.yunWIHii.NlUII.JIWimiM
' -
AMUSEMENT ,
SECTION '
SATURDAY
fnmratg
fteftger
March 18, 1916
WAGNER SERVF.n
MAKING MIRACLES,
MUSIC AND MYSTERY
PLUS PUBLICITY
Or, Is Philadelphia a Musical
Centro Because Stokowski
Conducts Mahler?
NEWS PHOTOGRAPHS OF STAGE AND SCREEN STARS OFF DUTY
EN CASSEROLE 1
AT THE AOADEMa
Excerpts From Operas Noll
u
Orchestra
The second Vnc-nn- .... ..
(The following conversation was
taken down by the dictagraph at
tachtd to the backs of the two men
Mho spoke. The record was then tent
to thit office and transcribed. The
two name on the outside of the pack
age wire George Massacre and Peter
Quince. Occasional! there was a
tumble in the record supposed to be
traffic.)
Peter Quince rWell, they've, done Itl I
guess you knowl '
George Massacre Whatever It Is, I
probably know. What Is It?
I. Q. The Mahler symphony. Great,
wasn't ItT
d. JL Orcntl Did you hear It?
P. Q. No. I wasn't talking about tho
music. But It was n great stunt. I sea
that Philadelphia has became the musical
centro of America on account of It I like
that. It makes mo feel good.
a. M. Yes. It ought to make you think
good, too. What would you call a mu
sical centre?
P. Q. Why, well, you know, a plnco
where, nnywhera where, you understand,
where a lot of good music was performed.
Moro than anywhere else.
Q. M. Yes. I suppono a lot Of good
musio Is essential. Did you go to the
performance of "Tristan und Isoldo" tho
other night?
K Q. YeB. Great, wnsn't It?
& M. Greatl Did you hear It?
P. Q. I Just told you I did.
G, M, No. You Just told me you went
to hear It. So did I. What I heard was
the price of my neighbor's box, on tho
right, and tho prlco of my neighbor's but
ter, on tho left. Tho prelude I heard
through an excruciating obligate of beats
being bounced Into place by Irato late
comers. Tho agonies of Isolde were not
more keen than my agonies.
P. Q. I thought you were talking about
Philadelphia as a musical centre.
O. M. So I was. (Editor's Note: Ucro
the rumble begins and continues for sev
eral minutes. The next sentence is
drowned out, a few xcords "maple tcand,"
"thousands," "sold out," can bo distin
guished. By the voice it is the person wo
call O. M., who is talking when next tho
record comes clear.) ndmlt. You
forget that I heard and you did not hear
tho symphony and I say that he Is a great
man. I even say that ho has dono a
tremendous lot for the city. But he Is not
a wizard.
P. Q. Of course. (Interrup
tion; these cars arc dreadful),
of speech. But no other city has dono as
much.
G. M. Were you at Casals' recital
here?
P. Q. No. He hasn't given one.
a. M. How many first-class pianists
have given private recitals, I mean apart
from tho Orchestra, this year?
P. Q. I don't know. Hofmann lot's
see, that was somehow for a charity.
Paderewskl, onco for charity, onco not.
There haven't been many.
G. M. How many years ago was It
that Busonl couldn't fill a small hall?
How many years do wo wait for a great
artist? Have we heard Kddy Brown or
Grainger or Leglnska? Don't nnswer me.
How many days a week is tho Metropol
itan given over to music? What earthly
jfl&m to musical Interests to thu very
lalnlost glimmerings or musical Knowl
edge would you have here If not for
the Orchestra, a fowgrent artists who live
here, and amateur organizations?
P. Q. You are trying to belittle Phila
delphia. Why should you? Everybody
else, even outsiders. Is boosting.
G, M. I am boosting, too. But I hate
the little-town attitude, which praises It
self for an accident. Stokowski Is a sub
lime accident, the Mahler symphony and
Its success are subllmo accidents. The
things that are not accidents are an
empty opera house, empty halls which
should be filled not only by great artists
but by great populaces, eager and Intent
for music. People gabbling through dlvino
programs, when they aro given, nro not
accidents; they go to gabble, not to hear.
