Evening public ledger. (Philadelphia [Pa.]) 1914-1942, January 29, 1916, Night Extra, Amusement Section, Image 10

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    Vfmitsttkent Section
EVBNiyq tiEDGBR-PHILADELPHIA, SATURDAY, JANUARY 29, 191C
! m ' in uiiii 111 in in ii ;i"iw in ,11 i t.i.1.... if - -. . . -ii .im. ii.i. '
AMUSEMENT SECTION
" Address all communications to Dramatic Editor Evening Ledger,
Independence Square, Philadelphia.
THE AVERAGE &ET PAID DAILY CIRCULATION OP THE EVENING
LEDGER FOR DECEMBER WAS 06,785
PHILADELPHIA, SATURDAY, JANUARY 29, 191G
The "Hen Hur" Problem Again
THE arrival of "PoUyanna" baa brought up tho "Uen Hur" problem for
tho second time In n fortnight. What Is a critic to do In tho face of tho
popular acclaim of twaddle? The "mere popularity" of "Sinners' happened
to evnncsce about as quickly as Its claims to art. Hut "Pollyanna" had a. full
house tho first nleht, amused and moved It all tho evening, and Is doubtless
doing- tho same rls.ht along. Moro sophisticated Ilroadwny may not "fall for
It" ao It fell for "Paddy Long Legs." Its managers are wisely cultivating "tho
road,'' whero readers of tho "glad books" flourish, But what a crop they
harvest I
If "A Full House" Why Not "Pollyanna?"
Also, -what a crop of critical crabbedncss nnd maledictions! It raises tho Issue
between tho popular and tho artistic as no other class of play does. 1'eoplo
"who roar over tho comic unrealities of "A Full Houic." and grow tenso and
pirhaps a bit self-consciously overwrought about the melodrama of "On
Trial" and the moral hcavlngs of "The Yellow Ticket"; peoplo who have
a considerable amount of taste In their noddle, frequently enjoy tho popular
successes along those lines quite as much as the general public. But give
them successes like "Pollyanna" and they blow. Why?
Snob Versus Prig
Thero are probably a great many reasons, abstruse esthetic ones, too; but
hero Is a simple enough possibility. We liava to take "Pollyanna" seriously
even Its unmaking for It appeals on a serious basis or a sentimental basis or
both. Itn laughs have "ethics" In them, nnd Its ethics Insist on smiling bravely.
Jn general this sort of play Is guilty of keeping up a pose. It doesn't go In for
violently being itself. If tho critic who looks nt Its popularity with a jaundiced
eye Is convicted of Intellectual snobbery, the playwright must answer to the
charge of Intellectual prlgglshncss.
The Ultimate Test
Of course, tho issue Is llnally one of truth not an uncommon test of art.
Wo don't apply It to melodrama or farce successes, but we Instinctively do to
"Pollyannns." And we don't Indorse tho "glad game." A little cheerfulness Is
all right, even If It hasn't any backing or reality. In moderate doses, It is
Sood medicine. But this carload of sugar pills!
And that is letting off tho "glnd game" easily. For If we consider this sort
of gladness as reflection of actuality Instead of a euro for It, what do wo find?
Is the world a ery eas, cheerful or comfortable place? We go on living in
It because that's our earth-borne or hcavcn-glven nature. But wc know that
the realities of the moment are against us. And perhaps tho untruthfulness of
"Pollyanna" arrives most forcibly when this amazing little creature explains
how glad tho slum folks ought to bo. It is all right for Mrs. Wiggs to be gl.ul
That is her infirmity and maybe her salvation. Experience hasn't been able to
chango her temperament. But what business has this chit of 12 with the
anodyno bottle? The world Is badly In need of a little moro diM'ontent. f
Nnmc, Please!
A play-goer who onco flourished tho goose quill brings the following interest
ing observation to our attention: Have we observed the necessary anachronism
of tho high-powered automobile in the last act of "On Trial"? Thirteen years
before the play begins or in 1900 it is thore, aiding In tho escape of Trask.
Of course, It docs a lot more. It docs it so well that it qulto escapes the critics"
attention and also the charge of bad nrt. The noise of the car makes tho
escape of Trask a dozon times plainer than any explanation about a horse nnd
buggy and does It with a twelfth the effort. It aids the action without violating
the laws, of history by more than four or five vears or. arousing our antagonism.
