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SATURDAY
February 19, 1916
WALTER P. EATON
SEES "BUNNY" AND
"VERY GOOD, EDDIE"
In This Week's New York Let
ter He Talks on Two Suc
cesses of the Scnson
THE EYE OF THE CAMERA RECORDS THE DOINGS OF STAGE AND SCREEN FOLK WHEN OFF DUTY
NEW SYMPHONY:
NEW VIOLINIST
WITH ORCHESTRA
Daniel Gregory Mason's Work
Heard for First Time in
America
w lEetnaer
AMUSEMENT
SECTION
I
By WALTER PRITCIIARD EATON
Tho iireaent writer ndmltn to n rhlliHsh
"weakness for plot In mimical comedy
Ho Is foolish enough to llko bcit a muslcnl
play, other things belnu equn.1, that Ii a
nlay. thnt liaa at least thn nppcaranco of
Unity mv form, and doesn't seem to he
a vaudevlllo proRrnin csenped out of
Keith's theatre. Ho also lms u childloh
weakness for lyrics In a mimical corned
which have some relation to this plot.
When ono or morn of tho cliaraetern
breaks forth Into sons, he likes to havo
that eonB about somobody or something at
least remotely related to the storv Still
further, ho Is so childish as to ndmlt a
certain fondness for lyrics, which sound
little more as If tho had been written
by Qllbcrt than by tho Sweet SliiKrr of
Michigan no, that is not qulto fair, be
cause few lyrics oer could bo as amusing
us tho Snoot Singer's! what wo are try
ing to say Is that no havo a fondness for
lyrics which do not shatter quite all tho
rules of meter, grammar, sjntnx and
sanity.
t In short, we found "Very Good, fiddle"
a delightful entertainment "Very Rood,
Eddie," which, of courso, gets Its tltlo
from one of Fred Stone's ridiculous Hav
ings In "Chin Chin," started out hi llfo
eomo time ago ns a farce, by 1'hlllp
Bartholomne, called "Over Night " It
was not a bad sort of a farce, cither, and
lived tho usual life of such entertain
ments. Now It has been taken In hand
by Guy Bolton, with tho aid of Jeromo
Kern to write the tmics und Sehuvlor
Green to wrlto tho lyrics, and made Into
a muilcal comedy Miss Vlllzabeth Mar
bury haa a hand In tho management, and
It Is playing In tho tiny Princess Theatre,
which permits of on Intimacy and deli
cacy quite unattainable In a large house.
Everybody concerned has done his work
vyell. Quite enough of tho original farco
has been retained to make a perfectly co
herent story, In which you can take an
Intelligent Interest. Tho lyrics all havo
to do with this story, they fit neatly Into
the scheme, they nro written In rhvthmlc
measures and havo no little wit and
sparkle, and they nro sung to times
that aro pleasant. The chorui Is small.
modest, pretty, and each member has a
bit to do before the evening Is over.
The company Is composed of competent
players, who could handle tho piece as
straight farce, and they get their effecti
without horseplay Moreover, tho whole
thing Is as clean as a whistle, free from
vulgarity and bald sox appeal, and being
acted In the llttlo Princess Thcitre, has
an air of delightful Intimacy that nt
times Is not unremlnlscent of the old
Weberfleld days All in all, It's a mighty
good entertainment.
There Is no need to go Into particulars
about the cast, further than to say that
It contains pretty llttlo Alice Dovcy and
our old friend. Ada Lewis, and Umest
Treux, who has nt last been allowed to
grow up sufllclently to play a role In
long trousers, though they still keep him
on the sunny side of maturity and make
him Blng an amusing song about tho woes
of the man who wears a 13 collar. He
gives a very neat and Ingratiating per
formance. Oh! and wo must not forget
the chief comedian, John B. Hazzard,
who tosses off his comic lines as If It
was all in the day's work and goes on
about his business of being n hotel clerk
Hazzard Is qulto funny enough to attract
attention, even If he had not onco w rltten
that immortal ballad, "Ain't It Awful,
Mabel?"