Upon my word, I had rather the Mahler
symphony had not been given. Because
now I fear very much that wo will all sit
back, fold our hands and watt for Stokow
ski to do something else, Instead of labor
ing untiringly In some musical work of
our own. What earthly good can come
of patting ourselves on the bock when
the fact la that we haven't begun to
have a music-loving people?
P, Q. Oh, but we have. The ten
thousands who will have heard the Mahler
by the end of April will not forget music
altogether.
O. M- You are right Pardon me, for
I have been a little excessive. Put It
down to the heat old fellow. Well, hero's
where we. part Are you going to the Or
chestra tonight? (Editor's Note: It seems
(o have been a Saturday).
V, Q. Well, I may drop round. Are
there any good musical shows In town?
(Editor's Note: Jlere tho record be
comes Quite unintelligible. The next rec
ognizable thing Is some orchestral musio,
but whether it is Brahms or Berlin is be
yond human power to make out. The
editor wishes to thank Messrs. Massacre
and Quinee for their interesting conversa
tion. They may have the record, care
fully scraped for further recordings, upon
request at this office). G. V. S.
R aitlMyj'xzrstta-'f- tt wt nr - -
U NBSS&Raft iSHiraPF'TOr
h r pPTRf i'ti . i At , i t 3 srw tr y a': i
Jt U loflg time tines Haiel Dawn, star of the musical comedy, "The Pink Lady," and now a luminary of
-thu screen, ya "left end on the first row" But here she is at her old job In ,!The Saleslady," the new
i'.'noua Flayers-Parmount photopiay, which cornea to the Stanley the last half of next week. Somehow
tha illusion idtrt perfect, she doesn't seem at all worried about the music director's sinister baton, and
ir beauty quits outehtoea thq rest of the jwreea "merry-merries," '
IKk Twill T tyfliP Ifrwl
1 ifiiF Jmm!iilM$& WS llll Thc smallest movie llfeIPMm .. CTPffreylfo'v- .--3S
HIHBp PM'sSfiH? vimm ' llll cnmcra 1" !,c world &iWM' jBI tPWw I
WW J iFli1yiMir B II r i , atl(l it3 inventor, Clarke K: wlHiSS' JJk ,M - li? ' 1
WWv W M MlHfeeSilfe Vii " x '"'"' $& - , Irvine. It serves for ttMs.ff.'SS tC Wma F ' i
WrimMimW " T "'t? illll desk ornament as well f-VtSPYjs&lgC fa i
xhMm. W&rfol fefllM ' - II ns auto-mascot It is : - 'MSiSsiJ& ! ' ' .i
WmiH WSSi -3BjfclhLAyL &Jil iU3t 7 inchca high and I $f$ -y lM
WHEN STAR MEETS STAR
Lillian Gisli, of the movies, ex
plains to Mine. Mclba, of the
opera, just how she made
"Daphne and the Pirate," a Tri
angle film to bo seen at the Ar
cadia next week.
AUTOBIOGRAPHIES OF
THE PLAYERS
WILL DEMING
("It Pays to Advertise" Company)
I was a stagestruck kid, nnd when I wns
14 I struck out for myself nml Joined
Prlmroso nnd West's Minstrel") as u boy
singer. After a year
with "Tho Power of
Money," under I I
miuid Collier, nt Mc
Vlcitor's Theatrt I
becamo n leading
man at tho nge of
10 You could hard
ly call me a leading
man, liec.tuso the or
ganization 1 wits v itli
was the Hess ,Iu
vcnllo Opera Com
pany, but I bang all
of tho leading roles.
ji .ck nr- Aiiout that time mo
king of melodrama,
Lincoln J. Carter, was at tho very top
notch of his reign In Chlcugo. nnd I played
In several of his blood-nnd-thunder pro
ductions. Finally I decided that I would
branch out ns a malinger, and as tho
United SIntes did not offer n broad cnoui;h
Held for my managerial talents. I took one
of Mr. Carter's plays to London. Wo shall
not discuss that venture any further now.
Let the dead past bury H4dcnd.
Between tho years 1000 and 1305 I
think I established a world's long-distance
endurance acting record. I uau In stock
during theso senfeons and I played nearly
400 parts In that tlmo. I don't think any
one elso ever camo near that mark in live
years.
