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BVEJTItfG LEDGER-PHILADELPHIA, SATURDAY JANUARY 1, 11)10-
toning ftgai!IeiJ9er
AMUSEMENT SECTION
Addrtst atl communications to Dramatid Kdxtor Evenina Ltdaer,
Independence Square, Philadelphia.
the Average net paid daily circulation of the evening
ledger for november was 94,801.
PHILADELPHIA, SATURDAY, JANUARY 1, 1916
Film Stars or Stage Stars Which?
rjlHAT prodigious Infant, the American film Industry, has sono blundering
AaloiiR for four or nvo yenrs now, developing first one side of Its nature
nnd then Another with a blissful disregard of any theories, principles or
... unc'rceiers, two-rcclers, tliree-rcclerfl, serials, features. $2 produc-
lions, scenic, cartoon comedies, news pictures; original scenarios, adapted
novels, screened Broadway successes and Broadway failures; unnamed play-
trS, thetl film fltnrs. ntinlK ofnn-A ilni-a 1ft t.n !... 1.-W -1..1, -i ,
of nfccldents.
But now, under trial of oxperlencs and financial pressure, the movies
are beginning to mako up their minds. And one of the first questions to be
debated is "Film stars or stage stors-whlch?"
The Revolt from the Stage Star
The reolt has started. Humors are rlfo that Fox, Klolne-Kdlson,
Essanny, oen tho Trlnngle, will use no moro stago stars. David Horsier,
who has never favored tho stage star, grown voluble. Now most of theso
cumpnnles-certnlnly tho Triangle, with Sir Herbert Tree. Do Wolf Hopper
end half a dozen others tinder contract will continue to show Broadway
rlayors from tlmo to time. But there Is an undeniable and seemingly per-n-anont
tendency back to tho tried players of tho screen Itself
What the Producer Snjs
Somo few program nroducers insist nn n nrll.linntvn ..tar .. ,.....
feature. Men llko Qeorgo KIclne, however, say
Personally, I think that tho public want film stars In preference to
stago stars. Well-known stage stars arc not known everywhere. There
are places having good motlon-plcturo thcatros whero tho peoplo hao
not heard and learned so much about stago stars
Almost without exception, the exhibitor favors welMcnoun film stars
as against stage stars, nt least of tho lesser magnitude. Manufacturers
are and have been rirono to overlook tho fact that a stage namo well
known on Broadway may be known In far lesser degree in tho smaller
towns and cities In which most of our motlon-plcturo theatres aro lo
cated.
Advertising That Costs Too Much
Of course, there Is ono big advantage In tho stago star advertising. That
has been tho real reason for his Introduction. It has meant nn Instant up
pcal to theatregoers. But this appeal has had Its drawbacks. Tho making
of stage Htars has fallen off on Broadway. Under the financial competition of
tho movies, the curtnllment of theatrical activities will mean still fewer stars.
While Broadway nnmes may appeal to tho playgoer who has ventured Into
the movie tliOM'ros, their appeal to tho avorngo movie patron Is a good deal
less. He doesn't know these great ones as ho knows Blancho Sweet, tho Glshcs,
tho Plckfords, William Farnum, Crane Wilbur. Curiosity draws him for a
tlmo, until he finds out how disappointing many stage stars are, and until
he wakes up to tho Imposition of giving minor plavers from the legitimate
tho Broadway lmlos of stardom. Ho soon discovers that tho average stage
tar isn't half so satisfying as somo movio luminary.
And meanwhile tho movie producer counts the cost.
ONE MINUTE, PLEASE, TO CHANGE REELS
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-KHifOH . j
EATON SEES GRACE GEORGE TEACH
BROADWAY LESSON OF REPERTORY
Irony, wit and polished action, was, on
the whole, so creditably produced that
the few old timers who could remember
10 year back were able to declare that
It did not suffer by comparison with
Mrs. Flake's production
Keeping "The New York Idea" still In
her repertoire, Miss George next revived
Henry Austin Jones' comedj, "The
Mare," a product of the nineties, which
was first done In this country by John
Brew at the Kmplre Theatre These two
plajs, both brilliant examples of a wcll
recognlrcd tjpe of English drama, al
ternated nt the plaj house, until the
second week In December, when MIbs
I George displaced tho first American pro
duction of "Major Barbaia," by G B.
