SATURDAY
March lly 1916
Cueirot
N AMUSEMENT
SECTION
, .- . i i
IT Ki iJ PTTITr t
JtiOW DIAGHILEPF
FOUND LEON iBAKST,
OF, THE BALLET RUSSE
It Is the Genius of These Two
I Men Thnt Makes These
;w; Dancers Unique
V
Although the bold and stirring seenerr
and costumes nnd decorations of Loon
Bakst are already Known in America
through exhibition, tho full foreo of their
revolutionary color was not appreciated
until the Dlaghllcff Ballet Itusse gave ills
first performances in hub country. no
famous dancers come to the Metropolitan
the end of this month.
Leon Bakst was born In 1868, in Petro
grAd. The combination of Oriental and Se
mitic factors lias mado his colors, llko Ills
characters, as one enthusiastic crltlo de
clares, "shout and danco with Joyous
abandon." In nussla, his birthplace, he
was treated rather harshly, and these re
actionary Influences, duo principally to
the fact that he is a Jew, made it dimcult
for him to show his genius. His better
condition came when he took up resi
dence In Paris, and It Is In Paris that he
maintains his principal studio today.
Bakst was 27 years old when ho camo
to Paris In 1895. Ho began work in the
studio of Albert ICdelfcldt, a vcrsatllo Fin
nish artist, who himself was working fo
greater Impressionism In painting. After
working tirelessly hero for some t me,
Bakst felt that ho had long enough techni
cal apprenticeship, nnd returned to retro
grad, hoping that ho would find a better
reception than before. SO ho started
a magazine called Tho World of Art. to
which ho contributed a long series of
grolesquo but beautiful designs and some
novel caricatures. Ho was not above at
taching political significance to some of
these, either. But connolssours of Pctro
grad were Indifferent to his work and he
hied himself back to his atelier in Paris.
About this time Serge do Dlaghllcff, a
wealthy Busslan with n liking for the
art, camo Into tho llfo of Bakst. Dlaghl
lelt had dabbled somewhat In tho art of
the theatre, and had a coterie of pseudo
TtnVnoniianu nhnnt him. All were persons
engaged In doing things In new ways, and I
into mis circio xhikhl ihuihjjuj .
There was Fotclne, tho dancer, an Insur
gent In the ballet school maintained by
the Itusslan Government, n rebel against
tho authority of Potlpa, who had auto
cratically ruled tho Institution for more
than half a century. There was Strav
insky, tho bold harmonic Innovator, who
soon was to break tho tonal system in
standard uso throughout Kuropo. And
now th'ero was Bakst.
After trying out his proteges. DInghlleff
became convinced thnt ho might combine
all their services toward a common end
the idealization of tho Ballet Itusse. So
he prepared for a brlllant debut. In the
meantime, in 10 06, Bakst was "discov
ered" by Paris at an exhibition of his
work nrranged by Dlaghlleff. But It was
not until 1909 thnt ho created for himself
his present name through tho so.ttlngs and
costumes for "Cleopatra," which opened
then at tho Theatre du Chatclet.
In Paris, In London and In tho other
cities where tho ballet appeared tho tri
umphs succeeded one another. Ills de
signs are for tho theatre. They do not
coma Into vital being and full suggestion
until they are wrought upon the stage.
URBAN PAINTS HIS
SCENERY ON THE FLOOR
Continued from 1'nite One
hand."' I never uso stencils, because they
look too rigid and stiff. Some of my ef
fects are got by dipping a cloth In liquid.
wringing It out and throwing It on the i
canvas. The Impression It makes is then I
filled In nnd this process is repeated over
and over. '
"t had to bring my own scene painters
with me from Vienna. The American
painters could not follow my models.
"My art you call tho nouveau art, or
modern art, when In reality, my art, llko
that of Bakst and Stern and others who
paint scenery for tho stage, Is a combina
tion of the Orient nnd the Middle Ages.