William A. Brady is a manager who ap
preciates enduranco In anything or any
body, and after my remarkable record In
tho stock-Held he took me with him. and
from Brady I went to Cohan and Hnrrls.
and so hero I am.
Have I been talking about myself too
much? Well, It pays to advertise, you
know.
IZZY LEOPOLD OF
THE ZIEGFELD
FOLLIES
Ed. Wynn, one of tho Important come
dians of the "Zlegfeld Follies " nt the For
rest Theatre, Is a native of this city. Mr.
Wynn, whobe renl name Is Izzy Leopold,
made his stage debut in vaudeville, at
Keith's Theatre 12 years ago, presenting
an act entitled "Tho Man with the Fun
ny Hat." In 1907 Wynn appeared In mu
sical comedy for tho first time in "Hi3
Honor the Mayor," which piece enjoyed
a long run at tha Walnut Street Theatre.
Following his success In that play, he
returned to vaudeville with O'Mnlley Jen
nings, now a member of "Around the
Map" Company, as a partner. Wynn con
tinued to entertain followers of the two-a-day
until last season, when he was en
gaged to appear In the "Zlegfeld Follies."
Ilia success in the Zlegfeld enterprise has
been pronounced In September of the
past year Mr. Wynn was married to MUs
Hilda Keenan, daughter of Frank Keenan,
the actor.
MESiBTSli S
HAZEL DAWN GOES BACK TO THE
f- w
&OSi
Sa wsU Willie a,S
IT ADVERTISES TO PAY
The piny at the Garrick believes in its thesis. Here
aro the "rubo" and his trained rooster that divert
every town in which "It Pays to Advertise" plays.
LIGHTING IS TO THE
MOVIE WHAT MUSIC
IS TO THE DRAMA
Xow It Is claimed by tho motlon-plcturo
Industry that ono of Its leading directors
has finally established tho bclcntlflc fact
that the emotions of peoplo who watch
motion-picture plays may bu swayed with
tho easo of an orator's logic by tho np
plled usq of recently discovered lighting
effects.
Cecil B. DeMlllo, the well-known Lasky
director, declares that as a result of ex
periments he has carried on for a period
of years, ho has discovered that lighting
effects in the motion picture have virtually
tho samo definite characteristics as music.
In other Words, ho says that nrtlttlc light
ing in tho motion picture assumes tho samo
alue in tho photodrama that muMc does
In tho spoken drama.
"Nothing cxtiaueous to the dramatic
action on tho hereon should bo brought
Into equal prominence," said Mr. DeMlllo,
In discussing his dltcovcry- "I have found
that dramatic points In tho motion plutuie
could be emphasized nnd boftencd only by
the discriminating use of light effects. In
Just the samo way that a dramatic climax
In a play can bo helped or hurt by thu
music accompanying It For years motion
picture photography has been developed
along iho lines of Improved sccnlo repro
duction, hut not after the principles that
certain moods can be trausferied from
tho screen to the spectator's mind by tho
Ub of arylng light effects, similar to the
manner in which the emotions aro stirred
or soothed by the playing of martial or
soothing music."
CHORUS
THE CASTLES IN THE
AIR SEEM TO HAVE
NO FOUNDATION
Tho war, It seemed Inst year, was not
entirely confined to Curopo, for certain
pugnacious nnd disturbing rumors vero
heard to issuo from the Castles, meaning
Vernon and Irene. Certain dismiictlng
rumors of family lights weio noised
abroad, and it wan stated with great
emphasis "thnt tho Castles never spoko
to each other even when they danced."
Well, wo will not Inqulro Into thl3 mat
ter. It is noiio of our affair, but it Is
pleasant to state that, no matter what
the past, tho present and future seem
bright, for the Custles again aro rec
onciled. Since Vornon went to war tho
atmosphere of domestic upheaval has
cleared and Irene misses him, at least so
one would Judge from letters and tele
grams from her to Vernon's sister, who.
by tho way, Is Mrs. Lawrenco Grossmlth,
playing hero next week In ".NolKidy
Home." under tho name of Coralie Ulytho.
