jrS
s'
Amusement Seen
.. --. H.mTTTmAV TA-NTTTA'RY 1. 1916.
Ammem&rt Seel fan
EVENING IiEDGEB PHIIADJjJJjriiiA. xxuxvxx, - ..
MLLB. DAZIE ON THE POETRY OF DANCE
RUTH ROLAND'S OWN BALL TEAM
3 C
r
' fa:
CfS-c
i ,
Star of "The Red Circle" (Balbon-Pnthc) organized n team of ball
players for it.
THEATRICAL BAEDEKER
Shaw's "Lion" Arrives in Philadelphia Gillette as
"Sherlock Holmes" Variety in Our Theatrical
Offerings New Feature Films
A'Ktl' PLAYS
ADELPIII "Amlrocles nml the Lion." by O. Ilerntml Hhnw, and "The M-in Who
Mnrrleil n Dumb Wife," by Anntolr Krnnce, with O. 1. IIcrbIp. Mnry l-'orhcs nml
Edward ritllwnrrf. Granville Dnrkci'fl production of two eiy clever cnmcilics seen
nml well liked In New York last year. Shaw's piny Is n fnble of the Ohi'lstlmi who
plucked a thorn from the lion Hint ho met In the forest nml who nfterward en
countered the same nnlmnl In the llotuiin nremi, much to lit mlvantiiKc Tho
Franca plnylet is n comedy bused on ltnbelnls. llotli pla nro set In the new
manner. '
BROAD "Sherlock Holmes," with Wllllnm (Jlllette. A ilmmntlzntlon of Conan
Doyla'a famous detective. An episode. In his llirlit against Morlnrty, tho urcat
criminal.
LYIIW "Maid In America," Willi Mile. Dnzlc, Florence .Mtore, OcorRo Schiller,
Swore and Mnck, Minerva Covcrdnle, John Adams nnd John C5. Sparks A New
York Winter Harden show of the usual stupendous dimensions, with travesties
on current plays, elaborate cboius evolutions, plenty of ragtime nnd all tho usual
trimmings.
LITTLE THEATRE Vow plays by Hie Since Society. "Simoon," by StrlnberB,
"The Hear," by Anton Tchekhov, nnd "The Carrier I'Ikcoii." by l'hllpotts. aio new,
while "Ovcnuled," by Hernnrd Shaw, will bo contlnueil. A piosrain of dlversllled
Interest.
CONTINUING PLA YS
FORREST "Watch Your Step," with
Mrs. Vcnion Castle, Frank Tlnney,
Bernard Granville and Elizabeth IJrlce.
Tlnney fun, CiiHtle jrrnce, Herlln lass
and a Dillingham production.
QAR1UCK "On Trial." with Frederick
Perry nnd a Rood east. An ucltliiK
story of crime, written baekwnrd In the
form of a trial. Novel and entertaining.
WALNUT "Tho Irish Dragoon," with
JVmlrow Mack. IteopcnliiK uf tho plny
hou.je for popular-price plays.
(S PHOTOPLAYS
CffESTNUT STREET OPERA HOUSE
All week, "Madame a, with Dorothy
Donnelly, a Pntho Gold Iluostcr Film.
STANLEY Monday, Tuesday and Wed
nesday. "Tho Foundling, with JInry
Plckford. a photoplay In which Miss
Plckford begins as a poor orphan, out
ends as ,a charming, happy and mnr
riaReable heroine. Thursday, Friday
nnd Saturday, "Lydla Ullmore." with
Pauline Frederick.
ARCADIA Monday, Tuesday nnd Wed
nesday. "The Ueckonlnjr Flame," with
Henry Woodruff and Tsuru Aerl; Thurs
day. Friday nnd Saturday, "Let Katy
Do It," with Jane Grey.
REGENT Monday and Tuesday, "Tho
Green-eyed Monster." with Robert Mun
tfll: Wcdnesdny and Thursdny, "What
Will People Say," with Petrova; Fri
day and Saturday, "The King's
Game," with Pearl White.
PALACE All weejf, "The Cheat." with
Fanny Ward and Seasuo Hamakaya.
VAUDEVILLE
KEITH'8Phyla Nellson-Terry. in
scenes from Shakespeare; Manuel Qui
roga, violinist; Beatrlco Hcrford. mono
loglst; Clarence Oliver and George Olp,
In "Discontent;" Donahue and Stewart,
In "Him and Her;" Tho Great Leon,
magician; Leonard Gautler, Alexander
Kids, Wheeler Trio, acrobats.
