rVfHITtH& BED-G-EB PHILADELPHIA:. S'ATUBDAY, SEPTEMBER 25, GHW: ssr' 1 tfXf TFJSSZ : "THE LILAC DOMINO" AT THE LYRIC; DAVID BISPHAM AT KEITH'S Z3 (THE AMERICAN THEATRE GOING BACK TO THE DULbAJtWUNDTA-JttAJLF SUAJjJJjX ,GarrickReduces Prices, While the Cut-rate Comedy in New lone uomes to a spec tacular Finish By the Dramatic Editor , wMk brinw tha most momentoua W . from a local whk" i w ' . ...-. h nrlcca of tno , B0 6 .. . 11.60 acale. and Theatre . - ; . o keep them mero . uv. . .. Li,M euch Now York fHMeo n" ... d ..It rays to '.i.nrt "Under Cover." Some Tth. mo 5IP happening In tork. ... k.ii tin bt seats k 0 years w -....- more tQ .TV. halt dollar. Is tho American lf.h'.Xk to tho old rate In I (OWE " 06 04HBUU i ' .nAcrs will probably say "the managers wm v ,h . ,h . Tny """ frnmbltns HtfrUaiMa ", - , 0j ."-.. inniHnir. of ticket Just- ftnd rate cutUnS that almost banio itatlon. fl BPECUIATOR PKOBM5M, I W y!.af 2". "'4h chanrTd tO !flnr8 extra for selllnB you a Bood ".t the test moment First the man '"ill ,o.n't his fault. Then when nv the Individual speculator off firJr. hut left the theatre agencies KLaS.ed. It developed that tho manager tl(ea, ii ;,-! GO and took t s cents " " "o 7. -. . .... ibi ihAt weren t sold. moUve of the manager was obvious U wnen ""-;--"--r- IZlfciilns he wanted every extra cent Rto y for the failures. Bat ."" Yrr..u rr-7--r. kaputllo roe pouiao mm buuu ...v...., it to-wanted to bo able to buy the best U conveniently at the last moment. A were ready to pay u i)o ! tra that would prevent less extrava Bt hut more eager persons from buying ..oi in Advance. And. of course. 1 the most democratic of the arts had til democracy, mi w a suuu ncuch reason. goBO one might havo suggested that If tee managers wouldn't serve tho public Merenlence of late-comers by putting on Mm extra price at the box office, thoy right hold a few rows from sale until the sight 0 periormanco. oumu umu nnm.w even have suggested that tho managers Mf&nlz a convenient central bureau tkMuelres. Instead, the publlo found out V I. veara aso that thero was a con- l&wilent central bureau and that. thero fmn high-priced tickets, But that they were an ox inem in mo cuimvi vi u Bttoagers. Tn8 Shuberts havo Just sold et of the Tyson agency, In New York, fr (100.000. NO TICKETS IN THE BOX OFFICES This condition got so bad that it was I hardly a Joke to say that tho box offices rwera we omy places wnore you couiun i buy good seats. The Drama Society, or tnlied to guide members to better plays, suae a point or us antuty to get its mom hen Kooil seats at tho regular T2 rate. f But this condition was tame (It was a ere concern of the money) until tho eet-rate ticket made its appearance. It- There was a reason for 'it, too. Tho SfaoAn&ffprit fntln1 ATnansAi lnrrnlnt ia f they competed for the grand prize of a gBroadway long run, Thoy found many W fM.tW .BtUtUK IU ytJr.lJll4i3 KllU UUl.l aftaaei ana unaoie to buy seats at tho hex office. They found their balconies Bjitled by movie competition. When a Stay was hanging on by the skin of Its S teeth-bringing In something less than tho HWO a week which is necessary at a eroaaway nouse what was more natural thn a bargain sale in tho unsold seats? Not an open bargain sale, of course, not an advertised reduction. Homebody might think tho ahow was "punk." Instead, the managers pulled off tho deal on tho quiet and worked the