The present writer was stnndlng at the
rear of the Hudson Theatre during tho
first presentation of Austin Strong's new
play, "Bunny," and a man asked him If
the author were English.
"Hardly," we replied. "Ho considers
himself an American, surely, though his
step-grandfather was Stevenson."
"Who's Stevenson?" was the next
question.
But we are not all like that In New
York "Bunny" Is tho kind of a play that
might have been written for the late Sol
Smith Russell. Nay. it is the kind of
a play that was written for tho late Sol
Smith Russell. Only, nlas. It Is now
played by Lewis S, Stone, who is an ex
cellent actor, but rather fitted by nature
fpr virile parts than the role of the absent-minded
dreamer. It Is a fine thing
for an actor to try to broaden his scope
and for a manager to let htm try But
nature's limitations have to be recog
nised, after all. Francis Wilson never
did give that performance of Hamlet.
The scene Is laid In England "some
where In England" In tho year 1817,
which permits of quaint costumes. Tnu
hero Is a poet and bookworm, who keeps
a quaint, second-hand book shop wherein
all the action takes place. Qualntness Is
sought as a keynote of everything, In
BILLIE BUEKE IN'
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Ttiu may ftll m the blank with "overalls" or aovle just as yon
iliase. Tor In tho new Triangle photoplay, "Peggy," which comes
U the A1I oefc week, the jioputer gtar not only makes her dabut
u Uw sepw9, but Joins the oveiU ovnient, which has lately
grown so pojjnUr -mh hoaaewive.
WATCH YOUR STEP, VERNON! &ytt II "WWffW '-y,?r"?w?g
Blanche Sweet doinjr a "double exposure" inter- timflnrr f " ' F ' aaSEBHHIfMraB! J a!n
view with her director. Cecil dc Mille. MsMHHHSlskSwftl &$ 'M.nWmiWA sVKBsHBBbiRv98gW . . mi.l
mmJMgg$MmimM$iPW'-J L$v&JP& mm'Mmm w qcuag By
'r-Tt llllllllii GOOSE GIRL TO "THE
m W " W FOLLIES"
T tPIISIIS,'- i Knv Lnurnll. who will snnn Vin
WATCR TfOUR STEP? VERNON!
The popular dancer and the biplane which ho has
been operating as preparation for departure to
tho front.
costume, setting, characters. This hero.
Bunny, never told, through shvness and
poverty, his love for the fair Silvia
Therefore he seems destined to lose her,
as sho Is nbout to contract a rich mar
riage with an old rake But, fortunately,
she comes to see Bunny In his shop an
hour before her wedding (a thing often
dona in plays), and ho becomes bold at
last. Ho puts her in a side room, hav
ing already tied the bailiff up In another
room, and when her husband-about-to-bo
arrives to fetch her, he shoots at him
with an ancient revolver he has been us
ing as a tackhnmmer, shoots nt the
escaping bailiff, and ends up by throwing
tho revolver Into his desk, where it ex
plodes, blowing the lid off. Of course,
ho gets Silvia in the end
Tho play, at least, maintains consist
ency In a quaint disregard for the prob
abilities of human conduct It has,
curously, the effect of a dream on tho
spectator. When sou walk out of tho
theatre you rub your eves Possibly, that
was tho effect Mr. Strong sought, but
we cannot help feeling that tho play
would be much better If It seemed real,
and not tho hazy phantasmagoria of a
HER FIRST
dream. Moreover, as wo havo said,
Stono is miscast rather badly In the role
of Bunny. It Is distinctly an Ernest
Law ford part. The cast Is chiefly notable
for tho presence In It of Henry Stephen
son nnd Hilda Spong, who never looked
better In her life, nnd whose mere en
trance on tho scene mode you wonder
why managers aro so stupid and she
appears on Broadway so seldom of late
years.
