evening l'bdgeii-phii;abi-phia, sATtrBDAY. bbbttak? e, ioib.-
9fMN'MSMiaiiMiMM'kivi
iVjgZT MJEK: : MRS. CAMPBELL "INNOCENT," SHAW DOUBLE-BILL, "LADY LUXURY"
THEATRJ
BAEDEKER
" '- - - ' . .. ,i. , . ... . . , . . . ..... . -.. . . " " " "
- - - - - i 1 1 n "
-k IBHBlsiJMLV ilT vFV hJgrCi
L ta Y Qrt f(LyA.ii .tV
WmW PLAYHOUSF. I WUm:'&
?Hfi v8 and RMK , ift ,
ntA lA ffiaaW - nO Ml AYh L tmaaaaHaamP Y VLaH shaw as bennett sees nm.
Till
TlIE NEW WEEK
flCM0 "Pygmalion," with Mr. Patrick Campbell. Shaw's newest com
from a run In Nw TorK, aim, umpDen, tno unungulgliea Enih ."
nlim a flowel- olrl of th London strdets Who Is takh In trntnin. u." .,c!fi
itlrl of th London streets who Is takin In training h.
sor or phonetics, taugm 10 BpeaK wngnin wiui tne accent of a dnchi.V
JBBCM UIL UU OUtlllJ w " ....... .... -.. jj,cl.o m ln a nW Vttf
rtow
Shaw.
nis
IS.
COMING.
rnnnvARy
Dorothy Jardan, Ldla LonokovA .iil
Frank Sloulan, An elaborate
tlon on tho order of the prealeftt jct
York "rovues." The book I , t. i
MnnTniinHtrli. h mit.t ... Ulfl
Hubbell. Julian Mitchell attends tooJi
ensembles. v "Jjl
LYItlC "Dancing Around." wldi ai ii
son A Now York Winter Gardlit iVji
iv: -" "','"x'?.im,'
plotting
chorus.
principally comcdlafts
I
MSA'S O'MM
THE AMEKICAN THEATKE Is noth
ing If not free In the matter of dra
matic forms. In three years it has taken
surprising strides toward liberating the
play from almost every rule of construc
tion that ever existed. In spite of Har
vard Schools of playwrlghtlng and scores
of lecturers telling clubs or earnest ladles
of leisure how fa utilize their spare time
In writing successes, or going to see them.
our stage goes on exhibiting oddity after
oddity in the way of dramatic narra
tive. Some it borrows from Europe, like "The
Phantom nival," which Philadelphia has
iust seen. Some it makes for Itself, like
''On Trial." which was described In the
Bvxnino Ledoeii of Tuesday. The plere
that began It all was an Importation, fast
enough "Fanny's First Play" by that
man who has taught the public to take
o many first steps Into new mental re
gions, and who swamps the Philadelphia
theatres (and today's dramatic pase)
with three plays next week. Observing
the welcome his comedy and Its Icono
clastic successors have enjoyed, Shaw
must be amused to reflect on the war of
words wged agalnat him and Granville
Barker by the London critics of some
years ago over whether their pieces were
or were not "plas."
"When la a Play
Not a PlayP
It Is an Interesting reflection on the
American desire for novelty that most of
these rtilebreakers are native products.
Europe has given us only "Fanny." with
its play within a play. "The Phantom
nival" with its dream, "Milestones" with
its three acts In different generations and
"My Lady's Dress" and "Anatol," both
mada up of a group of one-act plays on a
common subject.
There is very little in curious construc
tion that American playwrights haven't
attempted In three years from a Chinese
play like "The Yellow Jacket" to a de
tective melodrama written backward, like
"On Trial." There was "The Poor Little
Illch Olrl" for a dream play of our own.
