EVEJCISfCP IiiiBaEB-.P3;iJDAI)Sl.3PSaA, BATTmDAT, MAY flr IfrClT.
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inn wwmm
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AKtlSEMtiNT SECTION
l
Aetdmt nil commtnicatittna
Independence Square, Philadelphia.
THE AVERAGE NET PAID DAILY CIRCULATION OF THE EVENING
LEDGER FOIt APRIL WAS 117,310
PHILADELPHIA, SATURDAY, MAY 6, 1916
- ,,.,,, . i if
" The Censorship Quarrel Again
THE enterprise of .L Howird Rebcr, the courtesy of Manager Strakosch
and the enthusiasm of Messrs. Brent, Ijwln and Woodruff and tho Rovb.
WheoW and Lallou produced a variegated afternoon of pro- and anti-censorship
discussion for the members of the Drama Leaguo who assembled in tho
Walnut Street Theatre Wednesday. But did it nil produce enlightenment?
At the most it established only tvo facts tho low and violent nature of most
of the, film stories today and tho general Incapacity of the State Board of
Censors to deal with them.
The Question of Violence
Yes, the movie are violent, very violent. So' ia literature. So is tho
drama. So is tho press. Possibly a larger proportion of crime and "sex"
is exhibited on the screen than has been or ia being utilized in various forms
of cheap Action, .cheap plays and cheap newspapers. But it is an open ques
tion and it doesn't justify tho pruning knife.
It may also be true that the films make a much sharper and more vivid
appeal than any other form of expression; but that sharpness and that vivld
iess battle as hard for the gentle, heroic and unquestionable elements- In the
films. And it is almost invariably these brighter aspects on which tho
movies close and upon which their whole final emphasis is flung.
For the' "Crown of Asses' Ears"
As for the faults of Pennsylvania's own Board of Censora and Stato
boards in general, the meeting backed up tho whole case against a system
of 48 separate political censorships. It showed the impossibility of finding
, in nil tho many States any such body of intelligent, skilled and disinterested
workers as now constitute tho National Board of Review and as might bo
drafted on a Federal Board. It showed that these Stato boards are not
leprcaentative qf tho art they control or sympathetic with its aims as a popu
lar entertainment. It showed that from their very nature as units antagonistic,
to each other as well as to tho moving picturo they cannot bo constructive. It
supplied tho material for the conclusion which it unfortunately failed to
make that the boards' mad desire to prove their usefulness by cutting right
and left, instend of making tho few eliminations that might bo desirable in tho
genuine interests of morality, leads into Inconsistencies that hold them up
to public ridicule and stultify their work.
It might have demonstrated ifurthcr that many of the silly alterations
:modo in movie captions lead to a positively prurient result The substi
tution, for instance, of the relation o' sreret marriage for a less legitimate
one, without changing tho . actions of the characters, leaves the audiences
suru thnt something was wrong nnd wracking their brains to Imagino a thing
bad enough to suit the censor.
The Children'the Crux of It
.One other thing the discussion hinted at. It is tho child angle.
Obviously the average film for a grown-up, just as the average book for a
grown-up, i3 W suitable for a child. Tho child should not bo admitted to
moving picture houses except when his parent takes him there. Ho should
have his own movies, as ho has his own books. On these lines construction
will pay better than censorship.
Mad Mischief
But there were graver matters and moro trenchant arguments that the
meeting never touched. It hardly scrntchod the real philosophic and social
evil of "pre-publicity" censorship. Not only is it undemocratic; not only is it
at variance with our well-proved "policy in the regulation of books, pictures
and plays; not only docs It threaten a political control of one form and a
powerful form of human speech, "itjdoes something far worse. On the
purely moral side it alma to fosslllro ethical judgment. It makes the lawa
of tho past the 'only laws. It makes no nllowanco for a growth in man's
ideas upon right and wrong. Obviously a question of the morality of a film
should be judged by the public's reaction tot ita exhibition, not by somebody
else's guess based on thocvidcnco of a year, a decade, a month or a day ago.
According to tho "pros" and tho "antis" alike, the film's influence on
morality is immensely powerful. If thnt is true, then to bind it with bonds
that have never shackled the book is desperately mischievous folly.