Musical Glasses
8VNDAY. rVBRUARY 20
Tlis Jewish Vcrld celebrates Its urcoml an
nKertarj (it u nacrcd concert nt the Sletronoll
tin Opem Houri, Mlth the follow Ins usslatlni;
artists Prof Carl TrleJlierg pianist, Thacl
deui Itlrh, violinist. HiinH Klmllcr, 'celltut,
Josrjili liogettl tenor SIIms V'lvlenno bcKal
Mica Cell i illcr mi. I David li.iratz.
Prof U 058)11 !p will Lonilurt an orches
tra of iiO Mlcteil members of the Philadel
phia Orchestra
Concert l Hie pupils of tho Settlement
Muslo hcliool. ut the Muslo bchool, iZl Chris
tian Btrett.
MONDAY, FEBRUARY 2
Julia Culp In recital Mailame Culn will sins
songs by Herman, Dutch, itusslan, French and
American composers.
David Dublnsky, violinist, and Antony To
rello. contra bass, In recital In Griffith Hall.
Concert bv West Philadelphia 8mphony Or
cliestra, with l'dna Florence Smllli. soprano,
ami Kathleen Wnllla. violinist, soloists at ttw
St. I'aul Presbyterian Church, at 8 o'clock
The Bvmphony Club's concert at Wltherspoon
Hall. The program
Concerto for Slrlnc Orchestra Vivaldi
AlleKro VoiItit
fiympliony Club Orchestra.
Tha Deluce . . mlnt-Saena
Violin Solo, Jlr Herman Weinberg,
Sunphont Club On hettrn
(a) The Snow (with violins nnd in, m Cigar
Miss lather Ormstecn at the piano.
b) Merrv June. n cnt
Symphony Club Choral Class
Andante s ..Dellczay
Bymphony Club Orchestra
fa) Ttosalll Sandby
(b) Vcrmelandsvlsan Mandby
Cello Boll Mr A lelel
. Symphony Club Orchestra.
fjymohonlB fiplrltuelle Hamerlck
Allegro Sloderalo rirst tlmo In Philadelphia,
Symphony Club Orchestra.
WEDNESDAY, FEliRVARY 13
Third concert of the New York Symphony
Orchestra, vlth Frieda Henipel, soloist, at tho
Academy of Aluslc
PnOORAM.
l'AHT 1,
1. Symphony No 4, D minor Schumann
2, Air, "Involaml." from "Ernant"....,, Verdi
Mlsa Hempel.
PA11T II.
S. Kxctrpts from "Iphlgenla In Autls"
... , .. . Walter Damrosch
Violoncello solo, Mr Jacques jtenard
, New, nrst time at these concerts.
4. FrocesKlon of the Knights of tha Holy
, Orall. from Act 1. Parsifal'. Wagner
5. (a) Slumber Song from "Dlnorah"
(b) Serenad. KSSS
Mlsa Hempel.
6 Symphonic poem, "Ultava" Smetana
TUVRHDAY, FEBRUARY U
Zlpporah BoMnberg. in recital, at tha Little
Theatre, at 8 30. Tho program;
Se tu m'amt , Fergolesl
O del mlo dolce ardor , .,.,..,,' filuck
Uitama vuota ..,..., Morpirgo
O bocia dolorosa ,..,,.., stbelli
F muss was wunderbares seln,,,,.. ru.
Well-auf mlr da dunkles auge.,,.,, Rjoegren
ur rob.', zur ruh' , ,,,.. .vvolf
Veausbymno ,..,.,.,, , .....'d'Albert
Psyche ...,,..., ,.,.. PaUdilbe
Sombrero ,.,..,, , ChamlnadJ
Wrdi'cadik-v.v:;;:::::::::;.
nit K'iu ' 8bubrt
Tfl?M.i,if?J2n..ht '-""'" ,,-,..,.. .Brahms
wSIn'SfSSSS'i V" ......Schumann
Pl o' Senubert
IHserted . ....,.....,,, MacDow.11
Only of The aod Me." , . . iJJuVi
My Lover, lis Cornea On ths 8V "
Th, Crying of Water SmtSSffiSfii
PBWJ.Y. yJSBRUJLRY if
Orgui Jtaltby MU Mary Hoger. at Uu
Richmond rrwbyl.run Church,
TUURSDAY, iiAitau f
tCtWWKSBfiK.wti, i ri' .&2wHP&4'iflHSK:$SHNaHB 1 ffliilii " Tit ' i ilMssssssln i
f) X
i ( u
, f M
'
sS&i. )
" '--u- J! 1
0&n?j
TV i
J.