Wo take the beautiful things from all
times. The artists of the Mlddlo Ages,
dapaneso and Chinese painters, every ono
who has been sincere In art and has
brought Into It a little of himself and his
feeling for color and beauty of line, help
Us who call ourselves 'modernists.' Wo
peek to return to simple lines; we are
through with complex combinations of
color, and we return to tho primary colors.
The effects : they aro now and strange
and delightful, not because there Is any
thing essentially new In their component
parts, but because our method of combina
tion Is new."
Mr. Urban, who Just completed the set
tings for James It Hackett's "Macbeth."
Is now working on "Othello" and "The
Merry Wives of Windsor." He Is also en
gaged In building tho scene for the
Shakespearean tercentenary celebration,
which will be held In tha stadium of tho
College of tho City of New York.
The last named la probably the most
ambitious task that he has tackled, and
lie has planned n rather startling inno
vation. At the tlmo of the Granville
Barker production In. the stadium Mr.
Urban noticed that the acoustics were so
poor that hardly a word could be heard.
Sii he has switched things around, and
will bund his stage with tire stadium as
u. background. Tim audience will sit on
tlm athletic field opposite, while the sta
dium will form a splendid sounding board
for tha actors.
FANNIE NEEIiS Nu DEFENSE
Pannia War-J, wbo wjil be seen
si tie Stanley next weekt to "For
I fh -tPfeS ?Mm WWmm s ) z Wi
HAVE YOU MET THEM?
You pass tho actors of our the
atres every day. Did you see W.
C. Fields, Leon Errol and Bert
Williams on Broad street Wednes
day, stopping for n moment to
"dope out some new business"?
A WEE BIT 0' SCOTCH
FROM TORRENCE OF
"THE ONLY GIRL"
The curtain at tho Lyrio Theatre was a
few minutes late in rising last Thursday
evening Just because Ernest Torronco, the
elongated comeaian
in "Tho Only Girl"
company, and inci
dentally tho longest
member of The
Lambs' Club, Now
York, said Torrenco
being G feet 4 inches
In his spats, was toll
ing somo Scotch
stories newly arrived
from Scotland.
Torronce has ac
quired quite consid
erable reputation as
a story-teller, as It
is said that ho never
tells the same story twice (the same eve
ning), no matter how high tho tide of
palo alo Is llowlng. Like most men' of his
clan, Torrenco la a very treasure chest of
anecdotes, nnd to this chest has been ndded
other stories acquired during his four or
five years In Stuttgart, where ho went to
complete his musical education from Scot
land. It is, however, the Edinburgh stories
that his cronies like particularly well, for
your Scotch story generally leaves little to
the Imagination. Hero nro the Btories.
SYMPATHETIC, BUT DIDN'T FORGET
THE PAINT.
Sandy Glbbs one day fell off a building
on which he was working nnd sustained
very serious injuries. Next morning an
Intimate friend called o Inquire about the
sufferer, and Mrs. Glbbs blurted out:
"Dearie me, I'm a wlddy now, for pulr
Sandy passed away In tho nlcht." The
friend was duly sympathetic and ex
pressed himself in this wise-. "Mercy mo,
that's vcrra dreadfoo I I'm that Borry for
ye. My auld friend Sandy, pulr laddie I
By the way, did he say anything before
ho died aboot that weo pot o' paint I lent
him?"
TOO FULL FOR UTTERANCE.
The trains on the Highland Railway In
the north of Scotland used to be painfully
slow and the officials of tho company
were painfully Indifferent to tha fact. Onco
an Englishman was traveling from' the
far north on this line. It was Important
that he get to Perth by a certain tlmo
to catch the London express. The train
crawled along until finally It slowed up
and stopped at a little countryside sta
tion, where It remalnea soma time. Final
ly the Englishman in desperation put his
head out of the window, shouting: "Why
the devil don't we go on?" There besldo
tliB'track stood the conductor, who replied
to hhn In a choking voImj: "I canna blaw
the whustle, ma mooth'a foo o" biscuits!"
I THE SCOTCHMAN PAID BY CHECK.
