellglous reals must be i u will cauae not tho sitghttat sec i( iwlintr. If a child desires to at I a "movie" theatre, he miist get a Im permit from tne sonooi authori- C(Uln ceremonies, of towering and m tilvet curtalnr, must accompany 'wiertld any film showing members of iwjil family. PPtrirttlin 'exhibitors are under the fjwio 01 local auiuurjuea, .wiiu uuiioct n vsriiUi of the box receipts for oensor- j-Muri of performance, en t Hat Ion and ar K Can, a L'isping Lady FJay mamnuc jKoiesr Lola Doltori. who nlays tho role of Mwcht Hawkins In "Twin Beds," now it Ue Wilnut Street Theatre, declares Mt ut nai to worK twice as Hard as Uitr actress when she studies a new mi U Is because In ordinary converBa. mjibt Sqlton lisps. In studying her , MM te "as to plcK out all the words with te, them and practice speaking them SX Wits a lot of practice too, but Miss Mm U able to act without tho Hap be H 4tiMabie. it la Jutt ilka a panon BmtUrs being able to sing Just as well i loose without tms defect in their Iflf iotsn't matter much," says Miss it i qo iitnpn in the character of I Hawkins, because Bho is an In- I and It would not be lnannroDrlnte. tKhn I clay an emotional rnln T hnva IjJiniore careful." 1 V UX Jk, sbbbbbbbV iBBr iBa. akMu aaaBaBBBBBaBBBBBBBBBBBBBr :M l BBBBBBBBBalHy alllllK VnT VBBBBsSanlBBaBaBBBBBaBVy Pf-' 1i lllaaaMSalBft S 'V JiP tiaaaaaallllHaaaaaamiBi&aaWasBaami l&tse... aaJaitynHlHIHIHHHIHaljHaaalH Bri'jrRS califtht by Paramount P i c t offrnphs drawinR a car toon for tho E v e n i n b LcdRor. CAMPING OUT IN THE CITY Gladys Knorr, of "A Pair of Silk Stockinjrs," tries tho simple life on a hotel roof. jiThe Poetic Efforts of the '' Lady Press Agent laiH I'5'w"",r' th '"y Vttu agent, has b '" town ana is moved 10 extol b M.1,1 tt.. .U. 1 ... mm. ; "J now mow, "XOWn Topics, ' 9 "pins wanaay at tno L.yrlc. L.'.'v'' ot "Tawn TolcfT 2f- t i Dlentr ot slot. ' 7md rm, out ms pn wwilfc of which I wot not. !,."' I Plenty et chorus, Mlaer, to bo mora exist! !Lia ofw of nKMt of tho mp4f Mr wardrobe tntaot. 1?"". there is pitnly of Intiag, lw; snc,n 'h whole ehortis "ThJrtlr'a aim ot tbelr yoara. aHu2".,,V .S?hl" Tuckr. mak facaa, rou forsot all your cara. tf t tnidrta hr twtr Musical Tottincs LfcJSfwm for th recIUI that Ills With Sliidell vtlt trite: tonfirht at L Hall I. ... , ;r - jj-m. ,a an lUUUWS; SiTth. HfH?1 ' J'Bl" ot ThS anY a;: ! ! ? rvAS S,r,K M jVfVva:;:;:::::8Ksa 1&iVl::v.v.uJES rWrSvv'''''VMv;;;.,7,rl?iw LfLPulo appearanco In Phlla- rf ti. Iz . "0'1 "! costume re tthe muslo of India, will Im md ESj??5f evening. May it, at the PMrioW Coomaraawamy. hlnv Hi., i f nivu AaLjii. iiuimn mininiin t? tit Dr Coomaraawamy en- I, M R program SaBksiVi? Mcompanylng herself on apagaaandKashmlrJfoUc songs. .HuhaUa. planfat. -ylu day an B it, Monday morning, BiiDrv.:-" .VJ"" "w felon. .'S: group ot ispamsn " 8UV cradle aon. LUt' Paodle and a group of us- . . -...., mtm -siamey," a, on transiue4si,n alrai, fcy i vi. -i.r 'J" " w I and ?rt color. IU Bjrtuigt ISforawni r4d threa acanu from Pfc Merehant of Venice." r ttalC!fSSf,tJ? 1 Sar U aad, Don'ts for Stage Struck Girls By Beth Lydy ("Atone ot lAi") I am not presuming to give advice to any one on or oft tho Btnge. I am not particularly anxious to pobo as tho young est leading woman In aysrrwuosa. !WW4 BBBaml.k BBBBBBBkMji'lU aBBBBaBAt IbbIIIIIIIIIbWv bbHK r UstXK-aSXXS3iJ. 1 tha profession, but I realize that I am far too joung to play the rolo of Mentor. I am not 20, but, as a matter of fact. I have been beforo the footlights for some time. During these years boforo tho pub lic I hao reached a few cotlctURloni. I have no doubt these conclusions can bo arranged In n series of Don'ts, which, In a way, regulato my own career, for what they are worth to other girls In tho pro fession. My first and most Important "don't" Is my rule of life. It is aa follows: Don't saturate yourself morning, noon and night with the stago and stage