SHE HAS POUNDED THE
KEYS ON ANDxOFF
Miss Mary Bcban, tho stenogra
pher of "A Pair of Sixes," which
comes to tho Walnut next week,
graduated from one of the biggest
business colleges in New York.
Hence, her "copy" in "A Pair of
Sixes" is real stuff,
Corporation Law for Kids
Mr. "Waltor Fenner, comedian, playing
tho leading role In "A Pair of Sixes,"
which return-) to this city for a return
engagement at the Walnut Street Theatre,
vvoek of Tebruary 21, Is spending all his
spare time trying to Interest legislators
and tho Board of Kducatlon to have a law
passet' that will add a course of corpora
tion law to the studies of the public school
children It Is Mr. Fanner's contention
that it Is difficult for a business man to
succeed nowadayH without a fair knowl
edge of law. In this era of corporations
and combines. It Is only right that tha
young American, who graduates from our
public schools should feel that he is men.
tally equipped to embark on a business
career, ond this he can only feel after ab.
sorbins a certain amount of corporation
law.
For Cet8or8
It it Is deeply contrived. It cannot be
Immoral. Ueorgo Meredith.
DWIGHT ELWENDOBF
The popular lecturer, who begin
a senes oi talia at Academy
neat Friday,
f!4P
r a
IMTfiwrfnV
-VSraaVtJsW
S-V!?l r -flHIHfl
BMsasnssHav .re nn-nfi i riTimntrr'-ffr-iff
vP' sc.en at the Forrest with tho
v; Ziegfeld aggregation, tries a lit
IvJa" tle simp'0 life,
A J t i
SOTHERN DEFENDS
THE PLUMP POET
Continued from I'nge One
Wondoll Holmes, John Qrecnleaf Whit
tier, Uajnrd Taylor, William Cullen Bry
ant, Bret Harte and others. U.ach of
theso men, while not exactly dandles,
dressed nt the top of the mode.
It might be possible. In scanning the
portrait galleries of tho poets, to dis
cover one or more gaunt aspect, but these
mostly were men of 111 nealth, and not
men starved by the poetic faculty. It
must be taken Into account, also, that
some few of the great Kngllsh poets died
at an early age, ond so had no oppor
tunity of acquiring a Falstafllan aspect.
Thero lsno need to mention Alexander
Popo and Keats, for thoj were ancmlcs.
They wore not trouhlcd by poetry, but
by their lungs and liver.
I do not know a wholo lot about the
poets of France, but I am aware that
Francois Villon longed to be futj he
wanted to be fat, oniy ho couldn't get
enough to eat. The greatest poet of
France was of ample girth. I refer to
Victor Hugo. Ouy do Maupassant was a
great feeder and gained a great redund
ancy of person. Daudet and Do Gancourt
both corpulent.
Tho tlrst great poet of England was
a fat man, Dan Chaucer,
DANCING
EDWARD A. COLL
Presents Ills Original Dance Dedicated to
PREPAREDNESS
TUESDAY EVG., FEB. 22d
AT 108
ACADEMY OF DANCING
41st and Lancaster Avenue
(Leader Theatre Building)
This unique dance will be featured by dec
orations and surprises suggestlv to modern
warfare AMMUNITION IN AUUNDANCE
P, U COLL, Musical Director,
MartePs Academy
1710 North Broad Street
Prof. J. Figel and Mils E. Cope
JNSTBUCTOnH AND DEMONSTRATORS
Beginners' Class, Tuesday Night
FOLLOWED BT RECEPTION ORCHESTRA.
