I - !' .. .. ., .l-.-i J . , -..,.. .--.. - ... . , ., , 1 1 n 1 r ' - -I i-ir- ri '-- " ''' ' ' "" "' """" ATSXr WEEK : "GRUMPY," "THE PHANTOM RIVAL," LEW FIELDS, "THE THIRD PARTY fc: THEATRICS BAEDEKER :: nfikM MN.A1 WSlFvv ir J yniMHI 3 ? WW1JW THE NEW WEEK E B -' j -' ' ' .. . . .. .... I p s wWm&f 1j LBO DITRICHSTE,IN'S mKSMmummjjii Avrrrrrr I J? P II ISf' MvMS " -Kr i iHIHhF II AY rl( )l r f' 1 SI? PSSPAtBBR Aft th& phantom ;riva.l- 1HPI I JL l ILvUyL fk-.mt .9 3f WSPS'i abroad ESSAl PLATERS iMifli' MP NOBODY can profit from a compari son of the two charmlnc comedi ennes who spent the past week with us. Miss Adams and Mls3 Tempest arc too utterly different In personality and alms. And they are Bono. There Is room, however, for an autopsy over the scenery of their plays. Miss Tempest's setting for "Mary Comes First" was only the usual thing In the usual way, with a terrible back drop that at tempted to pretend that Its skew-eyed perspective was a real room seen through double doors. Nothing mora antiquated or In worse taste has been shown hero this winter. Miss Adams, on the other hand, gave both her plays with that attention to detail which means personal supervision by O star who knows what Is happening In thO new stagecraft. Her room for the flrst as.1 of "The Legend of Leonora" was a. little, masterpiece of the simple and genuinely artistic. Its flat, buff-gray walls wero devoid of ornament, a beauty In themselves. The arrangement ,of win dows an! fireplace gave the Impression of a room modeled on the Italian by people of some artistic sense who knew Just what they wished to achieve. The ar rangement of blue and gray draperies and odd bit of furniture collected apparently as tne family went along heightened the effect. Maude Adams Takes to tho New Stagcraft But It was In the three settings for "The Ladles' Shakespeare" that Miss Adams showed her real knowledge of what the artists of Germany have been doing with lights and colors In revlvlfylns the art of production. The warm slow of the light was much heightened by the use of a direct stream from the gallerj- calcium tr.d of special rectors In the "foots." A blue light thrown upon the sky drop from the back It appeared gave a lu minous quality to the heavens that no other production has shown us, gainst this blue, for one scene, there wu set a simple row of columns only two ylslble. They were comparatively near the footlljhta and aglow with a mallow cream against the green hedge and trees and the rich sky, A variation made as excellent a last scene, while In between was set an absolutely simple ren aissance room .that suggested the Italy of Shakespeare's Imagination far better than tons of carvings and draperies. Tho outstanding Impression of "The La dles' Shakespeare" was that here at last we had & hint of what might be done to make Shakespeare a Jolly, romantic entertainment. Instead of a dreary essay In literary uplift. "Quality Btreet" as a War Drama "Quality Street," which Miss Adams re vived at matinees, gave an Impression all Its own, and an Impression that Bar rio's quiet little comedy never before achieved. Under the stress of current events In northern France, It became the very latest of war dramasf The war of "Quality Btreet" Is the war against Napoleon, but In spite of Its lack of, up-to-datw machinery. It Is war Just ' the same. It opens with women knitting for tho Belgians, as It happens. It sup. plies Its tale of atrocities In the terrified query of Phoebe Throstlet ''Is it true that the Cqrelcan ogre eats Infants?" And there are those monuments of hero Jam, the "bums" who And their first con genial Jobs