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AMUSEMENT SECTION
PHOTOPLAY
THEATRES
DANCING
MUSIC
SJetojer
itimtmg
PHILADELPHIA, SATURDAY'EVENING, FEBRUARY 19, 1916
ffhe Last of America's
IN THE HOUSE THAT FARCE BUILT
Why Movie Magnates
Laugfli and Grow Fat
It Isn't .the Competition of the "Speakies"
but the Reading of Such Amateur
Scenarios as This
Gilbert and Sullivans
(Herbert and Blossom, Composer and Librettist
of Intelligent Successes From "Mile. Modiste"
to "The Only Girl"
FfilNCE the day of Gilbert and Sulll-
Yl van lllCrO linn ueou nu iuuctii;ui i:uini:uy
combination to glvo to the stago pieces of
mth IiIk'i ""d consistent qunllly ns the
trks o' tn0 fnnious Englishman The
f.p, on this side of tlio witter for a mil
fuLn niul a librettist who would at-
tMiln to the plnco so long occupied by tho
frmluses of the Savoy has been an rainest
Sn but thus far not altogether bucccss-
fal
Out of the wealtn ot names nttncncu o
musical comedies, gooa, oan ana inanier-
nt ot tho last 20 years, only a few como
illy to mind l'rank I'WIcy and (Jus-
... T.uders. nedlmld Do Kovon nnd Uar-
im tD. Smith, Victor Herbert and Henry
! " " . -....ii ...i r t a Mn.
I Bottom, nun "" "" - " -
Lellsn these and theio nlono rlso well
Hove the common level and rcrmln ploas
'ly I"'1 ,n onc'B niomory.
I Nof all of these men, honnvor, are
tictlve today Luders and Pixlcy have
I teen separated by death. Caryll and Mc
tuilan hao agreed to disagree Do Kovcn
!Z.a Rmiili tho evcr-v riling, tireless
lemlth. our most proline llbrettlBt-havo
4Cn mUCIl mill 13 BMUiraiu, nui. I""' "vou
tijs are now fur behind them.
' This leaves only Herbert and niossom.
tin n lively, tillable remainder It Is
L Although ho has worked with various
librettists, with none hna Mr. Herbert
found himself moro In sympathy and
1
tim The two aro rocognlzed as superior
!Je ny combination providing entertain
ment for tho militant comedy stage today.
ind It Is no exaggeration to say that
,thy are the only American comoinaiiun
'that can seriously bo mentioned when
the dlcusslon. compaiatlvely Bpeaklng,
!hlft to Gilbert and Sullivan.
Hf". Herbert, who la tho grandson of
Bjmucl Locr, the Celtic poet nnd novcl
Jit, la boyhood showed unusual musical
JaJent. It was first dliected toward tho
'mastery of the violoncello and as a vir
tuoso on that Instrument ho quickly
leaped to fame. Ho camo to this coun
Jtry In 18S6 ns solo 'cellist at the Mctro
'polltan Opera Houso In Now York, nlso
u assistant uoimuciur uuuur -iiiiiuu
Iftldl.
1 Aa n nnmnnmiK Air TTnrhnrf lu thn, ninnt'
llitrollnc writer of light music In Amer
JWjlca. He has written moro than 30 mu
ll rful remedies nnd eomln oncras. Amonir
them aro "Prince Ananias." "Tho
it Ameer," "Tho Wizard of tho Nile,"
''Naughty Mnrletto," "Tho Singing Girl,"
Miss Dolly Dollars." "Tho viceroy,"
'Mile, Roslta," "Tho Tortuno Tcllor,"d
t'Cyrano de Borgerac, "Unbe In Toy-
md," "It Happeneu in Noraiana, rno
fed Mill," "Mile. Modlsto." "Old Dutch,"
Wonderland," "Tho Prima Donna,"
.JJUbetto," "Tho Madcap Trlncess,"
Sweethearts." "Tho Tattooed Mnn," 'Tho
Enchantress," "Tho Idol's Eye," "Tho
Udy of the Slipper," "The Only Girl"
rmd "Princess Pat." In tho writing ho
'M tho nid of many librettists, nono of
thorn has been quite such a teammate
1! Mr. Ulossom
fcilr. Herbert and Mr. Blossom joined In
TMtlng together six yearn ago. Mr. lilos
lom's career as a wrltor of musical plays
es&n In 1001, when, In conjunction with
Alfred O. Itobyn, ho wroto 'The Yankee
Consul" for Raymond Hitchcock. Other
tperaa for which he has supplied libret
tos are "Tho Slim Princess," for Elsie
Jinls, for vhlch Leslie Stuait wroto tho
puslc. This was followed by "All for
the Ladles," In which 9am Bornard was
the hero. The muslo of this pleco was
written by AlfrediG. Robin, his first
collaborator
jUn the broad sense of Its meaning the
.ucenaency or Ulossom and Herbert can
le-dated to the year 1810, when they wrote
iThe Red Mill" for Montgomery and
Stone. Then camo "Mile. Modiste" and
IThO Prima Dnnnn." hnfh nunir hv Wnm
tMWtzl Schcff. It was after tho writing
.' of "The Prima Donna" that they agreed
W IS flnil tlAm nooAnlnn r - .1 nlllKiiL .