roles. I think that an actress, mora than nny other Woman In a selected career, should strhe to live an eager, enthusiastic life outside of her art. I am glad that Fato ordained that I should make my debut at an early age. As far as my experience r -s taught me to reach certain conclusions, ) should say to a.11 girls who want to adopt tho drama as a profession, "Oo upon the stage as young as possible as a. child." As I look back I realize that tha child's experience beforo the footlights 14 In valuable. A child actress calns some. thing'that can best bo likened to an extra sense ft sense that Is never acquired In after years. This extra sense, the sense of one's exact relationship towards one's audience, does not nefesttariiy imply- fu ture greatness, but I am sure that without It an actre&s never becomes truly great In her profession. Another don't that I often repent to myself Is, "Don't neglect your education because you are acting." In fact, one acquires a good education In the study of one's role's, but It does not by nny means take the place of a well grounded method ical Instruction. i Personally, I don't believe In taking roles beyond one's ready capacity and maturity. I mean, I don't believe In ef forts after a big part. For Instance, I doubt If many girls of 18 years of age, however talented, are able to reach the heights of tha potion scene In "Itomeo and Juliet." Finally, I want to say, "Don't betleie In the so-called 'temptations ot the stage.'" A girl haa only to take a serious and sincere stand In tha beginning. Just as she must do in any other profession. She must, of course, as a young girl, have the chaperonago of her mother or a suitable companion; but five hundred chaperons will not protect a girl from folly upon which she haa firmly set her mind. Un fortunately, art In general recognizes no special moral standard. A great artistic achievement stands quite alone. If an actress be great In her Interpretations, her private) life can in no wise affect the qual ity of her work. assess ijjjareBH HI SBSBBBKsrBt ak WWW IL. ''WTmSA -MBBBmO' bbbbbbM I M HtflaHali iaaHffillaBaaaaaaaaaaaaBaB'aaaaaaaaal aBBBBBBBBBBBBBBBBBBBBBBBBBBSBBBBBBBIBBBBaa BBrnffjffl'laallBBa i'SBaBBaSBBaaBBHBaaBBBBBBBBBBBBBV t . aaaaaaaaaaBwCTWjJ&aSaJtl jT MrM aV araaBBBBBBBBBBBBBBBa'BBBBBkBBlSaF &..bbK Wk. ui J jHFaaaa'a'BRI I STAR AND STAR r Anita Kinpr is a Lasky lum'.hnry, but Governor Johnson shlnfcs for all tho citizens of California. Just now they are "dopinpriout" n campaign of protection or tho Kirls in the motion picture industry. Does "All-Star Cast" V Mean Reputation or Ability? ,Ja1aaasaHK Theatre Jottings Owing" to the Inability to get the pro duction of "Arsene Lupin" ready In time for Its production at the Llttla Theatre on Saturday evening, the Theatre Fran cats D'Amert4ue has decided to give "IAmour Vellts," a comedy In fojjr acts, by Calllavet A De Flers, with Mile. Yvonne Oarrlclt, of the Comedls Francals of Farts, in tha leading role. Mr. S. F, Nixon announces for the For rest Theatre beginning Monday night the first showing in Philadelphia, of a -new edition de luxe of tha fllmld Version of Hex Beach's stirring Alaska mining story. "The Spoilers." A 'ormer production of this film drama showed only seven reels, wlill thla Is the complete- photoplay In the) original It reels. uBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBlr,"j JBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBatif " "lO. .bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbR bbbbbbbbbbbbk, Is.