In "Romance," with lta prologue and
epilogue, Edward Sheldon ahowed a man
of the present day telling a story of old
New York: In "The High Road" he gave
us the dramatic moments of four differ
ent periods of a woman's life. "Under
Cover" and "Inside the Lines," as well bb
"On Trial," keep us in the dark as to the
true character of the principal figures al
most up to the very end, and thus vio
late that familiar rule that the audience
roust never be kept In the dark. "The
Battle Cry" used moving pictures to show"
part of the story. "The Silent Voice"
breaks Into the action taking place in a
garret with Interludes showing figures on
park benches. "Seven Keys to Baldpate"
shows in action a story that a character
pf the prologue Is supposed to be writing;
while In "The Oreat Idea" we see the
writing and acting of a play going for
ward at the same time. The record, for
so short a time, is astonishing,
Novelty In Eorm
but Not in Content
It la Just as astonishing and Quite as
Interesting a reflection on America that,
while our drama is prone to novelty of
form, St resolutely avoids novelty of con
tent. Europe is satisfied with pretty
FiskeO'Hara
in "Jack's Romance"
THE WALNUT &
NUhts ISe. 60c, 15c, 1100
J I II I I I p p 111 II I II I I II ! II
y.MTTVT" a" Thar . SSo nd 606.
JUL,
Mt . 35c, Mc, Tg
,i j mi rrii '
ft(siri Th Highwayman. Tou d
ICellwa MKsJr," "jaUaraty," n4
Mil th olhM gtros.
M tuk TiM "DAMAflED flOODS"
rtfi Key Tkalra J
aiiWV fcTfcurxUy
!et iMvr b qibijj, Bxjaap, hvmbb.
IK
OUWONT'S
WAY
mmo
It AND ARCH Bta
(Xv as
4.WWBS TflfiA?
HAI!SXLAWa,
much the standard t. pe of tay But
within that type the plaj wrights put for
ward a great bod) of new stimulating
thought. The great foreign dramatists
of this and ot'ner days are noted for
the originality of their thought, their
contributions of Idea and suggestion, the
statement and solution of IndMdual and
social problems, not for their Ingenuity
In breaking rules. Ibsen, tho gieatest
of tho Iconoclasts of form, was an even
greater Iconoclast of accepted systems of
thought and nctlon
The American dramatist has moved at
a snail's pace. Ho has only kept step
with tho advance In thought among the
people at large; he has never led It.
Faint tinges of "progresslvlsm," Bmall
attacks on particularly obvious flaws In
our social system, have colored such
plays as "Within the Law," nnd Its many
topical brethren. But besldo the mental
excursions of the European playwrights
our efforts seem almost childish
Daring Thought to
Match Daring Technique
One needn't expect to agree with what
some really original group of thinking
playwrights might give u Indeed, It
would be impossible to accept all the
varied outlooks and Ideas which a really
active national drama should supply But
that does not alter the fact that man lives
and advances In culture and happiness by
the sifting, proving and accepting of tho
new. The life of the race. Just as the life
of the Individual, Is an eternal experi
ment. Our thinkers, our guides to culture,
must make new guesses, suggestions,
hypotheses, or we stand still. And no
where can thoso searohlngs after Just
perfection touch home bo sharply as In
the drama. The American stage needs a
mass of original and daring thought to
match the progress it has made in free
dom of technique.
48th ANNUAL
PHILOPATRIAN
RECEPTION
at the
BellevueStratford
Monday Evg., Feb. 15
Subscription Tickets, $5.00
Admitting Gentleman and Two Ladies
TICKETS MAY BB OBTAINED AT THU
T.TinirOtlSE. 1411 AHCII STREET. Olt FEOM
JIB. JOHN F. SKELLT, TOEASUltER OP THE
I1ALX, COMMITTEE, AT THE CONTINEN.
TAI-EOIJITADLH TITLE AND TRUST CO.
STEPHEN GIRARD I1UILDINO. TWELFTH
BTRX2ET, auuve uiiKHTftU'r, nil riiuuAnr
OF THB MEMBERS OF THE INSTITUTE.
