EVsalNG LlflUUER PHILADELPHIA, SATURDAY, .TAtftTABV TO. 10H
4
ATXT TOM; MAUDE ADAMS, MARIE TEMPEST, "THE GIRL FROM UTAH
THEATRICA?
BAEDEKER
THIS NEW wei:k
""" " " ' ' - - .. .. ..,-l.J.j - -. , ' i - Tl - II I I i ,i i - j ""
&LW 0JrK(
D& 4RMT rH AT h k 1 Sl WHfiP!i
ONE of tho astonishingly good things
about Mr. Cohan's "Miracle Man" Is
the stage management. It is about every
thing that popular superstition has' not
attributed to the productions of Messrs.
Cohan and Harris. A play that Mr.
Cohan staged has always been supposed
to be one long howl from the actors as
well as the audience. His drama at the
Garrlck, on the contrary, Is a model In
subtlety and restraint, so far a the
spoken word and the movements ot the
players go.
Mr. Cohan unquestionably began life as
th prophet of tho vociferous. Ho
tcreeched himself Into fame with "Little
Johnny Jones." The comedies that he put
on later were notable for the raucous,
roaring tones In which conversation was
carried on. Mr. Cohan's method was
what might be called the Now Ranting.
He applied It to farce and comedy. In
stead of tragedy, and got Just the result
he -wanted. The audience usually made
as much noise as the actors before the
renins was done.
5?he New Cohan
Here Is "The Miracle Man," however,
staged as effectively and yet as restraln
tdly as any producer In America could
stago It. The effect of almost every mo
ment of the piece Is exactly the effect of
life. Talk and movement are carried on
in Just the key of every day. Nothing out
of tune, nothing forced, everything aa
natural as those twoxcellent country in
teriors that set the first and last acts.
Is It a contradiction, this difference be
tween the old Cohan and the new? Noth
ing of the kind; at most, a development.
When he was producing farce he used
what seemed the most effective method.
When he came to a serious play by which
ho set much etore, he took the right
course to get the best results. The next
time Mr. Cohan does a comedy we may
find that he has learned something from
'The Miracle Man." Comedy can profit
Just as much from absolute naturalism.
3"Ity tho Poor librettist
"The Girl of Girls" has not lived-and
perhaps died in vain If )t rubbed into its
canty audiences at tho Forrest this
week some realization of how poverty
stricken the American stage Is In the
matter of librettists. Mr. Paulton's drlv
llngs may have been worse than some,
but not much worse. Almost all our mu
sical comedy "books" are the nearest
thing to madhouse maunderings that In
ttlUgent men produce. The only excep
tions seem to be the cases where the
librettist has a flrst-class farce to work
upon "The Pink Lady" and "Oh, oh. Del
jihlne," for Instance,
Aside from the absence of witty lines,
Jthe trouble with American librettos Is
r!xht there; they lock any sort of real
(Iramatla construction. "The Girl of
airls," for Instance, has all the mate
rials for a comic narrative. But they are
arranged with no sense of the theatre and
no sense of fun. Every little while, when
the chorus has been cleared off the stage,
something happens, iBut the incidents lack
all logical dramatio connection. There Is
no building up of Interest, no suspense
and climax,
It takes just as good a playwright to
turn out a good musical comedy "book"
aa a good farce. The fact that there Is
more monsy In writing pieces without a
chorus on the salary list la probably the
basic, reason for such things as "The
Olrl of Girls."
Comedian vs. Author
Of courjie, the American librettist U
SUjIed out ot most of his holes by the
comedian, Our Merry Andrews are nothing-
If not Inventive Otherwise their en
gagements would be brief, Indeed. Where,
fpr Instance, would "The Peasant Girl"
have been without Clifton Crawford to
put across such lines as "They keep
liquor In the cabinet. They don't In the
n,vy"r' Even Anglo-American combina
tion Ilka "The Belle of Bond Btreet"
rq.utre first aid. Thafa Sam Bernard's
business In life.