. .... imii n3aj.,niKa utlU UllllUUHII lliwy
jero able to pursuo their divided ways
ylth moro or leas success, It is a well-
JWOWn fact that Damn TTnrtnnn rtM nnf
Ijmllo so generously upon them as when
they worked together. It 1ms been said
i ot an the Herbert collaborators, Mr.
(Plojsom seems to possess moro than any
n the others that versifying knack which
INCE TO EDUCATE
THE INDIANS
'Thomas II Inea has ndl1n,l tn hla mnnl.
IW duties at the Triangle-Kay Bee stu-
at Incevllle the functions of a com-
iQUSlOneP nf trfllnnllnii TT. Ul. Jl...
I " first step has been taken toward
Wtti "ectlon of a two-story schoojhousa
M Kunt t0 tho colony of tepees In which
ri.'.V ,, uirccior s reuBKin aciora live.
St it1 aoorlglno actors seldom appear
'Mi. camera ror more than a few
'J!? ,day. Ince intends to lot them de-
Iuv.. ielr leisure time to the acquirement
f the rudiments of an education.
m? ?reIlmlnary examinations to deter-
itTt a b""k or me scnoiara nas re
sJwefl the fact that many of them are
lTUUatA nf TTMtl.J !. 1 1 -
2.i S Tneao w"1 b t,,a advanced stu.
WQlS fif thn nun lH.U..ln AA.UH
ttni .. ,,F IllOlltiifclUII V CttfllMIH
m IH act as Instructors In the lower
r"M; W. A. Brooks, the well-known
t9 ?nd flh"wman of the West, Is to
JJ.W'S'PaJ t tho school. He plans to
fWWt a general knowledcre of read.
Ev VflUnr. arithmetic, spelling, geog-
Bgwe Is no reason In th world," said
W.il'ben Bsked to explain his proposed
fWty, "why these Indians should not
i"Jjen an education. We are going to
bVi. M' c.Hn,Wo jur ii una noun ijibi
U Mllttda m .L -1-. ,.
gWledged Institution of learnlnff will
mSai. J51"' Wvltles. Wa don't expect
iir; " inoiana philosophy ana eco.
jj--.. uui wo aq intena to jnstn into
W minds the rudlmentB oj the ele
CSfy ubects. Their minds are sus-
r "- , Mi,,ciik aiutis iica ,tiica
lH Ifn m nnlMn. A- . L A. -
JKyt that development,"
IfAlP Indians are renorto! in Imvn en.
KK Into the project with enthusiasm.
BJ?' fWO'Lance, the 93-year-old war-
ruk.BU w Ptea to be worth JJ50.W),
ft,1 m Jubilant pf the lot.
htte Faith of Vaudeville
Pf Qcort Jean Nathan.
ll""1 ,rthmeu have red balr,
All Irl.k.. ,' . ... . .
Si . -" arc in a coauani siaie
ik? caJckneaa f9r lil ther left be
er" KlUarnev.
411 irahan . t .
r i a ' P,cn" Per
- i vu uo icai i meir panu.
IV.
the nalltc of SnltierUnd wear
hats and &ra. hv nrafulan.
Tedltrs or bcU-rlnxr.
,' Army H walk alejic
M ea tb ftwuil.
5
was surest to strike Are to the Herbert
musical Imagination.
Mr. Blossom was an Insurance clerk In
his father's ofrico In St. Louis when he
first plajed at writing magazine storlci
Ab editors to show his manuscripts con
sldcratlon, and ns checks for accepted
stories began to come to him, Mr. Blos
som, wisely tunica his attention to serious
thoughts of writing as a means of liveli
hood. This encouragement determined
him to try moro nmbltlous writing, with
tho result that "Tho DocumentR In r.vt.
i aonce, a iovo story, wan accepted by ono
"i mo lenuing mngazino! Ho then en
htcu a iieju entirely mrcorcnt, Ho vis
ited the racetrack nnd studied tho char
acters there, which resulted first In hli
book, later dramatlred by himself Into
a. play, entitled '"Checkers," familiar to
millions of Americans. It was at this
time of his career that ho abandoned the
writing of plays to becomo a librettist.
