. i- . -. s - ipiiJDIiJWUPiJ-tW J MUPHpiunUMHIiWJm' wi;- Tft Evening Ledger Amusement Section, Saturday, December 11, 1915 .? MBHMpaK . A- -KBJPMBS V yv" sisBBBSSfBBBBBBmBBBHi ijKBBHBB!jBfe jlgBBBiBB'BBjf X feniM tBI-BH HHB9oSBpi stv a s E9HIP!!( sxFtrvisMinBKtBBButBtB On the first page appears a story about .the new silhouette movies of C. Allan Gilbert Here is as clever a use of shadows in The Cheat." The figures of the two men arc cast on a Japanese paper window. Fanny Ward will be seen in the leading part at the Stanley next week. WALTER PRICHARD "BUNTY" IN FIRST "Hobson's Choice," Manchester Comedy, Full of Two Sorts of Bustle and All Sorts of Fun By WALTER PRICHAP.D EATON With this issue of the Saturday Amusement Section of the Evening Ijedger begins a series of Kcw York letters by Walter Prichard Eaton, easily the most distinguished as well as the most popular of the younger generation of American critics. IN NEW YORK just now is a little comedy called "Hobson's Choice." writ ten by Harold Brishouse. and brought over from Miss Horniman's Manchester wver liviu wma nuiimiMu 0 iiia4i.iiwv:i , theatre to be produced here by B. Iden Payne, lor s o m c i years an actor and stage manager at Manchester, but now working in America to good purpose. Any one who liked "Bunty Pulls the Strings" will like ' I "Hobson's Choice,' for the two p:ass have mon much in com- ' Both are folk plays, with the hu mor and the oddity of provincial dialect and provincial little nesses Both. too. hae for the leading character a girl of brisk determination and "magcrful" ways, as Gnzel would say. The likeness is all the closer because Miss Mollie Pearson, who played Bunty with a rich Scotch ac cent, is now playing Maggie Hobson with a Lancashire dialect, and both plays are laid In the bustle period we refer to the article of feminine wearing apparel, not the pace of modern life). But Lanca shire is not Scotland, and so "Hobson's Choice," even if a later work, haB the stamp of originality and genuineness. We I are taken Into the interior of Henry Ho ratio Hobson's shop, a shoeshop, in Sal ford, and when wc finally leave his prem ises we feel that we have come to know j Lancashire folk a great deal better, as well as having had a very good time. I Henry Horatio Hobson Is not nious. 1 like the rawer in Bunty. Far from it lor he loves only too well to visit the near-by tavern, where he is esteemed as the best debater or the district. When he goes, he leaves the shop in charge of his three daughters, especially trusting the eldest, Maggie, who Is a wonder as a saleslady. ior does Mr. Brlghouse ask you to take that on faith, as Edna Ferber does in "Our Mrs. McChcsney" You see Maggie sell to her sister's 'beau a pair of boots he didn't want. Now. Henry thinks he is a very shrewd man of business, and he also thinks, po fel low, that lie is master of his menage. But be Isn't: Mactie Is. Upon .papa's irettlitr . tit too uppish and refusing to allow any of the daughters to get mar- iltipyillii5 ANOTHER SORT OF SILHOUETTE EATON SEES NEW NEW YORK LETTER ried. Magpie takes matters Into her own hands. The first thing: she docs Is to call "Wil liam Mosson up out of the cellar, where he is making shoes. William Is a fine shocmakpr; it is his shoes which have Civen Hobon's its trade with the "qual ity." But on manners and social poise he is very short. In Tact, he is a yokel. Maffgie proceeds to tell him she is coins: to marry him, in a delicious scene that would do credit to any folk drama. His JCJJ1 IS WG ejaculation poom!" an ejaculation he the play. It seems he is all reply is tnc ejaculation. "Well. hn. uses through alreadv nllr-htort out. mat aoesn t trouble Maggie. She i knows what is best. The other woman I is packed off, and Maggie's