Ruskln discovered and christened tho "pathetic fallacy." But our present
discoverer has no name for this intellectual offspring which he leaves at our
doorstop. Who will bo godfather?
Young But Lusty
Tho newly formed Motion Picture Board of Trade Is rapidly proving Its
worth. The great dinner In New York Thursday night, at which President
Wilson was tho guest of honor, Is proof enough of Its thorough grasp of the
magnitude, dignity and distinction of the art -and tho Industry. But It has
done far more practical work In Washington the past fortnight In its fight on
tho Hughes' bill. Thanks to its efforts, pernicious Tederal censorship seems
doomed, while In Its place will come the snno and equitable regulation proposed
by the Board of Trade IUelf and embodied in a measure placing tho films on
tho same basis in Interstate commerce as pictures and printed matter. K. M.
"Hell Raised"
Just for Movies
Sixteen wagonloads of earth were be
ing carted up the huge freight elevator
In tho rear of the Itolfe-Metro studio, In
West 61st street, New York city, when a
man, puzzled by this unusual procedure,
utopped to ask one of the workmen what
It meant.
"We are raising a little hell," ho saw,
as he kept to his task with an offended
air. But the workman was speaking the
truth. They were "raising a little hell "
In "Black Fear," the sensatlonnl tlve
part Metro production. In which Grace
Blliston is starred, and Grace Valentine
and Udwnrd Brennan are featured, the
principal scene in the prologue is an alle
gory which pictures a scene In hell
Charles Shulter, the technical director nt
the studio, arranged to reproduce one of
tho startling pictures of Dore, from
Dante's "Inferno " Instead of using
scenery, to represent the ground shown
In tho set, ho Insisted on having real
earth, and th 16 wagonloads were de-
vur-v wasn
liiW.
CLAIRE WHITNEY
In "The Ruling Passion," at the
Chestnut
Street Opera
House
next week.
m'mz?- -iz
" "' w,,. .... ... . .fowBwy
mc
1SJ STANZA
IPhoolem
f
THt CLEVEP
BYZOOLIAN SPY
JS ON THE
JOB IN THE
ft BVY'A-GRAF
lBELU&ePNTAlJ
URAMA
iM TWO POSES.
NEMYS ranks
livcreel to the sixth and top floor of the
building
John V Noble Is directing the feature,
assisted by William Bailey. The scene In
hell Is where the character of "Miss
Cocaine" appears before his Satanic
Majcst and offurs a new medium to en
tice souls to perdition. The scene la one
of the most elaborate things of Its kind
ever produced In a studio, and more than
100 persons participated
Chiding Charlie
A writer In the World Outlook reports
that (Urns of Charlie Chaplin leave a Jap
anese audience unamuted and bored.
What It fame but nln exatlon?
Honors but precede rilHKr.ucs.
I.o tho hubhlo renutntlnn
ItUHin In moitt unlikely places
Chnplln Charlie Fortune b i hose n,
He who held her claddot gaze.
Merely gctM the Muef frozen
Nowadays
Warrlnr nations boned before him.
Hushed to seo each new production.
While, their mentors rose und swore him.
To be hastening their destruction.
I.lttle recked the mob nor wiggled
Underneath their load of shame
Still they went and saw and KlffKled
Just the same.
Ah, but In Japan the gentle
....r oiuii. i jmn ma gapers'
There tho stolid Oriental
...."" ,,Nr"u" "" "is choicest capers
All In yaln he tries to proe his
Art that ouRht to leave them stlrred
Cturles the Monarch of the MoWe.i.
UeU the Illrd
Manchester Guardian
There Is no higher Ideal for tnBe art
than the Illusion of reality, LouU Mann.
CHESTNUT ST. Opera House
Matinees 1 30 to 5 I M -10c, IV
Mghts, T to 11 I M -luc, lie Uio
SYK THEDA BARA
IN TUB FOX MAbTERPIECK
C A R M l; N "
With Special I Musical Accompaniment on
the tip 000 Wurlltzer Orsan
ARCADIA ss'kb
oessie uarriscale
Wtlr PMan1. ,-
1 wnnn.u 4 r m . t.i
Next Mon Tues Wed
"..' ntsKI
ine flying Torpedo"
QTA WI 17V MAKBT ABOVE 1BTH
0 1 UX Lii I Pauline Frederick
W,& THE SPIDER
Next Mon.JTu Wed Pudd n Head Wilson
rALALc .u' TH,M whi'k
x nunivu MARy pjCKF0RD
Con"tn0uouPM M "The Foundling"
NIXON'8
GRAND
liroad k Montgomery
Today J. 10, 7 4 9
Willarrl Tha Man
VVUiara vvhoarowe
n Hlg AcU and Ptcturea
BAO of CANDY tor Koch
CHILD at BAT HAT
NIXON ZT
Kmlly Smiley & Co ;
Owen McRtvcney
IVihh M, IIi.n. nf...