'Man Is a Decent Animal
Of cpurse, the whole thing comes down to a fundamental belief or a
fundamental' disbelief in the decency of mankind. Those who want censors
feel nnd say that manitfnd flocks to the indecent, and is corrupted. GthGrr. o
us feel and say that man may flock when some one such as a, censor calls
his attention to it; but that he is then cither grievously disappointed or
paihly disgusted. The censorious believe that mankind has reached its
present level of morality by some power not within it and not powerful
enough ,to eternally guard it The r jst know that mankind's progress is a
sufficient diploma of decency in this 20th century. K. M.
THE MASSES DETERMINE
OUR DRAMATIC GROWTH
Continued from ru;e One
Ing money to becomo patrons of the
drama. Slow at drat, then mora rapidly,
and Anally In a (food, the newly sprung
play-goers announced their advent The
atres upon theatres were built not In New
York only, but all over the country and
etlll they seemed few.
The celebrated theatrical "trust,!' which
had hitherto pretty much controlled
things, could no longer keep Its dams
In order. And still the tide of the new
audience continued to-rise.- Flays had to
bo found to feed them and players were
found; but from tho quality of the dra
matic fare they obviously relished and
demanded we gauged the quality of t'.'.n
new patrons. And we found, to or
regret and yours, that It was not the
Intellectual public that had quintupled r.
was the less intelligent They were Innj
pent of dramatic standards and of cul
ture. To them a play wast Just a1 'ihow,"
They cared nothing for such things as
character ' delineation or psychological
analysis, or subtleties of dialogue In
abort, for the things that roaka drama
literature. They wanted a good "show"
and their definition meant merely a sim
' THE PLEDGE OF
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aw,!- "Jgni t i in. iii r ... -ygFTS 11.1m f
A ap tteija ' m. hifw T.iy r1. a uio-unt film AfbjitfEi" atjftwtimr
to Drdmatie Editor Evening iLedger,
ple, rapid, exciting story, told in terms
of action.
Now, alas I If you want an Intellectually
aristocratic drama you must have an In
tellectually aristocratic audience. The
thing la as Burs as sunrise. Russia has
the most advanced stage today; and In
proportion to Ita population Russia has
the fewest theatres and audiences almost
exclusively drawn from the upper classes.
Do you suppose that the man who drives
you In a drpsky to the Art Theatre In
Moscow ever dreams of going Inside?
He'd as soon expect an Invitation to the
Czar's garden party. Yet not a month
ago I drove to a New York theatre In a
taxi, and as I paid my fare the driver
asked: "Boss, what time does this show
beginr
"Hat? past eight" "Just got time to
make hi garago and get the wife," said
he. 'I'm going, too." Well, there you
bret Tha taxldrlver and Mrs. taxldriver
or, to be more accurate, the class just
above hl'n :n the social scale outnumber
any otl.ur tn the average modern a tlence
four i;r live to one. This Is wh4 wa
have grown to call the General Public
the pubile that pays the piper and there
fore c.Ua the tune. And so most of us
behind the curtain began vigorously to
pipe ragtime. Sometimes when we got
very rich or very courageous we'd take a
little flier In Beethoven and Debussy and
then come back and pipe ragtime more
vigorously tnan ever to pay our bills.
MARIA ROSA
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Theatrical Baedeker
Polish Novelty at Garrick Gives Interesting
Turn to End of the Season New
Feature Filnjs, Announced
i
NEW PLAYS
OA.1UIWK "Through tho Ages," with Madame Voraka and Robert T. Haines. A
drama by Dr. Jerzy Zulawskl, depicting- tho struggle of the body ngalnst tho
soul: Tho six acts show six eras In tho world's history. Btogcd by Richard
Ordynakl.
BROAD "Tho Devil's Invention," with William B. Mack, Oustav von Seyffcrtltz
and Eileen Van Blenc. A drama by Hiram IC Modcrwell and Carl Froybe, tell
Insr.of a conflict bctweon two doctors, orio the old school physician, tho other a
young man Just rising to prominence Tho triangle situation with 'a medical
twist. x
CONTINUING PLAYS
ADELPHI "A Talr of Silk Stockings."
with Sam Sothorn and Eva LiC-ward-
Boyne. An English farce-comedy i of
good lines and lots of English slang.
LYRIC "Alono at Last." with Roy At
well, Harry Conor, Lctty Yorke nnd John
Charles Thomas. An operetta with tho
book adapted by Smith and Herbert; mu
sic by Franz Lehar. An ambitious Vien
nese Importation of the "Merry Widow"
school.
