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Amn&ctrttnt Section
EVENING LEDGER PHILADELPHIA, ' SATURDAY. MARCH 18, 1916.
AMUSEMENT SECTION
' Address all communications to bratnatio Editor Evening Ledger,
Independence Square, Philadelphia.
THE AVERAGE NET PAID DAILY CIRCULATION OP THE EVENING
LEDGER FOR FEBRUARY WAS 104,115
' " t"
LAUGHTER AND TEARS
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PHILADELPHIA, SATURDAY, MARCH 18, 1916
Unionizing The. Actors
THIS actors are at last aroused. They havo laid asldo empty "professional"
pretensions. They aro preparing to stnml bealdo the musicians In the ranks
of organized labor. Whatever may bo tho real attltudo of tho managers bono
flccnt br sinister It Is a wlso move.
Until a few years ago tho players had no adequato organization for tho
protection of their Interests. Men nml artlsto of tho callbro o Francis Wilson
ntjil Wilton Lacltayo organized tho Actors' Equity Association and sought to so
euro a Juster Bystem of contract by consultation and co-opcratlon with tho the
atrical managers and their associations. Tho results wero not particularly hope
ful. Tho logical move waB amalgamation with tho American Federation of Labor.
Other theatrical workers tho musicians, tho stago hands and vaudovlllo nctors
-wero united through tho A. F. of !. In nlllanco with these, tho actors of tho
Icfiltlmato feel they stand a chanco of success.
But tho movement cannot stop there, It It Is to succeed. It must add to' Its
rnnltn ilm men nml women of tho movies. Whllo they remain Unorganized.
the managers will havo a hugo mass of "unorganized labor'' to draw upon, ns In
any tight.
What the Fight Is For
; So much for the llnc-up. Tho object In view Is Just as Interesting. This Isn't
n. direct fight for higher wages. It is a battlo for what tho players consider nn
equitable and standard contract. Tho present forms of contract, they claim, aro
"ail one-sided"; thero Is protection for tho manager and nono for tho player.
In particular, tho actors want to change, or at least regulate more equitably,
tho matter of rehearsals. At present tho players aro not paid for tho weeks of
labor and with musical comedies It may run Into months which precede pro
duction. Weeks of effort may bo spent on n. falluro which brings them only two
weeks' pay. Other matters, such as tho objection to half-pay In Christmas and
Kaster weeks, and tho necessity of organizing an old ago and sickness fund on a
sounder basis than at present, aro among tho objects of the organized actors.
Regulation or War, tho Only Alternatives
Obviously, such organization In tho theatro, parallol to organization In In
dustry, Is tho only alternative to a lack of proper governmental regulation. In
Germany, tho repertory system of tho theatres removes many of tho difficulties
over work without pay. Kohearsals there aro merely Incidents of a regular sea
oon for which tho actors aro ongaged; the falluro of a play doesn't mean falluro of
employment. Tet tho German Government has found It wlso to enact a law
regulating tho employment of actors and specifying an honest and standardized
contract If tho United States or tho separate States won't do tho same, tho only
alternative Is tho wars of tho labor unions transplanted to tho stago.
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LETTERS
Shall the Drama League Bulletin the Movies?
This Is tho question to bo asked and answered at tho sixth annual conven
tion of tho Drama League of America In St. Louis next month. Tho play
goor who Knows no moro about tho movies than Arthur Brisbane will say
No. Tho average member of tho League, however, Is likely to be as Interested
In being told what good photoplays aro to bo seen as ho Is In hearing of good
operettas and musical comedies neither of which services does tho League
perform. There are dllllcultles in tho way many, many movies and their
Irregular showing. But a real effort might be mado to seo and Judge the films
of tho better known and better reputed companies.
Tho nearer tho Drama League can get to tho entertainment of tho peoplo,
without debasing Its standards of what Is good entertainment, the better for
tho League. '
What Arc the Six Best Photoplays?
Arthur Brisbane, in a speech that showed about as much Ignorance of tho
photoplay as any ono man could be capablo of, asked recently, "What aro tho
six greatest moving pictures?" "Tho Birth of a Nation," "Tho Battlo Cry of
Peace" and "Carmen" were threo named at random, but tho list was far from
complete. What do Evenino Ledger readers think? Tho editor of tho Amuse
ment Section will bo glad to print their answers. Don't forgot that thero aro
films made in the early days of tho Industry that deserve consideration,
Grlfllths, Bunnies, Drews of other days. If tho public gavo the exhibitors a
Flgn of their appreciation of these "classics," moro theatres would bo showing
them today.
