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iEtmring
SATURDAY
February 26, 1916
AMUSEMENT
SECTION "
LJ
YOLANDA MERO
PLAYS CONCERTO
WITH ORCHESTRA
Tnlentcd Hungarian Pianist Re
turns to Philadelphia
After Three Year3
The last pair of regular concertn before
Iho momentous Jtahlcr symphony wn.9
begun yesterday afternon at tho Academy,
hen Mine. Votando Mero was nsslstlnir
artist with tho Philadelphia Orchestra.
time. Mero lias played twlco before with
lh orchestra, tho last tlmo previous ba
ins In February, 1913.
Tho writer, unfortunately, heard neither
of her former essays, and splendid as was
the Imprcsalon no rccciveu ycsicumy
afternoon, ho must decline to iudffe. For
Mmo. Mero's intentions ooviousiy
properly are tho pretension of, Teresa
farreno nnd Fanny Bloomfleld-Zels er. Of
thoso two It may bo said that one Is phe
nomenal for a woman, and tho other mag
nificent as a woman. Yolanda. Mero, In
playing tho dazzling, tho smashing con
cerfb of Liszt, In A major, was both pho
homonal and magnificent, but theso terms
cannot bo qualified nor imed In compart
eon. For us, to whom the exhibition of
tho tonal Qualities of tho piano as an In
strument Is always of secondary Interest,
tho playing was an cxamplo of astonish
ing, of dcslrablo virtuosity. If any ono
felt moved to object that tho heart wns
not In It, the reply would naturally bo that
tho heart had no place In lt, that Mme.
Mero was unerring In the Judgment which
kept tho heart out and put the brain nnd
tho hand In. To bo accurate ono should
not say the hand.
Mme. Mero has been a Bltllled pianist
from childhood nnd sho plays from tho
Bhoulder down, so that her effects nre,
when necessary, both broad and Btrong.
She has delicacy and power, has under
standing and ability It Is sincerely to
bo hoped that sho will play hero as she
has played recently In New York In a re
ctal, whero nil of thoso qualities will bo
DlaceU In tho servico of tho high virtues
of music, which, ono assumes, Mme. Mero
knows how to Berve.
Th6 delugo of tho romantic masters
continued yesterday with Robert Schu
mann's second symphony. Mr. StokowsKI,
with tho great work of next week In hand,
Is justified in his choices of pellucid music,
but It Is rather unfortunato that visiting
orchestras should tread so close on his
heels. The orchestra show en for tho first
tlmd a llttlo languor, but there wns no
falling oft In tho playing, and tho promlso
for Mahler Is exceedingly bright. Mr.
Stokowskl himself seems to burn with an
Inexhaustible flame, and tho versatility
of his spirit shines nmazlngly. Yesterday
he conducted, after tho symphony, tho
Incredible Nocturnes of Debussy, with nil
the delicacy of Insight and all tho feeling
for tho unreal which ho might have given
to It if It had been his only work for three
months. This, too, was beautifully played,
with wnndivlnd takliitr tho highest possible
honor to Itself. Tho concert ended with
the "Snkuntala" overture, why lsIt so
popular? G' v s-
Musical Glasses
BUXDAY. FEBRUA11Y 2t.
Leonard Epstein. lollnHt. at th6 Summit
Presbyterian Church. Uornmntown, as uasui-
'"Krona'sehubert Hand nt the Forrest The
atre nt 8:16. Tho prpcram .,
1 Symphony No. 3 hi E flat major.
"Erotcn." Op. 115 . . . I.. an Ucethoen
2. Pjeludo and IsoMu. a Imo Deuln. w ef
S. (a) Elsa'a Traum. from "1,oh';riur,nWaErler
(b) Dlch teure Halle, from drnnnhausBrJ
Mary Barrett
t 0erturc. "Tunnhuuser" n. Warner
TUESDAY, FEimUARY '''?,.,.'?"."
Oeno" with Farrar. Jlrualau. Murtlnelll,
Ourato and Althouse. Metropolitan Opera
"fiWrnSSa talk bv Ernest Hutch
rson on "Die Wulkure" of Wacner at tho
Llttlo, Thcutre.
THURSDAY. MARCH 2 Oraco La Rue In cos
tume .recital at tho llroad Street Theatre
"'phllndeTphla Orchestra at the Academy of
Music presentlns tho Mahler Symphony.
Fuller details prliiti.il eltewhtre.