wi'i n mu v i o nros ana itoouy
The Four SJUIcrra, Duncan L Holt Others
Ixe liroa and Hobby
Trocadero T(jL La Bcrgere
American gj "Withinthe Law7'
awlq
9
' - iksm ,-. fe i-iiim ii
cs kb. w.mttn v?r .wvi. -v-rs
U.. Bfl-SkSU-e' rm WV
9 Mwoo r m va ii 4a &fe v
l F3v Ai s y :.. .. l kJjw&
. -32 . ,r7 j. . szmmm.
wzzsLrzz i urtfsaBs wswpp
xsaMw r " "mr vts vigm
i WJ ? II 1
- .nv'utmtjr . jl. r i -7 kv - '
IUtU IIA" C i'fV . k-. , . .. .--.. . I 91 T
iftr' Tr sCN -AW riu ttrrciiicsENT cAiiirs ryj
ty v a-
r i
WHCN Ttvt HXROlNt IS POINC A HEROIC
STUNT, AT A P1STAMCL, VO NOT
APPLAUD AS Tttt. TAJR. PAM5CL tS
-iPU3 SANDOOCH'.Tia: AEOEAT,.Al
CLOSE RStAaE.
MISS SHANNON AND
HER STAGE LOVER,
MR. KELCEY
When Kflle Slinnnon, of "Pollynnna"
nt the Broad, waB In the bud of girl
hood she was one of the Ideal Ingenues of
the American stage
Nor, In mnturltj,
she Is Itiionn for
many striking char
acterizations result
ing from a ripened
artistic understand
ing. "I havo fow per
sonal vanities and
no Illusions what
ever concerning tho
stago and Itn obliga
tions," said Miss
Shannon, "and yet I
confess that I like
better to portray
tho softer side of
Aunt Polly In Tol
Ivnnna' after she
has been thawed out
nf her bitterness
and nusterltv and
after ttiiivflame of early romance with
Doctor Cmlton Is rekindled b her orphan
niece, the glnd girl. Just so It used to
hurt a little when I had to comb my hnlr
straight back nnd wear tho dowdlsh at
tire of tho plain woman In 'Years of Dis
cretion' before slip made up her mind to
know the reil Jov of living and blossom
out gorgeouslv In the full glory of silks,
laces and chiffons fashioned Into the
litest modes
"Herhrrt Kclccy, my ndorcr In 'Polly
annn,' ins been nn ardent stago wooer
theso man vears. Had he really been all
the different men who pursued mo to the
diamatic altar he would have to servo a
full century for polygamj We wero stage
lovers in the original productions of 'The
Wife.' -The Charity Hill,' 'Lady Bounti
ful,' Thu Idler,' 'The Moth and tho
name' nnd Innumerable other successes
of tho New York Lvceum and Empire.
So we were also a
couple of vears ago
in Years of Discre
tion," and nre now
In 'I'olbanna' We
have even straved
down tho path of
a first and onl
lovo in polite vaude
ville. "I wonder theman
doesn't hate the
sight of me It
w ould break the
monotonv if hi
could mike violent
stage lovo to some
other woman once
In a while I3ut ho
Is too good an aetoi
not to dissemble
The engagement
rings nnd wedding bands ho has bestowed
upon mo In tho Interest of dramatic nrt
would till Tiffanj's show windows, the
orange blossoms that I havo worn for him
would load a freight train a mile long.
Some dn I want to play a really wronged
lady and have Mr Kelcev enact a pol
ished vllluln who spurns me with cold.
Indolent disdain one whom I can round
on with blistering burning outbursts of
virtuous Indignation It would be a pleas
ant change "
N yK" ACADEMY Ol' MUStCtSSSR-?'