Through the courtesy of this lady we
print portions of letters to her from Irene,
showing that the Castle is not stormed
jet. Hero is Irene's telegram:
Orand Itaplds, Mich. March 5. 1010.
Mrs. Law react) Uroismltli Care Nobody
Home Co . loronto, unt. Just koi our Itt
ler. darling. hue written )uu lu Toronto.
Uot cable, from Vernon week uvo euUrduy
tli.it he arrived aafely. ull lino. IHK.m:.
Wo are glad Vernon arrived barely.
Hope ho returns tho same. Tho follow
ing is from a letter from Irene to Coialle.
Corle. darllnc-
-Thanks for your sv.t lt
(er. J hone lou eoi juy wire all ritfhi. linniiv.
j m(ie ,uu kui juy win an rigiu.
. . . . i- - r. .-.. "-.T- --
jlnco Venion lelt I liave not llktd writing-
in lull, i u let bu ciuciim Ultll LlllllLy I
huitu't been able to think U;arl. X was re
lieved to wet a cable Irom Wni jvbti.rilay ay
liiu lie had urrhtd oufely. but I tiliall Uv In
liurrur now of learning iuniethlni: baa liap
pened tu blin. I intent bu able to i,u oir with
uu iiii Huroiif. i um tray lu so riifnt ovr
now,
OUt UH lOIll
uui 4 hiiuw A iitusb ue uruvu alia hulk 11
I can. It would be uucli fun
it wu could so over lost
so over together and eicn If
only bo with ina n il.u n. un
Vernon could only be with
I khouid lute atuytnir with ou and hpephla for
a while. I should (eel o much nearer to lilm.
couian t we to In aiayf UtUNL.
THE PLAY THAT
SHAW FORGOT
Continued from rare One
tlon. by G. Bernard Shaw " in flaming
letters on a background of yellow. Tho
furniture consists of a folding bed and J
ti cuoie, tuu uiiu c;uuir iiauneu on tho
wall. The windows are at an angle of
45 degrees, a clock slopes similarly, and
the entire effect Is as "crazy" as Mr.
Shaw probably Intended It to be. The
following subtle comment on stage Bet
tings Is made by the author In his descrip
tion of the setting;
A certain ulr of theatricality U produced by
tha fact that though tha room is rectangular
It ha only three walls.
In this same passage ho makes this
satirical melodramatlo comment:
Net s iound U haard uwt tha overture
and tha craclcllruc ot tha lady'a hair aa tha
raald'a bruah drawn alactrio aoarka from It
lu the dry air of the London mldaummer.
Somewhere in the play Adolphus Basta
ble, lover of Lady Magnesia Piutolle
mache. Is poisoned by her Jealous hus
band, Fltz, He repents and suggests eat
ing some of the lime from the plaster
celling aa an antidote. They all throw
boots at the celling, and pieces of plaster
fall to the stage. Mr Shaw has this bit
of humor concerning that:
A I, I Aitremely I
extremely difficult to find an actor
casTbl of euliut seed plotter, it will ba fo
cm vMisa, n mil, pa touad
ormanca to auhatltuta tha
couvetii
a,w- ,----,-i,-" --..iz- s-rrr:'"jv .VM
tupa
ter
or oia wouu"" " uiu ot pias
Thcre U but little difference to material
tea tha tw aubataocea. but tha taata of
between tha lw- uiaw. out tua taata of
the weddlDK cut U considered more agreeable
by many paopla-
MTISIOAIi
CARL TCHQPP s5S5JK2aS
ilAADOJUK, IJ-UUQ. ClUITAa. ZlXUlili
mm r
ViiYV
HAVE YOU SEEN HIM?
When W. C. Fields, the very hu
morous juggler of the Ziegfeld
Follies, walks down Broad street
with this set expression on his
countenance he is "thinking up a
new one." On tho stage, however,
ho looks as vacuously carefree
as a clam.