It wns early In tho car 1914 that Joe
Weber, of Wcber-Fleld famo, bv some
good chance, was nblo to bring Mr. Her
bert and Ar. niossom togothor ngaln for
tho writing of musical comedy, with tho
result that "Tho Only Girl" was produced
that yenr. to be followed later by "I'rln
cets Pat," which Ib also ono of tho col
laborations t a. newly found rcassocla
tlon, '
Actor-Managfer Deiends
Plump Poet of His Play
By E. H.
mHEnn is nothing so absurd and ter
X rlble as a stago tradition. Neither In
heaven, nor on earth, nor under tho earth
was thoro over j-nythlng like the con
ventional stage poet. He never existed
In actual Ufa. Ho L, the reflect on, doubt
less, of the comla poet of the funny paper.
I doubt If anybody ever saw a thin,
gaunt, slopdalsy poet. Even I have writ
ten poetry. I once published a book of
verse, and look at me.
So It Is that when I came to cast
Claude Jervolse, tho pieudo-poet of Mr,
Sutro's comedy, I selected In Orlandq
Daly a, type that oxactly suited my
notion, at least, of what a. poet should
and would look Ilka; nnd yet gaze at Bomo
of the criticisms of the play. One police
man of tho drama said: "Ono of the most
curious things about the performance was
tho casting ot a smug stout comedian,
Orlando Daly, In the rolo of a poet."
Another overlord of the playhouse said;
"Does Orlando Daly Imagine that It Is
Rutk St. Denis, America's Foremost Dancer, Recorded by Boardman Robinson, Interpreted by Herself
LW
f I I
SOTHERN
theatrically or economically correct to
dress'and portray a poot as If ho were
a buoyant habitue of the most fashion
able part of Bond Street and Its tailors?"
Ono of my critic friends says: "Mr.
Sothern's poet looked llko a well-ftd
business man." Now, please, have a look
at this biography of Robert Browning;
"Mr, Browning, ample of girth, vna often
mistaken for a prosperous business man."
Here wo have revealed the fact that
the Cerbcruscs of the drama have had no
acquaintance with poets dead or alive;
that nil they know about poets aro their
caricatures In farce comedy and the Billy
pictures they have seen of them In Life,
Puck or Judge.
Take the poeta of any age, and you
will find that they hao been cxqulslto
dandles Have you ever seen the pictures
of Sir Philip Sidney, Sir Walter Raleigh,
Richard Lovelace, and the beadrolls of
poets of the Hllzabethan era? Have a
look at them
Poets In all ages have taken naturally
to sartorial splendors. The starved
rhymer, with ragged clothes, never ex
rtm b W w w Trrtvp
Three peeps at Marpcarct Mayo, moat successful of women playwriRhts, in the
homo built from tho proceeds of "Baby Mine" and "Twin Beds."
isted In real life. Ho Is merely tho crea
tion ot tho dramatists and the comic
nrtlsts. Look about you In our own
tlmo, and whero will ou find a stago
poet In real life? Almost nil the renowned
poets hmo been eminent dandles. Thn
groat poet of Italy Is Gabriel d'Annun
zlo. Ho Is tho best-dressed man In Italy
Cast your eyo at France. Tho match
less dandy of the Parisian boulevard Is
a poet, Edmund Rostand.
English poets, ns I have Instanced In
tho caio of Elizabethan, have nil been
particular In point of dress Have you
not rend tho life of Oliver OoIdMnlth?
Surely you hae, and so you know that
poor Oliver laid out so much money with
his tailor that ho camo very near starv
ing to death. It Is only a little whllo
ago that England sent us a poet whose
porsonal embellshmenta were so startling
that It whs necessary to call out tho re
serves to beat oft tho crowds. I refer to
Richard La Galllenno.
Then, what nbout Oscar Wlldo? Were
the glories of the fields and tho hothouses
comparable to his elegancies of clothes?