NEWMAN
TRAYELTALKS .M&SW
iews
Pictures
NEXT TRI. EVE. 8.1S SAT. MAT. at 2.30
CHILE
la Hie hTUAriri Ol" MAOKI.I.AN
TirinTC at Heppe's, lllOCheotnat
lILrvUiS fiOc, 78c, 1 Amp. 2So
X-ijiWJLjx Lancaster Avenue
VION., Tll'.S. AND MKD,
(ii:ui.i)iM:
FARRAR
TEMPTATION
Life he hind the ereiif of a CJrani
Operu coinimny deplcled In thU blr
l.hutop'ay
FREE LECTURE
CHRISTIAN SCIENCE
George Shay Cook, C. S. B,
OE CHICAGO
ORPHEUM THEATRE
Chelten Ave Weat of aermantoun Ave
SUNDAY, JAN. 30. at 3i30 P. M.
ooona open a a
The I'lienonienal ltusalan V lollnUt
IBOURSTIN
Y
Mitherapoon Hall. Mon live . Feb. 7. nt 8ll5,
l(e Heuta 50 e to (1.50 on Sale at HeDDt'a,
tUO Clieatnut. Met. bmlt Mua Dureau.
ACADEMV Soata at Jleppo'a, 1J10 Chestnut
Philadelphia I Tonight at 8:15
urcnesira ohainqer, rianiit
f HOOim BORROW
A FEW SHILLINGS
FROv THE
ENEMYSCENEBAL,
AMD THEN PRO-
KEEDS TO MAKE
A CrETAWAY
KScSvv9iKHs'5l
!y "SSI
MOVIE EXPOSURE
m J - . .
p IT !T
ttt: l
AW TKt INTELLlQEMT'CAHrNEi
IS HOT RUW11WG TO CRT HELP
TIE CAM&-RA MAM IS CAIttW
HIM WITH. Oil .TvXU... THE.
PJAGRAbl ,XPI.AlrT4
To the Farthest South
Punta Arenas, tho southernmost city In
the world, some GOO miles farther south
than Cape Town, nt tho Routhcin tip of
tho African Continent, Is to be Included
In tho Itinerary of tho eisy-chalr trav
clcra who accompnny B M. Newman on
the third stngo of his South American
journov, at tho Academy of Music, Prl
day evening and Siturdav afternoon, IVb
ruary 4 nnd 6. Mnny romantic tales hnvo
been woven nbout this city on tho Straits
of Magellan, but today It Is the thriving
centre for tho cattle and sheep raising
and hldo industries of Patagonia and tho
Island of Tlerrt. ol Tuego. Thero nre
other Interesting cities to bo Included in
this travel-talk Montevideo, tho ultrn
Amcrlcnn capital of Uruguay, which has
a population of a half million; Santiago,
tho romantic and highly cultured capital
of Chill, sot like a gem In a cluster of
Andean Mountain poako; Concopclon nnd
Valdlvla. In southern Chill, which havo a
qunlntnesa nil their own, nnd Valparaiso,
the thriving port, which Is rivaling Seat
tle. THE LIGHTING OF
THE PHOTOPLAY
Continued from Tnco One
suggests tho "clang" and smash of Jap
anese music.
In "Carmen," however, tho Itcmbrandt
Idea wns followed The lighting and
grouping of the characters In tho soft
shadows were all worked out In keeping
with tho "school" of that famous moator.
Wo are trying. In our pictures, to give
the public tho "artistic" element In pho
tography, as well as tho "commercial,"
never, howovir, neglecting the latter,
which consists In the careful technicali
ties of camera and laboratory work.
It was only after months of hard work
nnd study thnt our recent effects were
obtained, ns It becomes Infinitely moro
difficult to obtain light effects on a rap
Idly moving film than upon a properly
arranged and carefully timed plate. And
always It should be borne In mind these
effects must bo BUbdued to tho action of
tho artist, as that they are merely inci
dentalnever obtrusive
I doubt If ono person out of every 10
who seo our pictures appreciates the
enormous amount of work that must bo
done In order to secure theso effects,
but I do feel that, gradually, more people
nro beginning to notice our efforts and
appreciate them However, tho 10th per
son who Bees our productions has an ad
ditional treat In store for himself.
FORREST Last Mnt & Evg.
Julian ELTINGE " MnVucy"'
NEXT MON. SEATS NOW
KLAW EHLANGEn'S
PEUKLESS MUSICAL, mODUCTION
Don't Wait Don't Be Late;
You Can't Afford to Hesitate!