publlo with the added bait of making them feel they were lucky to know how to get in at half prico. Tickets wero printed of two varieties. Tho first entitled the holder to two seats for the prico of one when presented at the box otllce, nut this caused trouble when tho (2 patron found the $1 man standing next him In line at tho box of. flee, pnylng hnlf what ho paid and sitting next him In tho theatre. So another soit of ticket rose In popularity. It entitled me noiaer to half prices If presented nt the cut-rato agency. These schemes ap plied to such "successes" of last season as "On Trial," "Twin Beds," "Tho Sons of Songs," "The Lie" and "Tho Bhow Shop." Indeed, it was said to havo saved and later made the fortunes of tho Selwyn productions. 1 TIIH CUT-RATE KINO. One Joe Leblang was tho king of the cut-raters. Ho had omccs on 6th avenue that were thronged ovory night from 7:30 to 8:30. Ills business grew bo popular that very soon he was buying out great blocks of seats, even whole houses. Ho is said to have bought out "Tho Song of Bongs for eight weeks and paid $50,000 for tho tickets, which ho sold at half price, and yet on which ho made a. prollt ur mmneii ana lor tno theatre. Mani festly something was wrong. Tho managers themselves began to soe. They didn't see that tho extravagant long run sysTcm was to blame at bottom, for making such vagaries possible. But they did sco that nobody gained in the end except Leblang. The authors of successor lost some of their royalties. The box office men wore corrupted by the ability to sell tickets at full rates and to claim mey wero sold at half rates. The ordi nary public, which was getting disillu sioned fast enough at our high-priced and cheap-fared theatre, and which wasn't wise' to tho cut rates or couldn't get them when it wanted them, didn't im provo its theatre-going habits. Charles Frohman sounded a warning last April before ho left on tho Iiusltanta. The New York managers got togothor this fall and bonded themselves to keep tho financial peace. The Shuberts sold out of Tyson's, and Tyson's was there upon appointed the solo agent for seats at advanced prices. Tho managers agreed to abandon surreptitious cut rates. GOING DOWN1 But the matter hasn't ended there. The managers had at last learned that prices wero too high, that there was a bigger publlo for cheaper scats. Tho Shuberts, Cohan & Harris and others have abol ished the flat two-dollan rate for the wholo orchestra and part of tho balcony: Instead, they have put all but a few rows In the front of. the New York house at $1.W and lower. And Leblang sells the cheaper seats for them on a commission. What a wonderful place is that temple ui an, mo ineairei The New York papers have been -wondering if all this shake-up would mean a return to a one-fifty scale. The Garrlck seems to think so. And meanwhllo the movies get ready to open houses1 at two dollars. JK Al Woods Newsboy, Bouncer and Now Manager Here j tha siory of a remarkable figure among American manager. It 4 fold by a friend and colleague. Bowery newsboy, saloon bouncer, pro ducer of cheap melodrama, and today one of tho foremost theatrical producers in the world. That is some illustration of the American stick-to-ltness that Is recognized the world over. Isn't it? This Is the his tory. In a nutshell, of A. H.Woods, the now well-known theatrical producer and manager. Prob ably no American showman has had a more varied, ro mantlo or success ful career than A. It. Woods. From a. newsboy on tho East Side, who at the end of his day's work counted his pennies llko a modern Gas pard, and to whom a day's profit of r dollar was almost a fortune, today he has under his management or Is directly associated with 33 attractions, controls several theatres and carries a weekly payroll of upwards of J70.000. 