COLONtAL Hatkos' Midnight Rolllckcrs
In "Dancing Around" ; Icelanders ; Nor
ths' Baboons, an annual act; The Wild
Moors, Sellers and North, Spencer and
Williams. Nelson Waring, "Cigarette."
Patrlcola nnd Myers, Soretty and
Antoinette.
XtllAfJB Th ntiroletter Twins. "At the
,C Party." Wood. Melville and Phillips.
SU-.helnir and dancing: Rockwell nnd
PrfiWood, Adelaine Francis, Phonograph
"Girl: Tom Kuma, contortionist.
PJOSS KEYS Edmund Hayes and corn-
mnt
R.. rmnv
In "The Piano Movers ' ; Klein s
le W.'
Ulnstrels. Brloren and King, Louise
Jtfnyo. Jersen and Hamilton, Kdward
Brothers. Ogden Four, Betty Rae, Harri3
and Nagle and Zara Trio.
STOCK
JL3lBRIOAN"BToaiway Jones." The Ar
vlne Players In George 31, Cohan's
play.
KXWKBRBOGKEn "The Ninety and
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With charm undiminished, Mary fickford is looking forward to
ckaimtag tb audiences of Jhc Stanley next week la "The Foundling',"
k J?jiramoant picture. Tbi$ is one of her neweet portraits.
Nine," the Knickerbocker Players In
litohlcin piny.
1WRLEHQUK
DVMONT'S rjrumont'a Mlnstiels. in bur
Icsnuo mul travesties of the times
Musical Glasses
SATURDAY, JANUARY 1
The Huston Oiier.i Company oml Pnvlowa
llallet Itupiic Afternoon at 2 o'clock. ItnlteT
Plvirtlsomrnt, nilh I'nvlovvn nml Nollnlne.
nnd at s o'i lock, "F.ielUccl." with M.iksIc
'iv,te, Xonatfllo nnd ImklanofT, followed by
"i'lipplnfu." with I'uvlovvn, nt tho Metropolitan
fip'Tii llnure.
TUESDAY, JANUARY
llliiHlr.itcd inimli'nt talk, "Tho Symphony
Orchestra nnd It instrument.' ! T.,'opold
Minkowski, nt the Llttlo Theatre. 3 o'clock.
Ilc.itrlco flint Collins In rc It.if nt the Alillno
llotrl undrr tho auspices of tho 1'hlladolphla
.Music Club.
THURSDAY, JANUARY C
Tho KnelKcl Quartet will Rive tho opening
concert of Its 1'itli fwhoii In Philadelphia In
Wlthernpmn Hnll. under tho auspices of tho
HrMirtnunt nr Mink ur the Inlvorsltv ex
tension i'oelct,. Tho proRrnm will open with
tho lluydn quartet In lJ major. Op. -0. So. i.
a nuinhcr that has not previously leen plaved
hv Uot'toi Knclscl nnd his asroct.itcH in Phila
delphia. 1 ho iiuartet in P mnlor by Mnurlco
llnvel will follow. This comriosltlon una
first hroiiRht forward In this country liy the
Knelse! Quartet nlno earH npo, soon nftcr Its
riympletion. and after a. lapse of some sea
sons Js now being Included In the repertoire
once more. Tho other numbers are: Sonatn
In l minor, for loloncello and plnno, by
rehanRpln cnrclll, played by Mr. and Mrs.
W'lllem WJlleko. nncl tuo movements from
Quartet in (.1 minor. Op. 27. by Grieg.
FRIDAY, JANUARY 7
Philadelphia Orchestra, with Oabrllowltsch,
plnnist, ax soloist, at tho Acadomy of Music.
Tho program:
Overture. "Genoveva" Schumann
I'iano Concrto, In E minor Chopin
S3 mphouy No. 1, in K minor Sibelius
SATURDAY, JANUARY 8
Friti Kreliler In recital, at th Academy of
Music, at 2:30. Ills proKratn:
I.
Sonata In A major Hnndel
Gnivo In C minor Friedman Iktch
t uguo in A major
..Tnrtlnl
II.
Fantasy In C major. Op. MI...
..Schumann
..Godowsky
. .CiotloKsky
III.