WALNUT "Twin Beds," return en
gagement of the popular farco by Sails
bury Field and Margaret Mayo. First
popular price engagement.
PHOTOPLAYS
STANLEY All week, "Maria Rosa,"
with Geraldlno Farrar. A film version of
the play by Guldo Marbury, with Farrar
as a Spanish pennant.
ARCADIA Monday, Tuesday nnd Wed
nesday, "The No-Good Guy," with' Wlll
lan Collier. Thursday, Friday nnd Satur
day, "Sold for Marriage," with Lillian
Glsh.
PALACE Monday, Tuesday nnd Wed
nesday, "Her Maternal Right," with Kitty
Gordon. Thursday, Friday nnd Saturday,
"Molly Make-Believe," with Marguerite
Clark.
VICTORIA Monday and Tuesday. "At
Midnight," with Norma Talmadge. Wed
nesday and Thursday, "The Good-Bad
Man," with Douglas Fairbanks. Friday
and Saturday, "Snowbird," with Mabel
Taliaferro.
BELMONT Monday and Tuesday,
n
rniLADKr.rjii.VH fokkjiost i-aiik
Open for the Season
With Many New Features
INSTANTANEOUS MUSICAL SUCCESS
KRYL
AND HIS
BAND
Msdame Jlcltne Cafralll, Hoprano
Wonderful Organization of Sluilelani
Famous Kololsta Hplendld I'rosramt
CONCEBT8 AmaiNOOJ ft KVKN1NO
FBKE TO rARK TROLLEY PATHON8
Fireworks Every Friday Night
POINT BREEZE PARK
Opens for the Season
NEXT SAT., MAY 13
New Features Fireworks Evg.
MARKET ABOVB 18TH
11 iisu. m. to jl ;15 p. m.
Dustin Farnum
Stanley
In "DAVID QARRICK"
ADDKD ATTRACTION Vlw InUrcollfUU
Atbltlto Carnival. Franklin Field. April SO.
ALL NEXT WKEIC OEHALD1NK FAKKAH
AND WALLACE REJD la "MARIA ROSA"
lOo 1J! MARKET 20o
10 A. M. to iilU P. M,
Palace
LAST DAY
MARY PICKFORD
IN AN APPEALING. DRAMA
"THE ETERNAL, GRIND"
Globe
x fieatre juniper bts.
VJ. UDEVILLHConUnuout 1 1
a w A t r -v ir o,.
A ta VW A - JM W( W( -
oHPo.. Lonesome Lassies
Martini & Fabrini DXNC,vpw
OTMEA MERITORIOUS ACTS
LOCUST
BSD od LOCUST STB.
CASB OP irAHY PAflK
i (6th ZttUodal
Maw. Ptror in'-FLXJUi(i WIXH yiBE"
DPI U AMf BSD ABOVK MARKET
In fTM nf.AIft.
la "SEN BUIft"
SWBktXJNO
Hf 3 TSl
ADAMf
gAWJT AY miMMtm PQb
PUTTING HIM OUT OP BUSINESS
"For tho Defense," -with Fannin Ward.
Wednesday nnd Thursday, "Girl of tho
Golden West." with Mabol Van Burcn,
House Potors nnd Theodore Roberts. Fri
day nnd Saturday, "The Code of Marcla
arcy," with Constance 'Collier.
LOCUST Monday nnd Tuesday, "Sal
vation Jonn," with Edna May. Wednes
day nnd Thursday, "The Feast of Life,"
with Clam Kimball Young, Friday and
Saturday, "Snowbird," with Mabel Talia
ferro. YAVDF.VILLE
KEITH'S Adelaldo nnd Hughes, Anna
Whcaton and Harry Carroll. Allan Dlne
hart and company, Nonctte, Dorothy
THE PHILADELPHIA
Today and Tomorrow
CIVIC J
EXPOSITION
OPENS
MONDAY, MAY 15
Auditorium Building
Commercial Museum
34th Street Below Spruce
ADMISSION 25 CENTS
Headquarters
734 Widener Building
Metropolitan Opera
House
Monday Evening, May 15
Italian
Red Cross
Concert
Pasquale Amato
Baritone, Metropolitan Opera Company
LUCA BOTTA, .Tenor, Metropolitan
Opera Co. '
OINA CIAPAnELI.I-VIA.POnA
Boprano, formerly of Metropolitan
Opera Co.