" " Politics and the Censor
Thero was ono pregnant sentence in Arthur Brisbane's speech:
One of the big factors in politics, if It were used, and I believe it Is going to
li", would be the moving picture. I believe that in tho next campaign the man that
studies this and uses genius to get at the facts, will find it a very large factor in
ihe result.
What about censorship then?
, Censors Versus Vampires
The courts made quick work of tho Stato Board of Censors yesterday. They
wisely recognized that such pictures ns tho Fox "vampire" film, "Tho Sorpcnt,"
can bo made harmful only by being slashed up and advertised. Otherwise
they are innocuous by their excellent and artistic unreality, by tho public's
Inherent decency and by a constant repetition that extinguishes curiosity and
ends in boredom. According to a very reliable theatrical weekly, tho day of
tho "vamp" Is already-over; Theda Bara is no longer tho "meal ticket" of
the Fox peoplo, and tho Paramount 13 to put Pauline Frederick into a cheerier
kind of art. Boring the public doesn't pay,
The Movie Invaders
Tho movie actors are Invading tho stage 1 Negotiations are under way
between William A. Brady and Roscoe Arbucklo for a revival of "Baby Mine "
with "Fatty" playing Walter Jones' old part. Mabel Normand thinks she- may
try vaudeville. Francis X Bushman Is offering himself at $2500 a week to
the booking powers of variety. Hazel Dawn Is to play Edna May's role in a
revival of "Tho Bello of Now York." What next? Theda Bara in "A Fool
There Was"; Helen Holmes In "Tho Ninety and Nino"; tho marvelous
Maciste In "Man and Superman"; Charlie Chaplin in "Our Mutual Friend
Lilliah Gish in "Sweet Lavender"; Besslo Lovo in "Tho Love Cure"- tho
eie!T,aL.Ckf0r3 '" Barrle'S "LI"Ie Mary": or BIanch8 Sweet " "The Chocolate
S0lUe ? K. M.
BBsssssssssssssssssssssssssssssssssssssssssssssssssssssssste' """
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Z sssssssssssK IJJr-"WKmMffsrs
9 WML".aB'g' ,S-W&rVkvJ"tv&miiv&'ijB&m p
anairnce) Iljornson, Stephen I-hlllln.
fch21ro,?.,,e Cur;1' Amlrelev. Molnnr and
bhaw. George Jeun Nathan in ruck.
I
ADELE ROWLAND
The popular soubrette who comes
to Keith's next week.
llltflAIl AVII tflVTni.....
Dally Mat.. 10c. Kit: TAP. Id" gnj I ";
The Universal View
To the rhotoplay Editor:
Certain advocates of proposed laws for
the censoring nr moving pictures are mis
representing this company's nttltude and
my personal attltudo on the question of
suggestive pictures. By using only cer
tain extracts from somo of my utterances
they are completely twisting my meaning,
seeking to mako It appear that this com
pany intends to make smutty pictures If
the people demand such subjects.
They have quoted tho following sen
tenco from nn article of which, I was
tho author: "If tho demand for them
(meaning suggestive pictures) Is bo over
whelmingly great wo will bow to tho
superior wisdom of tho majority."
Taken by Itself this sentence seems to
damn mo utterly. But It should not bo
separated from the rest of my article,
for In It I stated unequivocally thnt under
no consideration would tho Universal Com
pnny mako smutty pictures. I even used
tho phraso that "beforo the Universal
reaches the point where It depends on such
pictures for Its profits I would strike tho
street commissioner for a Job cleaning
the streets."
Tho fact that this company has pro
duced from 20 to 30 new photoplays every
week and has not yet indulged In tho
practlco of making smutty ones ought to
bo proof enough of our determination to
keep the screen clean.
But the censorship advocates Ignore all
this. They gleefully extract ono llttlo
scntenco from a whole article and circu
late it far and wldo for tho purpose of
having new laws enacted to muzzle tho
screen. If they have their way they wilt
ruin tho amusement of the millions of
Americans who patronize moving pictures
every day In tho week.
Moving picture producers nro not bad
men, trying to ruin tho morals of tho
people On tho contrary they are Just
human men with the name sort of red
blood In their veins as all other men have.
They wnnt only ono censor and that one
tho people. They don't want a handful
of professional reformers to decide what
pictures the people can or cannot see.