I A tight-fisted old man, being mortally
I til, called to htm his three best friends,
who were an Englishman, an Irishman
ana a ocotcnmnn. no reranracj tuem
that they each owed him 100, and ex
pressed the dying wish that before he was
burled they would discharge their obliga
tion by depositing tho money they owed
beside him in his coffin.
They all agreed, and when their friend
died the Englishman solemnly placed 100
In Bank of England notes In his lata
frlend'a coffin. The Irishman laid 100 In
gold bealdu the notes and the Scotchman
then took the 200, leaving in Its place a
check for 300,
A WEE DIFFERENCE.
An old "Wee Free" woman was walking
to kirk In Scotland with her family. The
Church of Scotland minister rode past at ,
a tremendous rate and the old body bald
to her children! ' "Slccan a way to be
rldln', and this the Sabbath day, Aweel,
a guld man Is mercltu' to his beast," I
Shortly afterward thw -Wee Free" mln- J
later rode past Just as furiously, but she
changed her tone: "Ah, there ha goes."
' she cried ; "there he goes; tha Lord bless
I him. Pulr man, hla. heart's in his work,
an' he's eager to ba at It."
Speaight in Pickwick
Today, in Wltherspoon Hall at 2:30
i o'clock. Mr. Frank Speaight, of London,
1 will be heard in his favorite Dickens
I recital, "Pickwick," under tha auspices
! of the University Extension Society.
d-M
en I
iUA luit j
"e,WBaii
So Saya the Press Ag
UdIuw are fc iljIi')u tylil,
jr cw"f rfcM
AROUND TOWN WITH THE
A CIRCLEFUL OF TRIANGLES
Here wo have, from left to right, H. E.
Aitken, president of the Triangle Corpora
tion; Mack Sennett, director of Keystone
comedies, and William Collier, soon to be
seen at the Arcadia, all very busy discuss
ing the possibilities of the Keystone's new
open-air stage.
THE CHILD AND
THE MOVIE
Continued from Pone One
In other cities and to pass on tho results
of their own experiments. Knoxvllle,
Tenn., nnd Washington, D. C, havo been
the quickest to respond, although co-operation
with cities as far west as the Paolflo
Is quietly going on. The members of the
New York board see every plcturo desig
nated as suitable for children by the
National Board of Censorship. From these
they choose the ones they wish for a
schedule of programs. These programs
they send on to their sister organiza
tions In other cities.
At the first showing of each program
chosen by tha committee a censorship
board, consisting of seven boys, ranging
from 8 to 16 years of age, pass on them
In their own way. Their opinions are
treated with due respect, and a number
of pictures chosen for particular educa
tional or other merit havo been tabooed
by the Board of Juvenllo Censors. The
first children's matinee In Now York con
ducted by the National Juvenllo Motion
Plcturo Board was held on January 8.
The city was divided Into districts, and
the matlneo presented at one of the most
convenient houses In each district.
Chaperones were provided for unescorted
children by the mothers' clubs. The ex
penses of the matinees was met by the
theatre managers, who also paid the
VANOLA MELBURN
Comlntr to the Walnut in Brintf-
.fMBMRIIsSPPSatitiitsifil
CAMERA MAN AND
board a small sum to cover their ex
penses. In virtually 15 years the motion
picture Industry has grown to tho place
of fifth In sizo in the world of conuncrco
today. Some $37,000,000 wero consumed
In less than the entlro year of 1914 in
tho production of films alone, nnd It has
been estimated that an avorago of
10,000,000 people attend tho motion-picture,
theatres dally.
Through statistics gtnered together by
Miss Helen Duey, editor of tho motion
picture department of tho Woman's
Home Companion, It has been ascertained
that over 15 per cent, of every motion
picture audience Is made up of children
under 16 years of ago. By a thorough
investigation conducted among film pro
ducers today Miss Duey has been able
to find less than 150 photoplays suitable
for children. Ono hundred and fifty
films out of tho hundreds of thousands of
photoplays which exist and which
thousands of children see dally! One
film corporation alone releases 112 pic
tures a month.