- .fr ''wBBaaaaaaaaKL typWw 'v ill Hat'" K& BBBBB'aBBBB'iaBBBBBBBBBBrSI BBBBBaBBBBBBBBBBBBBBBBBBBBBBBK What Is an all-star cast? Tho term Is often misused in connection with Ameri can productions ot plays, and the public - -. Is often confused as to Just where to draw the line. A "star" Is properly an actor, whose name precedes that of tho play on the playbill He or she Is supposed to have a greater draw ing power than the dramatist. Ameri can managers hao, sometimes, In their efforts to attract large houses, brought together In one cast ""- "-" a number ot players who by themselves could "carry" an un known play. This Is Interesting, but the process has Its dangers. It would bo delightful to see In one performance John Drew, Kthel Oarrymore, Katherlno Emmet, Blllle Burke and William B. Mack. But what If Mr, Drew, In order to find a place In thla company, were obliged to take the part of a dope fiend, or Miss Burke that of an old woman? Too often mistakes are made In casting, In tho effort to bring together a galaxy of drawing namea. Thjs cannot truly bo called an "all-star" cast. It Is really a poor cast. In reality the all-star cast ot today Is one In which each actor Is able to make his part stand out as vividly as If It were the part of a star. The little parlor maid who Bpeaks three lines should be able to make her" character seem Just as human and real as the leading lady makes hers The art of casting a play In this way Is an extremely ulflicult one. tt la almost an art In itself. Among American producers one pt the most famous for this art Is Custav von Seyfrerlltz, who bas staged perhaps a larger number of American successes than any other one man He has an un erring eye for tho latent , capability of actor and actress. Ills rehearsals are famous In the) profession for his almost un canny power of bringing out in his actors just the qualities that are needed for the play. "One ot the moat perfectly cast plays I have ever staged," said Mr, on Seyf fertlta the othar day, "is that of 'The Devil's Invention which will ,be presented at the Brofd Street Theater on Monday, "rcast of Llfo" and will hwshown on Fri day at tho Great Northern. Paulino Frederick, In "Tho Hplder" Is booked for Saturday at tho Illalto. The piny has attracted largo audiences wher ocr shorn ii, and there have been demands on tho part of the patrons of the Itlalto who hao failed to see tho play that It be shown this week Good organ muslo ren dered by an ofllclant organist Is nlso nn nt tractlve feature of this theatre. Jncklo Saunders, the diminutive and dainty screen star In "Tho Twin Triangle," In which she Is tailed upon to play two characters appearing on the stngo simul taneously soma decidedly clover photog raphy Is required to accomplish this. Thecp will po nn nmateur stngo contest In nddltlon on Tuesday nt tho Olrard Avenue Theatre. During the first half of the week nt the Alhambra Theatre Mary rickford will bo scon In 'The Internal Grind." LoretUi Blake. Dorothy West, John Bowers, Rob ert CAIn nnd J. Albert Hall are among those who apppnr In support of Mist Pick ford In (his Famous Plajers product'on, which was directed by John O'Brien. d by John O'BrJer f the year In tho EDUCATIONAL FORCE OF THE PHOTOPLAY Mav 1. "It l not only in drawing together a number ot actors whose drawing powers bave been tested and triad, but In suiting each one accurately to the part, that I have beer) fortunate. William B Mack Has made a unique place for himself by his playing of parts which are strong and lmDresslve. Whether heroes or crooks, his characters always have that quality which . .nil ... . S....1 1., a XTIaa 1?l1..n fn n Ulan. again has proved her ability as an emo tional actress in leading parts with Ethel Tturrvmora. Klsla Feriruson and others. THfia KitUSTiria Kmraett hasIrt?3By made f"" a hdlllant rnniitatlnn for herself in narts requiring comedy finesse. Tri others in ( Violet de Blcceri, II. Fulton Russell, Hlchie Ling and Joseph Brennan are equally perfect In their various characters." Continued from I'uce One situations. Instantaneous In solving prob lems. I We all know that to exercise our muscles an hour each day results In a wonderful development of the human body and largely Increases our physical strength. Tho motion picture I bringing exactly the same exercise to the brain It Is arousing It