Shaw,
Now, It may bo questioned whether
1 either "The New York Idea" or "The
Ll-irs" attracted sufficient patronage to
I Justify Its production under ordinary clr
cumBtances. But right here Is where
Miss George's scheme the repertoire
Idea has the Immense advantage over
the ordlnarv nroeeduro Neither produc-
1 tlon was a failure, and both productions
l attracted the warmest critical praise,
both from the press and from discriminate
1 lug thcatre-Koers They rrptesentcd,
then, the preliminary work which had to
be dono to Impress the public with the
Idea of Miss George's sincerity, tho thrill
of her cnm.inny. the st-inditd of her
house This they accomplished po id
mlrably that when "Major Barbara" was
nnnounced, a pla hitherto never plajcd
here, hv the popular Shaw, there was nn
j advance sole of $'000 before the curtain
weni up, a snio w-nicn represented un
mlslnknhlv the value of vvinnlig public
confidence
Aftei the opening performance tho ad
vance silc Jumped sthl mote tt the
coml evening It hnd doubled. "Stajor
Barbara" was a "hit," In the accepted
sense I e, a money maker It will
undoubtedly pay for the season at tho
Plnv house, and out of Its profits will be
met any losses Incurted bj the produc
tion of other pieces. Miss George will
not make quite so much moncv as she
would have dono had she plijcd noth
ing but "Majoi Birbaia." perhaps,
(though it Is doubtful if sho rould have
mounted It so well without tho pic
Umlnnry training of her company), nnd
she will lo3o some money by Interrupt
ing Its run once a week or so and keep
on her repertoire Ideii (if she has the
courage to atlek to that Ideal But she
will hav won something far more Im
portant than monej, nnd. In the long
run, the equivalent of monev; she will
hnve won u permanent confident trust
ful public for her theatre, she will hnve
won aftltlc prestige nnd she will have
built up a company of plnjcin whom
,,.,.. .111 n.ttl InlrA nnrl VVntMl In UPtlOn,
IHI1 JUIUI1- '' i"v .... ......... ---
because they are here at last, getting
a chanco for varied and serious develop
ment The whole experiment, h it
ftlroad won such marked favor, has
been conducted with great Intelligence,
high IdcnlM, artistic efllclency nnd Uttlo
or no palaver nnd looting of trumpets, i
Wo take off our hat to Grace George.
She has dono more to bring order out
of the theatrical chaos of New York than
nnvbod else In more than a decade. Sho I
really has standardised one thentrc, at
least Ode ,lns uunu wimi im "i ii """
had tho energv (oi t le bral isj to o
Votes for women'
,s fot Majoi Baibara' Itself, written
30 i cars ago. ahd produced In London,
with Annie Ituscll In the title role,
ono marvels, on seeing It acted, that It
has not been produced here beforo It
acts extremely well By tint wo mean
Us stori progi esses drnmatlcallv, hom
ing tho attention, Its (.harnctcrs excite
the Interest and Its humor flashes con
stnntlv, evoking lonstnnt mirth That
the deeper message of tho play Is com
prehensible, to the averago nua JF
would hot, however venter iiwtl,
Khaw himself, m the ph?J1K3
(which has to be cut t?XLX?W
supplied n preface which ten ii,?fytfi
what to write nnd which e, IVI!
mo pia is nil nbcut It is ii a-. zWM
vcakne-s tl nt any such preface uT'!
sarj (a weakness of the play , "'cmJ
of the critic), though nobo ''"!
The Actress-Manager Acquires a Clientele, a Trained
Company and Three Successes, Including Popu
lar Mr. Shaw's "Major Barbara"
By WALTER PRICHARD EATON
The Failure of the Stage Star
Quito apart fiom the question of experience the problem of becoming
"camera-wise" there Is a very good reason why tho Broadway player fallB,
David Horsley has hit it:
Of tho big stngo stars who have gone, into pictures, not more than ono
In ten has made good; most stago stars aro men and women who have
fought tho now industry for years, aro not in sympathy with It and
cannot adapt themselves to It. nnd I am glad to see that the real picture
actor and actress; aro coming into their own.