Why, the poets of England, not to forget
Lord Byron or Richard Brlnsley Sheridan,
liavo been mad about clothes,
Do you Temomber tho lato Edmund
Clarence Stcdman? Ho was ever most
careful In his dress. Ho never looked the
least like a ragman, I recall portraits
of Henry Wndsworth Longfellow, Oliver
Continued an race Four,
By RUTH ST. DENIS
SEVERAL years ago an American clrl
in Europe Isadora Duncan did a re
markable thing, and It has changed the
face of our theatrical art. Tights and
corsets, lilgh-heeled slippers and hats and
our ridiculous fashion In dress had so
dwarfed our bodies and our Ideas that had
we seen Venus de Mllo walking down
Chestnut street wo should have shrieked,
and exclaimed, "Heavens, what a figure!"
Why? Because for centuries wo had
eaten of the fruit at the tree ot knowl
edge of good and evil, modest and Im
modest, clothed and unclothed, till wa
camo to regard our Impossible standards
of art and life as the real, and the
natural oa the unreal.
Ballet dancing, opera, and musical
comedy and athletics a tremendous unfolding-
of thought la going on Briefly,
my own relation to the movement Is this;
Personally, J do not belong to tha Duncan
or Greek school, (save In tho largest sense
of the word. My Ideas of dancing are In
another direction. I conceived and cre
ated dances before many of these move
ments had come to life. I had only
vaguely heard of other dances, and In
both matter and expression had a very
different conception, my highest Ideas be
ing the expression pf not merely a perfeot
outward form of beauty and body, but a
certain Inward mysyo state of mind
things 'going far back In the consciousness
tba,t I believe can be expressed through
rhythmical movement, but only from
within, and In an entirely Individual
manner, To this form of art, many peo-
Sle have responded. However, many algq
o not understand what I try to express
npr the manner vt expressing It, but I
bear no Ill-will to tho publlo for this. The
blame ilea In my attempt to do a thing
that Is so far removed from the dally ex
periences of life. The beautiful and spirit.
ua are what bold my attention, and
that I have had as much recognition a I
have Wis me with muh gratitude. Natur
ally, when people knpw more ot any sub
ject, they appreciate Us subtleties and
any Individual effort la that line.
For a new form of art a publlo Is at
tained slowly, but I tfl in the future ft
tremendous appreciation of tUU new-old
art will bo manifested in larger audiences
ana. better p!a to expre4tt.
w
HRR'QSCTU'niKfZialHaVBllJKk xKlenHaWOHNWHBu9aMiiHkSHMsaBDvBlI
Enter Portmanteau Theatre,
the New Cart for Thespis
By H. K.
"Wednesday evenfi0 PMndelpMn tuill find
Stunrt H'olSer's I'orfiiianfniu Theatre in
stalled at the Ucltcvue-Stratord oiling
three oneact plana in a most oritilnal man
ner Some idea of the noveltv of Mr
n'alcr'g xenture man be pafutd from the
folloulnp attkle, first 'printed In t10 oy
ton Tranacrlfif.
EARLY this summer, on two or three
evenings, Mr. Stuart Walker gavo
what might be called "demonstrations"
ot his Portmanteau Theatre In tho gym
nasium of Chrlstadora House, on Avenue
B, In Now York city. In tho modest press
announcements tho Tortmantcau was do.
scribed as a thcatro which could bo tied
up In a box, shipped nnywhero, and set
up In your ballroom In two hours. Those
who wera convinced that this was not a
marionctto or doll theatre were afraid
they were going to find some precious lit
tle from;. But In addition to all the
Blelght-of-hand claimed tor It, the Port
muntcau proved to be a perfectly good
theatre, capable of producing any play
that can bo confined within tho limits of
SIDNEY nnVNOIDS, head of the Will
iam fox scenario department, has nn
antidote for tho blue that ho claims to bo
worth not less than a million dollnrs, nnd
In moro potent In Its glooin-dlspclllng
qualities than tho stago show the tired
business mnn has been looking for for
ages of exhaustive search, moro consol
ing than the glowing visions of tho poppy
fiend nnd oon moro cncctl than tho
most fantnstle dr ams of tho lotin eater.
Mr Reynolds guarded this antldolo
carefully until n"lto recently, whn tho
"Sunny .Tim" smile that lontlmfhlty Il
lumined his face was the subject of con
siderable comment, and a quiet search
among arloui papers In his tiling cabi
net revealed tho cause a letter nnd man
uscript that comprised 17 pages of type
written matter from a budding nuthor In
a llttlo town In tho Middle West.
Mr. Rcjnolds, now that hi secret In
out, wishes to disseminate his good cheer,
and horewlth releases what ho call tho
big moments of his Upcwilttcn collection
of laughs.