AUHCLIO aiORNI, rianlit.
MAHTINI SYMPHONy OnCHESTnA
Kttora Martini, Conductor
75 Muslclaiu
By peroiU"'- of Local 77, A. r. of M.
SeaU or.,aIo, II 09 Chestnut t
V.'.eea f3 to 50 cts.
Metropolitan Opera House
S NUhU. Mar II Bui It, Ulrht a'Clwk
BKOUAU) Do KOVKN'S
Robin Hood
Conducted by the Composer
SUr.Ciul. Olwru. 150. 1MU. Onimttn.
TKket for att. 4oo to SZ.M Mirat
11P9 Cietnut Street, ' mw "
LAST 2 TIMES TODAY
10th and Hunting Park Ave.
Ifi&ig
n
Hegel and company, Primrose Four, Six
Tumbling Demons, Klrby and Ilohm,
Kmeriton nnd Baldwin, Sllg Tribune pic
tures. GLOBE "On Top of tho World," E. W.
Wolf, Eddlo Clark and his two Botes ;
Kelly and Snnvnmo. Alf Itlpon, tho Fred-
i cricks Trio, Carlisle Circus, O, C. Davis,
Hhetdon Sisters, Helen Jncktey.
GRAND The Musical Germans, Lew
Hawkins, Georgia Knrln nnd Company,
Trout, Mermaid and Bubbles, the Lander
Brothers, Raymond Wllbert
CROSS KEYS First half of tho week
Charles Ahearn, In "Cycleland" ; Brown
ing nnd Morris, "The Evil Hour"; Del
moro and Moore, Edith Ward, tho Sldon
las. Second half of the week Wllmer
Walter In "Tho Lata Van Camp" ; tho five
B. F. Keith's Theatre
CHESTNUT AND TWELFTH STS.
... - 3 NHCMVa DAILY 2
MAT.. 3 r. f. MOI1T3. B r. M.
NKXT WKEH
Anitrlra'n RrpAntn(lv Danrrr
Adelaide & Hughes
AmIiIdI br Edward Ilal
Preamtlnar Tholr Own Evolutions
Vltttt from nroadwar Triumphs
Annfl-Whea(on & Carroll ,,ny
. Sluilral Comtilr Farorllen
In Original I'lano and Bona Belrctlo'ns
ALLAN DINEHART & CO.
In "The Meantut Mnn In tho World"
DOROTHY REGEL & CO.
Prutntlnr "Tho Olrl nt tho Clfar Stand"
NONETTE
Tho VIollnlMo Who 8lnn
ritiMitOHn roim hiriiv s home
nix Tll.MIII.INU DK.MONH RMKK8UN
Si 1IAI.I1UIX HdlK Trllmno IMtturto
May 15 EVELYN NESDIT &
JACK CLIFFORD
GARRICK Last Mat. & Evg.
TUB TJNNIEST PIA.Y IN THE WOnLD
IT PAYS TO ADVERTISE
in.3nnyst May 9 Seats Now
ERNEST BIIUTEIt announces
for tho Loyalty Productions Co., Inc.
The Hupremo Hnatlon of Europe
THROUGH THE AGES
BY JEIlZV ZULAWSKI
Willi Mine. Yorska Robt. T. Ilaiaes
and a powerful nupportlnr company of 00
A MOST DARINO flTAOB EKFOUT SYM.
DOUZINQ TUB BTIlUaOLB OP TIIB
, SOUI, AGAINST TUB BODY
PRICES: Nlhts and Sat. Mat, SOc to J1.50
Boat Bat 1 at popular Wed. Matinee
BROAD Last Mat. & Evg.
MR. CYRIL MAUDE in GRUMPY
MS? Mori. Evg. w'Hau
The 20th Century Way Produclnr Co,
Prwnta
a now and powerful American drama
THE DEVIL'S
INVENTION
By Cart E. Freyb and Itiram Uorierwell
Caat Includu William B. Mack, Ktchle Una,
Ellaen van niene, Katharine Emmet. Joetph
Ilrennan, Violet de Blcerrl and Qiutav von
Seyllcrtltx.
Beet State 11.80 at Popular Wed. Matinee
FORREST Lat Mat. & Evg.
THE OIOANTIC WAn MELODRAMA
UNDER FIRE JPr
FORREST Next Mon. Evg.