Heat Seats tl GO at Wednesday Matinees
J3ROAD Mat. Today
fc,2d Joyous Week ; &SaU
KLAW . EltLANOCn and GEOnun TYLER
I'llEbEVf THE KAINIIOW COMEDY,
POLLY
ANNA That Has Swept the Entire
Community With a Tidal Wave
of Gladness
Ilest Scats II SO at Wednesday Matinees
GARRICK MatToday tonight
N'm Finn! Wpplr NlBntB nt 8 "
Week nnai WeeK MntB Wed &Sat
COHAN A HARRIS Present
THE BEST PLAY PHILADEL
PHIA HAS SEEN IN 25 YEARS
NlKhta k Hat Mat , .',0c TSc, SI It SO No
higher Popular Price Wed Mat Rest Seats II
Starting
MQN 7
KEH I
HEATH
THURB
Twin Beds
AHIPDTf.AN THEATRE
LIrurd Are. Lei. Bill
AltVIMI STOCK COMPANY Preaents
I.OU1S MANN'S SUCCl-HhtUL DRAMA
"All On Account of Eliza"
Special Alipeurance rrlilay Krenlne N'eit
MR. EARLE METCALF
As l'ranz llocliatuhl
the 1-eadlnr Mule Character
MATS. Tneaday. Thursday. baturJay
Next eek "The VelIo Ticket"
Knickerbocker nra
EkSss- "INSIDE THE LINES"
Dnmnnl't Dumonfa Mlnatrels. 6th L Arch
UUmQUl 8 bu MAT. TODAY, 10c & 20c
THE MOVIE NUT!
" wm w'','e . n. ,u . .-.
frm tfrfiTv' ..vaf--WC V-. f " Tit . t I
uniAirvV lo
SUZ. t Kin I
SURE!
uencitfM. ; - r '
Tn
n. J
V 1. I
m?
ANP THE. MAM WM
ISPIWG TK MOST
'VflSK GETS- TKE.i,A?l
CK.ED1T
LETTERS
Tli in Kb MorrlB on the Wane
To the Dramatia Editor:
.Sir Prom tho very outsot of tho 1915-10
theatrical aenson I hnvo been noticing
with ilcllRht tho rnpld reversion of tho
plnj Boers from tho movie bnrk to tho
Fpoken ntnKc T'c 12 molcn h n tliliiB
of the nnit The Idcnl of tho TrlnnRlo
I'llm Compnnj hns been Blinttcrcd to tho
pround, bo thnt, nlthoiiRh they represent
nbout tho best thero Jfl In tho motion
picture nrt, they arc, nevertheless, only
molo producers nnd distributers. They
hung on to tho 13 policy nt tho Knicker
bocker In New York city ns lone ns they
uerc foolish enough to do so. Then,
when I ) 1 1 1 1 o Burke wns being exhibited
for tho first tlmo on tho screen, they re
duced their ndmlislon fee to CO cents.
Whtlo Illlllo Ilurko was tho attraction,
think of It!
Thon enmo tho most telling blow
ngalnst tho molcs, the passing out of
exlstcnco of the Vltngraph molng-plc-ture
theatre. Tho house now bcari Its
former name, the Criterion, and Is to bo
tho home of the spoken drama James
K. Hnckctt nnd Viola Allen In Shake
spearean rcpcrtolro will open tho house.
"Movies to Shnkcspcnrc" Is certainly nn
Identification of something!
Also, If "The Dlrth of a Nation" marks
a new era In motion-picture art, why Is
thero no successor? Slnco It stands nlono
as a sort of a freak of nature, surely It
marks no tendency In tho theatrical
world. "Chln-Chln." on tho other hand,
completely changed tno stylo of theatri
cal entertainment and gave us the over
lncrcaslng list of musical rovues. So tho
Chestnut St. Opera House
CHKHTNI'T IIKIOM 11th STRUM"
MATS. DAILY. 1.10 to B 1 M 10p, 15c
Y I'MMIH, 7 to 11 10c. IV, Wc
Ileglnnlnj; N'et Monday Matinee
nxcluslvu .Showing of Wm Pox's Sensa
tional Masterpiece, with tho Gifted Btar
Supported by 1MI.I.IAM E. SHAY
Produced In Jamaica by Herbert Urenon.