as soldiers. Barrle spreads them remorselessly through his quiet lit tie town, terrifying meek maiden ladles Into the complaint that "lie closed one eye at me and then quickly opened it againl" You get a queer impression from the contrast of quiet Quality Street to the urdrotis stirrings on the Continent, tht you are really seeing- war from the lald-much more sharply than in any modern, Amerlcan-roada. or even English play on th iniquity of war. AH of which Frarti probably surprise Barrle Immense- , Jy If ho could . it. I "What K Iblng Is Applause! A ro&riHg". looking house full of demon ttrativrt palma, triumphing over th turn-4-up ttftita of Urn MiiUtofiUKU And on iftt txft a ;!ura batfs usson by the ggferi yllow litfhl at th ehasdeljwr. wm turn wtimt Slw tf eafotfly How Brian Started Modern Dancing1 If you talk of modern dancing which quite u few "eccentrics" are doing these days It Is Maurice and Walton, tho Cas tles, Joan Sawyer, and so on, very seldom Donald Brian. But It was the man who dances and sings so expertly at the Forrest that started the new tvpo of ball a-rolllng. Most of us have for gotten the fact that when Mr. Brian mado himself the waltz king or, more accu rately, prince of "The Merry Widow," It was tho original "hesitation" that danced Into fame with him. That same "Merry Widow" Introduced the maxlxe, though nobody thought of calling It that. At Maxim's tho dancers tried a set of evolutions that Mr. Savage found In South America. Nobody will deny that it was tho advent of the Viennese operetta which brought dancing into popularity again, via the wnltz. IJut we have all of us forgotten that from It came that Imputao toward varying the danco steps which has created what we call modern dancing. Mr. Brian "started things" for which we should be thnnkful. But wo theatre goers should be a thousand times more grateful that he, and Miss Sanitation, too, resisted tho temptation to specialize In the tango wid to desert the stage for the dance hall and one-step academy. As a consequence wo can see them every night doing a dozen Interesting and artis tic things besides tho Interludes of grace ful gymnastics which are about all the average tangolst gives us nowadays In a musical play. But now comes the news that the Hesh pots of Castledom are to prevail at last. This Is the first of Mr. Brian's farewells, for when the present season Is over 'ie will hie himself to New York and devote his talented legs to tho profitable busi ness of teaching the young Idea how to scoot. The Perfect Lady Press Agent Before the, play arrives Is, of course, the really appropriate time to celebrate the glories of a press agent So while "The Third Party" la shifting his bag gage Into the Adelphl Theatre, let us pause a while over the life and works of one May Dowllng, the only lady press agent in captivity if we bar Ann Marble, who rather specializes in New York. Miss Cowling has run the gamut from the movies to Shaw, from Ralney's Afri can Hunt to "Fanny's First nay," Now sho tolls for "The Third Tarty," and tolls well. She It was who announced In New York the Insurance scheme of the prin cipals 10 coyer irequent personal violence suffered from tho knockabout gyrations with knives and such that "The Third Party necessitates. But easily her prize story was the widely printed news that the tenants of houses adjacent to the Shubert Theatre where the piece played In New York complained to the Board of Health about the thunderstorm In the third act. Here Is Miss Dowllng's present version of the affair; "Every evening last summer, at 10 o'clock, terrific detonations Issued from the stage of the