'Totash and rcrlmutter" has been one of his big gest hits. A. It. Woods, now n man of under 40, started as a lad selling papers on tho Bowery. At tho ngo of 19 his physical strength secured him a position as "bouncer" In a famous Bowery resort. From childhood Woods has had a vein In his Bystem that won him recognition and respect; 'he is a gambler. Not a gambler In tho ordinary senso of that word, but a man who Is willing to take chances. This clement In his make-up has been the chief factor In his success. Accumu lating a little money, ho took a venture In a cheap melodrama. It was o, suc cess. Another and another followed and soon A. H. Woods' productions In tho "ten-and-twenty" thrillers becamo a by word. Then camo tho formation of the firm of Sullivan, Harris & Woods, the Harris belne Sam Harris, now tho part ner of George M. Cohan. For several years the firm did a successful business and then dissolved. Meanwhile the ambitious Woods had the Idea In his head of producing big plays with the big actors and actresses and In big theatres In the big cities. When ho tried to start the big actors, big managers and big Interests wouldn't recognize him. The big actors said he wouldn't pay salaries, tho big manager wouldn't give him time and the big play wrights wouldn't submit plays. It wasn't long, however, before tho big actor was convinced that Woods wouldn't only pay big salaries, but would pay tho biggest salaries and New York one day awoke to tho startling news that Arnold Daly and Mary Shaw were under A. H. Woods' management and would appear In a lead ing theatre of that city in "Mrs. War ren's Profession." That was the opening wedge and after that A. H. Woods not only Becured the artists he wanted, but tho playwrights and the theatres also. The Renaissance of Stage Decoration By ANDItEAS DIPPEL THEATRICAL BAEDEKER B. F.Keith's Theatre Chestnut and Twelfth SU. RtTnWS TIATT.V 4 kJ.Mtt, p. M. Night, 8 P. M. NEXT WEEK Th Eminent Operatlo Baritone David Bispham OpriUo Numbers. Song Poems and Old naliada Wlhon Miner's Newest Comedy "SHIPS THAT PASS.IN , , THE NIGHT" if PnilfreorM Play nt kaughii Sk ThrllU America'! Popular Coloratura Soprano MABEL BERRA t.a Serlea ot Her Choicest Selections McWATTERS & TYSON Prenntlnr a "Jtevuo of Hevuea" Mlssea Lightner & Alexander A Jolly Trio In a Jolly Ottering Six American Dancers A Sextette or Btyllsh Steppers "mSKT? NOVELTY CincUS: GOLD-HEABST-BELia PICTOMAX NEWS Tha JofUest merit of a tale (or play) rests upon the effect it pro duces, not on the fancy, but on the intellect and the passions. Bulwer. GARRICK '-Mon. Evg. ( Season s.irln Oaly. By,,., 8,w. MaU . ft g a. u. WOODS Presents The International Comedy Success POTASH Rr PERLMTTTTRfe -ATEEvSi 55PAMOUa 8ATOIU. 