Evening public ledger. (Philadelphia [Pa.]) 1914-1942, January 02, 1915, Night Extra, Page 4, Image 4

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    --jWViWS
EVENING' tiBGBB-rfHrIBAIBIFHIi:-: SATtTBBAY,' JANtTABY 37 1915'.,
gMBPWslsaiuiiii. iiMwaaMi MiiiMiwwiiiltiiBaitiMtwiiiWMWii'wwwMwMWMMMiiwiiwBmiiiiiB,tMiiii iitowliwMiiiiiiniiiWrtwMWwwwi i i i in mwinhiWiji i iiiiimiwwiiwwiiii 11 mi.iiii hi iiii iwiimii im '"' ' ... ... -- f ' '" ' " "" . i HeW iMna i -
Mf WEEK:' "COURAGE" AT THE LITTLE THEATRE; KITTY GORDON AT KEITH &
THEATR
EAEDEKER
1 J , . rmi
rTTriK THEATRE' 'Courage, wim airs, jui i,ojii """inei
play by A. M Itlctiardson, nn Kngllsh playwright, produced hero tor lhJgl
K on py Btase!" U deals with the present ; connte Un u anUontaUo pfefl
r . in. u ... AiUMit nnmnaltv. Ati ntilliiTfl
showing the tragedy ana misery oi war uu ".. B .
MAiMM
rKi iffitr few kiiJ
r h lPiy!r TtjfvL- r :Silf
'''a
' hP a7 Ijp jj
aw- o r. .n
fc.v
m.
BgSPI rFNHGti70N mZ-- &$$$' l COIMG TO TH GRRte N
" TT IS a very easy thing to malto fun or
Xuillle Burko, It Is criminally easy.
Kven the management can do It, VIdo
three excerpts from the theatrical dic
tionary with which her press department
&&s honored the Kvknino I.KDacn;
Blllieburke. Noun. A girl, on. tho
tags or off, who has reddish hair
' Mtti geU herself up to Jock an much
like the actress as nature wilt let her.
To blllleburke. Verb. To display tho
eute little mannerisms nnd kittenish
. yiya that the actress has mado famil
iar to playgoers,
pillleburklsh. Adjective. A "blllle
1 Turkish" part Is ono that the average
theatre-goer will recognize at once- as
feeing admirably suited to JIlss Burke
op.e that she would "simply eat up,"
as a user of slang would express It.
' Of course. It Is all this 'blllleburklsh
nss" which tempts the cr(tic to "lay for"
A young lady -who really does her own
Job very well Indeed, and pleases tho
public quite extravagantly. Perhaps, as
ho tips hla pen with vitriol, ho thinks of
actresses like Dorothy Donnelly, denied
tardom oven after years of sterling
work.
The Charm of BllHe Burke
All this is vastly unfair to Miss Burke.
Sha is not a beautiful woman murdering
erlous drama, but carried to success by
her beauty. She Is not content to be an
Insipidly pretty little ingenuo star. Tho
condemnation that falls on her head Is
tho result of 'her very carnset young ef
forts to be amusing, to give tho public
ma rich a personality as she can.
And. the public responds, They are
Bitting what they want. In "Jerry," for
Instance, they are seeing a rlotoUB kid
5f 18 and every ono likes a riotous kid
of it, especially with tho footlights as
protection, Mies Burko has youth anfl
vigor and freshness. If her gurgle Is an
affectation, It Is at nny rate novel anil
amusing. If there are no depths, no
touches of "the God In the child." at
Itait there are no sickly, feeble pre
tences at It Mies' Burke succeeds bo
cauae ahe gives tho public a sense of
Wttenlsh vigor that they llko and that
no one else has at her command.
The pity of It Is that Miss Burko's
amusing little) talents should make her
a. star In a touring syntonf Instead of a
well-liked player In a well-disciplined
resident company.
Scenery of Various Sorts
Charles Frohman'B scenery is always
good. Illusory stuff, tho usual thing well
handled. It l very seldom, Indeed, that
on'b'of his rooms la 'done In that style
at Isthmian architecture that flournlshoa
la the drawing room of "Jerry." at the
Broad. ' There at the back Is a great
French window. In the left wall ia
another and smaller window. Between
the two at one corner Is o stairway lead
ing above, and at the opposite a door to
the front of the house. The drawlna
room la one of those missing Jinks In
the architectural world which make
theatrical life so hard.
In "T(ie Peasant Girl" at tho Lyric th
scenery of the first ac. ha" one con
spicuous virtue and one conspicuous fault.
The loe walls, roof and arch at tho back
are as . distinctive a conception as any
N,XOK" GRAND
Broad St and Montromtry Av.
yfltep. q. NixoNtmn,PUNQEn.ao.Mgr.