BROADLast Mat. & Nicht
LEO DITRICHSTEIN
in l rilAivruu juvais-
NEXT WEEK BEATS BELUNd
Mra. Patrick Campbell
ASr.SSir2.PY G M ALIO N
Extra tUt. Lincoln'! Blrthdty, Krldtr, Fb 13
MMTRnPOLlTAN OPERA 1IOUBH
METROPOLITAN OPEHA CO , NEW YORK
t 7 S PrecUly " "uu'
Mmt- Kurt (flrt rirnM)vOilkl Mt
unautr. 8hatnian UU Urlui. Will Rujridatl
Conductor Mr. lUrti, Emu, llp ChMtnut
strt Wsloijt 7035, Race 6T
BELMONT &
Today "THE SPOJLERS"
FEIUTOBUANagS. J, 8, J, T. 8 P. il.
ACADEMY SU t Btppe's, 1J10 Obutaut
pHlLADELPHIAjMON., ffiSi
iQceUUl
S?D ST. THEATOE t1
iuif lusion mot. "FANTASMA
'MATiHBSW X W-J-19 KVENINQ3 o.t
ORCHESTRA aftsat
Shaw at His Best
in "Pygmalion"
When Mrs. Patrick Campbell comes to
the Broad Monday night In Bornard
Shaw's romance, "Pygmalion," she UU
bring c piny already familiar to many
Phlladelphlans through Its reprint In
Eerbodj's Magazine. Familiar or not,
the first part of It, at least, will sound
like rather Btrange Shaw. In the last
scene however, Shaw is back at his old
mental gymnastics; there ho-has to re
concile the warring temperaments of
Professor Htggins and the flower girl he
has picked out of tho gutter, turned Into a
fine lady by correcting her pronunciation,
and discovered to be much concerned with
him.
Liza You want me back only to pick
up your slippers and put up with jour
temper and fetch and carry for jou.
lllgglns I haven't said I wanted jou
back ut alt.
Liza Oh, Indeed. Then what are wo
talking about?
lllgglns About you, not about me. If
you come back I shall treat you Just as I
have always treated jou I can't change
my nature, and I don't Intend to chango
my manners. iMy manners are exactly
the same as Colonel Pickering's
Llzo That's not true He treats a flow
er girl as If she was a duchess
lllgglns And l treat a duchess as If she
was a flower girl
( is icmarkable that a man can
not urite an casap even on the mod
em stage icithout bilnglng in the
name of Bemaid Bhaw. But he
cannot It so happens that Mr.
Sham is the symbol of the whole
shindu. He it a lorilcr of genius,
and bcoie him. duiing the entire
course of the l'Jtli century, no Brit
ish writer of genius ever devoted
hii ejeaMyc poit.tr pilnclpaUy to the
stage. Arnold Bennett in "Cupid
and Common Sense."
Liza I see. (She turns away composed
ly. and sits on the ottoman, facing the
window ) The same to e erybodj".
lllgglns Just so.
Liza Like fntner.
lllgglns (grinning, a little taken downl
Without accepting tho comparison at all
points, Eliza, It's quite true that your
father It not a snob, and that he will be
quite at home In any station In life to
which his eccentric destiny may call him.
(Sorlously) The great secret, Eliza, is not
having bad manners or good manners or
any other particular sort of manners,
but having the came manner for all hu
man souls In Bhort, oehavlng ni If we
were in heaven, w litre there are no third
class carriages, and ono soul Is as good
ns another.
Liza Amen. You are a born preacher
lllgglns (Irritated) The question is not
whether I treat you rudelj, but whether
jou ever heard mo treat any one else
better.
Liza (with sudden sincerity)! don't
care how jou treat me I don't mind your
swearing nt me I don't mind a black
ejo; l'e had one before this But
(standing up and facing him) I won't
bo passed over.