5 T OTS&.y.T BTMUI58 OF sw , v...uuu uuAoa isfjHt One Scream After Another . a"' " r R I O H P O L I a Y wttDiY!;"'.600' 76c 1-B0- Z"0 MATS.. BEST fiRATfl it an I ""'" I sUaLu uTiii V. e- a'er Win Demon " lfrteet Models la 100,000 -wm ui timer alt ? .""Uania wu sunk. r.n ".' iomartn J"- was lot. rtH torSift. mtrlnVr rietnV 2nd ""wertng treasure from a sunken ""fT nn nnng mines. T-& ir.ui a. ?" Marl Murphy, tZ. s?!?.1J'i. Uabv Beeser. Tn. fcwi -.run Howard and bully, pictures. CON'S fiT?Airr. - mAT' - 7 and b; ioo and Me. fflLADELPHIA OttfHKSTRA litiiioS?K0W8,a' ?.;, -vsroiKfl SAi"' iii"!SH!PW received tbrouih CK su!? ,MmKts " tlNtt 5rSMH?.GKM,MUI' TVM1C HWJKCT AND 40wSTDCeT5 WILUAM W. MILLER Manaeer GEO. W. PAnniER, ...i Director This Aft. and Eve., "WITHIN TUB LAW" NEXT WEEK KnickerbockerJJieatre Players IN ELABORATE PROGRAM OP VIRGINIA BROOKS' Great White Slave Play Dramatized by EDWARD B. ROSE and ARTHUR JAMES PEQLER Little Lost Sister Your daughter might have been Elsie Welcome. "Her inno cence was her -worst enemy." MATINEES at 2tlS Tucs., Thurs., Sat. Beet Seats, 2So Balcony, I0oi Gallery,10c. EVENINGS at 8(15 lBc, 25c, SSo. 60c SEATS IN ADVANCE AT GIMUELS BENEFITS SOLICITED Big Inducements. Call, Phone or Write. Ociober-. "Bought and Paid For" SYMPHONY CONCKKT8 the lmir TTniimr Ul j&LyMts tn "Casay Is ewtatr" i OUIL 3-aoM TUB lm - THE WALNUT 9th nnil Walnnt Phono Wal. t0l ALL NEXT WEEK DAILY MATINEES REMARKABLE DOUBLE STAR ATTRACTION Philadelphia's Favorite Actress, Edith Taliaferro (HERSELF) AND EARLE BROWNE IN KATE DOUGLASS WIGGINS' BEAUTIFDL KUKAI, DRAMA Rebecca of Sunnybrook Farm Supported by Bernard Steele, Mnud DUlr, Cecil Lurrln, Mary Stewart Smith, Ada Dearea, ion Kelly, Margaret Austin and Others. First Time In the History of tbe Amerl. can Drama that such a Star In auoh a Play has been presented at these UNHEARD OF PRICES 15c25c-50c Note Tliis is not a moving pic ture, but real star in a real play. The following article is worth per usal for a good many reason besides the distinguished position that its author holds in the operatia world. It tells some interesting theatrical faots whioh are all too unknown to the average playgoer; and it forecasts what is undoubtedly the chief develop ment traceable in the modern stage, t the renaissance of scenery through the "new stagecraft" of Europe. Inci dentally, the grand opera Impresario has not only proved himself a skilful producer of operettasee "The Lllao Domino" for veHteatlon out a good press agent as well. EVEIVT once In so often th revolvln years bring us around to a now birth of music,- art and. tha drama, tha life ot an artlstlo era running: Us course In much tho same fashion as tho life ot n man or a nation from the cradle to tho grave. Just now tha most conspicuous renais sance Is In the art ot staeo decoration. This Is one of the oldest arts of all, and ono that has lain" longest tn the cravo. Away back In tho lBth century It was In Us Diimo. Tho theatre In those days was one ot tho most Important factors In tho llfo of tho people, and tho most noted artists wero engaged for stage decoration. Itaphael painted the scenery when Arl ostl's "Supposltl" waa performed before Leo X, and when an operetta was given at tho Duko of Milan's wedding, Leonardo da Vinci was engaged to proparo or plan tho soenlo effects. lie constructed a re volving sphero representing creation, and tho actors appeared upon It costumed to impersonate the different planets. It was a masterpleco of artlstlo Ingenu ity and gorgeous beauty nnd tho mechan ical effects filled tho cultured Italians with childish delight. Tho play might oo dull and lifeless, but