IT'S HARD TO FIND A
SONG THAT IS
ORIGINAL
Few persons who attend tho theatres
today can nnptpclnto how hard It Is for
men or women to obtain songs to sing
exclusively for their own use. About
tho only way to do this is to write their
own songs, and oen then the songs aro
"lifted" by others who aro less foitunate
In securing suitahlo numbers In tho old
days of tho varieties there was not so
much repetition of songs, hut neither
were theio so many singers ns there are
today, and It was not so hard to get a
supply of songs Song writing nnd song
publishing hae grown alopg with every
thing eiso In the theatrical business Tho
syncopated stylo of melody has grown so
popular that eiry new song which has
a catchy swing to it is grabbed hold of at
once nnd soon eeiybody Is whistling,
humming or playing It. so that by the
time It is heaid a few times on the stage
It Is cousideied stalo and the public is
clamoring for something now. The slngor
with the newest songs is the successful
singer, and this has been proved In the
case of Adele Itowland. who comes to II.
V. Keith's Tjieatio next week for her first
vaudeville appearance here. Heretofore
Miss Itowland has been Identified with
musical comedy, and her success In "Ka
tlnka." 'The Only Olrl" and "Nobody
Homo" Is well remembered by those who
baw theso productions. The strongest as
sets possessed by Miss Itowland are per
sonality and mannerism, but her greatest
claim on recognition in her chosen field Is
the fact that she sings her own songs. She
has'alieady iiualllled ns u song writer and
some of tho biggest hits she has scored
have been with songs for which sho has
written the words. Somo day Miss Itow
land hopes to publish a song hit with her
own musio und words, but for the present
she is content to collaborate with such
popmur writers of catchy melodies as
uene muck Dave stamper, Jerome
Kern and Schuyler Green.
D.
Elmendorf and Sicily
Sicily, with the majestic Mount Ktna,
the Madonle, the Aeolian Isles, and thu
relics of the Qreco-Iloman art, will be
the Illustrative .theme of Pwlght Elmen
dorf's travel talk to be presented at tho
Academy of Musio, next Friday ind Satur
dai On Friday evening and Saturday after
noon of thp following week Mr. Elmen
dorf win give two extra travel' talks a
general lecture on India will ba the eve
ning topic, and "Famous Paintings from
the Galleries, of Europe" will be the sub
ject of his discussion on Saturday after
noon. DANCING
AI. White's
S, E. Cor. 15tl
and Chestnut
Novelty Dance : Wednesday
SgHOLAllS' NIOHT TUB8DAY
UeiJBVTION aATUBDAY
Private Z.Mtorn in Modem and Stairs Daacin
HaU to ileot for Special Occasions.
FREDERIC GENSCURG
J. J-JBBJfgtTT BYSTEit
1904 OXFORD BT. 1'opuUr llll.
E-NdAUB wnOB'S KEITH aTAtUtOOM FOR
TOUB FRIVATH J?ANCK VEKT UAINTTf
FractUM Claaa ifaoday l'rlvata Jeon.
ilaivxo, CUajlo tat fatwo Daselti!
THE SKATING CHORI
When "Nobody Home"- was in
Boston these young ladies of the
chorus introduced roller skates
ns time and labor savers. Miss
May Darling, thc only feminino
press ngent nt present on record,
thinks of taking out n patent on
tho idea for publicity purposes
only.
TOO HAPPY TO BE
AMBITIOUS
If a good fairy camo and offorcd you
three wishes, would you nsk for moro than
to bo a really pretty girl, with success In
your grasp, nt nn ago when most of us
aro Just beginning to think of what wo
shall do? Ilnrdly, unless you nro very
greedy, Indeed. So It Is not really sur
prising that Ida Joye, who will bo seen
at tho Walnut Street Theatre next week
In "Tho Girl Ho Couldn't Buy," should
confeiH that sho hasn't any consuming
ambition.
"Mnybo I have been too busy to grow
very ambitious," sho admitted, "or, per
haps. I'm Just too happy. I am nlmost
nlwnys happy. Of course, I think It would
bo very nlco to seo my namo In electric
letters over a theatre I know It would
becauso I did seo It whero? With a pic
ture play, and ns I hadn't at nil expected
It. I mndo tho friends I was with stop
tho motor wo wore In while I spelled It
out to them and said It over with as many
different Inflections us posslblo nnd gazed
nnd gazed. I tell you. It waa most excit
ing. So I can Just guess what It must
bo llko to bo an electric light star."