During these 15 years educators,
women's clubs, and dramatic societies
have talked much about tho child and
the "movie," The fact that there has
been so few children's films has been
greatly deplored. It Is only recently
that a solution has begun to present
Itself.
At last tho organizations have come to
tho realization that motion-picture pro
ducers are business men and not philan
thropists. They have begun to realize that they
must create a demand for children's
pictures a demand which pays the
producer In cold dollars and cents for
his trouble and money invested In the
making of films. Motion picture pro.
ducers manufacture ,thelr products to sup
ply tho entlro world. Tha fact that there
have been spasmodic demands for Juvenile
pictures haa not warranted enough finan
cial returns to cover the cost of produc
tion and distribution, The high-minded
public ihlch wants such films has now
learned that if It can talk In terms of
profits to tho motion picture managers;
who In their turn can make it look like
good business to tha producers, the de
mand will be supplied.
Boston educators conceived the Idea of
establishing a children's theatre for edu
cational films only, The University of
Wisconsin maintains & regular film ser
vice In the State's public schools, and
Iowa is planning to do the earpe thing
through Its State Agricultural School.
, Chicago has children's matinees on Sat
. urday mornings, and tha New York Strand
I Theatro has employed Mlsa Dell McCtaren,
- a professional story teller, to recount the
children want to hear. Ruluth, Minn., has
had a successful children's rnatlneo inter
mittently for two years, under tha partial
supervision of Miss May Stanley and tha
Drama League. Minneapolis, St Paul,
Grand Rapids, Mich., and Louisville, Ky..
are other cities which are responding to thS
demands of children's film production and
doing practical wf veil aa propaganda
work Jn their behalf. Philadelphia has
tha ttyecial Saturday morulas; mutineer of
feJtfeftJ3sZ-sies
OUT AS FAR AS THE
AWAITING INSPIRATION
Victor Herbert, composer of "The
Only Girl," ns he stands at his
study desk.
SALVINI SHRANK FROM
MERE MENTAL STRESS.
BEN JOHNSON SAYS SO
Ben Johnson, In "It Pays to Advertise,"
coming to tho Gnrrlck Theatre Monday
night, has had many stage experiences,
pleasant and otherwise, nnd among tho
former spoko feelingly tho other evening
concerning his association with the Sal
vlnls, father and son, both of whom ho
supported at various times during their
American tours.
"Tho elder Salvinl was tho most Im
pressive man I ever knew," said Johnson.
"Ho had a great native dignity, which
emphasized his great stature. Ho was
heroic every way. Not only was ho a
great actor, but n great man. Instinctively
you put him In tho class with Bismarck
and Gladstone. If ho had taken to any
other walk in life he would have been
equally distinguished.
"Instinctively, too, you looked up to htm.
And yet, as I've said, It wasn't a matter
of more proportions. He had the mas.
slveness of Intellect that went with mere
physical bigness.
"If I hadn't seen htm do one thing I
would always think of him as a physical
giant from the strength and tho dignity
of tho parts ho used to play. But one
day at a rehearsal he showed what a. won
derful mind he had when ho made It com
mand his body to literally dwindle before
our eyes.
"As a rule, Salvinl never rehearsed us,
the American players who were associated
with him.
"On this occasion, though, he felt It
necessary. I was playing the part of a
little, timid parish priest I was slight
then," said Mr. Johnson, looking smil
ingly at his present plumpness,
"Ab I say, this priest was little, timid.
DANCING
MARTEL'S ACADEMY
1110 uonTii nnoAD st.
Prof. J. Figel and Miss E. Cope
1NSTRUCTOKS AND DE1IO.VSTRATOHS
Reception St. Patrick's Night
WM. ROTH'S ORCHESTRA SPECIAL MUSIC
Beginners' Class Tuesday Night
ROLLOWED DV RECEPTION ORCHESTRA
Receptions Every
Wednesday, Friday and Saturday
Prof, Flgel and Miss Cope In Exhibition
DANCE THE OLD DanrilWI
DANCES TONIGHTu'anceiancI
The ktliool or reflnrment. Itrosi Si Tloxn Sl
MODERN OANCE3 Monday mcl ThUM
Old Dances"Wed, and Sat. Evgsj
1S-PR1ZE BONBON PARTY
MONDAY EYEN1NO, MARCH ?. ..