Continued on Page Fire
3 Shows Dlly Matlntti. 3 P. M 23a and EOc. Nights, 8 P, M , 23o to f 1.00
NEXT WEEK
GREAT BILL OF INTERNATIONAL STARS!
London's Ventrlloqulal Marvel
Arthur Prince Nat M. Wills
Flnt Appearance Her
America's Popular Comedian
The Hit of "THE FOLLIES'
5 Annapolis
Boys
Ethel and
Emma Hopkins
Cecilia Wright
"ADOPTED DAUGHTER OF
THE U. S. NAVY"
Monday Night, Navy Nfght
Angelo
Armento Trio
Mahoney and
Auburn
A Comedy Scream
Ben RyansHarrietteLee Mrs. Gene Hughes & Co.
In "YOU'VE SPOILED IT"
A 1816 Novelty
In a Comedy Play, "I.ADT OOSBIP"
IIEArtBT-SEHO NEW MOTIOK PICTURES
Stale Alwaya a Week In Advanc Bell, Filbert 88931 Keyilone. Race 2160
VISITORS TO NEW YORK SHOULD NOT PAIL TO VI81T
B. F. KEITH'S PALACE THEATRE, 47th St. & Broadway
iiAtmwriDitiT oumva tvf rntrtn ninam Tic i TTi.tEr?T niMfon t mm n. -
un iyoftg vv sjaw mm i m wj vim etyuu wmacj Ifl iilU VVUJILell
NEWMAN
TfiAYaTALKSEor,Sotlocn0,0plcvlu,,,:,
. . ifTi I l tt. AT
Co Mai AT
WUH UlUlt
Z.80
Next FrI. E,yx!
BO V RT
PI Tlcketa BOe. ISa, l at Heppa'a. Amp , SSo,
rrnnoccT '' 2 weeua ev a in
r UKKfcO 1 nu TODAY 4 Wdnday
Tb Qreat Three-Star ComWnatlon
JULIA SANDERSON
DONALD BRIAN
JOSEPH CATHORN
in THE GIRL FROM UTAH
Krtra, Mat. Lincoln' Birthday rtday. Feb. 13
GARRICK Lat Mat. & Night
LEW V IZ.L.D Z
in THE HIOH COST OF LOVING
NEXT WEEK 8JBAT8 8ELL1Q
PAUUNEFRHDERICK
Extra, Mat- Unctln'a mnbiur. Filaajr, Fb, IS
"Travel "Without Trouble"
FLMENDQRF
Artist Traveler Raconteur
ACADEMY OF MUSIC
riyr FRIDAY EVEG'S
IVliSATURDAYMATS.
From Feb. 19 to March 20
Ito Ideal Circular Tpura
, FEB. 19-20
FEB, 26-27
JIAHCU5-6
MARCH 1M3
MARCH 19.29
Aroand the World
Xu ranaata , ,
rooail the
Mediterranean ,
Around Northern
Kuroue
Around Southern
Europe)
Arnnnrt tti
I'nlttd State
Illuftratlona rom Jh bruU of
Out-f-the-Or4lnary Motion
Picturea
Course Ticket, figg
U.QQ $3.00 J2.50 '
Sale Optnj (Iondy) Feb, 8
At lleppa'a Ilia Clmtnut L
TiTtiffViTii.iiiii;;iliiiiWttiijjJiijiiliMliiiw,
Why Shaw Wrote a
Blank Verse Play
Next week tho T.Ittlo Tlicatio reopens
with a doublo bill from Bernard Shaw.
The major portion, "The Admirable
B(ishIUe," has a lilstoi Just as strange
as Its on n substance. Bernard Shaw ex
plains the writing of this burlesque In
blank verse In the following excerpts
from tho preface to the printed olume:
"The Admirable BashAllle" Is "a prod
uct of tho British law of cop right. As
that Ian stands at present, the first per
son who patches up a stage verilon of a
novol, however worthless and absurd that
erslon may be, and has it read by him
self and a few confederates to another
confederate who has paid for admission
In a hall licensed for theatrical perform
ances, secures the stage rights of that
novel, even as against tho author him
self, and the author must buy him out
beforo he can touch his own work for the
purpose of the stage.