Mr. Phillip 11. Ooepp, In an Illustrated
lecturo on tho Mahler Sniiony. 11 a. m.. at
tha Culleu-o of Music. Tcmplo University.
FRIDAY. MARCH 3 Philadelphia Orchestra
at the Academy.
SATURDAY. MARCH 1 P-en Stad. iollnlst.
In recital ut tlio Ultz-Carlton ul J.3U
ThlladelphU On nostra at tho Academy.
WEDNESDAY. MARCH 15 Hans Klndler an.1
i:illa C. Hammunn In recital at Wttherspoon
THURSDAY. MARCH 16 Herman Sandby la
reiltal at Wttherspoon Hall at 8:15.
BUXDAY, MARCH 10.
Franz Schubert Hand at tha Torrcst The
atre at 8:15. Tho procram
1. Overture, Leonore No. 3..L. van Beethoven
2. Concerto for piano and orchestra In A
minor Op. 5t It. Schumann
Robert, Armbruster
I. Symphony In U minor Op. U. Path-
etlquo" P. Tachalkowskl
The Academy of Music has been found to
be Inadequate to hold the great crowds who
re fond of hearlns tho Irish tenor. John Me
Cormack. slntr. o his next concert will take,
place at the Metropolitan Opera House, llroad
and Poplar streeiB. on Friday evenlnc. April
Z. He will be heard in un all-request pro
cram, and those who have preferences should
end them at once to the Metropolitan Opera
House box. office. 110S Chestnut street, whero
mall orders are already belnu received.
English Dramatic Censorship
By Henru Arthur Jones
The eenernl absence of any sane, con
tlntrnt or IntelllRlble Idea about moral
ity, so that, while the liianltle and In
decencies of musical comedy are nl
erred at and applauded, the deepest
permanent iiassions of men and women
are tabooed, and the serious dramatist
Is bidden to keep his character ell
within the compawi of that system of
morality which is practiced amongst
-wax dolls.
THE NOBLEST ROMANS OF
THEM ALL
Mutt and Jeff, in a slightly new
guise, return to tho Walnut next
week.
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MARIE DORO ON A DIPLOMATIC HONEYMOON
With her husband, Elliott Dexter, she went to Long Beach
for the exterior scenes of the Famous Players' adaptation
of "Diplomacy," the play in which the newlywcds first met.
The film version will be seen at the Stanley next week.
Mis3 Doro played in the all-star cast of "Diplomacy" last
season, which included William Gillette and Blanche Bates.
As the reader may easily guess from thecut, tho scenery
of Florida is growing daily more attractive to the photo
play producers as a picturesque background.
"YOU'VE GOT TO HAVE
A PART TO MAKE
A HIT"
Big, round, hearty Victor Herbert, with
all of his appearance of a Jovial disposi
tion, won't let any one Joke about his pro
fession of composer. In all his scores he
has never written a piece of ragtime un
til he wrote "Tho Mere I See of Others.
Dear, the Better I Like You" for "Tha
Only Girl." nvon In this instance ho takes
Breat pains hoth in the printed score and
In tho way the score is Introduced in the
play to Indicate that It la a talte-oft on
the syncopated stylo and not n willing con
tribution to Irving Berlin's favorite
metier.
Perhaps a better Indication of tho seri
ousness with which Herbert takes his pro
fession Is afforded by n story told of tho
song which Is now sung under tho tltlo
"You've Got to Have a Part to Blako a
Hit." When Henry Blossom first sub
mitted his book and lyrics to Herbert
for Inspection, the composer found a lyric
holding up to ridicule the composer of mu
sical comedies. Strenuous objections fol
lowed, and Blossom, not so sensitive,
changed tho words to locl their shafts at
tho librettist Instead of the composer.
Hence the song, one of the most effective
In the piece, now stands:
It's terrible the way these authors cramp my
style!
By handlnn me a part to play like that.
I'm coins to cet so "sore" about It after a
while
That I'll Just leave the whole profession flat!
I'd like a little comedy where I can do a
specialty.
But no such luck for me! Oh. nol
I'm alwais drawlnR parts I hate, where I'm
forever playlne "straight."
While the comedian "steals the show."
Refrain.
Well, say! I may not be ao cood, but I'm as
cood aa the parts they write.
The same "old stuff" with scarce an altera-
I never need to study, for I know all the lines
at slsht.
The same old cats for every situation.
I'd like to cet a chance atsomethlne different
only once.
If It was just a fat and funny "bit."