Class Thursday. 8 to D, followed by recectlon
Old dance 8t. Patrick's nlht, f rl., March u,
12 Private Class Lessons, ?jj00
Canter-walk, 1 ten, fox-trot, 1-2 step, tep. t
step. tcMoos day or evenlnx. Qui. ej: j.
Mr. V- y- Kwntn. 228 Tf. SSymour t.. atn.
Students' Chapter &&&
Maw Bli-8tep Taught. Prliat. nnd Ciu.
BPBCUU AXTSlOTlOlf WBD. Ji BAT?
ffitvHsain caw, tschopp "sus&r SSSSSSJSSi I
COAST
TAKING AN "OVERHEAD"
How tho camera man of the Edison
Company perches himself and his
director upon a scaffold fastened to
the front of a moving auto to get
"close-ups" of the car's contents.
shrinking. Ho has to coma In, frightened
to death, to tell the bishop that tho ter
rible brigand was at tho abbey gates. I
remember I camo In with a lamp, put It
down, crossed over and kissed tho bishop's
hand before I began my story.
"Now tho elder Salvinl looked nbout
as much llko that shrunken little priest
ns n monster oak does like a gooseberry
bush. But I can seo It Just as plainly
now as when It Impponed tho minute
that Salvinl took that lamp and entered
the room he began to shrink. And by tho
tlmo ho had shown us what to do and
Just how to do It, ho looked this timid
crcaturo In every line. His mind knew
Just how that priest would look and some
how ho forced, himself to look like It.
That was tho most tremendous example
of what sheer mentality can do that I
over saw."
r
"Hoppercles and the Lion"
Edward Dillon, tho Crimth director,
was Inspecting tho previous day's tako
of scenes for "Sunshine Dad" In tpo Fine
Arts projection room. De Wolf 'Hopper,
star In this new Triangle feature, was
there, as wore soveral members of his
company. Thon there was sppclal Inter
est because I.eo had been acting for the
camera. Leo Is tho magnificent Hon en
gaged to chase Hopper and Fay Tlncher
through several scenes of tho play, nnd
getting him to do It wisely but not too
well has proved ono exciting directorial
problem. .
Thoro was tho usual stranr1 jumble of
unrelated scenes from which tho piny
Is later assembled, and among them, for
tho drst time, only a brief gllmpso of Leo.
Just when ho was expected to appear In an
unusually thrilling charge there camo a
long sceno for tho star. From the dark
ness of tho projection room boomed a big
voice :
"Get oft tho screen, Hopper, and glvo
that lion a chance I" .
DANCING
TheOAKESHf0'
Gtn. Ave., 12th & Ontario Sts.
DON'T BE DECEIVED
The Only Original School of.
Old Dancing '
ADUr-TS' IIKOIN.N'KRS' CLASS MONDAY,
TUESDAY, THURSDAY & FRIDAY EVOS.
BIOND.tY KVK. CLASS WITH ORCHESTRA
Reception Wed. and Sat. Evgs.
WSiSB St. Patrick's Night
ciiii.imnN'H class sat.. 3 p. m,
the sriiooi, that invites, appeals.
TEMPTS AND WINS. THE SCHOOL
OK REFINEMENT AND DISCIPLINE.
EDWARD A. COLL
41st and Lancaster Avenue
A DANCE IN IRELAND WITH
"The Mick Who Threw
the Brick"
FRIDAY EVENING, MARCH 17
fanij-ralnrrd Souvenirs 0 the Son of Old
Erin to Each Lady,
Preparatory CIa Mon., Wed., Fri.
Week-End Dance Every Saturday Eve.