The comedian often gets his laugh with-
WliftlJIW ACADEMY OP MUBIO ffiNWKMM
NEWMAN
TBIVFt Til K1 EtquUito cior yuws
tSaiCiAL&a and Motion J'ltlurs
SSI BERLIN
ZStvAU WAR PICTURES
rirvtrrn p ' ubmumk h'
r'u , it,, ii auiu. sk.
!
out n line, while the librettist can't get
as good results with a thousand One
of the most amusing moments In "The
Belle of Bond Street" hasn't n word in It
and probably was never within miles of
the "book" writer's cranium. It Is the
effort of Mr. Bernard to thread a needle.
Thcro are not only the usual evolutions
common to rich men practicing for
heaven. Mr. Bernard takes the excellent
precaution ot blowing out the eye of the
needle three or four times. And when
ho has approached the problem fruitless
ly from every known angle, he Invents
a method of hli own. He holds tho
needle horizontally and endeavors to
lower the thread Into it by a grip on the
knot.
A great many moments like that are
necessary to mnke up for such deadly
serious lines ns "Why, sir, you make a
mistake. Mine Is not the lot of pleasure."
Bringing the War Home
Tho last 10 days June brought two sur
prises to the Llttlo Theatre. One Is the
popularity ot Sheridan's "Critic," which
goes back Into the bill beginning Thurs
day matinee. The other is the vivid sur
prise with which "Courage" brings the
war home to every person In the au
dience. The effect of Dallas Anderson's en
trance as the half-crazed soldier escaped
from the front Is very different from
anything In the vein of war that our
stage has seen. We have had a little suf
fering, but mostly heroism, glory, tri
umph. Our "Shenandoahs" have been
one long cheer Moreover, this Is prob
ably the flrit time that a play has shown'
the grim and terrible face of war when
tho war was actually going forward.
There were military plays during the
Spanish War, but they were all cheery,
herolo affairs, and we wanted that sort
of thing. Now we are watching a world
drama with which we have no sympathy,
only disgust. Down upon such a mental
state crashes this fearful scene at the
Little Theatre. It Is almost like seeing
a flesh-and-blood victim of tha great
war. The thrill of horror Is akin to that.
"The Critic" Invades New York
The future of the Llttlo Theatre is
nothing If not varied and interesting At
the end of the coming week Mr Payne's
company will hie Itself to New Vnric
to give "The Critic" at the tiny Princess I
Theatre under the direction of the Messrs '
Shubert. Upon Its return to Philadelphia
which, of course, depends for Its dato
upon.flje success encountered on Broad- I
way the company will be seen In Mor
als," a German Batire, by Ludwlg Thoma, I
adapted by Charles Reclit.
The remaining bills of the season will
be chosen from the following Interesting '
array of possibilities "nich Man, Poor I
Man," a comedy bv Porter Emerson i
Brown; "Rose Bernd." by Hauptmann. I
Congrevo's "Way of the World," "The i
Sea Gull," by Tchekoff. Mollere's "Imag
inary Invalid." Ibsen's "Wild Duck " i
"The Gauntlet, Bjornson's powerful fem-
Continued on rage Five.
Dana Cooper
& Company
In tha Intensely
Dramatic One-Act
Japaneea Playlet,
"UAItl-KAItl"
10 Little
Girls From
School
Offerlne a MtUnie
"Fun In a
Seminary"
5 OTHER STAR ACTS 5
8110HT, JNTEKESTINa PHOTOPLAYS
DAILY at 2 i0c
AM. SEATS 1WI
KVKM.SU8
1 AND S
lOf ISf. ?0n
MAWSON, SIR DOUGLAS
"Hoeing With Dtath Antarctio BUxtar&t"
According- to Sir Krneat Sbackleton, Dr.
Mawion sot only hae the beat picture, at 111
and motion, aver taken In Polar reion, but
a atory ot treat herolam and endurance.
aiogtaphtcal Bacltlv, Wltberepooa Hall. Jan
uary 20tl, 8.IJ. Tlckati 1 00. at Heppe'a
NDCOM'8 GRAND TODAT. 8.15
UUA"" 7 AND
"The Bona; Doctora", "Tba Road to Tomor
row": Nlkko Troup. Clark McCullouth ;
yiuaftnmona k Cambroa. t-awarhlny Pictured.