You'd see a star resign I nff after 1 had done my
"stunt"'
But sou have to have a part to make a hit.
Elmendorf in Holland
In tho second of his Illustrated Jour
ney talks at the Academy of Music next
Friday evening and Saturday arternoon,
Dwlght Elmendorf. tho traveler and
raconteur, will pilot his auditor-spectators
through Holland.
This picturesque little country of
whimsical old-fashlonedness and gro
tesque costumes, will be pictured and
described from Flushing in the south to
Helder in tho north.
THE CAMERA MAN EXPLORES
SOME STORIES OP THE
LONG AGO TOLD BY
WILLIAM H. CRANE
"William H. Crane, who Is coming to tho
Adelphla Theatre In "Tho New Henrietta,"
Is ono of the lovablo actors who made
stage life Interesting
a generation or two
ago. This was In the
sprlngtlmo of tho
Amor lean theatre.
Forrest, McCullough,
Booth, Barrot,
Broughman, R a y
mond, Florence, Gil
bert, Jefferson, Drew,
Davenport wore
names as familiar to
tho general render,
and more affection
ately regarded than
tho names of leaders
In any other profes
sion. Mr. Crane was
with most of this
old school of genial
and honored players.
To hear him talk
about those days
when "fellows took
time to breathe, eat nnd sleep" Is to en
Joy the muslo of reminiscence as few can
make it.
Hero Is some of It caught at random
lately.
"Sunday night tho actor was a social
blend at somebody's home, where a party
of fine minds and good natures met to
start the week with a sparkle of living
that lingered sweetly In the soul until the
next gathering. Hvery ono of this Intimate
circlo had done something worth while.
Ho had written his namo deeply In canvas,
manuscript, commodity, or something or
other that was out of the common or
garden variety of work nnd achievement,
and was there to recreate with his kind
In amiable and stimulating repartee and
story afar from the individual climbing of
each. N'ono was too poor, and none too
rich. If he had talent and was giving a
good account of his stewardship, to bo un
welcome, and when the Inner-man was
satisfied and tho spirit of fellowship be
gan to glow, the circle was a golden ring
of happiness not often found in this nar
rowing life.
'The greenroom was another bnlmy re
treat for the actor. Hero ho unllmbered
and amid his kind, now and then ad
mixed with good fellows of other artB,
which gao him a tang of flesh and blood
and put more zest and conviction Into his
work In the stago realm of Imagination.
This social adjunct of the stage is gone,
and now tho average player goes and
comes like a time-server in a factory,
and walks with glee when he closes the
stage door on the outside.
"Our old-time manager, affectionately
known as 'Dick, 'John,' 'Pat,' 'Jack' and
so on, has left us, too. How we used to
look forward to meeting them In their
respective towns, and what deep satisfac
tion the visits brought to our social na
tures! Now many of the theatres look
as If they were opened pnd closed by
automatic clocks, and good-fellowship
between the front and back of the house
is as rare as a green rose."
MRS. BELMONT STAGES
SUFFRAGE OPERETTA
;.... Mm-
Continued from raxe On
song with her Pekinese dog "Sweety."
"Sweety" brought down the houso by
wagging his tall vehemently at the tense
moment in his mistress' song. Each girl
held a telephone and receiver and the
receivers were thrown into the audience,
Miss Wehlen's going as far toward the.
Governor aa she could throw.
Miss Dressier put the house In a roar
with a take-off on grand opera i t"B
Russian ballet. "I shall never dally
with a Russian ballet," she sang, "and
the ballet shall not dally with me."
Josephine Hall as Mrs. Malaprop. sang
a topical song about advertising, won
dering what would happen. One verse
was:
If Gaby de I.ls should take the veil;
If Governor Whitman should drink only
ale;
If Osborne should have his own, little Jail
And Mrs. O. H. I". could drive a nalL
The suffrage parade came In from one
side of the ballroom, marched across
the room and, up the centre of the stage.
It carried torchlights, banner and. soap
boxes, MarU Dora led it, preceded iby a.
band- She was followed by a number of
Red CroM nurses, and then came what bad,
beta kept a secret in advance, thifar-
f
BOTH HEMISPHERES
POLLYANNA ON
THE BEACH
Asnapshotof Pntrkia
CollinRc, heading tho
cast at the Broad, ns
she looked last sum
mer on a Long Island
beach.