Receptions Every
Wednesday, Friday, Saturday
Roth' Banjorln Orchestra Latest Mush).
THE FRICKE ACADEMY
1T0S N. I1ROAD BT.
Washington's Birthday Reception
Reception Saturday Night
Open Class Tuesday, Friday Nights
Private Lessons. Intellujent Method
The C. ELLWOOD CARPENTER
SCHOOLS OP DANCINO
J123 CHESTNUT ST. U23
Out corps of competent Instructors or all
ipeclallsts always ready and wlllta to Ira.
part the latest utl and positions, both In
Erivate and ilass lesions.
V OPEN DAILY V A. M. TO 10 P M.
FOWLER'S PRIVATE STUDIO
Personal Instruction any bour, day or srsola.
make appointment, stito Qrlacou, i'kd.33 J.
HVSXQAXi
carl tschppp .a&r
KiMDffLiU mxmvk suiMJtv zixtuu&
TWO OF THE ONLY GIRLS
Eleanor Masters and Antoinette
Morton, of musical piece at tho
Lyric next week, like nothing
better than a conservatory for a
background.
Elmendorf s Travelogue
Dwlght Hlmcndorf will leturn to the
Academy of Music next Kilday nnd Sat
urday afternoon, when ho will present
his now lecture, "Tho British Isles," as
the first toplo In a new series of his whole
some and instructive travel talks.
Beginning tho tour at Quconstown,
thero will follow -visits to tho faliyland
region of Klllarnoy, to Cork and to Dub
lin. Leaving Dublin, wo go northward to
Tandcr.igeo Castlo and tho tomb of St.
Patrick; then to tho Giants' Causeway,
and down to Derry, nnd bo Into the Coun
ty of Mayo and to Belfast. Thon to Eng
land, for a visit to Liverpool, Chester, Ox
ford, tho Thames at different points, War
wick, Kcnllworth, Stratford-on-Avon,
London, tho Dukerics and tho English
lake region; and to Scotland, where thero
will bo gllmpsci of tho rugged coast,
the highlands and the lowlands, of grim
palaces, city streets and country bywnvs,
tho homes and haunts of Scott, Burns,
Bruco nnd Wallace nnd "other places of
Interest," as tho tourists c.ill them.
on pi. lectures In tho course will be
"Holland," Switzerland," "Northern
ltulv, ' "Southern Italy and Sicily."
Quo Vadis? Actor
MARGARET MAYO
The only way to convince an audience
of the actuality of jour pla is to rnn
vlnre (heiti that the nersotiH who appenr
In j our action from time to time nre JtiNt
em busy olT the Mnce an they are on It.
No pla)vtrlRht Hhould ever permit a rlinr
acter to Irnve the visible action of hU
piece until ho haft ebtalillMiul. In the
mind of the audience, Jimt where the
cliumcter is going and Just vihnt he Is
roIiik to do. If tho author fullx to dn
this, he has a flat, unreal piece of work
ns his result.
M'DANCINCM
117 Knsy Method T
Wagner wfth Dancing
LesT. "SO N. Broad Sk
I T..l Scholara' r Mon. and
VJouui Practice a-'tiui.c Thurs Evgs,
MILITARY DANCE
TUES.WAmGDTON'SEvg.
Sr'. Invincible g"?
FEATUIUNO OUR MODERN QUICK STEP
IV'tf ARB BVUH YOU WILL 1.1KB IT
Extra Dunce Wed. & Sat. Evgs.
rCier Class Dance St E'
1 la,DonnybrookFair Mjr
March IB
17
The OAKES gg-
Gtn. Ave.J2th & Ontario Sts.
DON'T BE DECEIVED
The Only Original School of
Old Dancing
ADULTS' BnOlKNERS' CLAHS MONDAY,
TUESDAY, THURSDAY FRIDAY EVOS.
Reception Wed. and Sat. Evgs.
Snecinl Recention Tuesday, Feb. 22d.
special ccpuonWB,hlngton,M nirthday
CHILDREN'S CLASH bAT . & P. M.