They know thnt as long ns the pictures
ploaso the people, they will thrive, but
they also know thnt as soon as they mako
pictures which dlspleaso or harm the
peoplo tho whole strueturo of tho picture
business will totter and fall with a smash.
We feel that wo havo as much rlcht to
a fico screen as you have to a freo press
and for precisely tho same reasons. Will
you help us get it? Sincerely yours,
CAUL LAKMMLK.
Now York, March 14.
Censor the Censor 1
To the Photoplay Editor:
Heading your section yesterday I no
ticed that you published n letter from one,
a fan like myself, I surmise, tolling tho
truth about tho censors. Now, while every
word this deliverer said was true, still ho
spoke in generalities. 1 would like to
offer a few particulars to your readers.
This Is nn actual fact. Impossible though
It may seem. I am Informed that several
of the most slicero producers, wishing to
rid themselves from the foolish elimina
tions and wanton destruction cheerfully
ordered by theso long-haired and watch
ful guardians of morals, that would If
asked repudiate them, added editorials to
their Alms exposing this "white mans
burden," But weie tho censors so care
less ns to pass this menace to their Jobs
and tho tcndcrjfiorals of the dear public?
Not they. Hlslng In righteous Indignation
(and also Inffcar and trembling) for the
dear public, Ihey cut out tho protests from
Pennsylvania! Hero Is the point. Tho
Ill-gotten lajv allows tho censors to cut
anything Indecent, Immoral or liable to
Incite to crline. No grounds for their ac
tion there, you will say. Hut tho protests
were liable7 to Inclto not crime, but nn
Investigation. Hence out they go. Hut
Is not this Unconstitutional, thnt they can
exercise nuch authority over printed tnni
tcr? Suppose the editorials were In your
column. N'o censor can touch you. Hut
throw theni on tho screen. What is tho
difference? Tho crying need JUst now Is
tho romoinl of the present board, a board
of men only and parsed by tho Civil
Service. In time, with the help of public
opinion and tho press, wo Rhnll bo rid of
tho whole pack. Other States Hate uono
II. Hut the cxchanccs must fight and
Hecuro publicity for tho censorH, and with
publicity will come a wave of dlssust.
Tho Pittsburg) Screen Club Is already In
line, the press must follow. I will thank
you for any space you may accord this,
for It Is space wo shnll need to get Influen
tial Htoltlngrr nway from his nobly earned
salary. Yours truly,
JOHN O'DONNULt
Stiles Btrcct.
Philadelphia. March 13.
Oh, These Movies t
To the Photoplay Hdltor:
Sir For a decade, thrlco told, the tyran
nical satraps of tho editorial sanctum have
been tin listing trashy Mellon upon the
reading community; there has been llttlo
choice for thoso who seek refining rending,
and tho moving picture KhniiH, naturally,
adopted tho itamo flighty, slushy trash,
gauging tho averago masses as doll entit
les of automata, to bo tickled by tho
Jtmiplng-Jack buffoon or thrilled with tho
cowhoy, Indian, hnng-by-lhc-cyebrows,
hlood-a'nd-thumler neurotic swashbuckler,
but tho people dcmuried, endured, sickened
and withdrew their pntronage, thus dem
onstrating not only their Intelligence, but
their nlco sense of decency, by demnnding
tho legitimate drama, and, having foiccil
tho film producers to tho wall with their
"corrupting nonsense," they nro evincing
their appreciation by crowding their the
atres. Thus, we havo tho lrrcfutablo cvl
denco that tho majority of tho masses
cravo and seek rational, refining amuse
ment, for who will deny that, with them.
In their enjoyment of a problematic so
ciety play, but that they aro llko a "Perl
looking Into paradlso"? They sco that
which their heart yearns for and their am
bition craves, while thoso who aro born,
reared and associated within tho social
sphero "depicted" nro at home, as it Is
with them In everyday life. So, you see,
"dear Mr. Manager," by producing tho
legitimate you cater to thoso whom you
profer to patronlzo your quality halls, and
tho box office, through a denouement of
attendance, will unfold to you a pleasing
climax. a. II. It.
Philadelphia, February 2D, 101G.
FISHING
The. IUcreat Hrream
In Vaudeville
!'r,fn.,el. br An
r.ngllb Companx
of 6
HENSHAW
and AVERY
In One or th Neat
et, SIot Knter.