Wagner iZSSSt Dancing
To the Point
Sonl. 1730 N. Broad
Phone Dla 8.18
Usual aeu"' Dance
Mon. Tues & Thurs. T2ks
Z Newest in the 1"'
22c.' Wed-i&Sat.-Assistants'
Dance
Next Frl (Mar 24) Kientne
A pocket manunl contalnlnff complete da
Hcrlptlon of 3 ot thu moat modern dance
tiltH The One-step, Fox Trot, Six-step,
ltengaw (Itest), Wultz and tha most auo
ceasful of tha latest danees.
The Modern Quickstep ff'jgj, TaJ?mg
M ARTEL'S ACADEMY
1710 NOUTH nrtOAD BT,
Prof. J. Figel and Miss E. Cope
INSTJIUCTOUB AND DEMONSTRATORS
Beginners' Class Tuesday Night
X)Ll.OWED BY ItECUPTION OUCnESTKA
Receptions Every
Wednesday, Friday and Saturday
VM. ROTH'S ORCHESTRA SPECIAL MUSIC
lrof, Figel- and Miss Cope In Exhibitions
OLDEST SCHOOL YOUNGEST METHODS
The C. EHwood Carpenter
Studios of Dancing
1123 Chestnut St. 1123
EFFICIENCY OF SKltVlCV
Unequaled In Philadelphia.
courbvutrar of iNBTttucTQita
la unquestioned.
OUR DISTINCTIVE STYLE
is evident at tha best dances.
PRIVATE AND CLASS LESSONS
Dally from 10 A. M. to 10 V, M.
Telephone Filbert 4S0T for time and terms,
CLARAL stULTst8
Scholars Every Tuesday and Thursday Evks.
Philadelphia Six-Step Taught
EASY TO LEARN DY OUH METHOD
vSt. Patrick Dance Tonight
Souvenir to all
CLARENCE II. BRADY and EVA M. BANAL
CHAS. J. COLL
88T1I AND MARKET STREETS
Dances Monday and Saturday
New Drawing Rooms M J0
EXHIBITION DANCE
WEDNESDAY EVO DANOINq TILL It
L0ESERiSTBx,Tli1S5:
Class Tues, and Fri Orchestra
iarKTV BON-BON PARTY K
HIOH SCHOOL CLASS FRIDAY ATT.. S to 0
Mv28J.!oinMoil- Wed- and s&'
Y&XVATfl LESSONS. HaU xao ba rented.
Student' CkanUe R16 .va.
tutumzi SNOWBALL DANCE
m d ancTng"M:'!
i
(2a
1
son was played by the Phlladeiph.
cheatra yesterday, and by a peculli, ?
catenation of circumstances m-ecCi. Kf
tno program hnd moro than the hlT;1?
ntmosphero of familiarity "Loh.BrJ?1,1
Is the nnn Wnirnorlon -. """Snrrln",
both last year and this (''the "fannC'l
ser" overture mitlmni i- i."?nB
ser" overture
re witiiout the VennSer. '
Played harr. lant xtJ? e
music, waa
"Tristan und Isolde" l .nn .""V'.A
i. j,,, -: "-' cn immj
mo HiMonuiti neriormnnpA la.i i... - j-- i
dansky two weeks ago. These m.t.l
are not mentioned, however, for anv nii,.
purpose than that of recording them. ut
Stokowskl's program did not MffcMn J&
s Ibte "1""u Ur D0,n "Wi
The patron of orchestra nml . M
proaches bucIi n Wagner conr.rf JK.?I
nlmost a certainty that nothing nerjtl
and ho sometimes wonders whether twl
is nnythlng, aftor all. In this talk B1
conductors nnd their lntr.mrin.. S'tJ
is nnytnmg, attor all, in this talk lmfn
conductors nnd their Interpretations. nM
feels that Wagner, beyond dlctatlnr thl-il
mcro notes, determined precisely how ik.-n
music should bo plnycd. Fortunately SiNi
tho nrestlco of rnmliirtnra ,(, j. ' lovV
tho prcstlgo of conductors, there docom
times when a notnblv rainwi n.. vrf.
Is given, when tho notes nro played ainHiei?