Shubert Theatre. The evenings being warm, the stage hands left the large stage doors open, thus mak ing the noise all the greater. Landlords and landladies in the neighborhood, In their complaint, contended that their roomers and guests could not sleep, and they asked the city authorities to compel the management of the theatre to reduce the effect of their noise-compelling ma chinery or else close the large stage doors," NIXON'S GRAND Broad St and Montgomtrr Av. FRED. O. NlXON-jWIBPLINOEn.Qtn Mgr Mlb-WIMTEB FUN FESTIVAL! UFROAKJOUS APPLAUPE WINNERS Milton & DeLong Sisters KallroaJ Comedy I1U. "Th Terminal" Kaufman tlrullicra Als'bclleFondi Troupe AUiaa & Hurray Rlcba rd Brother KZtf LAUOniKO.jIOTIOM P1CTUHB8 FOBD "TRULY" gptiCUt Crurwiy Canlna gaaaatloa iur a it nrm eit? a Tai ?? 8snlsf Sfy !, 63i o KrIWI -KA-LTD& PORTER. IMfH -4 -"wS yWjgr krf??!SlM i Jsmsr w$Ml i ftY?rT?-si y&ytzfL. t i I" iHfrffiffi' " ""SfrSr"i TAVXOR HOLM&S J :?2? rtts- jr& .ADELPHI Cyril Maude, Actor- Manager, and "Bunty" An Kngllshma'n of unusual talents comes to the Lyric next week. Outside his tnlenU as a light comedian nnd an Impersonator of every type from youth to age, Mr. Maude Is also Interesting to Americans as a new sort of player Ho is tnat frequent figure on the English stage, theiactor-managcr. It Is therefore natu ral that he should have somo experi ences like tho following, to which the American player Is a stranger: "We London managers," says Mr. Maude, "all employ readers, much as publishers do, and we read much of the time ourselves. Many unsuccessful play wrights imagine that when they send in their plays they aro simply returned eventually without being read, but I can assure them that such Is not tho case. Good plays are much too valuablo nug gets not to be searched for eagerly. Somo of the most successful plays, plays that have made great fortunes, have had extraordinary careers before they were eventually produced, "I remember well how near Sir John Hare was to not producing 'The Pair of Spectacles,' feeling absolutely certain it would prove a failure. "Ilunty Pulls the Strings' was refused' by the Glasgow Repertory Theatre. I came across that play, too. In a curious way. I was walk ing down to my club in London, and as I crossed Leicester Square, a muslo hall agent ran after me and said: " 'Oh, I wish you would let mo bring a man called Moffet to tcad a Scotch play to you. I think It Ib clever, and I want to know what you think.' " 'Oh, don't bother me with an unknown author reading a play,' I said. 'Send It to me to read myself." " 'No, you must have him read it to you,' said the agent. " 'Who is he?' I asked. " 'Oh, an absolutely unknown man,' he Concluded on l'aire Flie UEQINN1NU MJXT MONDAY EARL'S DIVING LILIES ADDED ATTOACTIONa Mon . tum wea FRANCQNI OPERA CO, Orami Opera Offtm Thurii , Frl , Bat. SEVEN RU8SELLS Mtloily am) Mirth JA8. REGAN & COMPANY In Who, nulllyt A Night in Monte Carlo Beauty and Bong Olhtr. anl Short Innrt.tlng Photopliya DAILY 1 fifhUh I Evnla at 7 and 8 Glacier National Park Ut and Habits of the Blaekfett Jodtaaa TRAVELOGUE MR. LAURENCE D. KITCHELL of tb Bureau of Commei Ual Economic. With Motion Picture! sad UauJ-TlnuJ Slid. at tha ACADEMY OF MUSIC We&ieIay January Z7t 2 P. M. for tba tn0t HOME BELIEF DIVISION EMERGENCY AID COMMITTEE Sun SOc, SSc and 1 6c OS 81. at Ail Aitm.-Un and Psr EMPIRE mWsMWm I beating lut IjTflyXjJj Market Capacity XZ?"!i- 7yyX ?'? - HIIUW OU111 On Monday, in advance o1 vraduc- tlon in Philadelphia, the dramatic editor o the Evening Ledger will review LEO DITRWHHTEIN in "Till: PHANTOM RIVAL" from a performance of Mr, Belasco's plau in New York. concluded on Fuse Five Es 2 SHOWS DAILY MATINEES 2 P. M.. 25o AND 60o St'ft'V'iil . rip) NIGHTS 8 P. M-. 