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THE LONG AND THE SHORT OF "THE ONLY GIRL"
"The long," says Fred Latham, "and the short of it," says Joe Weber, "is that we are glad everybody
like3 'The Only Girl.' " "And in between the two," says Victor Herbert and Henry Blossom, "we're also
glad." The whole point of it is that, beginning with Joe Weber's 5 feet and nothing inches, the ascension
up to Fred Latham's G feet and considerable jnches could be made by fairly easy climbs, setting first
Blossom and then Herbert in between. And as Weber produced "The Only Girl," Blossom wrote the
words, Herbert the music and Latham staged it, the long and the short of it, as well as all that goes
in between, may truthfully be said to be adequately represented by the above quartet.
dent suffragist and peace advocate, Mrs.
Inez Mllholland Bolssovaln, carrying a
large American flag, and as the proces
sion reached tho stago her tall figure dom
inated tho scene.
Then tho llttlo suffragette called for her
"throne;" n Red Cross nurse brought the
soap box nnd tho speech began. It wa-j
an earnest little speech, and Miss Doro
herself has been said to have been very
much impressed with tho words. She did
not know "there was so much in suffrage,"
she said.
GRACE LA.RUE
Who will appear at the Broad
Street Theatre,, March 2, in s
costume recital undyrj&e direct
- tiou of Ajgareas Djpg-l,'
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OF THE AMUSEMENT WORLD
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"SIDE BY
Weber and Fields once moro wander down Broad-
way together. They come to Keith's next week.
TOLLYANNA' COLLINGE
A LITTLE IRISH MAID
Patricia Colllnge, who personates the
young optimist In "Pollynnna." nt the
Broad, has been a very glad glri indeed
tills past week. She has been entertain
ing her crandmothcr, a lovely little old
Irish lady of keen i It. youthful vivacity
and quaintly original viewpoints, who
came over from Ne,w York to visit her.
This refreshing typo of Irish gentlewomnn
has always had a grent Interest in the
stago, although Tatrlcla Is tho first mem
ber of the family to embrace tho profes
sion of acting. Her recollections of Barrv
Sullivan, tho eccentric Celtic tragedian,
and of Irving, Kllen Terry, the Kcndals,
and other famous players of the past,
whom she knew intimately, are as refresh
ing as her comments upon the modern
methods of the theatre. Patricia, too, is
Irish and proud or it. She was IE years
old when she left her natlie Dublin and
came to America. That was seven years
ago. So If you are anything of a math
ematician you can easily figure out the
problem of her exact age, which, after all,
is nobody's business, even if she does not
bother to make a dark secret of It.
DANCING
Enjoy tho Latest Dance Hit!
Tne Modern Quick-Step
Wagner !SE Dancing
Private
1730 N. Broad
I'bone
Lessons
Dla. 83S.
1 1 1 Scholars'
Flo. .... "OH., Tuee.
USUCU I'rnetlc Uall.C n-hurH. i:rr.
Extra Dance Wed. &.Sat. Evga.
Amnntanvcji 1 luh rin-i f- Fvjr., Mar, S
COUNTOY DXNCT, TI1UIIS. HVC . JIAP. 0
e&Li DonnybrookFairVT8
DAWSON FOR DANCING
1713 CHESTNUT 6TP.nET
No creattr tmrrno In the world for re.
duclns stout proplo than danclne, Take
off every ounce nt superfluous Beth. My
method of itechlrr icduww you while
adding to cui ei.oymnv
Prltete end Class Isaoiia Day and Evening-.
SIX BTniCTLY I'lllVATE LEFEONS SB.
Practice Class, Monday am) Thursday Kvgi.
CHAS. J. COLL
88TH AND MAMKF.T STREETS
Dances Mon., Tues., Fri., Sat,
Nw Drawing Room 2J ffi""
NOVELTY DANCE
WEDNESDAY EVO. DANCINQ TH,I
Lawrence Academy
DIIOAD AND POUTER PTHEET
Hllh School Class Friday Afternoon ot 8:30
Children'e Class Saturday Afiernwon at 3j39
Adults Class Tutaday and Friday Evening
Heceptlona Thuiaday and Saturday Kvenlof
v flal) Can De JUnted
THE CLAYTON ACADEMY
CUard Are, Ulaw 10th tit.
Classe Tuw. & Thprs, Eve'g,
Itccitlvo "Y.itrT Htutlr icolin
Student Chapter aSf
TW
12 Private QIass LefaonsB.QQ f
.altV IV
E"ACH AGAIN"
What's the Difference?