THE SCHOOL THAT JNMTES. APPEALS.
TEMPTS AND WINS THE SCHOOL
OF REFINEMENT AND DISCIPLINE.
CLARAL Scho1 of Dancing
1843 North Rrood Street
Special Masque Dance Tonight
Washington Birthday Dance
Tuesday Evg February'22
Souvenir to AU M Sti.i is
SCHOLARS THUR8DAY KVO.
I'll I LA, HIX-8TEP TAUQHT
CLARENCE H. BRADY and EVA M. JURAL
The Towers Academy
famrlsn'a LARGEST & FINEST ACAD.
aI"aen 8 EMY Towers Theatre Hid-.
Special Recep. Wash'gton B'thday
CMnnxPV loaiy and Friday Evgs. Lino
Vwmaoca Lesson 8 P. M Dancing Till 11
Scholars' Party ThsSM1VsEo,NGS
Reception Saturdays "'orlbestra
Dance the Old Dances Tonight
DANCELAND BR0AsDniA3NES8T,0aA
MODERN DANCES MONDAY & THUR8DAY
OLD DANCES WED. & BAT BVENINOS
$15 CASH PRIZE CONTEST
T MOS")AY. FEURUARY 21
0NE-8TFP, WALTZ AND FOX TROT
Special Recep. w"wedt0Feb.03tn",'
LAWRENCE
BROAD AND PORTER STREETS
Scholars' Class Tues. & Fri. Evgs.
WASHINGTON'S BIRTHDAY SPECIAL
MUSIC SOUVENIRS ' U
JIIOH SCHOOL CLASS NOW FOIUHNO
FRIDAY AFTERNOON 8 :S0
RECEPTION Every Thurs. and Bat.jgyga.
Student?1 Chapter 8vfNft
FREDERIC GENSBURG"
3s
An assisting nrtlst new to tho Phil...
Phla OreheBtrn, though by no m. $U
to Philadelphia, nnd n. VmSh5?TWl
had never before been played In Amw
or elsewhere, were the novelties 3$
symphony concert yesterday nft.i,
at the Academy. By mcnlf3 ",
hiterestlng In every way voroth,'
miliar pieces and the entirely dl,M.'
fltnootliness nnd skill with whiri .1'
orchestra played them Wch ,h
Mr.
Albert Spalding wns heard h. I
J ear In a recital n.,rt n, ."."'N !
last
can recall tho Impression of sol dit, 'J
musicianship nnd of restrained '
vv licit ho then lerelved Those quallt,7
with an nddltlon of some fire. Jun t
Inklings of passion, were brought bv v,
Spalding to tho plaMng nf UrShrn.' 3
certo in ii, n hnppy nnd nn lntereslln.
work. Perhaps In the first a lie "J?.1
Spalding was a bit cold- ccitnlnly hl,u
that nnd moro In tho cadenza, which ill.
Plnyrjd the least desirable to the com
poser's nttlludcs except for brief sclnlit
innt moments. Hut In thn Tvv0 fi
movenicntH Mr. Spalding enmo closs to l
B low of feeling. And as his teohnlcM
abilities aro superb, there Is nothing rnor.
Tho first symphony, by Dnnlol Oreiorv
Mnson, was rcclved In the earlier nunV.
mrnts with too much nplomb. There
nothing overwhelming on tho surface In
this vvoik. nnd, In fnct, u part of th.
Interest to the coi nolssour Is neceisatllr
shut out to tho auditor uninterested In th
pln of motive. There ore thrco motive!
on which the four movements of the ym.
phony nro based, nnd tho flrfmov.
ment seems given over to a highly tnter
estlng, but bv no means affecting. Inter,
weaving of tho three Tho tonof th.
movement Is, as Intended, serious, almost
melancholy, but tho persistence of the
atmosphero Is ngaln nnd again Imperiled
by tho Inconsequent, nlmost abortive, jl,y
of tho themes. This must not bo Uwn
to mean that tho movement lacks logical
development; on the contrary, the devel
opment may havy been bo logical that the
material has crumbled.