DAILY MATlTMEItEAIjrEn AT ,I5
NEW EDITION DE LUXE
REX BEACH'S
THE SPOILERS
THREU ACTS TWELVE REELS
BIOOEB AHrEBKrTEaoTUAN EVEn
WILLIAM FARNUM
AND '
KATHLYIS WILLIAMS
PRICES
Dly Uatlaeea. 15c and 33a
WftU. J 8c, 290, BOO
UHOAIt ANII HDNfllAUVUV
t. a. Mion-Nlrdliajer. . ..... dio, Mir,
Dally Mate.. 10. va., 7 3. 15a loe
Musical
Gormans
0 8liiU Jurenile
Hutklaa
I'rwt, leraaii
A Man. a' Woman,
oTwater.
tS BW ACTS AND PICTURES
PiiUdlphi TditkU at 8:15
vtrqmmmn. - r t r
wt-KZXv J( h.M m
,.... tm. tavI nViH Rtnfford.
Lllo and Dupont, Ann, the Prenllso Ti
STOCK
KNlCKBnBOCKBIl "On Trial." Til
t--i ..1. K .1.a AMttn nr fnA KniCKfir
hnrkni- tilavirq' shows them In Itclzen
stein's melodrama.
BVULESOiJB
DUMONT'S Dumont's Minstrels, In
satlro and on matters of turrtnt Interest,
OOUINO
tA'ntC 'Town Topics,"
with Bert Lcs-
llo nnd Sophie Tucner.
KKITH'S, May IB Evelyn Nesolt nnd
Jack Clifford, "Petticoats") Albert
Whelan, Howard, Klfiel and Herbert,
Harry and Kmma Sharrock, At Herman,
the International Olrl, Ilheft Hess and Het
tie Hyde, Musical Johnsons, Scllir Trlbuno
Pictorial News.
SHALL THE BANDBOX
VARY ITS OFFERINGS?
(Smtlnaed from Tate One
which has remained n classic through nil
the years, as done at the Bandbox Is so
cut and mutilated to reduce tho playing
time, and, furthermore, tliff atAglns Is so
mannered ond freakish, that tho real val
ues of the piece Are quite lost, and It Isn't
worth while lp spend any time discussing
It. Not only Ib this production n traversty
on tho original, but It Isn't oven nmilslng
on Its own account. It was fAr better
acted nnd staged at the Drama I.enjrue
Convention In Philadelphia two years ago.
ltowever, the thrco original pieces are
worth while and well donoi on tna wnoie,
wo think, better acted than any yet Been
nt tho Dnndbox. In curtain Instances,
others have been well noted, but on no bill
have three plays, one after the other, all
been presented with so little hint of tho
amateur, so professional nn ease nnd as
surance. It Is worth noting, too, that tho Wash
ington Squaro Ptayera are drawing re
cruits from other parts of the country. In
tho first play tho negro mother Is played
by Miss Mary Morris, of Boston, while the
small girl friend of tho suffering child
In 'Tho Age of Ileason" Is played by Miss
Elinor M. Cox, of Indianapolis, who was
doubtless discovered there by Samuel
Eliot, Jr., when he was director of the In
dianapolis Little .Theatre. Doth players
JUitlfy their Inclusion In the ranks of tha
Bandbox Company,
WALNUT "tsr"
TTXXJU1HJ iL NoHiRhcr
Pop. Mats. Tuca. & Thur 25cT5bc
Rc:olar Matinee Saturday
Monday Night
Bcjrins the
2d BIG WEEK
of Selwyn & Co. 'a
Laugh Festival
Hr
Salisbury Field
AND
Margaret Mayo
It's a Long Lingering Laugh
BANG! , T,IK J-t ui
SSKaVMlilit
H
BilVfl
Bf 1
NliiiiiiiklHllkiaiiH
I
m
fvftT;Wttr.1DAY fe --XMAOriLhHMlaV,aii
WSmPHILADELPWA HAS EVER SEMN jmN&i&fW8
When That ClUntMs or aaletr Tha InVamprab1a $100,000 Maitea! Rto
"TOWN TOPICS"
,... .. . COMEH TO ADD A ZEST TO HI'RINOTISfR
WITH THE CIIASII'ION AI.UHTAR CAHT OP TUB WORLD, INCXUDlNO
Ocrt Leslie. Sophie Tucker, Wellington Cross, Lois Josephine
PETER PAOE. MAHIK UWARRE. OARIIERRY I1ROS., J1HMIE VOX. ARTIE
MEHMNOEH. JOHN JOHNSD.V, FANNY KIDSTON. MAIIKI, ELAINE,
jii.iir.ua- unauum, Tiir.