Academy BuU at Heppe'a, JUtt Cneatnut
PHILADELPHIA! Tonight at 8:15
..ORCHESTRA s,&r" !
DUMONPS
DUMUNT'8 1I1NS1-REL3
Will AND AHOH 8TS
lUTlNBU IODAY 10c Mo
casino v;rb
Mallue rods,
A Na tfbuw
Heating- itflOaVVjA Market
Capacity ""-'&? Street
Mon , Tun WJ l Thuri . Vt . Rat
1 Wj& 'fJlfew i
12 4 a 'raFrluF&ftBl&S 8
'it 4 '
Pk
i
Ss
MM CXfitSW ATMS
Henry Arthur Jones,
Author and Critic, Too
It isn't often that u playwright may be
trusted to write fairly about tho star of
his play. Henry Arthur Jones, nuthor of
"Mary Goes First," which Marie Tempest
brings to the Lyric Monday, Is, however,
too eminent n dramatist and too good a
critic to be questioned when he wiltes so
warmly about Marie Tempest In the In
troduction to the printed play:
"Dear Marie Tempest:
"An author who has spent many months
In the perplexing business ot constructing
and writing a play naturally grows tired
of It as soon as, or even before. It Is pro
duced. It Is a tribute to your delightful
performance of Mary Whlchello that,
though I find a decreasing Interest In
watching tho play, I find nn Increasing
pleasure In watching your performance.
"In every play It matters little what the
author has conceived and written It It Is
not vitalized by the actor. It is only that
part of a play, or that part of a character,
which is thus vitalized by the acting It
is only this which counts with an audi
ence. "How wonderfully you hnve vitalized
every moment of Mary Whlchello! How
right la evVry accent, how clearly cut
every gesture, how significant every move
ment, every glance, every look! What a
Continuous 11 to 11,
1'rirvH 10c, SOu
FIRST APPEARANCE IN PHILADA
"Southern Beauties"
MUSICAL COMEDY CO
tunning
bnpely
tnttimque
niithern
jlpha
SPECIAL VAUDEVILLH FCATUKKS
John HefflFlskePlayersi HiBSiTrsftlYERS
Brtlnatormsr ' Ptddy'e Pension Some Honeyiroon
HPECIAL. LAUOHINQ ATTRACTION
"AFTER HER MILLIONS"
Even Funnier Than
"TILUETB PUNCTUItED ROMANCE"
ixon.. GRAND
Broad St and Montgomery Ave
FRED. O NlXON-NlRDLlNaEn.Gen.Mtr.
' NEXT WEEK '
A SKIT OF PLOTLESS FUN
FELIX & BARRY SISTERS
"THE BOY NEXT DOOR"
joe flynn i potts bros. & co.
Talk & adams miller & tempest
AN UNPARALLELED SENSATION
"ONAIP"
The Myeterloua Muilcal Phenomena
NEWEST LAUOHINQ PICTURES
BvenlnteTA tlUUU OlAia oq a gOo
METROPOLITAN OPERA HOUSE
SATURDAY, JAN. 23 AKr
PAVLOWA,
(Tha Divinity of the Dance)
TWO ENTIRELY NEW PROGRAMS
Mall ordere received now Scat aale now
open 1109 Cheetnut St. Prlcee, 60o to tl 6U.
rnrms kfys theatre
VAUDBVlIyLB AND PHOTOPIATS
Program Cbanod Monday anil Thursday
P.V'? lc FVniT 10ctlSct20y
C ADD IPIf ThlatNwt Tfnk. Hvrs. 8.15
IsAIVIVllwrw uata. Today A Wad at 3:15
GEO. M. COHAN'S Powerful Comedy-Drama
The Miracle Man wISfgffft,S8
I ITTI C Mat Today a :S0 Evgs 8:10.
aLl 1 1 LiHi DoutU Bill A War Drama
niMTRB "COURAGE"
llth k Ba 104-sy praeadsd ty 'JIBaaon Uk '
EMPIRE
TuiilaUl Not Wales CojXml
u.l HIM rWPhk
fV"'"gl fdnzfllng:
H 0) mltrbtnic
', nX' ey of
UJ louden A
' ''' runeitea
h-ippv vivacity of nilscliler. what n fas-
naling, hus energy there Is about It all,
like that of some pretty butteifly suddenly
become Industiloust
"You seem to liuvc a peipotual oujo-
icnt In your art. It Isn't work; it Is Just
pleasurable activity, "hich Infects all
ho watch It.