it was so enlivened by interludes of masques and dances and by insistent appeals to the senses througn tho ecenlo beauty that its plot was of secondary Importance so long as Us theme waa the glorification of Ideal love. Wo fell away from all that and stage decoration became for a whllo a lost nrt. It died and waa burled, but llko every thing else It has come to llfo again and the glories of tho Uth century are again bursting forth. In Vienna the greatest ssssssrU sibbbH Hssbi H' IBM J H I Bl &- . BBSS J Msswk MnktmMslsWssK' BSBBBBBBBBH "SsSbVBSBBBBBBBBBBB ' BIBBBBBBBBa H t BBBBBBBBBBBBBK flBBBBBBBBBBBBsl BBBBaHak JsHbbbHH 1 BBBBBBBBBn BbHbBBBBbI artists of tho day aro dovotcd to the art of stage decoration. That is why it was considered neces sary to havo tho scenery used In "Tho Lllao Domino" constructed thero. Ono scene alone, that depleted in tho second act, Is worth all tho trouble and oxpense which It cost to have the work dono there. This scene shows a sunset over the Mediterranean Sea. First thero Is brilliant daylight, then the sky grows softer and the sun gradunlly goes down In a trail of glory, leaving the twlllgt-.t gray, which darkens Into night. Tho lights of a distant seaside village appear like fireflies one by ono until the who.o scene Is Illumined like any other city after nightfall. The senso of distance conveyed is marvelous, and is ono of the secrets of the Viennese art. Th electrical sunset oltoct Is the work of a clockllko apparatus, a recent Inven tion, which is automatlo and effects the different changes of hue and light so sub tlety that tho eyo Is no moro conscious of the mechanism than It Is of clockwork in nature. LYMO "The Lllao Domino," with Amporlta Farrar, Vota Duprevllle, of the rMi Opera Comlque, and others. A Viennese operetta produced by Andreas DIppeL Hm distinguished Impresario ot the lata Philadelphia-Chicago Grand Opera Comsmmf. Its book has been adapted by Harry B. Smith from the original by Emerlch von Oattl and Bcla Jenbach, and presents an improvident and fashionable hero, Itw dentally charming enough to win tho love of a masked dancer at a fete, wha turns out to bo the rich heiress whom ho wagers he will marry. Tho New Tort! critics thought the mualo unusually good and tho production excellent. Two weeks only. OARKtOK "Potash ft Perlmutter," with Phil 'White, Harry Kurst, Jano Foamier. Jack Kennedy, C II. Hall, Harry Itanlon, Morris Darrett, Blanche Almce, Helen Salinger, Maude Leroy and Harry S. Aarons. As tho press agont puts Itt "Potash & Perlmutter," tho most famous cloak and suit laughmakera In tha world, havo again left their quarters In New York city for a second tour .of tho country, to display their goods to millions of patrons who were unable to sea them during their previous visit. They will open their showrooms at tho Garrlck on Monday night, remaining thero for tho coming fortnight Artistic, and espcciaftS dramatic, composition is no logical or me chanical contrivance; It is a living organism full of soul and mind. UJricl. GILfSI MARKETS JUNIPER 3TS. CONTINUOUS 11 A. M. TO 11 P. M. PRICES 10c, 15c, 25c DILL BXTRAORDINAItT NEXT WEEK TWO BIG HEADLINERS THF WINSOME WIDOW A Comedy With Music Pretty Girls Comedians THE DEVIL'S MATE Sensational Dramatic Electrical Novelty Play and President When "Woodrow Wilson was running for the presidency -throe years ago, a party of newspaper reporters from