THE WONIIEUFU
SEAT BALE OPENH
ADELPHI
CYRIL HARCOURT'S DEUaHTFUtLY SU-RT COifEDY
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' ' : ' " :-'-- - ' T-""1' - ' '
lretoted fcr Wlnlhraw Aran' OrUiaal N Yerk Utile Theatre Caft
"A DELICIOUH PMY THAT EVERY ONE 1 H HDRK TO T LOYB."--Baeef 4.
T "VERY CLEVER AND KXCKK1HNOLY tOI'FINO?'WEwiiIo JLeAjM.
flKK THIS ONE IF VOU HKEK JOY S "
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DESHAUER'S SVJU'HONY OKCiEStti
I" 'UAtfHU' liV.-VIH..J.:il.i 1 ' I
(ttSWAV aKo"x1)W,V
Norma Talmadire
la Vtrat Ffexeattbtr ef
AT MIDNIGHT
A4JI . Alo-njtUuroiaw Jy
I
-timwft-p
DeepSeaStadlettLiHt StrltaxTUiarC Kewe
w.
VKlaVY AND SAYUKDAY
MABBL TALIAFKJtKO
4rh SNOWBIRD"
m
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PAOtlAT.P. AHfAirn
ThC dlatinmilghcrl hnrltnnA aL. i
Metropolitan, who will sine; hS M
nt tho Itnl an TIM Cm. ti.-iS? ffl
MoylS. ""'"'"
Thank Heaven!
Ono thing I insisted on, ma'
that was a complete departut
from stage tradition in drawin.
room manners. Amclie Rives.
rH
MARKET JUNIPER 8TIV
In the Heart of tho Hhopplnr DUtrtd
CONTINUOUS 11 A. M. TO
UP. If, I
. 15c. as I
rnuiKH , lor,
HAIlllV AM PreneaU
A Sllnlatojre
Mimical
Comrdjr
See Fun
IN
Toyl;
and
11 Artlata
Montlr Olrla
Sri50I.lT. ADDKT) JTATUnE
K. II. WOI.r Offert
r.HL,U.KVSS ASTAIa k
IN JINGLE liAND
CI.KVKK HINOEnS OM5VKR DANCKBS'
CI.nVKR MUSICIANH
OT1IKK MKIIITOUIOUS ACTS
T1II1VTHK
Market below OOlh Sired
Mat. Dally, 2:30 I venln, 7 4-0
IVt bient. 10f I 10..lc.ua0e
MONDAY. TUKSDAV and WEDNESDAY
CHARLES AHERN
Presents Himself
J ANli1 in'ri' COMPAN V
"IN ICYCLELAND"
FUSNIKHT ,
1 A(!T OK TUB
HTAQK
TIIlinHDAY, FRIDAY and HATfllDAa'
WILMER WALTER & CO,
IN COMEDY SKETCH. ENTITLED '
"THE LATE VAN CAMP",
OTHER ACTS WORTH WHILE
ciUN ok this iwi ay 1 S
rAaiuun liikui.13 BAnu una
f
VLM&smWE
MM
WMkWWfWi
tFUJ. SS0.000 KAHIIION HHOW WITH FORTY JtODEnH
NEXT THURSDAY iUlU Oil I) KIM NOVl
POPULAR SI MATINEE THURSDAY
MATINEE TODAY, 2;15
-2t
" ' ' " I ' I "
UARKKX b, tmt
t'ONTINUOftf A. M. TO llilS V, .
..itt vv ao ar,iinuaf
AND WONDERFUL KIMBALL OS-OAtf
, i '
VNTII. H0, lffe EVENINOlJ, UN. P
WEDNESDAY AND THURSDAY
Douglas Fairbanks farMgf.
Hiiro CeoHilr. Mr. nj Hra,. V
BUstr Dree b Hrhele Href
m
gyr lilHadp
Bvwiitown Ttt OMe, OtuWI Be.
ho prtet 3 eWra at mt rjjU.
CAJUM.VW SM1L HadH.
mmbmwut Mtfe-OKi
Ckai s $i$imk1$&8F4r
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KSL-4K-ti.:.g. TSS-ftK.'
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