from Its sluggishness and forcing it to become net he. It is training It not only to think quickly, but construc tively nnd logically. It is a developer of brain power a great mental builder The effect upon the human race In a generation or two can be readily seen. The motion picture has passed only through Its first phase. It wilt soon be come the foundation of our education sys tem., As the Invention develops, it will bo as necessary as tho blackboards or the textbooks In our public schools, It will become an essential adjunct In the Sun day schools throughout tho country It will be used In the mercantile trade of the .country both for purposes of salesman ship ana as an advertising medium. Its field Is unlimited, because It la a basic discovery a step forward In human progress. What effect Is It to bave upon the dra matic art? I believe it )s to be a great benefactor to" art. It Is creating a popular understanding of the drama, an Interest In the stage that has hitherto been impos sible. The masses of the people never witnessed the great dramatic productions because they were not sufficiently Inter ested to pay the price, The motion pic ture is Inoculating the love for the drama Into the blood of all the people. They first become acquainted with the groat actors through the motion pictures, and then de cide to see them In person on the stage. The result Is that the motion pictures are creating new audiences every day for the so-called legitimate drama. The spoken drama will become a fine art for which the motion pictures will create a demand. AS THEY WALK DOWN THE STREET At tho left, the camera catches Miss Boyne and Mr. Sothern, of the Adelphi, in conversation. At tho right, Claire Weldon is seen headed for tho stage-door of tho Walnut and "Twin Beds." THE PHOTOPLAY MAN-ABOUT- TOWN THIS , PETER OF THE GARRICK UNQ DITH IVINOKKr Ifla wiH ajHMeur Ja ?ecifl toaigttt Ceutlaned from rauo One baseball career a then-famous baseball writer in Philadelphia (who later became a well-known theatrical manager). Launched "Terrv" on a theatrtcar career Wlun B, V Keith ojxnod the BJJou The atre oa th MretH, p. ". NajJi, tnn sport Uuf &4Uw of a fNtpe to thW oHyt Mtasi( CWRMil for the, mala doorkeeper of hi) .WMHr-"" vi ii ii iiJuwo'-vm rvrai ez JjI IbbbbbSTCvW JMawry j-f 'aaaaHaaaaaaaaFll ?- 1 . 57 w ! lLmLf,t ..JBBBBBBBfkJr . 1 1 k , vj24aP"ifc A i B j!Kafee- k ,. x. i-sma an Every Saturday the Evrmrro LEDQEa's Photoplay Ifnitvl&otiM'oum uliresnit sertoj of chats about the local theatres, their management anil the entertainments they present, For the complete anil accurate program of the mm iy tree; aee f fte , Piofo play Chart In Monday's Evening) .Ledger. When Ocorgo Beban, the wonderful de lineator of Italian characters, was the guest of honor at a dinner tendered tho newspaper men last November he recited a bit of erse. ""Gld-ap, Colombo!" It was about an Italian who owned a horse which was, in its prime, a great race win ner, but now used for pulling a vegetable wagon. One morning the Italian went to tho stable and called, "GId-ap, Colombo," but the horse was dead. "Wat, he never do dat bofore'," said the Italian This is the poem which gae Mr. Beban his in splratlon for his latest photoplay, "Pas quale." He returned from the Morosco studios and it was a delightful treat to have tho opportunity of listening to hi account of the interesting things which occurred during the course of the picture's making As it Is only five reels, or 000 feet In length, many bits of atmosphere scenes had to be sacrificed, A stenog rapher was called In by Carl Pierce while George was telling all these bits ot first hand Information. We can expect some interesting publicity from Julian Solomon and Pete Schmidt The World Film Corporation's next -CJvlnbwl Toumfyleture, and, oncr".mt is sam to ouiao coin "truoy- ana mllle, has Just been completed in Havana and Santiago, Cuba, where Albert CapeN lanl, who