P. L. COLL, Mualcal Director
INDIVIDUALITY
Don't "Jut dance," but be a dancer of
merit. He u better dancer have artistic
rlnlnh. There la a style of distinction among
our pupils Individuality at
The C. Ellwood Carpenter
STUDIO OF DANCING
1123 Chestnut St. 1123
PRIVATE LESSONS AND CLASSES DAILY
v nun jii a. at. 'iu ju t: si,
ID A. M. '
IAS. J.
CHAS. J. COLL
S8TH AND MARKET STllEET.S
Dances Monday and Saturday
EMERALD DANCE
FRIDAY. MARCII, 1TTH
Dancing Till l'-i
New Drawing Rooms ss BggfiLB
NOVELTY DANCE
WEDNESDAY EVQ. DANCINO Tit 13
A!.' White's
S. E. Cor. 15th
and Chestnut
SPECIAL : Wednesday
NOYELTY PATTY'S' DANCE
SCHOLARS' NIGHT TUESDAY
RECEPTION-SATURDAY
Private leaona In Modern and Stags Danclnr.
Hall to Rent for Special Occaatona.
AUGUST H. FRICKE
1703 NORTH BROAQ STREET '
ST. PATRICK'S RECEPTION
rrraay rugnt, March 17
Private Le.aona,
intingept Matnod,
FREDERIC GENSBURG
a raitirJSUT BTBTEU
1W QXITOBP OT. Popular ,
SPANISH PIECES:
NEW VIOLINIST
WITH ORCHESTR
Enrique Granados Contributf
uAuuiJts lTom uoyescas'i
to Program
Two excerpts from "CIoycaea Ml
never heforo ulnved In nnMU ..i". "Mil
llnlat who has not been liea'rtl W. M
fore. If mnmnrv la nnl ...,, I0r H
novelties In n program of the PhlhSaUS
Orchestra whirl, n.UA .. " m.?."PW
make It Interesting The Bymi,hniMw
Tschnlkownky'a" IiPd "major," th. .$
Jure was Hoethoven's after CollltS? rwS
lAnus. What could novelty offer. s
epilogue to "aoyescaB," which asK?aV
duce.1 In New York somo weeks 7 .Wi
former, with Its more Insistent Sronffi
rhythms ami coloring more IntrlnXfcl
of tho orchestra, seemed tho more S'l
cally significant. Tho epilogue drew to 3
variety of clashing nnd exotic n,ti
mentu with a fine foreign effect, and H
nterestlns enough, but it lacked, $
In tho nnnouncemont of its them, ,rA
Intermnizn. Unit, -n,. ...rn-i .,.' .?' "I;
to the Imnelnnl Ion" VT ".P1!!M.A'
"Goyescns" should not bo long In eoiSS'I
Mr. Wnsslly Deseklrsky was htSSwfj
nt tho outset with nn iinr.-.i":pt'
unruly violin, the tone of which w",
grateful to tho oar, despite hlslS
efforts with it. So shackled, It a, nS
bo expected that his playing would U S
tho highest, nnd it must bo said for kl
tout 111 thn rnnmntkHn nA n...... , .i"3!
mado up for a very uninspired beilnainrV
He Is a vlbllntst who lacks the extS
gnnt emotional display which could endeul
him to tho hearts of tho multitude. Unfoi.1
tunatoly, he lacks tho emotional reaerti'
of tho fastidious. Ho was fully .Sj'
deeply In Bympathy with his mulo k3
failed to nrouso n corresponding emotloii
Tot ho did not seriously interfere wlffl'
tho enjoyment of n conoerto of the ver'i!
first rank, ono in which the manifold olf
flcultlea nrrt wHI wnrth nvnnmt.. ...'