25c TO jl.OO Wff 'P'P SI NEXT WEEK Mf A Ip! AMERICA'S DRAMATIC rAVOHITE tllS $!l5S$s3fcP K HENRIETTA CROSMAN SUPPORTED BV A SPLENDID CAST In the Universal Peaca Play, "Thou Shalt Not Kill" JOHN R. GORDON and COMPANY In "KNICSHT AND DAY" ROSIE LLOYD ALICE LLOYD'S LITTLE SISTER Dtlfflt A r , nnnn EDDIE LEONARD 'SW MABLE RUSSELL .. .... --......., ,. MORAN wisrcn nOOMERANO HAT TIIROyERB ROACH & McCURDY in "A touch up nature" HLon umilo wsssss NATURE POSES OP THE I.OVELIEST WOMAN IN HISTORY ANn m ' IN CONJUNCTION WITH CRUICKBUANK'H CAniCATllitEH Seata Alwaya a Wk In Advanc. Hell. Filbert 8303; Kty.tonn n. omn VISITORS TO NEW YORK SHOULD NOT PAIL TO VISIT " ' ' B. F. KEITH'S PALACE THEATRE, 47th St. & Broadway WONDHRPUL 8H0WB IN THE MOST HEATJTIFUL HOUSE IN THE WORLD Market Street and Juniper VAUDEVILLE U TO 11 The ChftrscUr l'orodlst HOEY &LEE Batlrlilnr Timely Topic. 8 Other Notable Acts THE QTAWI PV Market Ht. Abova 18th "" aiAWL.Xil PICTURES 11 TO 11 MARIE DORO In "THE MORALS OP MARCUS" limii n I .. Matinee Today, Si30 LI I I LiC 1-OW Time Tonltht, 8:80 THEATRE "THE CRITIC" ltlh&DaLancey tf. a Riot at Hilarity a rrr nUl LAST MATINEE TODAY ADELPHI LAST TIME TONIGHT r J "TUH BELLE OP aam oernoiu EOND STREET" ACADEMY Seat, at HPP l? CbfQiUe PHILADELPHIA A ORCHESTRA Tonight at 8.15 Sololeti OaalpOa brUawltacb,Planlat PALACE Theatre ?&.' VAUDEVILLE "he'rs00 mirvrnpi AY qladys hanson in JPflUiW " 'THE BTHAIOHT ROAD" DUMONTS DUU0NT-8 MlKSTBELfl 8TH AND ARCH STB. TODA?, Ifeb SQ9 MAT casino ,m,miu Skunk Hi Professor Hyslop on "The Phantom Rival" When "The Phantom Illval" was In Now York, the management received a curious and Interesting note from Pro fessor Hyslop, tho well-known Investi gator of psychic phenomena, concerning tho dream elements of the play which comes to tho Broad Monday evening, HIb letter is worth reprinting: Tho American Institute for Scientific Research, Section B, American So ciety for Psychical Research, New York, B13 WcBt 149th street. My dear Mr. Belasco: I have you to thank for tho delight ful pleaauro last night of seeing "The Phantom Rival," which is certainly a most excellent psychological play. i' or tnose also wlio can see It thi play can have Its ethical value, but all depends on tho nature of the ob server for that Import. But I do not thing any one would fnll to appreciate Its psychological interest. I do not say psychic, because wo scientific people aro perhaps n little pedantic, at least I, with my connection with tho Society for Psychical Research, have to bo technical in the use of the term, which Implies something super normal, But In tho popular concep tion of the play it is also a good WARD BAKER THE SOULFUL VIOLINIST -..-. . , nwinin AfflJ UArWtUO GARDINER TRIO UNIQUE BALLROOM DANCERS PATIIU NEWS WKEIU.YMOTIOpT PICTUIIES mmmm academy op music sks NEWMAN TBAVETALKSAalWarPJclares Next Fri. iV!- Sat. Mat. ft WAR GAPITALS TICKETS t."Pc;,. J."e cueimlu at. uwc, me, l Amp, sac. SKSisSWS RRflAn MAUDEADAMS uA-i-inisci TODAY TONIGHT I LmtTlme I nuiiS t -otftrtr.s PA"Eljr ,,:.'" Ui! -e.OKHUA NExVwMK,5.DiA,5FWBAiiB "DAVID liELA6COP?e.e1u."U LEO DITRICHSTEIN la THE PHANTOMJUVAL GARRIOO Lat Mat. & NiSTt UEO. M. COUAN-H Powerrul Comedy Drama THE MIRACLE MAN , NEXT WEEK-SEATS SELLIno"' iX A lunSSSm LEW FIELDS in THE HIGH COST OF LOVING I VRIP JAST MATINEE TODAY " "lmv LAST TIME Tomairr MARIE TEMPEST .J?.0?"11 by w- 0hm Browne "Tllif MARRIAOB QP KITTY" and TUB DUMB AND THE BLIN1?' METROPOLITAN OPERA HOUSE METROPOLITAN OPERA CO., SEW YORK DEaf 