directed Victor Hugo's "Les Mlserables," has had an entire company tor months. All tho scenes In this picture ot lite and love In the Latin lands are most picturesque and filled with the at mosphere of tho Cuban Isle It is "The iho big oont of the year In tlio motion picture Industry will be the First National Aiotion-plcturo Exposition, which opens today at Madison Square Garden, under tho auspices of the Motion-picture Board of Trndo of America. It closes next Sun day. It Is rumored, on good authority, that Mary Plckford will make an eight-reel picture not to be released on the Paro mount program, but as a special feature. The Princess Theatre, 1018 Market street. Is one of the neatest and cleanest pnotopiay theatres In the city. Tho In terior .and exterior appearance bears a strong resemblance to tho old BIJou Dream, at 1208 Market street, even the screen that once was the pride of the old tljea tre, has been Installed The music rendered by Messrs. Dessauer Brothers' symphony Orchestra, at the Vic toria Theatre, has set a high standard for a musical organization rendering spe cial music to accompany photoplays, it Is a pleasure. Indeed, to visit the Victoria. The" photoplays are ail of a high standard, and the accompanying music enjoyable. A continuation of the present policy adopted by the management of the Savoy Theatre will be carried out during the sum mer months; that Is, high class photo plays properly projected, each photoplay being reviewed bofore its presentation and classed according to Its merits. The Market Street Theatre. 333 Market street. Is putting on its spring clothes. The entire theatre Is being renovated and redecorated, and when completed the Mar ket Street Theatre will be one of tho finest exclusive photoplay theatres in that seo tlon. A. R. P. UPE1AN"--SEE TH1E PHOTOPLAY THe Ejcrey-.i Aft Mtist Wave PhygJcaMjf Perfect Men and ' Women ' "Am$a,eri R fUr for the fiupfr. 2.1!? J cr!M Donn Ana In Mi4. Shaw's rpulr play. To ttafo, that parent haa t .... ........ .,... .. iroi. uccil uiqcuvercu, at least on this con' tlnent one can heTr tell (what la hap penlng in Ireland), but Ingenious philo sophical persona have discerned him orr tha horizon of humanity. Not from Nietzsche, nor yet from St. Bernard, wilt this Ueber mensch be derived, say tirey, out from that final crucible ot democracy the mo tion picture, Wil liam I Hlncklay, a young actor of much promise-, now with the Fine Arts Film Company, hold some views on this subject of physical development In IU relation to tho screen, which he elucldatea ns follows: "Whim people talk of tho unlimited scope of the- photoplay, nine times out of nlne-nnd-n-half they mean cither the re telling of great stories, once locked up In printed pnges, or artistic embellish ment of landscape or vista, They teldqm atop to consider that the moat perfectible and plastic part of our motion pictures Is ourselves. For the screen demands quite different things from the stage with wnicn to work out Its equation of beauty. It Is possible to develop great 'legiti mate' actors from men and women flawed In body, and oven In face. Thar cannot bo done In the school In which we work. Outside of character portrayal, I doubt If the faintest chance for men or women, no mattor how splendid their talents, ex Ista before the camera. If they ara puny or unsound. Tho stress laid on muscle and fair skin Is the heaviest made: by tho lens. "To follow this fact to Its ultimate con elusion one canpot sidestep the possibility that eventually, Instead of perfecting Our cameras to make) more powerful the per sonal appeal of our actresses and actors, wo shall, perhaps, be breeding lavter women and sturdier men. For tho demand for youth nnd beauty In our picture Is not to be denied, unless tho ast public should tire ot thla sort of entertainment: and who can seriously believe that for a moment? "I don't know -whether this notion of a new- race of Americans