New Tork, Philadelphia and Washington vis ited him In his home nt Princeton, N. J., to ask him about his plans If ho wero elected. Mr. Wilson's skill at dodging leading questions Is now known throughout the land. At that time re porters were moro hopeful. "It Is much easier to talk about the Immediate past than the tndoflnlto fu ture," ho observed to his callers, with tho quiet Wilson smile. "And I should like to talk to you about the Immediate past," he added. "I have Just finished reading tho most charming story that has come to my attention in some years. Ita titlo,Is as interesting as the story. It is 'Daddy Long Legs' and, I under stand, was written by a nleco of Mark Twain." Tlie reporters gently endeavored to switch tho conversation to tariff and tho currency, but tho future President could not be turned from "Daddy Long Legs." When the reporters left they know a great deal about Jean Webster's book, but nothing about tho Wilson politics. Two years ago, when Henry Miller accepted MIbs Webster's dramatization of her own book, "Daddy Long Legs," ho decided to produco It In Washington. One of the first requests for seats came from the White House, and stated that tho President required a box for the opening night. Mr. Wilson followed tho comedy with moro than his usual Interest In good plays, nnd subsequently sent word to tho author that .much to his surprise, the play had proved better than tho story. CONTINUING FORRBBT 'The Birth of a Nation," with Henry B. Walthal, Mao Marsh and Spottlswoode Atkln. D. W. Orlnith'a mammoth photoplay of tha Civil War and Reconstruction, founded in part on Thomas Dixon's "Clansman." A mar velous entertainment. MSTURNIltO STOCK WALNUT "Iicbecca of Sunnybroajt Farm," with Edith Taliaferro, tho ori ginal star, and the Walnut Players. A revival of Kato Douglas Wlggln's pleas ant and amusing play about tho little girl whom oho made popular In Action long before she reached tho stage. Her evolution Into a young lady at "Brick. House," amid bucolic Joys and trlbula ttons, makes tho plot of the piece. KNICKERBOCKER "Tho Little Lost Sister," with Frances Shannon, tho now leading woman, and tho Knickerbocker Players. Virginia Brooke's whlto slave story, as dramatized by Edward E. Rose and Arthur James Pegler, tells tho tale of an unsophisticated country girl who meets ruin In tho big city and returns to her homo to find happiness. AT POPULAR PRtCEB PEOPLE'S '"Casey In Society." with Pat Whtto. A musical comedy with tho usual resourceful and witty Irishman well to tho fore. VAUDEVILLE KEITW8 David Bispham, tho eminent American baritone: Six American Danc ers, in "Six Periods of American His tory": Ships That Pass in tho Night," a one-act oom'edy, by Wilson Mtzner; Mabel Berro, singer: MCWatters and Tyson, In their "Bevuo of Rovues": Goldsmith and Hoppe, in "The Manager nnd tho Salesman": Robert Everest's Novelty Circus; Jack and Forls, tho Jolly Frenchmen, and others. AilERfOAN Opening as a vaudeville house with, In tho nrst half of the week, Joe Horttz, Philadelphia actor and singer, In "Ten Nights In a Barroom"; Black and White, In a musical revue; Moscrlp Sisters, singers and dancers: Hill and Hackett, tll-around entertain ers, and short photo serials. Second half, Joe Hortlz; "From Coney Island to the North Polo"; Excelsior Trio, in a musical offering; Stoddard and Haynes. In "The Absent-minded Professor," and May