Larghetto lamentoso
Lecndo
Impromptu
Itnndtnn (on a. themo bv Ilcethovenl
sscnut'err.
.Krelsler
Maxurku Jn A minor (posthumus) Chopin
-.unauons
.Tartlnt j
IV.
Indian lament Dvorak-Krelsler
Spanish Uance Granddos-Krelsler
vlenncso roiiular Song Arr. by Krelsler
Tnmbourln Chlnols Krelsler
Phlladelphl.i Orchestra at tho Academy of
Music, at s.lS. 1'roja-am as above.
WEDNESDAY, JANUARY 12
Tho third concert of the Rich Quartet In
Vv Itherspoon Hall, with Leefeon. pianist, and
Kliuller. cellist, as soloists.
THURSDAY, JANUARY IS
John McCormack In recital, at the Acadomy
of Music. 8 o'clock.
Herman fctandbv In recital, at Wltherspoon
Halt, at 8:1.1. The program.
Sonata In K minor J. Ilrahms
Concerto In U major Herman Handby
rtomanco It. Schumann
Tho Sussex Mummer's Carol. ...Percy Grainier
nilornell C. Slndlng
Indian Lament A.Dvorak
lib pay Bong A.Dvorak
Hondo A.Dvorak
1'olonalsa In I) minor I. Topper
"""THE DANCE IS AS OLD AS TIME"
Mile. Dazie, Premier Danseuse, Talks of the" Art of the
Dance, of Herself and Gives Us a
Little Philosophy
"T HAS been Iterated nnd reiterated tin-
.111 the adage Is moss-srown, that
prophet Is without honor In Ills own
country," nnd there are many luminous
precedents to prove that the assertion Is
not n fnllncy. In the beginning of her
career. Mile. Dnstle, the dnncer of "Mnld
In Amorlen," believed thnt the maxim
applied to her, but today sho refutes It
by her own nctunl experiences. Still, she,
a Mlssourlan by birth. Is steadfastly con
vlnccd that the whole American public Is,
speaking In the vernacular, from Mis
souri, and. therefore, "must be shown."
Dancing Is lo prose gesturo what sing
ing Is lo the Instinctive exclamation of
feeling. Hogardcd ns the outlet of ex
pression of strong emotion, It sustains
hut docs not excite, the How of feeling.
Tho voice, iinWlcs"nnd ninny of tho or
gans nro affecltd nt tho samo time and
the result Is n high stato of vitality,
which, In the ecstatic worship of Hoe
chus and tho Cybelcs, amounted to somo-
i
thing a llttlo short of madness. Hut In
tho ndvnnced or volitional stage of danc
ing tho essential fcntiiro of pleasure has
been highly dovclopd. bringing Into piny
alternations of stronger muscular con
tractions with weaker ones, alternations
which are composed with long rises nml
falls In the degree of muscular excite
ment. Tho Idea of much being supported
by little, as Is the ocular attraction of
the modern posturing ballet, nnd, as In
tho famous statue of Mercury on tiptoe,
It is essential to tho beautiful effect of
tho picture. It Is, however, only one
condition of graceful dancing nnd If it
be tho main consideration tho dancer will
sacrifice nrt to mere ncrobatlvs. In the
fullest sense, dancing Includes three
things tho spontaneous activity of the
muscles under some strong emotion, such
as soclnl Joy or religious exultation; dcli
nlte combination of graceful movements
performed for tho suite of pleasure which
the exercise affords to the dancer or to
tho spectntor; carefully trained move-
f ments which nro meant by the dancer
vividly to represent the actions and pas
sions of other people. That Is tho pnnto
mlmo dance, the danco In which Dazic ex
cels all other American dancers.
"In my estimation." says Dazie. "nan-
tomlme Is tho highest expression of dra-
matte art, that is, tho pantomlmo of danc
ing. 'I neso may be considered twin arts.
They are certainly kindred In conveying
without .words mental Impressions, and
MAN WHO WROTE
A PLAY BACKWARD
Continued from I'oxe One
"No, I never had any professional ex
perience. I'm an amateur."
"Rut you must have had somo guid
ance?" "Oh. yes, I read all the plays I can get
my hands on and go to see all the plays
I can. Don't you think that's tho only
way to write plays?"
"I mean, don't you think It's Impossible
to be taught to write a play? All that
the books and tho professors and even
the playwrights themselves can do Is
to tell you what not to do what pitfalls
to avoid."