8 BORIS GODUNOW Ubh Obar, DalaunsK, Oucht, Cai Mil. W4m, Althaiuw, th!er, Baija, Besiirta, ilciM CeuAuelST Mr Voluxa Seste tlM . . . . . ea I I r JtMW' SSHMfflS2EEISiSIM2IfiI?JSI2EE2f2EEJSEJSIS(SI3f3(a AfflWBF WflttBL. LYRIC LYRIC "Grumpy," with Cyril Mude. The beat of English comedians In . tlvo play of suspense nnd amusement, which narrates the oxtiloltn h d',tc old criminal lawyer who finds a crlma committed In his housennM .' ' year nnd a half of oxlstcnce, "Grumpy" has seen only two cIm w "' and Boston. t,ea' Nw York BllOAD- dab "The Phantom nival," with Leo Dltrlchsteln and Laura David Celasco's produotlon of Fcrenc Molnnr's comedy of 41,1 i,CfM,! dreams of the return of a former nnd then finds tho reality prosaic, company Is the name seen for four vAiiKiuu. "xno liign i;ost or moving," with Lew Flolds nnd Geortro ?!...(. - " Gorman comedian In a "straight" farco which deals with sundrv hfiui Th' gentlemen who find themselves nil paying blackmail to the same wnm.J ,? "paBt" which nevor existed. wom&n for ADELPHI "The Third Party," with Taylor Holmes and Walter Jones A k., ous farco of domcstlo complications which nmWd New York tha 'n.f v ir tha season. The plot Is of tho fnmlllar triangular variety, amuslni-lv'), f, .! Tlit actors arc nil expert. y' nm,,8"W handle!,,,. WALNUT "September Morn," a musical comedy of Clilcngo orlcln with . , model tinslnir thn nrlrrltinl nt din nnlnHnin olnll.. ' """ tt lanem rtfiMTrwtttn-i FORREST "Tho Girl from Utah," with Julia Sandorson, Donald Brian and Jo soph Cawthrono. Paul Rubens' English musical comedy of Mormons, old nnd young, In London. Book and music of uneven value, sometimes very good, In deod, The performance Is excellent, VAUDEVILLE, KEITH'S Henrietta Crosmnn In "Thou Shalt Not Kill"; Eddlo Leonard and Mabel Russell; La MIlo, poser; Ward Baker, violinist; John R. Onrdon & Co. in "Knight nnd Day"; Roslo Lloyd; Gardiner Trio, dancers; Roach nnd Mc Curdy In "A Touch of Nature"; Moran and Wiser, Boomernng Hat Throwers, nnd Pathe Weekly films. GRAND Frank Milton and tho DeLong Sisters In "The Terminal"; Ford and "Truly," the comodlan and the 1ml tatlvo dog; the Kaufman Brothers In songs and sayings; the Mnbelle Fonda Troupe, rapid fire Jugglers; Mabon nnd Murray; Richards Brothers, grotesque acrobats, and comedy movies. GLOBE Hoey nnd Lee, dialect come , dians; "Blackface" Eddlo Ross, ban Jolst; J. Warren Keane nnd Grnco White, magicians; Robert Henry Hodgo in "Bill Blithers, Bachelor"; Cook and Manson Twins; Mnrzella's Birds; Irene" Law and Ethel Skllton; Brooks and Lorella, knock-about gymnasts; "Morn ing, Noon and Night," and photoplays. WILLIAM PENNT3tiU and West, In "Since the Days of '01"; the Six Little Honey Bees, in a musical melnngo; John and Wlnnlo Hennlngs; Jack G. McLallcn nnd May Carson, roller-skate experts; Kramer and Morton, comedians, and the CROSS KEYS (First half of week) Earlo's Diving Lilies, in aquatics; James Reagan and company. In "Who's Guil ty?" the Franconl opera company, in ex cerpts from grand opera; Abbott and Brooks; Atwell and Stone, eccentric comedians, and the Nelson Trio, aerlallsts. STOCK. AMERICAN "Bought and Paid For," with the resident company George Broadhurst's powerful nnd steadily In teresting play nbout a wlfo's rebellion from an Intemperate husband. Good comic relief, too. BURLESQUE EMPIRE Joe Hurtlg's "Social Maids," II If you're subject to hysteria, when you laugh to excess, take your physician with you to the ADELPHI THEATRE MONDAY EVENING to see Taylor Holmes and Walter Jones in THE THIRD PARTY, the funniest farce comedy ever written. Far Denedts ut I.jrlo & Adelplil Theatre BEGINNING