Out of Their Element
Tho Drama League's meeting on the drama s the movies demonstrated
tho reason for tho falluro of tho stage star better than any printed words
Tho animosity natural enough but amazingly violent displayed by Louis
S'unn, Howard Kyle and Illslo Ferguson was sufficient proof. Tho movies
might somo day buy their services, when falluro was upon them; but it
would buy players with no Interest In their work, niavers whn !, their
t-yes on pajdny and did as little ns possible, players who never thought of
studying the medium, loving It, working with it aa tho men and women
have done who rose with tho films.
Why the Producers Have Waked Up
If tho producers are giving up tho stago star, you may wager It isn't
because of art. Thoy aro giving him up for tho reason they took hlm-the
financial. There Is overproduction In tho film market, a terrific overpro
duction. Only tho exceptional company is making big money. Why double
the J2000 cost of a good fcaturo Just to add a player who won't bring an
adequate return?
As for the Movie Fnn
Ask the photoplaygoer which ho prefers, Helen Ware or Theda
Bara. Kobert Mnntcll or Henry B. Walthall, Elsie Janls or Man- PieWorH
. , .v...VSHt
K. M.
Tlin outstanding feature of tho au
tumn theatrical season In New York
Is now pretty clearly seen to be Miss
Grace Gccrge's experiment nt tho Play
house, on West 48th street. This experi
ment consists of nothing more radical, to
me, than the establishment of a good res
ident company and tho production In
repertoire of first-class plajs suited to tho
company. As Miss Georgo herself Is at
the head of tho company, It stands to rea
son that tho emphasis must bo placed
on comedy, preferably what we call
"high comedy," to distinguish It from
Charlie Chaplin But, though such an
experiment has about as little of radical
ism In it ns jou could well imagine,
nevertheless the wise ones of tho Itlnlto
wagged their heads nnd predicted failure
It has been a long, long time, as tho
memories of our butterflies go, slnco New
lorK has had nnyttilng like a stock com
pany. (Actual), It 1b less than n deende
and a half, but that Is almost a butter
fly's wholo lifetime') Moroover, they
said, people won't go to revivals, and
people won't stand for repertoire. How
ever, Miss George went light uliciil with
her plans
The first production she nmdo was a
rovlval of Langdon Mitchell's loracilj,
"The Now York Iden," first produced bv
Mrs Piske 10 jcars ago This play,
which is a glittering, highly nrtlllclal,
sophisticated farce for people who llko
WALNUT
WALNUT & 9th STREETS
SI AT. TODAY, 2ll
TONK.IIT, 8118
Weber and Fields or Churllo Chaplin.
ACADEMY OF 3IUSICI
OI'KNS A1
IIEM'K'S
VVKKK IlKfilNMMl MONDAY BV'MNO
ARVINE STOCK CO.
In Cirorxs 31. Cohan' Grrafmt I'laj-
COURSE SALE i 'nft?vAT JAN. 10
(4.(3
S'.'.SO
CATHERINE BLAIR AT WALNUT
nFI PHI LAST MATINEE TODAY
aUCJrni LAST TJMB TONIGHT
THE LAND OF THE FREE
F VRir LAST MATINEE TODAY
Lt I Ill iast TIME TONIQU7
Amrlca' Foromost character Actor
LOUIS MANN
In Ills Greatest Comedy Drama
"THE BUBBLE"
. ACADEJIY fceata at Hepp'(, 1119 Cbtstnut.
PWMelphia I Tonight at 8:15
rirs-riMffs I flololat: LAMBERT
mrcnestra muhpiiy. Tenor.
KWrlfPrrinrlfor theatre platers
vwTSicxeraocKer market & oth sts.
'The Old Homestead" cieorg. B4rti,r
as
caAu Vb.tcomb Mat To-lay . Beat 8at 25c.
PEOPLESThe Guilty One
tSmxnn'. Dumont'a MInetrela. 9th Arch
MUlHOni 8 sn Special Mat Today.
Trocacro tVovLY0.unTdH Azeta
WMflN
U
TRAVEL TALKS &' E!?.ur"
5 StSft Beg. Jan. 2122
Two Courses Exactly Alike
"SOUTH AMERICA"
BRAZIL i&iRo Jan. 21-22
ARGENTINA SS2EJK. Jan.