the beauty of tho rosult. It Is the Tschil-'l
nunaty ui lllu uuuya UI1U partially Utl'
Tschalkowsky of tho sixth symphony
who can be noted as tho composer. TtV
music has tho fires of Joy and of despair
and there la a reckless 'flood of sound W'
tho bravo Involutions of tho violin par)'
which Is qulto overwhelming. i
As such tho concerto was more than ;
foil to the sad nnd thoughtful symphony'
which never. In tho restrained ecstasy cJ
mimtnl nxhllnrntlnn. fortrnf " !. m.i..7
choly and sobriety In which it was lints
I'rmo'nlvcrt. All Its benutv nnd I to f.n....
neas' float over dark depths Into which?
it is not good too long to gaze. Mr. Sto.
lrnn.alrt nnnrlnntn.1 ihn avmntinni, 4,l. Y
..u,.V... uU..Uuv.,. ..... uj ..... vj mill ,
qulot firmness rather than intensity, thitV
n,,nlt,, iml,n tn I, a "Pn,lnlBi.iiBll nn4 ,t.4
concerto, in which it was to be expected ji
wuii jiu lvuuiu u(3 imijoiuuus ana iree.
The orchestra, with so little rest aflat?;
tne araors ot last ween, piayea eiMta.
lnglywell. G.V.&
DANCING
"Lessons "j
Watch.Your
Own Progress j
The Cortlsaoz School;
.ai.h niinll. la.
DANCE WKLL,Jiir
simply to uance.'
Our teachera ban.
been trained to if
velop the graoa ill
the pupil aa well Mi
to teach atepa, i
Day or ETtnlnt. ji
rhone Locust S1H.1
THE COnTISSW
SCHOOL I
15J0 CbeaUiot M
Wagner EZX Danc'm2
To the Point
Private
Leaaona
1730 N. Broad &.
Usual Donee
Mon., Tuea. & Thura. Erta.
DonnybrookFairfft
WED., THUMB, as rjn. ,,.
Beautiful Cap hft
.Souvenirs aJCti UIO
iveiuo iuu.io ,...
Kiuarney taauo rhii.
Countlea of Ireland ,
Pon. Dance. Sat. Evgi
The Hippodrome Dance PalW
OP PHILADELPHIA JI
Not another new place, but the reliable, rera
Colonial Dance Castl,
The larseat and moat pop
ular ballroom of Philadelphia,
riOsf. PnMMnnlnum Avfi.
Prof. Itoberta' original method!".
aulckly. Tuea., Tnura. nu "vrrr-;;:)
Scholar nlfhti. BOO or more '$
tend Sat. evening reeeptlona. WwnM"
Novelty Heceptlon. Open every evenlnjwM
banjo orcheatra. Private leaaona. day ao r,
nln. 0 for IR. Phone. Otn. 7. ,1
llomo ot wi. i7ttov.,.,v. $
inrcCD'C nixon TiiBATnn Btra
LOESLR S a a. at st. l
Claaa Tuesday and Friday Orcheatra
Mon. Night, Shower Dance fift
Illch School Claaa Friday Aft. 4 to ,
RecepUons Mon., Wed. and SM
4T1VUIO acbbvuu - -
Special Dance Next Friday
9kt. Pahck'a Nkht
itr. irr cn,n! nnnc- Till IJ
Dancln Every Saturday EvenlnTUI M 1
Prof. Frank J. Owene, Inatr. and Pamoaa'"
PI ARAL School of Danj
Scholar Every Tueaday and Tnuraoajr
Phila. Six-Step laugoi
Reception Every Saturday EYf?
Rf. Patrielc Dance March 1-
Souvenir to All I8S t
Clarence Jl. Hraay na s,v . ---
TUo Tmatov Arndeniy
Camden'8 JSM&'ffl
Monday and7 Friday B-1,71J
uuwea ...on a v. SwM
jjr;)m&
jl, iauitn "B" Ssomu 1 i
Reception Saturday fum o
-vvri
lilt Cheataut Bt
No .raite'r wercU. la tb. wM
reduslmr aUut peoP" lTmuS&iM'i
Private and Claaa. taaon By ?
t W?. MffcJX WSSAVrSSi'lM!-..
JwSw
V-f-f
m
pi
b
V
,
,""i
ft.
LIU
m-..