,. lulnlnr ,ct
nu'if r,tr hteii
G BIG ACTS AND PICTURES
ADELPHI THEATRE
Tuesday Afternoon, March 28th
ONE APPEARANCE ONLY
AT S 0'CI.OCK
YVETTE GILBERT
KioiiT rEvrrnres op sonch is cos.
ASSISTKO uy ","U1"J
KM1I.Y OHKSSKK. Violin
WAB U-hTKl-II l H at tlw rUiw
Ticket, cow on Halo at Box orttce.
Direction Cath. A. Ilamman. Knabe Hano
Globe Theatre ?.
"THE SIDEWALK CABARET"
COMEDT BINOINQ AND DANCING
Joseph K. Watson iJi&' FS?"
O-CPNNOB BISTERS ORBlSlT aniSttS
C iLSifMRE
XhVTTr jr w-
MARKETS JUNIPER 3TS.
Tn 1hr Hnrt of tlip Miopplntr DMrlrf
PRICES 10, 15. 25c
COSTIMOIs 11 V. JI. TO II I'. Jl.
The Tlmeljr War VaudVillle't
t'nracilr l'orrnmkt IhinrrrH
All K
INI !
B i II
Vol If y of Fun
Ffnturlnr (he
iuciiki.or roru
TrrptUliorean
hprrlaltlri. Klub-
orato Scrncry
COMING NEXT WEEK
JAMES J. CORBETT
tiik HmiMiN rnmn:u cuuhmon
' iiir.,.nr. j
M.VTINKi: DAI
lir.,.nr.
Mjrkrr 1h-Iu liljtll Mrrrt
ll.lll.l. SMU ,u,l. MiVT Uc
7 A 111 I III-. 13,. ao.
Slon.. Tut.. Weil.
1'rrtl Ileliler & Co.
In T1IK
Broadway
Cabaret
A Mile-Spllttlne
C'ouirUt, MiixIiik
ami IlancluK
Offering
Thur.. Trl., Sat.
A Mrrrr Mu.lral
Comedy, IIIU
Golfing
Girls
Jolly f.lrl., I'rettir
OlrU, tunny oine-
dlaui,, xiwel.il
fcienery
online ooii 'MlvfclerlftiiH Mnrv Piiee"
Paderewski
One Night Only
TUESDAY, APRIL 4
READING, PA.
ACADEMY OF MUSIC
SEATS NOW SELLING
FIRST FLOOR ?5, $3, $2
MAKE AM, CHUCKS rAYAIlMJ TO
AC.VDn.MV OP MUSIC. ItKADIN'O. PA
KAP.I.Y ItnsnitVATION IS SUaoUSTED
I.AST MAT. TODAY 2-15
ADELPHI
POSITI
Flte, of Amerl
Amelia BINGHAM. H2llhl'lAWOonA,i:
rireat Cowpanj- in flroaon Howard'a Delight.
Jul Coawdy TIlBNSiv IIKNIU&rTA.''
Ul 111 LAST TIJIK TONIGHT 8.15
POSITIVELY LAST TliiKM "
Flu or AtaMiui's Fortmoat fcture Wm. II
ACADEMY or Ml'MC
LIEND0RF
MPYT FIU' EVE- AT 8:15
IEIA I SAT. MAT. AT 2:30
SICILY am,
SOUTHERN ITALY
EV T T? A TN" wiicr.
-v 1 TIIMKI. Tllim
AROUND INDIA, March 31
FAMOUS PAINTINGS, Apr. 1
i-rirri mir 10 sum. ut irme'a
BROAD Last Mat. and Ev.
Klnw a Ilrliinscr nml (It-orKo C Tyler Present
POLLYANNA
&& ONE WEEK ONLY lT. VLt.
ANDREAS DIPPEL Presents
PRINCESS
TRA-LA-LA
Tho Latent Viennese Operetta, with
PHYI.T.IS I'AUTINIJTON
kjuit nicki.ass, oconan Baldwin.
Frcsli Irom a Triumphant Year In Vlinna and
Uerlln.
Best Seats SI.BO at Popular Wed. JIatlnco.