"HUNUY AltTIIim JONES."
-low Barrie Edits "The
Taming of the Shrew"
"o the wisest ot wo ncn have their
nn sneet way with men through wifely
il'lomacy b merely pretending that they
mo the conquered ones, when they se
cretly know that they arc themselves the
vlctoisV
Such Is the whimsical contention of the
ever whimsical J. M. Barrio In "Tho
T.adlos' Sliakr-spoaiP," which, preceded by
"Tho Legend of Leonora, Is to bo
brought to tho Broad by Mlsi Mnudo
Adams Tho Scotch dramatist terms the
first nnmed "One woman'H leading of a
notorious work called 'The Taming of the
Shrew,' 'edited' by J. M Barrie." Prior
to the enactment of each of Its three
scenes Knthetlne (plaed b Miss Adams)
nnd Buptlsta appear before tho curtain
nnd, taking the udlenco Into their con
fidence. Impart the long-suppressed truth
of what actually happened in the case of
n.i iii i.n,ii"XB .! ,i ' i '.,. .',.. .i.i n. i .in-., i ,i i.' ,i , I,, i, ).,,' ,i ,,,,i,, ,i i ! ill, i.ganr
.li.i.. ,, i-r-. i. .ii; 1 1 i . .in ...i ,... , ,1., ... . ,j , - i i . j ,.. ini ii. n i .
MAMMOTH Ml'SICAL JUVKN1LK JLRILEE--COMPANY OF 40
NEXT WE E K - ,
ED VINTON
And Hla Wonderful Doe
"BUSTER"
JOHN AND
WINNIE HENNINGS
The Kill Kara Koupla"
JOE COOK
VANDINOFF & LOUIE
rathe Nana Weekly ot Latest
Motion Pictures.
vauohn
Extra
Added
Attraction
2 SHOWS DAILY MATINEES 2PM.
NIQliTS 8 P. M . 23p TO II 00
Seats Alnaa a Week In Adtance, Bell,
Keystone, Race 21C0.
VISITORS TO NEW YORK SHOULD NOT PAIL TO ISIT
II. F. KEITH'S PALACE THEATRE, 47th St. & Broadway
WONDERFUL SHOWB IN THE MOST BEAUTIFUL HOUSU IN THE WORLD
The WALNUT mfflffi
NEXT WEEK
ROSE MELVILLE
(IIEUSCLF)
IN
SIS HOPKINS
NIGHTS 25c. BOo. 7Bc. Jl 00
Tuesday and Thursday Matinees,
Ho and 60c.
Saturday Matinee,
25c, 60a and 75c.
TODAY Hap Ward and Lucy Daly
Write for New Benefit Terms
11,000,000 T1IKATUK
THE GLOBE'
I uaruet street
Onnoslte
WanamaUer's
Vauderllls
-Ul30 to lltSO
AHTIIUK
alJK4
McWATTERS & TYSON
Foiici: & wn,r,iAia
CI, A II K A MtOUIiLOUnH
N.IKKOjrHQUlIS.
CAVANA DUO
OI.AltA TUKPl'P..
ItOIIKH A THNISOrV
Seats Week In Advance
BROAD Last Mat, & Night
BILLIE BURKE jery
NEXT WKBK BEATS NOW SEf-UNO
MAUDE ADAMS
BaUifa-
riouhla Bill
itJ Or I.BQKORA
And THN lUI
KtV
SUA
PSABB
wu..r. QUALITY STREET
Kothcrlne and Pctruchlo Here Baptlsta,
prompted by Bnrrlc, prefaces tho "edited"
vcislon of tho well-known tale:
" 'The Taming of tre Shrew' was first
performed beforo ono Sly, a tinker, who,
being drunk, entirely mistook Its purpoit:
tho act did so nniuse Will thnt he
proclaimed: 'Let It ever be presented as
through the eyes of Sly until women come
Into their own nnd do me tho honor ot
reading my talo aright.' In short, my
daughter, Kathcrlnc, neor was n shrew.