Knight, comedienne. NIXON'S ORAND Captain Louis Sor cho, submarine diver: Mr. and Mrs. Mark Murphy, In "Tho Coal Strike"; Kenny and Hollts, the two college lads; Baby Beesor, child performer; Tod and Corlnno Breton, "The Movie Man an tho Maid": Martin Howard, a Scotch dancer, and fun films. ALLEOOENY Eugenie Blair and her company, in "Reckoning Day"; Al Her man, "Tho Black Laugh"; Warres-and Conley, in "At tho Seashore"; "Artos Brothers, acrobats and eccentrlo come dians; Dalo and Boyle, dancing and singing; "Gallon," comedy equilibrist, and photoplays. GLOBE "Tho Wlnsomo Widow," a com edy playlet; "Tho Devil's Mate." pre sented by Ben Lewlrt and company; "Tho Claim Agent." a comedy of er rors; "Songs of a Nation." a med ley of music; a comedy skit by Newell and Allen; Julie Qaylord. singing comedlenno; Fred Hlldebrnnd, mono logulst; Van and Plexce, singing, talking and, dancing act, and Qreno and Piatt, comedy on tho wire, "Neal of tho Navy" and "Tho Goddess." CROSS KEYS First half of week, Gardo and Nolls, comedy singers; James Will lams and company. In "Now"; tho Nino Krazy Kids, in "Graduation Day"; Har mon, Zarnes and Dunn, May Knight, comedienne, and the Threo Marconts. Second half: Cardo and rfolls; Captain Kidder and company, In "Tho Wharf"; the Novelty Mlnstrels.Curren and Mack. Hill and Hackett, and the Lamplnis, burlesque magic. BURLESQUE. NATIONAL "The Garden of Eden Bur lesquers," with Mark Lea and Earl Kern. DUUONT'B Dumonfa Mnstrels, offering six new songs and a new local burlesque called "Widow Broom-Lee," or "Sho la and Sho Isn't" C03IINO OCTOBER 4 BROAD "Daddy Longlegs," with Ruth Cftitterton. KEITH'S Frltzl Scheff, Bertha Crelghtoa and company, In "Our Husband"; Al. Lydell and Company, in "A Natlvo of Arkansas"; Metropolitan Dancing Girls, Williams and Wolfus In "Almost a Pianist"; Frankle I leal h and George Perry, In songs and sayings; original Four Londons, "Champions of tho Air"; Leo Beers, In stories and songs; tho Seebacks, bagpunchlng nnd athletlo novelty and others. PEOPLE'S "Bringing Up Father." .. OCTOBER 11 KEITH'S Gerlle Vanderbllt and George Moore, Charles Grapewln and company, Ryan and TIerney, Gilbert "and Sullivan Revue, Al Golem troupe, Webb and Bums, Al Cutler, Raymond and Bains and others. F ORREST ss?sss NOW TPWICE DAILY JL 1 T Eveninirs 8:15- Matinees 2-.1K Seven Other Feature Acts GLOBE Tbwttre Sa. "Coney Iriand to North Pole" JOE HORTIZ & CO. MOTH PB1CEB. 10c. lao. Mo BESS -withw im aw afrwLre. ft fe ft"1! x GlRARDAVENlttBEL08tj RE-OPENS MONDAY AFTERNOON AT 2 Under the Same Successful Management As That of the Globe, and Cross Keys and Other l'larhome. New Policy New Ideas VAUDEVILLE OF THE BETTER CLASS AT POPULAR PIUCEB Bhort and Serial rhoto.Playe BIO AND DIVERfJIITED OrKNINO BILL. OF GUARANTEED QUALITY Mon., Tues.. Wed. Joe Hortiz & Co. TEN NIGHTS IN A llAltUOOM Tburs., rl.. Sat Coney Island to North Pole Musical Comedy In Three Scene OTHER FEATUItH ACTS Matinee 1 n Eves. 1A 1 1- or Dally. 3:15 "C 7&0U, lO, UC BILL CUANQBD MON. ANII TIIUItB. THKATKK Market bflow SOIh Street MAT. I1AILY, JUS. ALL SEATS. lOo KVKNINGS, 7 Att lOe. Ue, ZOo CARDO CAPTAIN NOLLS ?IR XVate Stars at Vocal 1'nxtuctlosi "Naughty AT THE Marietta" WHARF B OTHER BTAR ACTS BKniAX. PHOTO-PLAYS Tbo Oodileaa'WNeal ot th Navr" BROAD and SANSOM CTDCCTC tJ x a-1- - i XKv 0 W W !7rM n wrr. Q ! K 1Ti-2 (1.1P CSATVTTTWT W TMTYflTM Mannslnf THOMAS M. LOVE. " " w o-it viiiiiga U.IO. ITiaiinUtib t .J.O OixiiaJJ-ij m. i--.f Director. Business Manaeer PRICES EVENINGS AND SATURDAY MATINEES, 25c to $2.00 ALL OTHER MATINEES, 25c to $1,0 TMPXT I-t- BfaTVr nOCAT WTJ?J?ir THE M0ST TREMENDOUS DRAMATIC SPECTACLE VOTTrC 5 til IUJLMOOJU W JDyHvlV THAT THE BRAIN OF MAN HAS YET PRODUCED D. W. GRIFFITH'S 8TH WONDER OF THE WORLD! 