"What have you read7" This a little
severely.
"Most all I could find," rejoined he,
meekly.
"I read William Archer's book and
Rrander Matthew's. I even tackled Frey.
tag. They're all good, sound writers, and
when you finish with them you say en
thusiastically: 'So that's how they do It.
I'll do It myself.' But by the time you've
rustled out your paper and pencil you've
forgotten what It Is you were told to do."
"Hut haven't you had some experience
In writing movfng-plcture scenario?"
This Is evidently a sore point.
"Why, why," demanded, the boy plte
ously. "Why do they Insist that Blnce
I could hold a pencil I have been writing
moving pictures? That was In the news
papers the next morning. Also that I
was said to bo a newspaper reporter from
the West. I've never written anything
for moving pictures and don't intend to,
I've never been west of Iloboken."
"Yes, Just for practice,"'
This young playwright's watchword
seems to be "practice."
"I want to try a lot of different things,
farce, comedy, melodrama Just experi
ment. I've stopped trying to bo a lawyer
now and am going to give all my time
to playwrttlng. If I have got anything
to say eventually maybe I haven't, but
I can only hope I have I want to be as
well prepared for It as possible."
"What sort, of play do you propose to
write finally?"
"A sociological play."
"A play with a purpose?'
Mr, Relzenstein refused to be fright
ened out of the assertion.
"Yes, a play with a sermon In it, a
moral to It, I know tnat'a a risky thing
to try. Rut It seems to me that grad
ually the stage is going to replace the
pulpit. That has been said a good many
times, but I believe the tendency Is pro
nounced." "It may be a tendency toward good
morals, but won't It make very bad plays
In the long run?"
'-Not necessarily. I don't believe In
letting the purpose run away with the
play, but it can run parallel with It. I
think 'Kindling' was a good play with
a. purpose. It was crude. It made a good
many concessions to popular tajte, but
for all that it was a good play,
"Are yqu a Socialjttr"
"Yes." W
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dialogue.
"Primeval man was able to dance o-
foro ho could oven spenk, nnd In the per
formance of rude terpslchorean cadences j
Indicated his Joy or sorrow. Indeed, all
forms of dancing hnvo existed irom tno
earliest times, nnd In days Immemorial
even the priests danced vigorously dur
ing certain portions rf their religious
ceremonies.
"Tho modern ballet, however, owes Its
development to tho Italians. Nearly half
a century beforo Columbus discovered
America, or. to bo more precise, as early
ns UOO. nt Mllnn. In Italy, dancing ns nn
ait began to receive prominence. In
later years, under the patronage of royal
ty, pretentious efforts were made to show
pedal virtuosity In n vnrlcty of group
ings. Tiieso groupings ultimately sprend
nil over Europe. For many years nenrly
nil of the great premieres camo from
Mllnn, nnd to have, graduated from La
Hcala wns as good ns a certlucnto of
recognition wherever tho artist Journeyed.
i think when performed by nn adopt nro I
Many of tho world't greatest premieres; '
in met, nearly, u not quite nil of them,
have from tlmn to tlmo visited America
and lott ai. Impression which wns not
forgotten either by ho American public
or tno American dancers. Mlllo. Varassl,
who visited this cumtry eight years ago
nnd whose beauty nnd brilliancy of ex
ecution of Dclibcs' "Coppolia" created pro
found enthusiasm. furn..shcd amplo ovl
denco that tho Itullan premlero is still as
remarknblc ns ever.
"In Russia children nro trained for the
ballet at a very early age," sho said,
"and tho Petrogrnd teachers are excellent;
so aro those of Italy. Personally. I have
given a great deal of conscientious study
to classic dancing. Pallet dancing la ex
tremely poetical, tho poses requiring ex
ceptional enre. Tho steps, always elab
orate and often dllllcult, must bo In per
fect hnrmony with tho Idea to bo ex
pressed, while tho ensemble completes the
pictures and gives an exqulslto and poeti
cal climax. Classic dancing Is the quin
tessence of pantomimic nrt. Its mute lan
guage is a tongue which few can speak,
but which, when properly spoken. Is ca
pablo of being entirely comprehended by
everybody. It Is a language which knows
no racial distinctions, for whether one be
an American, English, Russian, Italian.