Fortunately, this fault docs not eblalr
In the lest of tho work Tho allegretto
raprlccioso, based on variations on two
of the three original themes. Is light,
with an obvious, but by no means vulgtr,
humor. Its function is to set oft ths
gravity of tho two movements betseen
which It lies. Tho third movement Is the
cllmnx In this drama of motives, and In
sustained beauty, In communication of
rich feeling through beautiful sound. In
sober loveliness of theme and In skilful
nous of orchestration, It ii Mr. Maton'i
contribution to tho music of genlua The
employment of tho English horn for til
main theme, tho lccurrcnce, In brass, of
variations or memories of other themes,
uio dexterous nnd effective. From this,
without paue, the nymphony runs to'lu
finale, not so nppcnllng In content but
vastly Interesting. Notable, In every war
Is Mr. Mason's trnnsformatlon of a themo
originally set forth in 3-4 time to the
dlfllcult i hythm of 5-t, nnd notable alio
Is tho freedom of orchestration with
which each theme Is finally treated. The
total Impression of this work, heard but
this onco, can bo of only fragmentarf
value. It may be said that there Is not a
shoddy phrase In tho w hole, not a trlckr
or unworthy appeal. Whether all of the
composer's materials aro solid may b
questioned. The writer thinks they are,
thoroughly. But there seems nodoub(ln
his mjnd that tho treatment has made
far too llttlo for continuity of lntenst
and for an upheld or uplifting effect.
Tho concert opened with Beethovcn'i
"Prometheus" overture and closed ffUb
Wagner's "Huldigungsrnnrsch."
a. V. S.
"WATCH tous
0N PltOORESJ
In the Arl of
Dunclnr
by taking leiieas
one of our rrlvH
mirrored studios. St
this method, J0
reodlly detect va
false step or MM
tlons and can, (raw
dlately rectlff thm
TUlm An. 1.111 VOU t9
progress more rsp'l;
ly than is PM,JJJ
ny any oinpr .j."
of teachlne.
Open Dar "!' W;
nfng. rhone !
0 LESSONS U
THE CORTISS03
6CII00L ,,
1B!0 Chestnut qL
WARNING I
UNDESIRABLES, KEEP OUT!
Don't waste your money mingling wlta f
Hundreds of Refined, Proper Dancera at
Colonial Dance Castle
The largest and most pop
ular ballroom of Philadelphia.
5524 Germantown Ave,
Prof. Roberts' original method! tl
quickly, Tuea., Thurs. and Frl. ""JfJ '
scholar nights 600 or more good Pw
tend Sat. evening receptions. Wednesday-;
Novelty Reception. Open every evening.
banjo orchestra. Private lessons, day SM
nlng, a for IB. Phone. Utn. i870. . .
Horaa of tha Fascinating 'One-Two SfT
CHAS. J. COLL
88TH AND MARKET 8TRBET8
Dances Mon., Tues., Fri., Sat
Matinee Dance Washington1!
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At 8 o'clock. Dancing Till W CCloc"
Evening iwra
New Drawinir Rooms aSSS&t
HARLEQUIN LEAP YEAR DANCB
WEDNESDAY KVO, DANCINO TJLH W 3
LOESER'SN'nT3&
Classes Tuesday and Friday Wltk 'W
LEAP YEAR DANCE
Monday Night, Dancing Ti!H
Al White's yiSlff
Special Tuesday Eveninjf
Washhgton's Birthday -Dm"
SCHOLARS' NIOIIT -TUESDAY
RECEPTION WEDNESDAY J.dtp
Prlvata Lesson In Modern and "'",.
Hall Q Rept for PpecUI Ocean
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THE DAWSON. IT10 "1 wVwifW J
Private and C ass Le?n .PIvJSqnS, ' 1
oiVsS-iiinTI.Y PRIVATE tE3w,t. TH
Practlc. Class Bv.ry OT Vuti P3
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Mindav Ever Apply foe .MW"W
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"THE CLAYTON ACADEMY
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