Special Orpnn Music All-Star Comedleu
IIItOAI) AM) MOMOOMKRV
V. O Mon-MrdllnKir (nn Mar.
I)A1IA MATS.. lOci IJtl, 10c und 30o
WHO IS
PAULINE?
Tho orlda Greatest hipnotlst, Some
call It fako and others science, but
whntovor )iiu call It, that's what It Is
S reuiiTlntflv funn
G BIG ACTS AND PICTURES
!wk3i& lwir'i''iS ia
73?3?7R
Last 2 Weeks
Beginning Monday
Matinee Today, 2:15; Tonight, 8:15
THE MASTODONTIC MUSICAL
MARVEL OF MODERN TIMES
IT RECIINS WITH OIRLS. ENDS WITH C.IRI.S AND IS
COMPLETELY SURROUNDED 11Y CURLS.
12 COIOSSIL SCENES IN.
CLUDIMI THE DESTRUC.
TION OV A OREAT CITY
HY A ZEPPELIN.
THE 1'IAIMJ HVILET OP
HEAUT1KUL SIRENS WHO
PIA KROM STAUE TO
OALLEHY.
Stroncest Mualral Comedy Cast Ever Seen In Philadelphia, Including
George Monroe, Eugene & Willie Howard
Marilyi.n Miller
JOHN T. MURRAY. DPHNE POLL lill,
anu maul i;u.Nfvr hari:
MAROAIIkr WARIIE. 1A1I1
And ALEXIS KOhl.OlT Wlll
100 BEWITCHING BEAUTIES
ADELP
SPECIAL! ENGAGEMENT EXTRAORDINARY!
FRANCES STARR
Ir ERH'AHD KNOHIAUCII, Author of "Kismet," "Tho Fawn," "Mr Lady's Dress," Etc.
DIRECT FROM ITS SUtCEbblUL HUN OF O Kit HALF A YEAR IN THE UtLbtO THEATRE, NEW YORU
ORIGINAL CAST AND PRODUCTION
DON'T FOP-GET
AND PAY .
SOFT.
IT BACK.
0 7 V-S
4C
lease expires on tho Liberty Theatre in
New York, ana niter n, yeiir u ""'"r
. iidbUii ' tA inrprnniii i ni iiiiil
opera success, comes to brighten things
a bit.
Thno tho movlefl ars ranldly going back
.. ,i.... l.AlnMw Nn 1nnfrr tvlll theV
encroach upon tlio "legitimate" property.
rnqtiestlonably their intrusion upon ino
lacrlilmnln" lina been for tho best In a
hundred different ways. Tho advantage
- IKmIh nHnftnniitnnHf la Ml Oft t ClPfirlV
shown by tho fact that thero oro better
plays Tlvcn the children, r.iiscu on tno
movies, havo become critical Of course,
rtltl.n.tnt, I1.A anntnM tilnva linvn hcen
much more successful nnnnclally of late,
thero have been many failures, From
actual statistics I find that tho precent
age of failures Is much lower than for tho
I last few seasons Of course tho thentrl
nnl l.tiolnnai (a nnmllfntod nn thin ehnncn
1 systom, so thero will nlvvayi bo failures
nnd hits nut tno rnnures now nro not
duo to the movies, but to the plnywrlghts
.. Itl, .Aniilnflnna nml ttiA mnnncrnra wltli
tho dollar mark In view.
FRnDIHIICK C. IIUSSEDU
rhlladclphln, Janunry 27.
Dcfcndinjr Anita Stewart
To the Photoplay lldltor.
1 want to tell you how much I enjoy
nur Siturday Supplement nnd your night
column I nm nn anient plcturo fan, nnd
nio thing concerning moving pictures In-
teie-us me.
Ihis evening, nftcr reading your column,
I decided, emphatically so, that I did
not ngrco with you on ono point, In fact,
it left such a bad tnsto In my mouth thnt
I decided to writo you and defend my
favorite nctrcB1!, Anita Stownrt, who, you
Imply, has neither naturalness nor dra
matic ability, and "is exceedingly nrtlfl
clal In every movement."