CHILE Miffi801-- Feb. 4-5
FMDS?Hr5i,B":aN--Feb.ll-l2
BOLIVIA r,"V0Vv-Feb.I8. 19
MAIL ORDERS NOW
THE STANLEY
MARKET ABOVE 18TH STREET
CONTINUOUS, It A. M. TO 11 15 P M
LAST DAY
GERALDINE
FARRAR
IN FIRST PRESENTATION OK"
"TEMPTATION"
REVEALS SECRETS OF ORAND OPERA
Stanley Symphony Orcheitra and BoloUta
NEXT WEEK
MARY PICKFORD
IN LAST PRESENTATION OF
' 'THE FOUNDLING"
NEXT WEEK MON. TUE&. WED
Mary Plckford In 'THE FOUNDLINO"
THURSDAY, FRIDAY and SATURDAY
Pauline Frederick, In "LYDIA GILUORE"
Globe?
Thnlr ""ARKET and
x neaire juniper sts
VAUDEVILLE Contlnuoua 11
A. M to 11 P M. 10c, 13c. 26c
JESS?. COLLEGE DAYS ,2&
Other Popular Vaudevillians
A lOUR-ACT, GRIPI'INfi DRAMA
WITH A LAtGII EVERY MIMJTE
MATINEES
Tuesday, Thurs. and Saturdny
PRIfPQ MATINEE
I ItllCa . KEMM!,
SEATS NOW SELLING
10c, 20c
10o 20c, 30c, SOo
Neit Wk "Tho Olrl From Out Yondfr"
BEGINNING MONDAY
SECOND BIG WEEK
ENGAGEMENT EXTENDED
BY POPULAR DEMAND
ED. E. PIDGEON Presents
The Successful Singing Comedian
ANDREW
MACK
Now Touring Triumphantly in
"The Irish Dragoon"!
By
A
ROUSING
.COMEDY
.THEO. BUR!
5AYRE
A New Play M With New Songs
AND A NEW YORK CAST OF
20 KNOWN PLAYERS
Best Seats -
$1.00
Slain. Turaday. Thursday anil Riitur.lny
JMmJmb
MARKETftJUNIPER STS.
In llic llfnrt n f tlir Shopping l)ltrlrt
PRICES 10c. 15c. 25c
covriMors n ,. m. to ii i. m.
Philadelphia's Popular Song
Writer and Entertainer
HEATH
And a Wonderful Surround
ing Vaudeville Show
Mon. Photoplay Attraction
Tiics.
Wed.
"The Red Circle"
1915 ACADEMY OF MUSIC 191G
Monday Evening, Jan. 3, at 8,15
Boston Symphony
Orchestra
Dr XAHL. MUCK, Conductor
SOLOIST:
Al A D A M E At E L B A
Tickets at Hfppe a Amphitheatre, S3 cents
John McCormack
IRELAND'S SWEETEST S1SUER
Returns Ily Popular Henucat
o t' ACADEMY OF MUSIC
Thursday Evg., January 13
P,A.l'Bl'KS8 MONDAY AT IIKI'II:-K,
1110 Chestnut Seats 2 00 II 50. Jl 00
Amphitheatre, 76o and 60c, on Sale at
Acadm, Mfht of the Concert
Mltlierspoon Hull, Meil, Kre Jan. 13
1P1 Quartet
1 Ik Maurlls Iefson, 1'IhiiIs
II bololats
Vy Vrlres. 50c, l 00, Jl.50
Concert Direction Siult 3Iulcul llureuii.
f CHESTNUT Below 18th
A lne lin 10 A M. to 11:13 1. M
x-xx vciuia, WM s HART
xr . .r , I" ''BETWEB.N WEN"
Next Week Monday, Tuesday & Wednesday
"TUB UECKOMNU KLAMB" '
Thurs , Frt, Bat - LET KAITY DO IT'
AMERICAN mnUffil
FORRFCST MATINEE TODAY
a VI1W 1 TONIGHT AT 8 13
Week .Dig WeeK 5UtB W(( & Sat
Greatest Hit on Record!