There is only ono way In which tho
Continued on I'nce The
OAttRWK "Innocent," with Paulino Frederick, John Mlttcrn, Julian L'p.i.i
George Probert and .Frank Kemble Cooper. A drama, of the tragic tffeTi
vminr o-lrl nt tntinh hekutv nnd no knowledge Unnn vnrlnna im. .1 "tc't)l
tho end she suffers ns tragically as her victims. n'
LITTLE "Tha Admirable Bnh111e" and "The Dark Ladv of (li n.i...
Robert Dempster and the resident company Tho first Is Bernard nt,tla
"blank versa" dramatisation of his novel of pugilism. "Caaliei tr..!
Profession," A wild. Dlltabetlian Sjurlctquo The other Is a on UaheTtS
comedy cnaoted by William enaKcspcare and queen Ellrabeth.
LYlllC "Lndy Luxury," with Florence Webber, Joseph Herbert and I'orro.l
A musical comedy by Itlda Johnson Young and William Schroeder ssn
In New York. Tho story concerns a J oung lady who spends her mon
Interesting fashion that leads to comlo complications. '
WALNUT "Jack's Itomance," with Flske O'Hara. Ireland Just before ih.
lean Revolution makes the scene ot a toinantlc tale of lilghwavm...
CONTINUING.
AliKT.Ptll "The Third Party," with
Taj lor Holmes and Walter Jones. A
boisterous farce of the familiar trian
gular variety with n patent chapcrono
Violent but amusing.
FORtlEST "The Olrl From Utah." with
Julia Sanderson, Donald Brian and Jo
seph Cawthorn. Paul Ruben's Eng
lish musical comedy of Mormons, old
nnd young, In London Book and mu
sic of uneven value, sometimes viry
good Indeed. Performance excellent
VAUDEVILLE.
KEITH'S KM Wills, comedian; Arthur
Prince, L'ngllsh ventriloquist: Jtrs.
Qeno Hughc"'& Co, In "Lady Gossip";
! an and Lee, comedy and dancing;
Cecilia Wright, vocalist; Five Annap
olis Boys, Angelo Armento Trio; Hop
kins Sisters; MahonAy and Auburn, nnd
tho Patho News Weekly motion pic
tures OllANDTZmWy Smllev & Co. In "One
Woman's Way," by Hllllard Booth: II.
Bart McIIUgh's "On the School Play
grounds," with El Brendel and Muriel
Morgan; Joo Kennedy, on rolor skates;
Hallan and Hunter, In "Just for Fun";
iMaude Earle, with new songs; Daly and
Kennedy, In a comedy skit, and photo-
Play
OL01JE Al Lewis In "The New Leader,"
a comedy ot audvllle, by Aaron Hoff
man; the Bowman Brothers, negro Im
personator; Julia Curtis, "the girl
with manv voices"; Colitis and Seymour,
In "Tho Battle of Bull Run"; Al Ray
mond's trained bulldogs playing foot
ball; the Three Adnards, and Claude
Ranf, aerial gymnast.
WILLIAM PEXN John Hart's "The Tel
ephone Olrl," with Dorothy Rogal: Mc
Devltt, Kelly nnd Luoey In "The Piano
Movers nnd the Actress"; Leon Kim
bcrley and Halsey Hohr in "Clubland",
Robins, musical imitator; tho Too
Troupe of Japanese acrobats nnd the
Bristol Ponies.
CROSS KEYS (first half of week) Daisy
Ilnrcouit, English Comedienne, the
Summerland Girls In "The Man In the
Dark"; Cleln Brothers, the two Dutch
admirals; the Whirling Erfords, gym
nasts, and Roberts and Kaln, dancers.