Yet, feeling thnt 'twei well to marry
and have the thing oer. she did decide
to tako to husband only some swnln whom
round her finger she could easily wind.
So when Petruchlo camo to Padua and
roaied beforo us what valiant kind ho
was, my Kathcilno smiled. And unto me
she spoke these memorable words: 'This
braggart, father. Is tho man for mo.'
'But how to mako him want thee, child,'
said I. To which she did answer, 'I have
but to su "I will not wed theo" "I will
not bo tamed," when nt onco he'll roar
"Thou shalt!" And nil I want I'll get by
merely saying I want Its opposite." "
And us u mutter of fact and amusement
to the audience, who ate us much In tho
Continued on Tone l"lve.
THOSE FAMOUS MINSTREL STAnS
COMFORT & KING
IN A JOLLY SATIRE "COON TOWN DIVOTtCONS"
LLY SATIRE "COON
EMMA
CARUS
The Popular American Musical
Comedy Star Assisted by Carl
Randall In New Songs and
DAnrpfi
JJBo AND 8UC
Filbert 3303,
1-ltANKI.IN AMI (illlAltl) AVHNUK
Matinee Daily Except Friday
UEOlNNlNa NEXT MON MATINEE
A MODEIIN PLAY
THAT STARTLED ALL NEW YOKK
Interesting
Story
Beautifully &
Effectively
Told
A
Priest's
Duty to His
Church Versus
His Duty to
the State
FORREST UATP1EYB 2KU1.B0
TONIGHT LAST TIME
The Girl of Girls vSSSS?BSSSirt
NEXT WEEK SEATS NOW BKLLINa
CHARLES FItOIIUAN lTcstflts
TUB qBEAT TURBB-STAR COMBINATION
JULIA SANDERSON
DONALD BRIAN
JOSEPH CAWTHORN
in THE GIRL FROM UTAH
P7vlfPlff?ri?5fTpfrwii
ifefwi1 . a Lr iw rS)J,yifeAWk
xC7 1?) AjK
xatriWAf l)F.
k2tI 1 1 lyP'K
Xfl V j f Jr J ii I 'V
amrv iw
hkoad "The Leaemt or Leonora" ntm
Adams. Two typical Barrie plays. Tho nrst ami more substantial deals tini
the amazing, mock trial of a lady who l supposed to liave thrown a pasiII!a
mk rt n niniilti tr (rain ItdrtnltOA A I li run I ni a1 1im rttillil'n Imnttl. ...tit. 1Rrl
down. The second Is a llttlo burle.souo of "The Tamlnc of the Shi.?".,1?:
tho matinees Miss Adam will rovlvo "Quality Sticct," one of the aulle'ct
most charming of Darrle's 'comedies. One week only &nA
LYRIC "Mary Does First" (Monday, Tuesday and Wednesday), with Marlt tJs,
net. IIia VilfrhBnlrltr1. Mhprt. nnrl nmilqfntr ftnpllftli nntviodlrtt,..., t x
by Itenry Arthur Jones, In whlcli
""."... . .r. . ".:..
weeK miss xempest win revive ine
IhS piece, with a curtain-raiser, "The
FORRttar-
The Qlrl From Utah," with
Cawthorne. Paul IlubenB'
Ihigllsh
In London. Well buiir nnd acted.
usual polite and delightful way,
New Yoru early tnls season
WALXUT "81s Hopkins," with Iloso Melville. A revival of the nonular nt.i -.
of the eccentric country girl, her
LITTIiE (Wednesday) The French
Vflltw ' liv T.nl,lnllft, In fhn nvuhltlc.
OONTINUINa.
ADET.Pm "The Belle of Bond Street,"
with Sam Bernard, Mollle King nnd
Minerva CoVerdalc. "Tho Girl Krom
Kay's," revamped. Mr. Bernard lejnst
nt nmuslnc ns ever In his Impersona
tion of "Plirfry" HogBcnhcimer, tho
HoBBenhelmcr.
aARr:iOK"TUo Mlrnclo Man," with
GeorRO Nosh, W. It. Thompson and
Gall Knno. Georpo Cohan's comcd
ilrama of the crooks who try to, ex
ploit a patrlnrchlnl hraler nnd end ns
converts A skilful handling of n dif
ficult subject. Very well acted, oven
down to the smallest parts.