For Film Corporations Co ,
1W1 Went 40th street,
New lork. N Y
Pcir Sir I nm In rcelpt of Mwr IMter ot
the 4th InHt ntiit now 1 unnt to sell you
nereel fottiro to you cery week for 10C1
csrh. That not very much, la It. When you
MODERWELL
tho ordinary theatro stage. Again In
addition to this, tho Portmanteau revealed
tho distinguished talent of Mr. Walker
ns producer and playwright, tho surpris
ing freshness and ability of tho company
of actors he has gathered and tho charm
ing Imaginings ot u number of little
known artists who havo worked with him.
The Portmaneau Is a twentieth century
cart of Thespis, designed to travel, with
Its troupe and Its paraphernalia, from
city to city, supplying entertainment In
tho market squnre (or Its modern equiva
lent) or to such rich patrons as extend
nn Invitation to their houses. Mechan
ically, It la a marvel of simplicity and
completeness. And ono discovers with
glad surprise that Its nrtlstio product Is
as beautiful as Its mechanical construe
tlon Is deft.
Mr. Walker was for six years play
reader nnd stage manager with Mr. Be
lasco. Then ho resigned ("I really re
signed, you know," ho ndds). srr. Belasco
has much to teach any stago artist, he In
sists, but woo to him who stops there!
Continued on I'ace Two
rw it
Ukn yonr.moxlnir picture, then voil have It
ilMolp nnd p.nti-,1 thru tho Nntlons Bonrd
pf CeiiKOMhlp Then oti rent It to tho ntov
lnr picture mannecrs nmt exhibitors sim.you
set jour rent for jour film nu took, flom
tlmo Mm must mnVe nhout Kl.oon to tin poo
n week rentlnir your film tn nil parts of th
1'nltort StnteR t not writing thl to get ths
Inn after me. hut I mil writing this for ou to
tilenso huy a tlm reel fenture from me rery
week for only $1000 eni.li 1 nm remllng you
IllV fun reel fentnrn for von In lint' from mN
for MOOO Now please help me. out hy liuylng
n fHe reel fenliiro from me pverv week for nnlv
iiij earn, j'ipaee ijeKiin to miv my me,reet
fenture begnnlng with thl week. It Is ft
jery (rood feature Dense help me out like I
Mill In the tipper line. I told ou that I
wnnterl to sell n tlo reel every week for onlv
MOOO n fenture I ngaln tell oti that 1 wanted
to mnko l(x n week selling n mn reel feature
to you oery week I would like for you to
helpprno out by buying n flo reel feature from
pio eery week. Ono photoplnv a week I will
help inn out n grent ileal PlenKO buy n 1U
reel fenture from mn e.rry week for lloflO etch
lieginlnp thl week. Kery week for JtOOO
each l'leio let mo henr from you within
four or five ilnj I remain, oura truly,
movino rtcTimn witmirt.
And now comes tho cast
.Inek
Auunt
fleorgs
Wenloy
A lire
tohn
Frank
Hohert
Harry
I'harlen
Harold
1'hlllp
And now comes a few of tho scenes that
are representative of tho ono hundred
and fifty which go to mnko up the com
plete story, n story fraught with love,
tho nmoko nnd tiro of bnttlo nnd tho
waving of tho American Hag, the only
renl action In tho IHo thous ind feet tho
author sajs tho Htory wilt make:
HCEN1! 1,
Jack and nobert were talking nbout war
when tho Oenernl I.leutennnt camo to them and
naked them If they rcudy to fight when the war
began.
SCriNB ,1,
.Tack nnd nobert wnlk down the war path
to tho rinlsh fort nnd camp nnd nsked tha
fieneral Lieut. If ho was icauy when tho war
bcg.in
SCKNH 5.
Tho fieneral Lieut, command nil the poldleni
tn practice, their mnrch and tho up and down
strokes with tho guns and swords
SCCNB 7.
Thirty minute Inter, thn Ppanlah Oencral
I.leut Is through miking hi oiller practic
ing. Tho (leneral Lieut said to Jack wo are
ready for tho war any-time
This will give a general Idea of the
theme of tho story.
KcrJNC 10.
rtobert got to tho American General Lieut,
cimn safn without being shot. Jack look
around for Robert.
This sccno shows that the hero Is still
alive.
BCF.NR 2.1.
Tn the meantime .Tnck reeeUo n telegram from
thn American's Lieut, telling him that they
were ready utiy tlmo for war.
BCENi: 54.