5000 SCENES 18',000 PEOPLE TOOK 8 MONTHS TO PRODUCE COST $500,000 U S ?i"7AwL fill 3000 HORSES SYMPHONY ORCHESTRA OF 40 The voice of the people and the voice' of the Press are as one in its praise. Night photography of battle scenes, Invented and perfected at a cost of $12,000. Wonderful artillery duels. In which real shells, costing $80.00 apiece, n ere used miles of trenchesthousands of fighters war as it actually Is. SEATS ON SALE TWO WEEKS IN ADVANCE yyytwjyrew?H3 HIGHLY IMPORTANT: "The Birth of a Nation" Will-Never Be Presented at Any but the Highest Class Theatres and at Prices Customarily Charged in Such Playhouses. D. W. GRIFFITH. I3SSSSS First Week Under New Policy, Beg. Sat. Evg., Oct. 2 THE METROPOLITAN OPERA HOUSE mtiT ATiELPIIIA'B LAHOEST AND MOST MAGNIFICENT PLAYHOUSE (NOW UNDEIt T1IB DinEOTlON OS" TUB MESSRS. SHUBEKT) A Remarkable Entertainment In a Spectacular Setting Exclusive Feature Photoplays on Largest Picture Screen in the World Symphony Orchestra Mammoth Pipe Organ Tabloid Operettas In Costume by an .Excellent Company of Slngftrs Operatic Selections by a Quartette of Excellence. Chorus of 50 IJVINO TABLEAUX AND l'AXlUOXIO BrEOTAOUB A REAL LAKE IN THE THEATRE AH at Prices ) " two i-kkfobmancks mouxly, 7 a a l. n.m.rlnHn Ail FAMILY CIRCUS .....ISo As UesaaraaDie as r okchbstka and balcony .o The Entertainment besekvkd and box heats wo BsaU ma" be rasarvad t Qlmbatai also 1100 Chastnut HI A Metropolitan Qpara How. ArtPI PHI mattnwi today, sue AUEJjr Jfll TONIGHT AT 8H5 "What Hapofrwd" MINSTRELS A Naw Corned Melodrama DUMokrs diXd VTU AND ikCH UTfl. an l .. Krankort ft Ane-benr Aws. Allegheny Mata. Dally. 6c. IOoi Ejra, lOa. 280T Emmet Welch nnd tils Jolly Mln itSui Holden ft VHarron; Emmett Tom. I &Sa&o LVvWllburt KnrfcHoUl71o. DAI Art? U MAHKKT BT. Conttojju PALAt 10 A. M. to HUB V, K. JULTU8 STBOBaX In Hat W.S Mary Plcktord hi "KaaaeraHa." THE StanUy MARKET ttr.. AB. 1STIC 11 A. M. to 11 IIS P. U. DONALD BRIAN ryWM m putt yoo-t "The 3ix-Sidecl Succe" Lecture by Dr. N.tt, Monday. Sept. 2Ttb, 10 US A. M. Publlo Invited. OPENING Neff College Day School mo Cbeetnut Street. . LYRICLt TIMSTONieKT Victor Herbert's Cocala Opera, Buocaw 'THE PRINClSS PAT" sit, YICTOK MEtafT H1 peraoa-ny .. For Benefits at Lyrlo ft Adelphl Theatres, Apply Box Offlco or l'bono Walnut OlftsT-M, stndrcasVIppei Opera Company J'Jt j49evlK fttivSaJam Vwlft'sfeav LYRIC 2 WEEKS 2 Beginning Monday, 8:15 P. M., Sept 27 PIIICES, EVGS.. 59c, 75c. $1.W. $1.50, $2.00 1'Ul'ULiAK MATINISG WJSUNJS8DAY 400 Good Orchwtra Seats at $1.W 4W Balcwy BaUi at 76c FIRST TIME IN rniLATtZWmiA 100 BRILLIANT ARTISTS AUGMENTED ORCMKSTRA BEAUTY CHORUS 10 20 SONG HITS A HUNDRRD LAUGHS BIHHOT J'SBM SKjaAJL,K mW COMIC OP1RA IN 1 ACTS BY (Now York Uvemlug rt "oaatroas Mppal'e 'Lllao Daentaa Oeaiy to. tk rett Anse ln wanlaartoo la IM MaMty eoailo oparev (New York (tun) "Ton nave only to hew The Ulu Doaal to reallae taat a aew atandard for oamla opera ka ba aet la Amerl," . 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