German or what not, his graceful gestures
of hands nnd limbs, tho swnylng body
nnd tho mobility of facial gesture all
"Shall you write a socialistic play?"
"I'm nfrald I shall. Rut not right away.
I wnnt to practice a great deal first, but
take my time."
"Practice on tho poor public. Mr. Rel
zenstein?" "I'm afraid that's what I'm doing In
'On Trial.' "
"Then you don't think 'On Trial' Is a
good play?"
"Not especially, Technically it's pretty
good. And there's no doubt. I guess, that
its a successful play. Arthur Hopkins Is
largely responsible for that he's a genius
In his way. Hut that doesn't mean that
It's a good play. Fow successful plays
aro good ones. When n man combines a
good play with u successful one, then he's
a genius."
nut thero'3 nothing beyond the tech
nique and the Ingenuity of Idea In my
play that Is especially commendable. It
doesn't have any theme, you see. It
doesn't get much of anywhere. It's Just
a novelty and entertainment."
The newspaper man dropped la at the
office of George Cohan nnd Sam Harris.
"Nothing happening In here," ald Ed
die Dunn, general press representative.
"No murrlugrs, no births, nu deaths."
Mr. Dunn tapped three times on the
wooden surface uf Ids desk,
"Which are jou tupping for" cams
the query, "marriaces, births or deaths?"
"Uby fear death?" quoth Kddls.
XK RUTH ROBINSON
'.
ring at the American The
ith the Arvine Stock Cora
y in "Broadway Jones.
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express some thought, some emotion,
which. If tho dancer bo a real artist, tho
spectator must feel.
"I bollovo that tho American public is
now educated up to the point where It
gets a prodigious amount of enjoyment
out of tho highest forms of tho premiere's
nrt. No audience In the world Is quicker
to recognize merit than an American
audience, and every responsive bit of en
thusiastic encouragement that the dancer
receives spurs her on to still more am
bitious efforts." '
On Bernard Shaw
I believe with what ll almost a 48
centimeter Imbecility that poor Oeorce
Shaw N our most talented living play
wright. o roree Jean Nathan.
GRUMPY WANDERS
IN MOVIELAND
Continued from Vate One
Do you register well? I keep wondering
how they like the look of their faces on
tho screen, most of them, or whether
they loathe them as much as I do mine
when I seo it flickering past me, and keep
wishing that Cod had mado my chin a
little less long or my nose a llttlo bit
longer.
Everywhere there Is enthusiasm among
the Yellow Faces, enthusiasm and great
Interest In their approaching fates. What
may they not have to do after lunch and
In this their last one? Jealousy there is,
too, among the Yellow Faces, not so
much of each other (though I did catch
sight of nn old gentleman with such an
Interesting face looking sourly nt me as
much as to say in a very kindly sort of
way, "What the is this old bloke
doing hero!") but Jealousy of one firm
for another and loyal Jealousy of Yel
low Faces working for one firm about the
other firm possibly having a greater suc
cess man tneir firm!
"We've had a wonderful time this
morning," says a horrible-looking- ruf-
nan wno passes our table; "we win ted
two old women to appear In a fright in
a crowd and we got two fearful-looking
old harridans out of the street close by,
and act didn't they act? Sarah Bern
hardt wouldn't have been In It! Tbey
were simply terrified!"
He Introduces us to another man
(they ore. I believe, both dear good fel
lows nt home nnd go to church very
regularly, but now, even armed capa
ple, I would not go home with either
In tho dark), and this new-found dls.
reputable-looklng Y. F. bursts at once
into long descriptions of perfectly blood
curdling scenarios he has conceived and
placed advantageously for himself but
to the possible detriment or possible de
struction of many a movie actor and
actress and the certain terror of many
a child for all time. Hear one, about
the crocodiles that begin to nibble at
the opposite ends of a hero at the same
time when he is bound with cords to
the villain he has succeeded at last in
causing to go off Into a dead faint by
forcing his thumbs Into the other's eyes
after learning that he (the villain) had
seduced Jn the early eighties his (the
hero's) sainted mother fade away and
then
But, no, I can't bear it after lunch.
So I will merely end like the French
novelist docs -when things get a bit,
well, pais pour les Jeunes filles, with
an r
and a few more
MUSICAL
CARL TSCHOPP BSgSJX-r,J
UANDOUK UAN.IO. UUITAB. ZVTIIEU
OUOANlbT AND CJJOIK BLIIEAU
CAurcbcf buupllsd, re4crictt B. Carta, llir.