2 wnincs
ItCfflnnlnir
MONDAY-,
MAHCII
27
MAUDE ADAMS
in "TIIU LITTLE MINISTER"
Special Tun. Mala.. "Peter Pan"
MATINEE
Today at 2:13
TonlBht
at 8:13
GARRICK
CveVk Second Week " s'a3t- s3
COHAN & HAItHIS Present "
The Funniest Farce
in the World
IT PAYS TO
ADVERTISE
Original New York Cast and Production
"'it Seats $1 nt Popular Wed Matinees
FORREST MTSn r
ONLY 2 WEEKS MORE
NlBhts at 8 15. Mots. Wed. & Sat nt 2 15
The Greatest Musical Show
Ever Produced
ACADEMY OF MUSIC
TUES. AFT., MARCH 21, at 3
KREISLER
TU-ketH at Ileppe's, 75c to $S Poxes, $12-13
Direction C A. Ellis, Ssmphony Hall, Boston
METROPOLITAN OPERA HOl'SE
METROPOLITAN OPERA CO. NEW YORK
i II Barblerc Di Siviglia
SIme llarrlentos MSI U- Luea, Damacco.
Segurola. Malatesta. Cond , Mr lUjEnoll.
Seats 1100 Chestnut. Walnut -1-124 ; pace UT.
Leonard E. Auty, Tenor, Song Recital
, v i entiiry lirawliu Room 1L'4 ., Uih hi.
Tiiei-iiay Ktenlns. March 21, X:5
Win rtll-ano Thunder at thu Piano
Tickets at the Drawln? Room
ACADEMY Seats at Hepno's, 1110 Chestnut
Philadelphia
urcnestra
Tonight at 8:15
W A Q N E It
V R O O It A M
Popular Wednesday Matlneeu, 5Uc to I,50.
Nixon's Colonial &EuhdrJSV J
SIATS. 2.15. T n To A reJ
HVC1S. 8:15. 10 BIG ACTS
Pollyanna Week! EVYA.D)!
PAUL CONCHAS JOHN P ivfiL
ItlgKest Show In Town FABiilov KA-B?,
Stan Klanley; McCabe. Leieo I iS.h nV.UE:
t Wllklns; Eddie I-'oyer. and Oth?rs ' Wlkln'
Qt. 1 ?5A,1iKBT ABOVE 1BTII
Stanley Ste";c'-f
IN "THE CODE OK MARCIA aRAY'.
NIXON
Today (Harry Tales "Fish
at 2 15 lnB"i Ponzelln hi."
Tnnloht nt T on.l n I lCt. 8 i Juliette: F.nr.
Harry Hatchelor; lo' Inui"!, Jap,, """ni
NIXON'S
GRAND
Rroad it Montgomery
Today, 2:13, 7 & 0
Una Clayton
and Players
8 RlE Acts & Pictures
THREE K.Ti:itT.INl.VO AND PltOI'ITAIlI.E KVENINOS
I.ECTURK I.KSSONS HV
Dr. Katherine M. H. Blackford
V. JI. C. A., 1121 ARCH STREET
Tuenlar, March 2I Tuesday, Slarfh 28 l'rlilay, March 31, Ihenlnei, at 8
Subject: HOW TO JUDGE MEN
Pr- .n,l?cl',0J', " 'udled peopla In all parts of the United States and Cenada
and In slshteen foreUn countries lor the last seventeen jenrs. Bho has learned how to
lude the real tharaetera of men and women by looklnc at them. She has tlueht her
method to thousands of business and professional men. Sha formulated I the Blackford
Employment Plan, by mean, of which many corporation and Hrms aro now ,av?ns
money by seleMlne emplojea well titled for their work, ooveral Phlladelohla nVmi
retain her to vo adil;. tn the election of applicants for Important posUlow. IVoSo
she has trained are dolna this work In u number of organizations vamnna9' ' sa'"
This series of lecture lessona will ba dehnlte. so that every hearer will learn
something be can um In his business. nearer win learn
. . I'Rl'KSl hlnils admU.Ion. 75c, sold at the door. Course of threo '
lectures. Horned beutt Tuo Hollars, sold only by mall In advance.
mttk,l&JrUl,'fS:i x wm ""' M be..
Address: ARTHUR NEWCOMU, HOTEL ADELPHIA
WHEN- VILLA WAS A MOVIE STAR
d
There is a widely current legend thnt Francisco Villa Is MnnM i
write, and nnothcr concerning his tminful cfTorls. rl,ii : " .,Dl.c'w
prison, to tench himself the art. But, nt least, there is nd dhui .v' !
once upon a time the bandit chief was the principal fin-urn n L ! 1
romance put out by the Mutual Film Corporation, and hcr" uH
cirrnntlll-n vh nil flin Atlltlln nvnl-n Villr, m....l V. ' '"V0 'S tft& 3
-r. WW w !.. vsaw .- itTbsu r llltl tlJ.ll..LIl in HO n(Hl. " -
"w vo ""mrac;.