plot begins I to work. 1 It Includes not only her marriage to I William and their establishment of a 1 business of their own-thc manufartnr- ! ing and sales end thus united in holy vh-u.ock out me marriages of both her ( uisinr nrt i, , ..",-.. :.i"""? ". ;l ralrn Ir- lion fnr nil .. ..r .... - i ,, "- C" . ,-.tw i " " l .ia -. j ..,, lt is, au rare lun, played with rare unction and stemingl faitnful local color, in no part being fun nier than when, after the wedding, poor ! illiam is lert alone with his bride in a 1 helpless terror of embarrassment. In the last act we sec poor old Hobson. ' his business cone, his lmdv sicv a.-uu inn I much alcohol, forced to take Maggie and her husband back. He oilers Mag gie a salary as saleslady and William his old wages as shoemaker, and thinks he is doin well by them, but William, put METROPOLITAN OPERA ir r T.Q MMnu T-l.. . '"'.- - - " iei -ume Tonight "The Battle Cry of Peace" ACADEMr Keau at Hjpper 1119 Chestnut". Philadelphia j Tonight at 8:15 Orchestra soloirt- ERNEST SCHELLING, Pianist UNIVERSITY MUSEUM New SaL -0 H'"8" Lnrtun? by c w Farther Eart KreJ to KSSTdS HniTprucS NIXON Today Amy Lfwer. VlctnrU Kour; "Thr Ra Mr Q". 10 Wild Moors: at 2 15 Tonlcht at 7 and t. ' van Six; German War Flclurw. rvnirlrrrorUr THEATOE PLATERS rvnicKerDOCKer market 4trrn sts. "The Gamblers" MATS tkes. Peoples At the Old Cross Roads Next Woek "A Uttle Girt in a Ble City." JROCADERO iifEUzE rttmrtrl,r,umoBt' Mlnatrda, 8th Arch IUBIOBI S su. m TODAY. 10c II 20c. op to it by Maggie, suddenly blossoms out as a man of eloquence and business parts, and insists on a partnership, no less. The old man yields and goes out at the end on Maggie's arm to the law yer's, but pathetically declaiming still that he is master in his shop, and there aren't going to be any modem inno vations. Maggie, from this description, might seem to be rather a heartless little wench, but she isn't. She is shrewd and calcu lating, and not far from the peasant type, as are all the characters. But she has a good heart and she is fond of her William and sees all along the man in him under the yokel, and she has heaps of Mr. Barrie's "dom charm." We are sure she would have, even if Mollie Pear son didn't play her. Some of the actors are from the Man chester Company, notably Whitford Kane, who plays William Mossop. He was over here two years ago in "Hindle Wakes." A better performance than his could scarcly be imagined. His "Well, ba goom!" alone is an eloquent revelation. In the scene of embarrassment after ho NIXON'S GRAND nitOAI) AND MONTGOSrnrtT F. (!. Mion-IflrdHncrr Gen Sfgr. Daily Mut., 10c: 7 and 9, 10c and :0c G Great Acts and Pictures MARKET AND VILUDL,.,,, DBYlt.l.T. JINIPERSTR. E- Continuous 11 A JI to II P M 10c. IOC. 25c ROYAL RUSSIAN BALALAIKA ORCHESTRA With MADELINE HARRISON. Famous Dan scusc. OT1IEU BIG FEATIRB ACTS. t T H 4 rTi CHESTNUT Below lClh A K 1 a I 1 1 A ' A M. to II :15 P. M. Aart-LTIA GAIL KAjjg in first "THE LABYRINTH" showing Next Mon . Tare . Wed DOROTHY GISU in ' JORDAN IS A HARD ROAD" THURSDAY. FRIDAY'. SATURDAY, JULIA DEAN In "MATRIMONY" METROPOLITAN OPERA HOUSE METROI"OLITAN OPERA CO. NEW YORK ": : . 1st Time Here ,l"L5tUM Dec H.atS Opera DER ROSENKAVALIER Mroeis. Ilempel, Ober, Mason MM. Gorltz. Well, Althouse, ReUn. Cond . Mr Rodanzky. Seats 1109 Chestnut St. Walnut 4424. Race C". -If TT T'V MARKET AROVE 1GTH STANLEY fcSi M In First and Exrlunlve Presentation "THE UNKNOWN" ALL NEXT WEEK FANNIE WARD In "THE CHEAT" VTJir" LAST MATINEE TODAY J I IVll LAST TIME TONIGHT The Seflfm's Most Distinctive Novelty RALPH HERZ ln SriSr4' "RUGGLES OF RED GAP" Is left alone with Maggie on the marnage night he keeps the situation so beauti fully within the bounds of folk comedy, so utterly