NEXT WEEK " "
A TnAVESTY ON "REEL" I.1FBJ
"MAKING THE MOVIES"
By VAN & CAimiB AVERY PLAYEB8
Trainor & Helen I Hazel Moran
Lewis & Norton i LaFrance Bros.
" NEWEST UnOHINO PICTURES
STKAVITZ & SfRATNER
-Jk. VIOMN MKLOOY BQTff A PIANO
SSSUiV 3000 SEATS & ?S
TONIGHT
FAIRFAX andWASHBURN
J - l i. y t
KOTEL MAJESTIC
th
-' tuwemuu Mini xi9nunzry u
jfic Mall Culpepper Fairfax
-i "i " AND
Cmmt Jack Eeuucaire Washburn
K Waofalttgion Ulplomjulo Clrult.
' a&4 lalflrEmttOBftl Rtout&lidQ
tteaauu ss'AHgHj dano si, tanqo
TONIGHT
KM OW8 NICiHT ONLY
JK TB-4HHieASf VIENNESE dROTTO
gJIIU'lft SAL(W PB I-j?XJB
muWSSSTu BENHUR
$ f i,s&
?3
H m22aaB&& mtojb jgga r
thing In operetta theso two years, bur- j !rv ' WWtW ,&t 'M$? 1 i IKkffejS
rlns the last net set of "Sari." The effwt j gkt && S WmM $? fffi MmKl JISfl
la of BPaclous arbor relieved nnd J ByfiJ'i e'- wffiMHl &$)$$ 'W 4fe Hi &W; U ! Lll NM
IlRhtened by glimpses of fresh bright walls t'.;'i,fW -AifefelVT r. X 2 4lifeVl
between Kreonery. Itlght behind tho arch f'-kAmA-" 4'mm'-Mi Vm An W
at the bach, however, comes a terrible t:f?N11:. ;E&
example of the ordinary, scenic studio nJV- '' Y?JK: ' MilM$ MlWI. ll S? Si
botehlng-a nat drop painted In Impos- I &&'&&& ItM&l , VMk& W&$$M$ tMU '
slblo perspective with those blue and && ' H'lsTt '- wPrsiil: M'- $WM
white pillars and writhing cornices that fJESlP At . MW WBWimUM fP Hi
are supposed to adorn ballrooms. A S&J'-( KS' .' xfl niMm !- 1
simple flat green wall would be a thou- LWilU M&Vi ' Im- W$M8MM!4r,s; S
santl times better. ' tiMBlB 1 "yfe&sS E&& &f JSWfliSo ,.
Song's Without Tunes
Where are the tunes of yesteryear? The
operettas haven't got them "The Peasant
Girl," for example. And yet these dIccqs
ape Just as delightful for all that.
Perhaps they are much more Interest
ing becauso of the fact that tho acoro
Isn't (tinging Itself nt tho audloncos' heads
with hand-made :melodle3. The beaUty
of such orchestration as Mr. Ncdbai's
In "Tho Peasant Ulrl." Is Instantly ap
parent. . Its richness takes quick hold' of
the ear. The luxuriant variety of measure
and voice satisfies n, craving for move- !
,ment nnd feeling that one-linger tunes
never touch.
Sometimes these continental composers
glvo us melodies as well "The Merry
Widow" and "Sari." for example. Not
even, of course, In "The Peasant Girl"
are they quite lacking. But the emphasis
!h muinly an something else, and on some
thing Just as interesting. The, crowd at
the Lyric Isn't whistling not for a day
or two, when tho melodies sink In but
they are enjoying themselves Just the
same.
Clifton Crawford's Lost Opportunity
Clifton Crawford confesses to a dead
past. A very dead past. In fact. It never
was. Ho almost nohieved it a year or
two ago, but ate foiled him.
In other words, Mr. Crawford ought to
havo been a member of that raro company
that mado Weber & Fields' Muslo Hall
w)iat It was; and the nearest he got 'to
It wob as a Btop-gap In that ill-fated re
vival two seasons ago when he replaced
Jack Norworth (and Nora Bayes) at tho
theatre that Weber & Fields tried to
mnke another music hall.
Among Wllllo Colllor, Do Wolf Hop
per, David Warfleld, Peto Dalley and
Fay Templeton ho would have shone for
Just that quality of tho Impromptu which
modern comedians so often lack, Lillian
Russell was always on the edge of a
nervous collapse when she found herself
on tho stage alone with Pete Dalley, the
possible victim of any question "not In
FRANKLIN AND GIRARD AVE.
Matinee Every Day This Week
Nut Week Tli ISvent of the Btaion
MCTOR IIUOO'H MASTEItrlECE, THE
iwaS
TfWU BTRENOTK OP OROANISSATIQN
KNIlTMyYJACKSON o Eraertil I
OEOrtQE W BARRIER at Qustimodo I
HKUNARD X McOWBN as Phoabui
THEATRE
t:u
Market Bt.