CHARLES DILL1NOUAM Presents
Watch Your Step
MiMklslsl
npriAn matinee todat
OiJiU tiiv nlIT AT t l"
WM ClU I FTTF ! Times
W1VI. UILLLI lb HEOIILT HEKMCi:
N't I n. If. Mghls nt S Slurp
Week Last WeeK 0nl Mot Sat nt 2
CUAIU.ES I'ltOHMAN 1'rrwntn
V, IUI A M
GILLETTE
I.ml llmea In Ills Famous Huccesi
Sherlock liolines
jra MEWgH
Jnli HI -
r'ARRTPK" MAIIN'EE TODAY
Vr-VIlV.rV TOMI1IIT AT t 1',
Next cek -N'luhts at S -in Mats Weil & f.at.
m:co'D weei: or the
Bigftc3t Hit Philadelphia
Has Seen in 25 Years
B. F. Keith's Theaff?
CHHSTNUT AND TWELFTH STe
Mnt g I'M viinun IMIIy. M.hiTfTy
Nisvr wi:t,it 5,
INiriAl, .UI)liIM,u T0DlTi
Phyllis Neilson-Terry
Tn1:4m&,Vcrn',',liy,tflrVnnd fljgag
IJsctmlto nuitellt Knunten,,,,,
MANUEL QUIR0GA I
Th Alartelous SpniiLh Motinlst '"
Second niul 1 hint eei "
DEATRICE IIERFORD 2
In n New Perlen of t Imni clerlratlon.
OLIYER & 0LP
In 11 Dcllglitfiil rintltt, "IHncnntenl." .
DONAHUE & STEWART '""
One ills I nngli, "lllm nml ll(r."
I rnn ,V C'o tinutlrr'ft Tor Shoo. Al.T.
niiilrr I5I.I-. heeler Trlollear.t gl'i?.'
rhtnrlnl Nens.
3 Shows Today 3
AT I. HIS AND r. M,
Special ltcil TlrlieM floml for (lie 1 u
rcrforninnce Onlr,
JIrs,
Vernon Castle
llrlre A Iilnj;
line
Hcrnard Granville
Frank Tinney
-Hurry Kelly
lumlreil Others
Seats selling for oil remaining performances.
njtsement ending- Saturday ewnlne, Jan 16
METItOI'OLlTAN OI'CUA HOUSE
Boston Grand Opera Co.
IN CONJUNCTION WITH
Pavlowa Ballet Russe
jayL'Ecole en Crinoline. "New"
withpSab ?Sf.BK55TO,,cui
T0.nt'f ' PAGLIACCI S L
,-o,,;ed COPPELIA CS-S"
Priai".'t!Bt.,odM "On Chestnut street
Prices, II to 5 1'hones, Walnut -H.'l , itace UT
A
N
N
I
V
E
R
S
A
R
Y
W
E
E
K
.Street
MATINEE DAILY, 2.30 ALL SETH, 10c
i:HNINCJS, 7 D; 10c, 18c, SOo
ANNIVERSARY WEEK
A Gigantic and Notable
Assemblage Vaudeville Favorites
7f
N
N
I
V
E
R
S
A
R
Y
W
E
E
K
An Avalanche of Fan, Melody
and Notrlty
Headed br the U'rll.Knnnn
KINO OI' LA L (III MAKEIIH
EDMUND
HAYES SCO.
In Mr. Hayes' Latest Satire
"The Piano-Mover"
OTIIEK FEATURES INCLUDE
Klein Brothers Minstrels
llrleren & Klnr; Louise Ma jot
Jrrsen & Hamilton Kchvarrt
uros.i ucuen i'our; Hetty Itaei
Harris X Nasrlei Zam Trio.
PnOTOPUYSrsVtX TlieFed Circle
Academy of Music B"
New York
Mon Eve'
10
Symphony
Orchestra
Damrosch
Conductor
Elman
Soloist
Seats on Bale NOW at Htppe's, mg chestnut.
Chestnut Street Zm
ilatinees, Continuous, 1:30 to 5 P. M. 10c and 15c
uivenings, Continuous, 7 to 11 P. M. 10c. 15c 25c
BEGINNING MONDAY MATINEE Syninhony OrSestm
DOROTHY DONNELLY
IN
"MADAME X
The Gripping Drama of a Woman's Life
Irom Luxury to a Prisoner's Cell
From Society Leader to Ragged Drug Fiend
Beginning ) ,N lucw" v'i Tly'
Monday, WM, FOX PRODUCTIONS
Jan. 10 ",'t''II MANSFIELD'S SUCCESS
i "A PARISIAN ROMANCE"
ff 5"
A
"rr
i
'Jiiti
IS
'I -J
Ji4'
-Vvr1 w.rt-wXtAMJ,A. A.
i
NlRlits nml 5-nt Mntu , r.Oc to $1 RO No hlclicr.
l'opular Price Mtt Weil Host Seats SI.