STOCK.
AMERICAN '"Tho Traffic." with the res
ident stock company. The familiar mel
odrama of "whlto slavery," wherein the
lctlm continues on tho downward path
instead of reforming a in romance.
BURLESQUE.
EMPIRE Harry Hastings' Amusement
Company, with Dan Coleman as the
principal comedian, in "On and Off the
Earth."
WALNUT "It's a Long Way to Ttm,.r
nry," a war drama along popular Una?
KEITH'S Trlxio Prtganza, the noirah.
singer; Harry Beresford & Co.: Flof?
once Tempest & Co.; Mr. and iln jl
McGreevy; Lucy aillettc; Adljr rujj
Arllnc; Blank Family; Martin m'.
CIB?l", MID iJCIIlCNO, UIIU X Sine N1H
w.,i,i,, ' J2
FEBRUARY i.
AUKLi-iu "Peg o' My Heart," TtitlT
Florence Martin, Reeves Smith hi
Howard Short. Hartley Manner' joj;
ular and amusing comedy of thf fa."
potuous young Trlsh girl and hr con?
fllct with a cedato English family,-
OARRWK "The Misleading Iady." "rti
engaging comedy of how a roagh-mti
nered gentleman, homo from PatagotilJ,'
tames, woos and weds a society belli k
the heroic treatment of kidnapping: hui
to his Adirondack camp. j
WALNUT "Tho Trail of the LotiMoaJ
Pine." Eugeno Walter's etffnhr
dramatization of John Tox, Jr.'s, UJt';
of tho Cumberland Gap. JXti
KEITH'S Mrs. Leslie Carter In 'Zixjj
Wee Georglo Wood, comedian; Bltftls
and Wntson, the well-known teirij
Okabo Japs, gymnasts; Ed llortoy
Ljona nnd Yosco, Hazel Cox, Moorf
and Young, Cole and Denahy Ml
HearBt-Sellg Pictures. ,
MARCH J.
BROAD "Outcast," with Elsie Fergusqn
Hubert Henry Davles drama of a ml
4riai aalfifl frrYr tVlA affAAtn finft Tirflfi
Ing horself In tho end a woman of mrjj
fibre than most of fellows. Lately C
In New York.
FOR CRITICS
Self-expression within cerfaln Jlffllu
Is as important In criticism as In anf,
i. . tli.b.t,... TAhn Tlm-J
oiner lorm o mermuic-uuhu
rouRhs.
von nnNcviTS at lyric & adelpiii THUATnES.
T VRTf ffiSft- One Week Only
iJliVILt Regular Mat. Wed. and Sat.
Holiday Matinee Friday (Lincoln's Birthday)
rrtKDUniC McKAY rreaenta
The New York Casino Musical bucccss
Lady Luxury"
Book and Lyrlci by niDA JOHNSON' TOUNO
(Author of "Naughty Marietta")
Muale by WILLIAM SCIIROBDISR
(Compoier of "When Lovo Is Young."
Staged by E. II. BURKSIDES (Producer of 'Chin Chin" and
"Watch Your Step")
with FLORENCE WEBBER
J. "W. nEItBErtT FORREST HUFF
MARIE PLYNN DONALD MacDONALD
EMILIE LEA ARTIlUn ALDRO
Emily Fltsroy, Bam J. Burton, E. II. Carpenter and Othere.
downs by LApY DUFF GORDON
BEAUTY CHORUS SPECIAL ORCHESTRA
APPLY DOX OFICE OR PHONE WALNUT O700-OT-08 '
AIJjIIJL ill Beginning Monday PmI;
tlvcly Last Two Weeks )
POPULAR St MATINEE THURSDAY
Holiday Matlnea Friday (Lincoln's Birthday). Reg. Mat. Bt
I' RAY COMSTOCK Ottra i
THE LAUGHING RIOT OF THE SEASON
"Tho funniest
play I'a ever
cn "
Prcaldcnt IMUon
"The
Third Party"!