through cinema tography ovor was held by doep thinkers, but to me, who see dally how swimming and running, leaping and dancing, make up so considerable a part of our labor. It seems probable that our children will bear the Imprint of this healthy stimulus toward tho out-of-ddor things, and that from generation to generation, as the photoplay grows In Its power and. npneal. thore mn,y emerge, as If by demand of our 'audiences.' freshly vigorous people, un ha'rrled by disease, and with something of the grave Joy that tha palestra.1 Greeks are said to have had. In that, day, our chil dren's children may rewrite the old adage to read: 'Clnemcns sana In corpora sano.' " Mr- Hinckley, whothcr time prove him right or wrong, haa a, right to speak aa ha will, for the major part of his photoplay experience has called for bodily exercise to no small extent. He comes naturally by his athletic tnterost, having always kept taut his Interest In swimming, foot ball and tennis. He makes his home Onl the California canst, at Hollywood, where he Is now working In a feature with Ul llan Glsh. . aBBBBBBBBBBBBBBBBl'V BBBBBarWt i i X '?-m3r ADELAIDE She appears with her dancing partner, Hughes, at Keith's next week. TrHF sbbbbbbbbbbbbbbT iiv)Htv BBBBBl&feL ISsBBBBbI BBBaLOlr&'-v.,- Fn IHbbbbVW BataaaT iHae. i DANCING WL Prepare Now for Your Summer Vacation 6 $5 DANCING SOPHIE TUCKER Cuainir fcr tit LyrkJfctr 15, w Loeser's Nixon Theatre Bldg. 34 SOUTH B2ND ST CLASS fWSpXX FRIUAYOUCHESTBA MAY BALL, MONDAY NIGHT Souvenirs Dancing 8,30 to 12 High (M aa VTMay AfttttUMa. 3 V . Receptions Moi., Wwl, Sat. You can QUlcklj learn to dance tha Utm ataps in rr Irate Leaaans Individual Iiutrua- tlon. Open- Day and Evenlnx. The Cortissoz School 1520 Cbaatnat St. rtionu lxcut 3103 ATLAJfTIO crnr IIKANCH 135 lUwrdft-alk Oppoalte 8tcel liar Bell I'honn S0J0 WAGNERDANCING 1730 N. llroid. 'Phone Dla S3S 0 Prlv LesoruS3, after 11 noun Usual ; Danca Hon . Tuea. A Thuri Evf- Shirtwaist Dance Wed. & Sat Evgs. ALDIKH COUNTRY CLUB DANCB Fll Erg, May 13 Colonial Dance Castle 5524 Gerrruujiown Ave. Philas Hippodrome) Damca False Refinement and eerreet danclnr the keynat that brtnra TOO or toore- food Moyle t eur Sat, e.enlnx reoepttona. Wedseaday Novelty Me ceptloo. Opn every turning, with banjo er-. cbeatra. tkl;c to Inereaeed buataeas. private alodloa anlaraed, near oCcuvjtns entire eulH. ln. Private leaeanJ. Amt and arenlsg. a fof $$. UxTlmlva claaaaa, 13 leieoaa. 48. phta. Utn. 4310. CLARAL JSg&3& 'Closing Dance Tonight tVB AKB EVDIKO TUB FJRST SUCCESSFUL YEAtl Of THa SCHOOL AND WISH TO THANK OUH PATRONS FOR THE III KIND ASSIKTAJiCS WILL REOPEN IN SEPTEMBER AND HOPE TO 8KB TOtT XLV AOA1H Cleareacat U. Hiudr sad Cva . Brat CHA&J, COLL 88TH AND MARKET BTREET3 Dances Monday and Saturday CLASS TUESDAT AND FRIDAY New Drawing Rooms sglg&g EXHIBITION DANCE WEDNESDAY EVQ DANC1NQ TILI. 13. dance the old Dancelalkd DANCES TONIGHT -""Mc TUo achook of wfloeincnt Broad A Ttosa 6t MODERN DANCES MONDAY Where It Is Always Cool & Cctsfojtihle OIJ DANCK3 -WEOi AND SAT EVOS 15 PRIZE BON BON PART WEDNESDAY BVEN1NO, MAY 13TU THE CLAYTON CASINO w? CENING DANCE SATURDAY XYSWim, MAY K MarteP Academy TZTin. Receptions Evory VTEDNESDAY, FRIDAY AND SATURDAY WM ROTH'S BANJQRINB ORCHKSTHi MYSTIC 8KRPENT1NE DANCB. GIVEN BY ELIZABETH COPE AND JACK FldEL TUESDAY EVEHINO, MAY 33D Beautiful Daneeland PavtKon WILLOW GROVE PARK OPENS SATURDAY, MAY 20 TE C. ELWOOIT CARPENTER STUDIOS OF DANCING 1123 Cheatnut Street 1123 OPEN AI.L ayjlMES A favr private leaaooa from, cur euxrt In etructora will pbuw xwi alwv tha jrdmai dancert vra don't merely tewb lp teach atrli. T'ethifl ?T NOW IB Tmi TIME PREPARE ' FOR THE SUMMER SBAB0K We "Will Teach You BUht. MaderaU Rata FREDERIC GENSBURG lltU OXFORD ST POtifcAB SIM, fiOat t. lBi, ENGAGE wwm ikw Fnctlce Claa Monday v f oioJern, tUlo ao4 stace daackg: UlBBBBmaal foWLEA'S MUVAWifCjiN9 W MWwtf jy. a jarjaSSJUit l'trvl I !)8 ii