' Continuum
11 A. M.
toll P.M.
ADMISSION 10c.
WEKK COiHlENCINQ MONUAY MAT.
Vaudeville
AND KBY8TONH 0-REEl, COMEDT,
t'EATURINO THE
BTAOB'S aREATST COMEOIENNJ!
MARIE DRESSLER
la the Lutb-a-B6on4 ?
"Tillie's Puncture4
Komance"
StratM!
SORttMtMlS Ofl
Iadit4tec Um
aiiw i .
rriWTr
M4CK81NKWT
mm- mmmom
gMSi
KuTSK !fW6 I (iutwrb
I'otter1. Hi 13 Scnlo
Dramatliatlnn I J U R I Production
llivyy5uSAM 1
y.vi..YjiiHAWM
jiSWjl Ml
iV firjrf ti r ia
vwymittM yi sniff
jmmmm
- ill 1 m-9Mmm
WHSi Sim 'M -MiM'
?T jzz- z?yrtr LiSmMw: ' '- - if- :
3LUE BURKE
THT BZOTD
the book" that ho might take a notion
to fling at her. In those circumstances
how Mr. Crawford would have enjoyed
himself. No librettist to get In tho way.
Nothing to do but bo as funny as he
pleased.
These Strange Librettists
Librettists are a curious breed, Vanity
walks with Incompctcnco In most of
them. They can't turn out a really amus
ing Intrigue; If they could they'd wrlto
farce and make more money. All the
same a greaj many of them take them-
The Lingerie Comedy
"Buyer from Pittsburgh"
Th "Ab A Morrlii nf Vui1vlll"
KAUFMAN IIR08.
Tllrk Fri Comdtan,
DOLLY A MACK
llanjolsta.
nonniN'8 klepiiants
Perfection In Anlmt Training.
COOPER 1UCARDO
Charntr Hongs and Comedy.
BUTTON, MnlNTVnK ft BUTTON
"TUB PUMPKIN OIRT.'
OIII80N & 1IY8Q
CU. Comedy. Novelty.
PKI.UO TRIO
Skill and Comedy.
SEATS WEEK IN ADVANCE
ACADEMY OF MUSIC
P
HILADELPHIA
ORCHESTRA
LKOFOLD BTOIiOWSUI, Conductor
SYMPHONY Friday Afternoon. Jan. S. at 3.00
CONCERTS! Saturday Eve'njr. Jan. 9, at 8.15
Bololitl ELENA OEItHARDT, LItder filacer
PROOUAM
Overtur. "Fldllto" BEETHOVEN
Symphony No. , B flat BEETHOVEN
Aria ffom, "Der Wltderjpt,nit(ea Jtah-
mung" QEOTZ
Pre!ud.Act S,"PU Meliterelntef '.WAUNER
Three 8on (a) Stab Still (b) Trauma
(e) Bahmerxm WAONElt
Overture, "Flying Dutchman" WAONElt
lieaitj now on eale af Heppe'a. 1110 C(ictnut
" Self.Building "
Demonstration Lesson
by SUm S. Neff, Ph, D,
ID which b will show how the a-na.ketUr.af
latent cowera aad alt-ur developnunt ro ao
complUlied nl aa a rult frtater eucctjee
Mi.hlav4L
Thurnday. Janul
ir 7ilj. g p. M., at
780 Chestnut Street
'tcketa on Appllcatloi
Nff Collet. IT:
Compiimenianr i
Application
f ADI3TPK" 3 Week. Evg., stiff
potash & mmMvrrm
inrrri i t.To4jy i) TMOcfya
.iASM 7HK3RI Tl-0
?-" . .JLJJ
iMMtmmmr m
y v k"7- mmmjLSm
e MmfmPQk E
---'T!i .-r-J i. v
'&0Cto.. M( ?-. a M&'.JX
KfTTY GOROOy
T T-7y(5
selves so serlously-tMr, Crawford has
found thin true In America as well as
England that a comedian needs a sworn
permit to change any of the verblago for
something better.
Jn tho light of the sort of thin? that
makes the average- musical comedy book,
2 SHOWS DAILY MATINEES S P. M., 2&o AND BOo
NinHTB P. M.. 25c TO ai.00
NEXT WEEK
THE DISTINQUISHEU INTERNATIONAL STAR
Miss KITTY GORDON
Supported by Harrl'on Hunter & Co., In "ALMA'S RETURN"
Marie Nordstrom
In "BITS OP ACTING"
I
"Havemann's Wild
wf5ov
KINGS OP THE FORESTS
AND DESERTS
The Popular American
Comedienne
Miss
Flo Irwin
and Company
In the Sparkllnc Comeg.