MTTLE "Courage." The first produc
tion of nn Englishman's play against
war A flno-splrltcd piece with a stnrt
llngly dramntlc ending In addition,
nn nmuslng little curtaln-rnlser, "Lone
some I.Ike." 'Beginning Thursday nft
ernoon, Sheridan's "Critic" will go back
Into tho bill.
VAUDEVILLE.
KEITH'S Gut Edwnrds In his "New Song
I9H-1H Pong Review"; Kmnm Cants,
prima donna; Vaughn Comfort nnd
John King, minstrels, In "Coon Town
Dlvorcons": IM Vinton nnd his dog
"Buster"; John nnd Winnie Hennlngs:
Joe Cook, comedian: Vandlhoff nnd
Louie, lightning artists, nnd moilcs of
the news,
GRAND George Felix nnd tho Batty
Sisters In "Tho Boy Next Door";
"Onnlp," manipulating n piano In mid
air; Potts Bros. &. Co. In "A Double's
Troubles"; Joo Flynn, "The Man With
the Book"; Grace Fnlke and Bob
Adims, singers nnd dancers; Miller nnd
Tempest In "Klx and Trlx," nnd
movies.
QtOBE Arthur McWattcrs nnd Grnco
Tyson In their "Bevue of 1015"; T. ,W.
nnd Emma Eckett In "Blossoms," i
Japanese operetta; Fred Force nnd
. Mildred Williams In "Much Ado About
LYRIC M?S?k
Tor Ilenellts nt Lyrlo & Adrlplil Tlientrta Anply ltoi OITIre or Phono Malnut 0706-67-68
l'Aituwui.i. i:njAkmknt iiniti: ai ,
MARIE
rnnIand'K Most I'amtius Coniyillciine S i porjed I
i7 rr au it nnrnvMP and icu own London company
. LiUArlAfll lSl(UVINl!i jn To of Her Must hu.ieiHful Comeillei
Jlonday, Tuesday, Wednesday Evenings and Wednesday Matinee
"MARY GOES FIRST"
A Comedy In 3 Acts nnd un Kjillosue bj Henry Arthur .lonfs
Thursday, Friday and Saturday Evenings and Saturday Matinee
"THE MARRIAGE OF KITTY"
A Comedy by Fred de Qresac and rramols ile Crolsset. Adapted by Cosmo Gordon
Lenno i
PIIKCKDEII Hi A ONH-ACT I'LAV
"THE DUMB AND THE BLIND"
Ily IIAItOI.I) CIIAI'IN
BEGINNING MONDAY EVENING, JANUARY 25th
THE D1STINOUISHUD ENGLISH ACl'OIt
mr. CYRIL MAUDE
AND HIS LONDON PLAMIOUS13 COMl'AM
IN THE INTERNATIONALLY StTCniSlTL COMKIli I)UAI
"GRUMPY"
BT HORACC HODliHS AND T WIQNI1Y I'HRCWAL
SL'AT SALE OI'UNS M)T 1IIUIISI1AV
ADELPHI
MESSRS. SHUBERT Tresent
SAM
BERNARD
America's Foremost Comedian
A. GREAT SHOW WITH SINGING & DANCING THAT WJKS lOUl
r.ii-nlng 'ffleifl'jj
A Production of Hxtraordlnary aoreeousness and Beaut)
AND AN UNUSUAL CAST OF MUSICAL COMEDY FAVORITES. INCLUDING .