Seats for third neck on tale Thursday.
nixon'S GRAND
llltOAIt AM) MONTtiOMEKY
l l. Mo'-NIHl!.IMli:it, Cen. Mir.
DA1I.Y MAC. Hh'. 7 A I). 10c & JoV
ALI)i:ILI.i:'H OIIIIArKST GKEITI
RIGOLETTO
TWINS
Hie Most crsitlle Hrothem In thl
World amnnsts. Magicians, MuslcliM.
Acrlalluls, Ororlan l'oicrs. Jugglers, Toi.
Itlvo Mnrvols
0 UK! ACTS AND I'lCIUItKS
ADELPH
Tor Heiirflts nt I.jrlo A Ailelphl riientres Apply llox Oniro or I'liono Mnlnut 6160-V-m
KKNIN'OH AT HiIO SHAItl' "runnier
MATIMir.S IIIUIISDAV A iWST than anr
SATLHDAY AT Silo K'JUd Menncerls"
lll.l,l..l.U 1IIIMI1I K KMXIJ 111(1 I.lilv II.1,
Popular Mat. Thursday Best Seats $1.00
I. Utah Mcl'iirtlijr, (irunvllle llnrkrr nnd Percy Ilurton present
BERNARD SHAW'S ANDROCLES
PRECEDED BV
THE MAN WHO MARRIED
SSfftM AHnifMa WIEE
2tyNAT0LE FRANCE
Atiru
O. P. HEGGIE
MARY TORIJES
nml I niidnii nnd
N'eH orU t'omnnny.
Ulrert from Wnllaik'n
lhriitre, N. V.
!SKniaSi- KT.
df
SV..
xm '
(Tho Orliclnul Lon
don Lion)
SS
m
o
Tho Orlclnal N'oel Scenlo Production by QIIANVILLE BAHKEn
3D
LYRTC Beginning Monday Evening
JL jl a.jl4 Pop. $liO Mat. Wed. Reg. Mat. Sat,
THE CYCLONIC WINTER GARDEN SPECTACLE
MYRIADS
OF
NOVEL
FEATURES
30
LILTING
TUNEFUL
SONG HITS
06
t sJafS raeTit KB wpr 37 ' JOfiafiJ. KA -- .
tvi a TjmiWtomsmijhr? n
A )MWmWAt W Va
99
12
MAMMOTH
SCENIC
PICTURES
Jim-&iWigm fv&, k
Tfs.-iii iFssuSjss,sawfcAMiriMIiiasass'VAsjjjrf.jij y
Original New York, Chicago and Boston Company of 125, With
FLORENCE MOORE and MLLE. DAZIE
the kxthemi: limit of riiomaAMTv in musical iintkiitain'.mknt
60
Gorgeously
GOWNED
GIRLS
(JKItMtNTOWK AVE. AM) CUKLTKX AVE.
CHANGE OF POLICY
EVENINGS, V.Every Afternoon
ONE SHOW i(Et. Same as
ONLY fpfffii Evenina
BEGINNING 8.1 5WW Show
Prices 10,20,30c iPrices 10c & 20c
LLSEATS FJESERVED
HARRY SLATKO'S
SOLLICKERS
in 'TiANClNti Anoiiwn
josefsos joEusapge troupe
10 WILD MOORS 10spTEE2Y9Asg2aV,
SILBERS & NORTH
IBDDl
SIIAHIFF S
NELSON WARING
PATRICOLA & MYERS
SPENSER & WILLIAMS
"CIGARETTE"
S0RETTY & ANTONETTE I
SJ
tV. N.
THE MOVIE NUT!
;vi
V
OUR OWN I
JULIAS KAJBQ
Continued oq nejt p(4
l?R.OF.
DUMDUMVIVA
nmum
THfe NOTEP
IGrANTlC
RAG-ES
SKATHRYPATES
(a&&
THEWONPERFUJJ
ARTISTICALLY
SFINACHOL06IST
SH-H
ON HIS OWN
PRIVATE LAKE
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