THE DAWN OF A
SALESLADY
Two of New York's most consplciiour
plinscs, tlio "tired business man's" nm
slcnl comedy nnd tho Rrent department
stoies, will lie shown at tho Stanley The
ntro 'tho Inst half of next week:, when
Hazel Dawn nnpears In "The Saleslady,"
liy AVIllard Mnclt. Kor llio production,
Director Krederlo Thompson resorted to
the use of ono of Now York's department
stores, 300 employes of which were en
Raced nn successive Sundays to "net
nntural." To llio Mr establishment tbo
Famous Plajcrs' electricians transported
truckloads of llghtlm; apparatus, which
was planted strnteRlratly around tbo rib
bon counter nnd nlonp tho main nlslea of
the store. Hero Miss Dawn dispensed rib
bons nnd smites to ocry ono except a
flirtatious floorwalker, who proved to bo
tbo villain nf tbo story. CIoIiir still further
In bis tpiest for icallsm, tbo director took
Miss Dawn, with lighting oxpeitn mid sev
eral members of tbo supportlnr? cast, to
IStiHtntioby'H restaurant, nnd later to Hec
tor's, whero typical scenes of New York
nlRht llfo were enacted beforo tho camera.
Thce Incidents were as nothing, how
ever, compared with events which trans
pired later In tho Famous Players' studio,
when n larpo portion of tbo ZlcBfeld
"Follies" chorus nnd a full orchestra took
possesion of tbo floor A full-sized replica
of tbo Ihontro proscenium t,., i ...
slnieted In tho studio. Wth ?." "M(1 m,
tra pit, boxes, etc. for h .Sffl!
liimliiB that part of the Rt ip"eH
Helen, tbo Ri, onnctrf ll ri
.ecomes n member of the choru" j&SUi
tbosa n support of M lawn r.T2$l
Cumtnlngs, rinroneo HRndtM.r,?M
..orrison, Dorothy Itocers. ".r.-:r"WJ
Illnncho OrnlB nnd Florence AiP'
AhbrootJ
A Nallonnl Art
mn nnilinc , (lie l.nM,0rnIun,,.; "Jl
i'",HI nmiipiiifiit Hie "nohen !' B.
r,1.''.1;1 "J. ""iHwillnit "-Trr.nrr M?JV
In the Draiiintle .Mrrror. M"Mkn
I ui
B. F. Keith's Theatre
MOSTNUT AND TWELFTH STS.1
l'.nhJJll- Mmtis llolly..N,ht. sTlT
NKXT WliiiiT
Dip; Doublc-Fcattirc Bill!"
"The Ainrrlnin dullbtrt" "
Adele Rowland
A Hetw-rtolre of Story genu
I'utiiniis Mrlroiinlll.in Tenor
KARL .TORN
Keli-cind itrnml Op,-m Atlas
a ri,Avi.r,T mitiTii while
SARAH PADDEN '
In "THE LITTLE SHEPHEllDOP
BAltGAIN H0Y"
Tony HUNTING & FRANCIS-Coflme
III II New Cnmml) "Loio IIIoimibi"
CHARLOTTE PARRY & CO.
l'riwMlmt "Inln the IJcht"
LcAUIiToi
illAKUY I.r.HTi:tt JIAMINi K.IE KLEt.
Milt iiM.1,1 .101: ii:ins & to.i
ADONIS) (.flls-Trllmne rictarn.
X SMART MUSICAL
XCOMEDY SUCCESS Al ,
1 wSlf i
APEWITM411E
BEGIWNIWG
M O NDAT EVENING WLu 1
OUK11NAI,
AI.ISTAIt
CAST
hirliiillnt;
l.nureiife
(iroiniilh
Y.n lt.inii-tt
Charle-i .Iitili-Is
.iiuiiiIk iiilrl
M, Ihilr
11a J Held
Curl I.le
Merl ll.irrlx
Oiirnthi Tod
nml 10 lltlirri
POP. $L MAT.THURS.-REGUtAM MAT.5AT.
n JIon. N. v. J
1 In IIOSTOV f
J 111 LlllUlUU
, uiirtnri
Srrlf-i of Pfrl
Unlit. Ullll sj
liisoli-i Zip.
, rrrll OlrU
I'cmfdllM '
Nenrst
IISIHl
llauntlni ,
JIm!'
iii:;innin; miivhay
$! 11 7 t
I Hi I
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