Via CllltWfc tut ChfUUit Si
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HI !
1
Till
;DANCNG
WAGNER ACADEMY
I 730 N. Broad St.
, D8DAI, SCHOLARS' PRACTICE DANCB
MO.NDAr, TUESDAY & TUUltSUAY EVOH.
Titrvia
The event too bare been waltlne for
The greatest night of til for Dancers
MRS. WAGNER'S
BON TON MASQUE BALL
Next Wednesday, January 5
DANCING- MJOJI 8.30 TO I A. M.
CASH PHIZES EXTJU ilUHIO
SPECIAL CASH PniZB TO BEST
1'KMALE IMPEItKO.VATOU
WUVATB A.ND t
-...va. At.
"HOW WELL
THEY DANCE"
CERTAINLY. T1IBY WERE TAVQUT at th
C. ELLWOOD CARPENTER
SCHOOL OP DANCINO
1123 Chestnut Street 1123
Where private t class lessons are riven every
day A evening by a corps of expert instructors.
Moderate rates. Phone, Filbert 8QT.
6 SPECIAL RATES $
PRIVATE LESSONS O
"BBB YOUR OWN FROQRE88"
Talcs your lessons In one of our separata pri
vets mirrored studios, thereby watching your
own advancement.
Latest New York Tango & 3 Step
Open Day and Evgs Phone. Locust 818a.
THE CORTISSOZ SCHOOL
1020 CHESTNUT BTBEBT
CHAS. J. COLL
38th and Market Streets
MATINEE TODAY, 3 O'CLOCK
RECEPTION TONIGHT fg
Ds Hart 4 Skyers' Orchestra of 10 Musicians.
Students' Chapter fS5.$Si,iA
CARL TSCHOFS. Principal.
NEW CLASSES NOW FOHII1XQ
NEW TfEAB DANCH TONIGHT
FOWLER'S PRIVATE STUDIO j
Prkonal Imtrurlton inv hnur Ant n &.!,.
I malt appointment. 407.1 GHISCOII ETItKM'
1 Phone Frankford 330 J.
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MISS LYONS f7'l'eliUMl ' D"?'"f
j . , ., -v. AH9 Che smut Bt chil
dren' class, Bt.. 3 P, M. Private, lessons any
hour Studla rented tor muil. card & dances.
WROS KEITH BALLItOCM u UK
rented? JMW (.dull classea atartlnic. lOlldreaT
" huutouu ineairt) uxuiuing.
kxtra Dance Saturday Eve'g,
Uill.ttf
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- 'LAMJ LESHON8
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LOESER'S N,5aWT,,Bra.Na
81 SOUTH 82D(8T
Classes Tues. and Fri.; Orchestra
LEAP YEAR DANCE
Monday Night, Dancing Till 12
11IOH SCHOOL CLASS Fill. AFT.. 4 TO 8
IlECEPTION MONDAY, WED. AND SAT
wSsday AH the Old Dances
Private Lessons : Hall Can 1)4 Rented
Dancing Every Sat. Evg. Till 12
Phila. 6-Slep taught and demonstrated j
A I WHITER Southeast Corner I
AL. VYHUft 0 15lhand Chestnut f ;
Special Wednesday Evening
Coma and (p tctth "Boibu."
BOBBY HEATH NIGHT
(Now appearing at the Globa Theatre)
With ttube Cowun at tha piano.
8('HOI..ltS' MI.HT TUESDAY
Itl'f'KlTHINK KVKI1V V1' inn HIT.
Private Lessons in Modern and Blase Danciof
Hall to rent tor special occasions.
FREDERIC GENSBURG
A perfect system of individual and private
Instruction. Moderate rates.
1WJ4 OXFORD bT. Poplar list
Anniversary Week NEMt?E3
P.P n CK.IJ Lt FlIANKFORD
end MAROAnET BTRBhT FRANKFOKD
Special Reception TONIGHT
iVtra Jusfo anil Large Orclnztra
CLARAL ScfI f Dancing
Scholar t,vory Tus.ia. oil ihv. -.uv vcs.
Special Attention oiviu to J'jjasrn
Reception Every Saturday Lvs.
PRIVATE LESSONS OY APPOJ sTito-XT
CX-HlENCi; . IMtADY LlEi AIUI
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