Mollie King, Florence Nugent
aammy Lee, uyni uiauwick, iinroiu urane, t-nanes
Burrows, Jerc McAulilTc and
A GAY CHORUS OF WINSOME GIRLS
BEGINNING MONDAY EVENING, JANUARY 25th
THE BIO LAUQH1NO HIT OF THE SEASON
"THE THIRD PARTY"
AN UPROARIOUS FARCICAL COMEDY IN 3 ACTS WITH
TAYLOR HOLMES and WALTER JONES
DinECT FROM A SEASON'S TRIUMPH IN NEW YORK
.maiii uiiut.iin fluni nr..vi-
In Order to Accommodate the Thousands of
People Desiring to See the Great Photo- i
play Founded
ilT fitr F taaaWaB " aaaanaaaaaas I aaaaa.s....
CHESTNUT ST. fZi
AT
THE
4 PERFORMANCES DAILY
Will Be Given, Beginning- Monday
AFTERNOONS 1 and 3 10c and 15c
EVENINGS-7 and 9 10c, 15c and 25c
-tiic liwips- s mltcsnearp. " ,in. ... ,,
Mlm Tempest plays a mmihe society neml
-"" ':.:...'.' ,,e ""nce of ii
ainrnnge ot ituiy, a familiar and h.S
Dumb nnd tho Hllnd One week w
Julia Sanderson, Donald Brian nnrt 1Z.JM
musical comedy of Mormons, old and van,.il
Miss Sanderson dances and sings In il
well matched by Mr Brian Produced fi
difficulties nnd triumphs. One week onlr
riayrrs of New York, headed by MaS?
"I.o TTflMHoMi Tnnnnnh " i
Nothing"; tho Nlkko Troupe; riok?M
.7." ,;." ......-""""' ana mj
iium LntJ, HjninuaL.
WILLIAM P;.VJV
The Werncr-AmAj?
Compi
,ltil 1llratltf Wlltrt.i ,.t at. - -
...,.t , a ec... it. HUM mm lne )-'
Sisters In "The Terminal"! Marti
, the "Tlmnhouscr Kid". rw
Long
Kline,
Moll.v Hunting; Tudor Cameron an!
Jny O'Connor in "Hired. Then FIretiM
nnrl Mntv M11fn KtnnliniiUfi r5iB
,, ;. ",u"o ujj
inrnirnnc
VrCTOniA "The Southern Beauties" in
' "Flirt Vrl,lrttt. rifnnt ' n tnkl.U . .
. .iu ......... v.un, ,l iwumiu musical
romedy; tho FlHke Plajcrs In "Pat'j
I'enslon"; John Knlff in "Nrnrlv n tf..j
slcliin": lllbbltt nnd Meyers and "Aftcrn
aier .Minions, puoiopiay comedy, ,j
CROSS KEYS (first halt of week)
Dnim, Cooper .;- Co. In "Harl-KarM
Alnxi nnd Kcholl: Thn llnrtinnn., r ifl
Moore, magician; Von Kline and CibSB
bons, comedians, nnd photoplays. 9
STOCK
AMERICAS' "The Confession," with tkt
resident company A dintna dealing
with the ptoblcm facing n priest shots'
brother is accused of a murder and
who has leorncd tho secret of the rtil
criminal tinder the seal of tho conffj.
slonnl.
1WRLESQVE
i
EMPIRE "A Broadway I lone J moon,"!!
with Tho Prize Winners, Including Doaa
Baiclny, Bose De Mar, Hal Skclly, Bam"
Ilyams nnu I.co lloyt.
COMING
JANUARY SS.
LYRIC "Grumn." with Cjrll llandii
Tho best of English comedians In il
detcctlvo piny of suspenso and arame-j
incut, wiiu-ii ii;uiiiie ine u.iiuiia ai ev
of nn old criminal lawyer who finds
a ctlmo committed In his household.
VROAD "The Phantom Rival," with Lm
TMfrtnl.utuIr, Ttnvlrl Ttftlnopfi'M nrAitnu.
Hon of Fcrenco Molnar's comedy olSj
Continued nil I'nio rin-a
For One Week Only I
J
TEMPEST
MATINEE TODAY, 2:15 TONIGHT AT 8:15
BEUINMiNli fllONUAV LABI T1MX
"The Belle of
. Bond Street"
His Greatest Musical Comedy Hit
Jerome, Ruby Norton, Lillian lUl
I
o.ii.j. urii.iB iuuiiok.h.
on Hall Caine's , i
3RD BIG WEEK
r