MadKC Do you like that actrrsi as
well since slic appears in the moiles?
Marjorlr I don't see any difference.
You never could hear a word she said
un the stage. Judire.
tf"D ANCTN g M1
"WATCH YOUR
own ritonitKHS"
In the Art of
Dancing
liy taking lessons in
ono of our private,
mirrored studios. By
this method you
readily detect any
fulse step or por
tions and can Imme
diately rectify them.
This enablea you to
progrevs more rapid
ly than Is possible
by any other system
of teaching.
Open Day and Ke
nine;, 1'lione IOcust
310i.
0 I.KS.SONH S3
THE COUTI8SOZ
SCHOOL
lSSO Chestnut St.
EXCLUSIVE DANCING
The C. ELLWOOD CARPENTER
SCHOOLS OF DANCING
1123 CHESTNUT ST. 1123
Twelvo Competent Instructors
PRIVATE LESSONS
Daily after ten A. M.
CLASSUH AFTEHXOQX and BVENINO
Methods and service unequaled
5000 pupils annually
The Carpeptor School
For Individuality
DELL PJIO.S'n Filbert 4207.
KVSTONC JHIOJJE Race C83S A.
DANCE THE OLD Danrplanf.
dances tonight J-'anceiana
The at boat of rellii.ment llroad Tloru Sta.
MODKHN DANCES Uonday and Thursday.
Old Dances Wed, and Sat.'Evgs.
$15 Cash Prize M0DtjgSrTNqa
Monday Evg,, Feb, 28--lStep,
Fox Trot &WaItz, ProrCLevens
CLARAL Scno0 of Dancing
1043 N Rroad St.
Scholar every Tuesday and Thursday Eves.
Philadelphia Six-Step Taught
KASV TO LBARN PV OUR SIETIIOD
Special attention givn to BtBlnnira
RECEPTION TONIGHT
Private Lesions by appointment
CLARBNCB If. IUIAUY and tVA M. OARAL
The Towers Academy
P-nmrUn'n I-R3EST k FINEST ACAD.
Vamaen KMV Tower. Theatre Bid.
ClftSSM Mdy Friday Evga. Lint
wiOSaCS Lesson 8 P M Uanclna- Till 11.
Novelty Party iSSK
Pay. 'terl,,,
FREDERIC GENSBURG
FOWLER'S PRIVATE 5TUDIO
Ftrtooal IsatrueUsa any hour, day or- avtstiuc.
FAUST AND HYMN
BOTH IN MAHLER'S -
EIGHTH SYMPHON
Tremendous Undertaking
Philadelphia Orchestra
Explained
The eighth Mahler ayrrinlionv. v
Uled for production Thursday, Friday ftfJ
oaiuruay oi next week by the T)hit
pnm urcnesirn, is a magnificent wdflt' I
Its proportions nna one wi,)chi 1(j,y .
pronched, may bo UnlntelllRiblo. v.,r
yields Its secret to n quick nna'lyeieitfcd
is, mo eecrei oi us structure, the ruM
for Its existence. Whether tho mul0$
.... .... ..,, .uiimiuB la uo seen. It hlS
uo rememocrca mat there Is a i
fugue In tho first movement.
That movement Is, In tho crudest I
nn orchestral setting for an old
hymn, known universally the -y,r
Creator SplrltUs." 'The chorus brgIM'(j
hymn on tho second note played by a
orchestra, for, unllko most chorat syn
phonies, tho chorus Is an Integral part'!
tho work throughout. One cannot .
mic, precisely, mo reeling of this Jij
but In essence It Is a prayer for light t
tho Holy Spirit. "Fill our hearts
iieiivcniy Brace, it cries, and "give jj
nt'nfV tlinnnlit vtae .U-V .. . 3
...j ...UUI,,. vu, nunso; my light, Jul
ovcry neari wim love." The hymn end?
with n Gloria. This first movement tavjf
somo ao minutes to play and sing, i
as tho poem Is comparatively , long
repetitions aro not excessive. To tb,
hymn Mahler has given an orchestraUoal
which la both Interesting and theraatlciliyj
and fasclnntlng technically. The' flowing!