evening THE DISTINGUISHED ENOLISII ACTOR MR. CYRIL MAUDE- AND HIS LONDON PLAYHOUSE COMPANY IN THE INTERNATIONALLY SUCCESSFUL COMEDY DRAMA u GRUMPY" THE GREATEST AND MOST ARTISTIC t SUCCESS IN THE HISTORY OF THE STAGE by HORACE 1IODOKS and T, WH1NISY PEItOYVAL Engagement Will Positively Terminate Saturday Evening, Tebruary P FRANKLIN AND GIRARD AVE. Matinee Daily Except Friday IIEGHNNINO NEXT MONDAY MATINEE THE ONE HIO TLAY OP OUH DAY FIRST TIME IN "STOCK" AND T 1m!ir.AH PRICKS $ $ $ l'UEUS, PUIILIO AND PULPIT PROOIAIBI THIS PLAY THE MOST FORCEFUL UBAMATIO DIORESSION WUITTEN IN YEARS P p y P P u) p iD ri Ttl and Nt Week. Ev. 8:15 rOrreSl lUllnec. TODAY & We4. 3:15 CHARLES FROHMAN Pra.enta Tbe Oreat Three-Star Combination JUUA SANDERSON DONALD BRIAN JOSEPH CAWTHORN in THE GIRL FROM UTAH METROPOLITAN OPERA HOUSE MATINEB TODAY AND TONWHT PAVLOWA TWO SNTIBELf NBW PliOOHAMa Hwiai Hop Crew I the wf, nl Interesting Me"i lover as a (treat varlntv nr Mr. Dltrlchsteln plays exnertu ' .J',,0,4 or five months In Now York Ul''' I .' im with George Stono and Etta Pln.i i" '. "Busy Little Cunid . I t ..'""A ; by Leon Berg and Will ir. Vodr TA COMING FEDIWARY 1. , WALNUT "Damaged. Goods." a ... cnganement of Hricux's ZzSi drama, KEITH'S niancho Walsh In "The wflm ) S,n m so": Marlon "ttlete "Florentlno Slngors"; BaRonghl, Z,,, ''i trlan comedian; Stuart Barnes ml'i loglst; Baby Helen v&woSKl Flanagan and Edwards In "Off .nil On"; Miller and Lyles, blackfa S3 mewans; unanotto navenscroft, .int. rig violinist; Plplfax and Panto, EnJ Pathe N,w, Weekly motion pictures.' FtltinUARY 8. RROAD "Pygmalion," with Mrs. Patrick"' Campbell. Shaw's newest coraedr "' fresh from a run In Now York. Mr.V """i'"tu, mo uisiinguisnca Enellih actress, plays a flower irlrl nf t, t don streets, who In taken In t.i.r . by a professor of phonetics, tautht 4 uflAflV r'urrll-l. ...11. 1 1. lV .,,...... .u,,a,,o,t nun me accent of & duchess, and passed oft on society at LYRIC "Dancing Around," with Al Jol- i son. A New York Winter Garden show m 1110 iamiuar ana ciaoorate type, ex ploiting principally comedians and . cnorus. OARIUCK "Innocent," with Pauline ItYnrlnrirlc. .ffihti ATllta,, Y..it... L'nstiange, Georgo Probert and Franks Kcrnblo Cooper. A drama of the tragiij I effect of a young girl, of much beauty and no knowledge, upon various sortt ' or men KEITH'S Hat Wills, comedian; Arthur Prince, English ventriloquist; Mr. comody and dancing; Cecilia Wright! -j vocalist; Five Annapolis Boys; Antelo 3 irmento ino; .tiopitins sisters; Ma. honey and Auburn, and the Paths News Weekly motion pictures. FEBRUARY IS. WALNUT "Kb a Long Way to Tipper- ary ," a war drama along popular HneK, 1 IUARY 22. 4 FEBR ADELPHI "Peg o' My Heart." with Florence Martin, Reeves Smith and Concluded on Tate Flv Apply IIox OfTlce ur Phone Walnut 0760-67-fI, FOR TWO WEEKS ONLY Mats. Wed. and Saturday TlieXCHESTNUTST. IB Jlume uf World flreaUH Phutimlar 4 Tionss GERMAN-AMERICAN flHARITY BALL Under th. Au.plce of the M&eiir ; Monday, January sjoi AfATRMY f)P MUSIC Proceed to CiUMoa; Permanw. ,"i?y lor tha Deetltuw Unemploifed o par w TMnVute. amtt n trPnlleilAU BUU eft """". & "? .TTrrr-V-"ihihatM. W ceav icW(vy w t-awarjT' - -ii 4 "srr"J. J i m Band OfitUMri 8 M to 9 f iMoarm .. . T J . !' "'-,-, "A.. ,:,rM T? --efcita ifflna una itisivuHuaiu.4 hiu .r " nuauwir k t,""33 WSSuT JB iriTred ga. m y I X n f v I A Daily n rv II afts. is?! lm II & X10413' 1 " U ri 10,19 4jlii m V Id WEEKAH NUHDREOS TURNJD f AWAY "I EVEBY PERFOnMANCE lMIBttlll.M..jj.WI...1tIWtlJ,MI Jl IILLW 1 ..J.m.llllLIJ! LLLJ. JLHH.H..M - in,,,!,,!; iiifautfn, l I jjiiggpiMisM ,- m..