.Tnck telegmpbed bark nt onco nnd told the
American Lieut alright, lio would not toll
tho Hpinlsli IJeut. It
These two Rccnes show that tho war
was up-to-date.
SCKNK Bfl
Jack went to tho door nnd look out but ho
saw tho tipnnlsh General Lieut, looking at
him to cat hint up nlhc.
SCENE G7.
Well Jack answer, nro you ready for war or
not? I nm ready nny tlmo for war I nm
going to shoot uny time for war. I am going to
shoot.
Tn which tho bloodthirsty character of
tho war Is exemplified.
SCENE too
I have a good many puns nnd powder In this
tent Allen said to Jack. That goqd Jack an
swered to Alice.
SCENE 101.
How many boxes of powder belong to you.
Jack said to Alice. Why, Allco nnswer. It all
belong to me, every boxes of powder.
Which tihows that tho munitions supply
Is adequate.
SCENE HI.
How daro vou kissed my daughter beforo lot
ting me know anything about It. You are
here to hae war.
In which tho Iovo Interest develops.
SCENE llfl.
Tho captain said to hla soldier began to ahoot
when I say ten, Then Jack begun to count
to ten.
SCENE 147.
When tho soldiers beard Tnck say thev be
gan to shoot at tho itounlsli and the Spanish
iirmy that were waiting for llicm on tho other
aide.
SCENE 14H.
At night them wem nbout 1000 Kpinlnh ahnt
or wounded or half shot on tho gruund of their
camp
A description of tho terrific battle.
SCENE 180.
Then Jack and Alice said we are for the
Americans. Seo our flag, tho dag ot a nation,
long may It wave.
And then came the happy ending
(Thank heaven).
BROADWAY LIGHTS BAD
FOR PICTURES
J
If for no other reason thnn tho fact that
New York's Broadway Is 3000 miles away,
Southern California will continue In the
futura to be tho centre of tho motion-picture
producing Industry, according to
Jesse L. Lasky, president of tho Jesse L.
"1-asky Feature I'lay Company, Return
ing to New York, where tho executive
offices of the Lasky company are located,
Mr. Lasky this week v oleed his sentiments
In the controversy that Is being carried
on between Kastorn and Western pro
ducers, that the West had all the better
of It.
"In tho past few months, comparative
ly," said Mr. Lasky, "since so many
Broadway stars of the legitimate stags
have entered motion pictures, one of
their difficulties Is being able to adjust
themselves' to new working conditions. In
the legitimate theatre the actor works ut
night, or, at earliest, at the matinee,
under artificial light. In the motion-picture
work, however, the man or woman
star must submit tho features to the
scrutinizing glare of bright sunlight. It
Is a small point, but one the Importance
of which cannot be overemphasized, that
because Btage stars when in Los Angeles
are far removed from thi temptations of
Broadway and the delights ot Ita night
life, they retire earlier, get more sleep,
and look better In the morning "
Mr, Lasky also said that within one
day the Lasky studio has taken photo
graphs of deberts, cotton fields, fruit
ranches, frontier scenes in small West
ern towns, Spanish missions, sunken gar
dens, tropical foliage and exact repro
ductions of the Bay of Manico, the cliffs
of Kngland, and perfect reproductions of
Japanese palaces and tea gardens and an
Italian villa.
"But what would you do tor a New
York."
Censorial Limitations
by Channlng Pollock
As marital Infidelity uwd to be the
funniest thine lu the world, and chorus
girl evidence ef the reward of ilea tli
moit barmlru, while only aerlaoa nuukl
cratlou of tha elemental for whs dan
gerous aud obccnv so the motton-iilrture
nator re main uuuaplcloini of the slor
lflcut tail of S'eed. (he exaltation of brute,
atnnstb, and tha burner ut phylcal cJa
fortune, lie dixa wit aik ifhrther Ini
ufsurUtr ' Incidental te atunr or ttarr
tvnujropriety. II do not knout that
pnvlubeat little autUtltU rather than
at great Infraction j tUt mil men have
prejudice iuj bl mm paulans. He
tmuiot cuucelB at tha creative luailnca
a thing beautiful. u inuilue timiJlty
na sport frnu virtu, nor ki the utttr
ill urptt.lutr IminerffHtf "l 'r. nl
cuiiMtrtul comUntUy, ut smmHiu fci:
tluivutolity. t dirt tlmjUttt Mintr
awl MupWUjr rreia tW ftlii Hs,
aunt.
I
- ruck,
llfWWWUHi iiu
Stem tfc JiV XMfc Tribus.
TT