-...,.. ...,, ,. ,u vi, w iitUmu la nor, mere.-
And, moro fortunately, onco in a tail
whllo a concert comes llko the one plueJt
yestorday afternoon, when what thi comfll
poser wroto down Is scrupulously pliret-vl
to ho defined, but which may ba called ttel?
divine flro. V
Certainly It played over and throtithil
tho music of Wagner, somo of It notti.J
greatest music of Wagner, yesterday aft'jl
crnoou. It burned low or bright andS
almost fnded out of existence In thel
opening of tho excornt from TeMt..
hncuscr," hut It flamed with a wild erjvl
on strance nnd nnsnlonatn lnvsiin i.n
tho "Llcbcstod." But divinity, In jpltjS
Ul UI IlilllhVli f AJJIIUlLtJO ot it, W6 till?
Riimo tn ttn rnmnnspfl nt mnm n.- I
than theso. It has humor and klndllneH''4
and pathos nnd n variety of emotlou!
which need not bo catalogued. NelUurlj.
viiK"cr nor oiokuwbki approached UUrj
hclchta Ih tho Drlstlno or Riconrlnrv .t.'.
prcsslon of them. Happily tho great partj
of tho concert was given over to feeling I J
moro intense, to wliat aro known, jlncetj
Ibten, nn tho hclghtn nnd the vlatM tf
lire, 'mat is wny tno concert wai very,;
great. Tho other things nccounted for Iti'i
having been exceedingly pleasant to uVHl
ten to. -4
Ami to tno latter contributed unquetf
tionnoiy mo uno worK or the orchestra.
It would bo invidious, for once, to (Ictli
,inf n rlinlp Tint in mpnllnn nn Infllvlnall
fnp onAnlnl vintln P1.a nmk,.,M u.t'
very good, as good as It has been hear! Jf
this season, And that Is a great deal, j)
O. V. & 1
j
You Can Quickly Learn to Dance
In our Mirrored Studios, where you
can watch your own progress.
INDIVIDUAL INSTRUCTION
6 LESSONS $C
Open Day and Evening J
Phono Locust 3192
The Cortissoz School
1520 CHESTNUT ST.
DAWSON for DANCING
1715 Chestnut Street
No greater exercise In the
'd for reduclne stout people
than dancing-, raxes on
every pound of super
tluous flesh. My method
t teaching reduces you
tvhila adding to your
nloyment.
Private and Class Lesi
rail Day and Evening
Six Strictly Private
Lessons, $5
Practice Class Monday
and Thursday Evs.
TZ -v a -rr-rrT The Schol
The UAMLb SS
Gtn. Ave., 12th & Ontario St
DON'T BE DECISIVE"
The Only Original School of
ADULTS' BEOINNERS' CLABB. MOWMg
TUESDAY. THURSDAY, "M.,J5tH
MONDAY KVB. TLAS9 WITH OBCUn".
Reception Wed. and Sat. Bjg:
THE SCHOOL THAT INVITES. APPS
TEMPTS AND WINS. , ?,crrpiJN8il
OP REFINEMENT AND pi5lSi-i
Colonial Dance Castle
KR24 dermantown Ave.
PhHa.'sHipppdromeDancefJ
quickly. Tues., Thurs. and yrt. K"lJl,i
?cho"ir nights. 800 or more Xl-3
tend aau evening rtv..w-- .v.Vina, I
Novelty Reception. Open every viag ,J
k.nin n-hiiira. Private leaeone. oar " m
.',: '?M5; flSBvSS- .HJU.Ba
dance the old Qanceliuw
the school of reUuement. ""?", TnurWa
iiodern DANCES Mondsy ana !"na j
OLD DANCES WED. AND BA 17j
IB-PRIZE BONBON r'V
Clasi Thursday. 8 to.. lw?.0ruY
Special Reception uarcumt;
TJ.ft Towers Academy
Camdens WUffS!
Classes Z .'" g.ffi.1
vr. -rT? c..Xi.. 8 3" LL.
necepuou aiwuej- minus
EDWARD A. COLLI
41st and Lancaster Aven
. fi... Mn.. WediPrl
Week-End D.qe Every S'y5
P U COLL. MualcaL iitSX: .
FOWLER'S PRIVATE 5TIK
n