WITH I
TAYLOR HOLMES J
AND j
WALTER JONES j
JOIN THE LAUOHINO CROWDS!
LYRIC Sat8 FEB. 15
Seats
Thursday
The N, Y. Winter Garden's Supreme Achievement
lancingAroun
FASTEST OP INDOOR 8POI1T3
-- in u
i Al Jolson ITI
A Symjihony of Shapely Feminine Dlvlnltlea on lj
FAMOUS ELEVATED RUNWAY 1
"ITS OVER YOUR HEADI HANDS DOffNr 2
Chestnut St. 8SSSS
"HOME OF WORLD'S
GREATEST PHOTO PLAYS"
4 TIMES DAILY
Afternoons. 1 & 3 10c and 15c
Evenlnes, 7 & 9 10c, 15c, 25c
NEXT WEEK WILL BE
THE LAST WEEK OF
THAT SOUL-STIRRING
PICTURE PLAY
The
Christian
If You Hare Not Yet Seen It
Be Sure to Visit the Opera
House Next Week
AHATIEMY OS UUSIQ
Tueaday Mltmooa. Feb 23 at S 30
ICI1
KRE1SLER
Tickets TSa to 13, at Ifeppe's. 1110 Cbiitnut
Management C. A. ELLIS
PAT APF CONTINUOUS I 10o
rALAbb J A. 11 to 11 P M 20a
1314 Market wun'SJUJ, ph iioui
VAUDEVILLE iNTKaTioNAi,
tT IMUiTlSTTBl
DltTIN rARNVJU
la Tim YIIU51NUN
PHOTOPCAY
52d Above,
Market
Street
1
BELMONT
PARAMOUNT PICTURES
Mon.Tuea, JMAltOUEniTB CLARK Thura. I WILLIAM FAItNUltlnd
Wad. ln "THB CUyciDLp," ) Frt, t)at., I'THB SIGN OF THE CIUJSS. j
OTHER CQMEDY AND DRAMATIC BUD4ECT3
Mta. 1:30 and 8:80, Eyaa. 1)0 to 11. SATURDAY CONTINUOUS 1:80 TO 11
52 d Street Theatre ssai
PHOTOPLAYS WEEK FEBRUARY 8 f:
Mon. and Tues, I Wed. and Thurs. I Frl. and Sat. i
tnm-c ipvnnnnvu MARY PICICFOllD In I RQBEIIT EDESON M
"THE TYPHOON" I BUCII A LITTLE QUEEN I "Wbera the Irall Dlvd
UTtlfSll 1-UMlSfjj NU DltAUATIO BUpJECTB ,S
lf.l ltBO and a.XO. TSv.a. fl:S(l to 11. HATIIIiniv rnHTlMllnna 1Hn TO 11 F m!
Zl ! 1 Z ...,- .... ., W.W V T I
""8 GRAND
Broad. St. and Montiamery Av..
FRED. Q. NIXON.NlnDUriaER.atn Mr.
NEXT WEEIC "
PliUadelphU'a Faforito Stock Star
SI I S EMILY BUUBI
Supported by Mayflca Stanford, Virginia
lUnninga A Co.. in
'ONE WOMAN'S WAT"
Jo Kennedy. Ieahella Ortann
Ilallfn & Huntw Pair Hmncilf
" &$?' 'PoScljool Pljigrounds'
rieyr 1uvnll tn "KID nAV'Trollo
KEWESf IAUOU1NQ flOTUHKa
g?M'Ta . 300Q SEATS & jft&
BENEFIT PLAY AND DANCE
BellevqStratford Ballroom
14 TLAYB Fi(AEB8' VMnVORiSAhaxt
JUe.J oy a Dfod FESRUABY . For
pwldtae Por Hop. Ttliala at BtUayue,
LITTLE THEATR
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