themes, expressing n highly rtllglqutj
yearning of tho spirit, will be ImmM
dlately appreciated. Tho treatment,' la J
w"1""0! ubukoi uuuuio lugucs, in dlmln.it
Ishlng nnd augmentation of rhythms Willi
bo the sport of thq technicians. ' j
Tho second part of tho symphony Is a1'
'"u'u ouiuiik ut mo last scene of tli'i
second part of Goethe's "Fount-" nd
seems nt first us If Mahler did violence li
uucuio uy Lu.iiuiK tno last scene out ofa
context and hitching it up with a Uu2
hymn. It may bo pleaded that If be dUa
Goetho did ns much. Tht final scent off
tno Beconu ruubi connects with the flrtti
scene of tho first Faust, composed a rare!
or so of years earlier. Its conn-iiS
with that sceno Is closor than its .conneiSf
tion -wim any otner scene, except the. twfi
or three Just preceding In either the firrtf
or second play. The sceno Is that ofthsS
nnchorltcs. In which tho snlrlt ofm)il"l
forgiven for Its mortal sin, saved front?
tno compact wim tno devil became of.,
Faust's determined will to the right, U '
accepted Into heaven. 'ifH
Tho hymn Is a song of yearning. Thi
sceno Is a drama of fulfilment That liJj
why tho two aro justly placed torether.
Tho first nsks for grace : the second gltei S3
it. Ana nt tho enu or nil comes a word it
of mysticism which cannot bo explalntd,
uut can no understood, ror all that, lutj
In tllA fnmnllq nllfllrnln hatrlnnlnv "Itl.fe i
Vorgacngllches 1st nur eln Glelchnls.? '
and ending wth "Das ewlge welbllch
zleht uns hlnun." Its mere sensj It (Sit
nil tho show of earth, all' trftMllwytt
things, nre mere symbols of Iheitrus..,
reality tno eternal woman-soul leiq ,
us f orovcr upward. l
That Is virtually nil that ineed Mft
known of Mahler s literary background
heforo hearlnir tho svmnhonv. An CftliL
lent analysis has been published, in0.
every prospective auditor of the ffK
phony ought to pick out, It he can do ailf
more, the themes which are prlnttij
Tho conditions under which thle tre-'i
mendous work Is being produced havia
been made known to the public. A thou-B
sand obstacles havo been overcome amy
a thousand (probably two thousand)ju!i J
hnvn lielned wllllnclv and cheerfully and"
Intelligently to make Mr. Stokowikl'ljl
great undertaking a success, wnat uuj
music, what tho performance will be, re-1
mnlnt to be seen. The undertaking 13
without doubt tho greatest in PhllM-jj
piuas musical nistory.
nrw r A TTTn The Sch4
Gtn. Ave. 12th & Ontario Stt
TION'T TtR TJECEIVliJJ
Tho Onlv Orirrinnl School Of ?S
filrl T)nnplnn
ADULTS' DEQINNEnS' CMSB WttjDAT., J
TUESDAY, THUIIWAI !. lj 5
JIONOAV KVU. i'IWVSS WITH ORCm.STttj
Reception Wed. and bat. avg,
CIIILDnUX'S CLASS SAT.. 3 P. j
THE hCIIOOL, THAT IWYll". ' Kqv,
TifMnra ivn WINS. THE MllfiSW
OP REFINEMENT AND DlSCjrj
WARNING !
... nM tnt?n mm
Don't waste your money mingling "'? I
Hundred of Reflned, rroper va.. .t-w
m i i t" n.tl
colonial uancts v.aj
The largest and mott PflK
ular ballroom of Philadelphia.
CtSOii r!vmnnlAlim Avfl.
n... t,..v...... .l.lnnl methods l"
quickly. Tues.. Thurs. and grt. fft
scnoiar minis, ouv oj- ii. ,-sr;i(j.Jj
tend Sat. evening receptions. Wjj-fSSl
Neveliy Reception. Open every venlnjrTJJ
banjo orchestra. Private. lessons, UT ana m
nlng. 8 for IS. JPnone. uin. '".. BU
Home o me rascinnu w.-. .
Martel's Academi
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1710 North Broad Streel
Prof. J. Figel andMu E. CgPjJ
INSTRUCTORS AND truui,J NiVUl
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Receptions every m
Wednesday, fny.wM
netb uanjorina urta- "
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CLASS TUES. AND FlU ??"'
c.i... NJorir. Dancing t"1 JM
"lepionsIion.. wed. and wm
Every Wed. AU ho OW gS
PRIVATE LESS. HALL LM
S, E. Cor, im
Al White's
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Novelty Dance J WettowW
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Monday Evg PW"SrDliiW
Dply fi
Lesaona Toe, Esthetic,
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