free from sophistication, that the most ribald Broadway rounder could not fall to feel the authentic picture of a simpler people, and would be ashamed to give it anything but wholesome laugh ter. The part of Hobson himself, however. Is played by A. G. Andrews, who was born In Buffalo, though he may be of English parentage. For many years he was a member of Otis Skinner's com panies. Tet so perfect is Mr. Payne's stage management that whether an actor comes from Lancashire or not is quite immaterial to the American auditor at any rate. They all seem to speak the same speech, to belong to the same race, to be units in the same picture. Neither do they hurry and fuss about, crossing stage right at every fifth word and back again at every tenth. They let their characters and the words they speak hold the attention of the audience now and then, and only move enough to preserve the illusion of reality. Not only is the humor of the play refreshing in its sim ple, homely richnes and faithfulness to an odd racial nook, but the performance Is refreshing for its simplicity, too. Com pared to a play staged by Mr. Cohan, It is like springs of water in a thirsty place, like the shadow of a great rock in a noisy land. Perhaps that is misquoted. We got the habit at the play. Even a New York audience seemed to be aware that something was wrong when Papa Hobson declared that somebody "skipped like a calf by the cedars of Lebanon. Theatrical Jottings The old Walnut Street Theatre will re open on Christmas afternoon, with An drew Mack In "The Irish Dragoon." This engagement will continue through the following week. The present plan of Sir Johnston Forbes-Robertson is that he will make his last appearance on any American stage in Sanders Theatre, Harvard Uni versity. Monday, April M. He will play "Hamlet," the performance being on the 300th anniversary of the death of Shake speare. Burton Holmes is to give next week an extra travelogue on "West Point and the Yellowstone" on Wednesday evening, and "California and the San Diego Exposi tion" on Friday evening and on Saturday afternoon. B. F. Keith's Theatre Chestnut and Twelfth Sts. , n.2 "OWS DAILY S MATH.KK. I r. M. NIGHT. P. M. .NK.VT WKEK Philadelphia Favorites' Week! THi: -MSMINU PIE" COUPLE Sam Chip &. Mary Marble Pre&tnting ."The Clock Shop" TUB POI'L'LAIt KAVOIUTE Maggie Cline Somp Old ami Snmi NVw Soncs The DfUncul3hc1 Dramatic Star FLORENCE ROBERTS & CO, Offering "Thf Umnan Inlrnrlx-" KATHLEEN CLIFFORD "America's Faorltf Ho" HARRY GILFOIL A lh FamniK "HAIION SAXDSV AVON COMEDY FOUR De WITT. BURNS & TOUIIEN'CE PAHII.LO & FIIAUITO IIEItAS & PRESTON Hearst-Sfliu Pictori.il News BP O A P. MATINEE TODAY KUAU Tonight at 8:15 , g FuiaI Week NIs5,t",t !5 s I 1-b.K Matu Wc-cl. A Eat narics x-ronman, Klaw s. i;rluns;er I'resent FERGUSON in "OUTCAST" THE VITAL. TIIIIOHIIING. Hl'MAN TLAY By Hl'IIERT HENRY DAVIES SOc to 41 50 at Wednesday Matinees. HER PRICE A New Play hy Lottie M. Meaney, With Emma Dunn S. Powerful Co. CTM? I? P QT MATINEE TODAY t UKKtS 1 TONIGHT , next LAST WEEK NlKhls at 8:15 ' " WEEK 1' ' i--r- Ma11 We(, t gt, GABY DESLYS and HARRY' P1LCER in CHARLES DILLINGHAM'S LATEST MUSICAL PRODUCTION STOP! LOOK! LISTEN! Joseph Sanlley. Frank Lalnr, Harry Fox. D"H.e tc Dlxnn. 1mjwt &. Sunshine. Justine Johnstone. Florence Morrison. Hawaiian Oc trtte. Walter Wills. Charles Tucker and 100 More. xmaT Watch Your Step NIGHT Seat Sale Thurs.. Dec 1C ACADEMY OF .MUSIC Wednesday Afternoon, Dec. 15, at 3 PADEREWSKI Tickets at Ileppe'a. Jl to i2.M. Boxe. Ji;-J18. Direction. C. A. Ellis, Symphony Hall. Boston. Nkon's GRAND ?Xs:i5nTTT. FIXING THE FURNACE." The Hardener. The Beauty Shop. Harry Roue. The Sone Booth. Herbert's Dopi. PICTURES. 1? 1 13 One Week RcirinnlnE MON, on DEC. -U