May I nsk If you havo ever aeon Miss
Stewart In "Tho Sins of tho Mothers,"
"Tho Juggernaut," "jrom Headquarters"
and "The Awakening," all Vltngraph re
lenses 7 If so, I really cannot find any
solid bnso for any of your criticisms of
Miss Stewart, for I consider her an
nctrcss of great ability! ono who In not
conceited or continually nhowlng tho
camera a full face, and certainly not
"artificial "
I really could not let that criticism pass
by, for I nlwnys defend my favorites,
when possible. D. HAMPTON.
Philadelphia, Jnnunry 21, 1916.
Three essential of success In motion
picture theatres nre consistent pictures,
a proper price nnd the right stimulation
by ndtcrtMna; In the neighborhoods on
which the homes must depend for their
pntrnntiKC K. 0. Rowland, In Metro
Pictures.
filOBF Theatre11
MARKET nnd
JUNIPHR 8TS
-Continuous 11
to 11 P M 10c. 10c. sr.c.
KLEIN BROS. MINSTRELS
DELMORE & LEE
Olho Drlscoe, Jarrow, tho Lemon Klnp; Others
CONVENTION HALL
IlltO A I) ANU ALL1X3IIKNY AVE.
LU LU TEMPLE, NOBLES
SHRINER'S
; -y.-Di a 4-VUX j
AMERICA'S ONE HIAI. TO THE IIIU RESIDENT CIRCl'HES OP ElllOI'f"
rTHT?l!F! UINfiQ nil tioHiis, 'trained Elephants, Camels, Hears, Oier two hun-iilllJ-!-
Kinuo ()rll lin( nfj i,,,,,, oiln-r animals mid nil the Star Pirform
ers of the Saudust Arena, Including Dare-Devll NlilH O In his death-del) Ing ulunxe
from dome of the Hall.
Prices, 2flc, 60c, 7Bo and ?1.00. TI3N THOUSAND SEATS AT 51 CENTS.
MTISEF. '.'V anil B0 Cents No Higher On Snip nt Glmliels, Dili nnd Market.
UTs
IinniNM.Vr; MOMMY EVnX'O, ItOnnitS AJIUSEMEM' COMPANY Presents
THE NEWEST NEW YORK MUSICAL REVIEW
1WT1I AN ALL-STAR CAST. SURROUNDED VilTH
A BEAUTY CHORUS OF 6030 SONG HITS
A S2 NEW YORK MUSICAL
G POLLVRD, DIXIE GIHARD, HELEN ELEY. MILLER
, CLARENCE IIAUB, Htll 11EUIN, AR111UR JIILL,
CARUSI.K, MARIE HOOD, EDMUND COULDINO.
IIP U1II HIE IMPERIAL RUSSIAN MALLET
1111
WHO REALLY ARE YOUTHFUL
H I
DAYID BELASCO Presents
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Rs "JiiiSHSH
mmdBmMiM&BrM
iHHiafVSPSii
LILY LANGTRY
The Enp;lish actress coming to
Keith's next week.
B. F.Keith's Theatre
CHESTNUT AND TWELFTH STS.
Mat. 2 1.M. S Shows Dally. Night. 8 P.M.
NKXT WEEK
Farewell American Tour
Mrs. Langtry
(Iady do Bntho)
Supported by Lionel Atwlll and Leopold
Stork In a Society Play called "Ashes""
" -" "" . "
A Popular Duo
Paul Morton & Naomi Glass
Presenting "Rcforo and After"
A Rccord-nrcnUlng lilt
WILLARD SIMMS & CO.
In "rilndcr'B rumlshed I lat"
Bnntly & Norton, Marie nt7Rlbbon,
Alfred Borgen, Iiradlel & Norrls, Rob
bie Gordone, Saxo Sextette.
BBaNBaXTv
MATH. 3 1'. M. EMS'S. R
ONE
WEEK
ONLY
OF THE MYSTIC SHRINE
DAY, MONDAY
Pun. Mat. lues. Thurs . 2V & 80c.
Her. Mnt. hut. Malils. Ilrst .Seats SI.
No Richer. .Matinee Today Tonlfht,
I nit lime, ""iCIIOOI. DAIS."
REVUE AT POPULAR PRICES 1
j J vbaJ i 4 U
w "
BEGINNING MONDAY EVENING
MATTiMrcrcs TinmsnAV and SATURDAY
In the Mot YVIdelr DIs
cusaed I'lujr of the Year
MARIE--0DILE
Ii
ConUnued on ne P?J
Hynrs
oNP PART WILL B
$HOWN ACROSS
THE WAY
1
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