"The Lady of the Preis"
BEATS ALWAYB A
VISITORS TO NEW YORK SHOULD NOT PAIL TO VIsTr
B. P. KEITH'S PALACE THEATRE, 47th St. and Broadway
WONDERFUL SHOWS IN THE MOST BEAUTIFUL HOUSE IN THE WORLD
Scatlnjt
Capacity
!300
Beatlnv
Capacity
?30
MarUet Street Below 60th
DAILY at t0c
ALL SKATS ut
KVKN1NQS
1 AND. a
IQo. IBc. tflw
PROURAH CHANOED WON. A TOURS.
UtaiUloer Flret Thteo Days Kelt Week
Sam. J. Curtis & Co.
LA6T THREE DAXS
"J3ell Boys & Belies"
6 OTHER STAR ACTS
ACADEMY OF MUSIC
Boston" Sytnphouy Orcheatra
WmMl BWBWi, JAR A, kV 8;
.saaf jnxLrm3Lw w
Mtmmmi.n.m-- eJ' lW?iU'Wtil W 'B
It Is rf little hard to understand the pert!
hhclty with whtoh Jokesmlths and writers
of so-called "lyrics" cllnsr to tho Igno
miny of having their names on tho pro
gram. Charles Klein mado tho dramati
zation of "Potasli and Perlmutter" a
good piece of" work, too yet his name
doesn't decorate the first page of the dar
rlck's program. Over at the lyric, oh,
how dlffcrentl After the names of tho
man who wrote tho original libretto, the
liinn who translated It and tho man who
did over the .songs, comes tho announce
ment that Harold Attcrldge wrote tho
Verses for additional numbers. Who on
earth besides Mr. Att'erldge cares?
Chauncey Olcott Towns
Among theatrical business men there
has grown up a very expressive term
"tho Olcott route." For a score of sea
sons, since Chauncey Olcott first returned
to this country after his two years In
London with Sir Charles Wyndom, Olcott
1ir3 played a certain route each season.
This route Is booked Xor him at least
a year In advance and Is always tho
same.
Each season Mr. Olcott rehearses his
company at his beautiful "InnlBcarra
Cottage" homo at Saratoga, and plays a
night there at tho "town hall," tho name
which still clings to the old theatre at
the Springs. From Saratoga ho jumps
West for a fortnight In Bt. Paul and
Minneapolis for tho State fair weeks.
Then he goes to Milwaukee for the Wis
consin State Fair. Omaha and Kansas
City come next, and Thanksgiving week
finds him at Detroit, where he has played
tho same wools for many years. Roches
ter and Byracuso and the larger cities lp
. Northern New York see him always be
I fore Christmas, and for the holidays ho
tiuca lu uiu tvituiuk nuuob 411CU.UU m
Philadelphia. ,
An extended engagement at the Grand
Opera Houbo In New York before Lent
and an after Easter engagement of four
weeks In Chicago are regular features of
tho tour. Usually Mn Olcott gives his
company a couple of weekB rest after
Chicago and then goes directly from
Chicago to Salt Lake City, where he
starts a tour of the Pacific coast, which
lasts well Into July.
THE PLAYWRIGHT'S PROBLEM
Last acts are troublesome things.
Tho history of playwrltlng Is a suc
cession of affecting pictures of drama
tists tearing their hair In their efforts
to evolve a finale both natural aa a
product of the acts preceding and in
Itself dramatically effective and In
teresting. New York Times.
IV s t'-BBBBBBBBBBM
Siff. Angelo Patricolo
Famoua Italian Pianist
Animals
HARRY BREEN
RapldFlreSonTWrlter
MBYAKO SISTERS"
An oriental Novelty
SUNDBERG & RENEE
CORELLI & GILLETTE
HEARST-SELia NEWEST
MOTION PICTURES
WEEK IN ADVANCE
UELUFJLBERT 0895 1 KEf..
RACE 2100
ACADEMT OP MUSIC WSS,
Course Sale 55 Monday
NEWMAN
TRAYELTALKS W?r
ACTUAL WAR PICTURES
5 Kffi; Beg. Jan, 15-16
Two Cpurses Exactly Alike
FnANCBwid the WAft, Jan. 15-16
BERLIN ....Jan.32-23
WAR CAPITALS Jan. 29-80
THE HOLY LAND Feb. 5-6
EGYPT ....Feb. 12-13
BROAD &t Kt &fij"
MisBIl,UESURKE ,lT
pWT-fc.ta t JGiue'i. llt8hntBi.i
ILADELPHI A Tlht MtSAS
xJ
cmmnmkim
--,- - -, t, - T- ,- -. .
COtiTtNVtKa.
nnoAb "Jerry," with Miss Blllle Burke.
Recording the descent of ah obstreper
ous young lady from Chicago upon a
quiet Philadelphia suburb. By various
wiles, including plnlt pajamas nnd man
nish riding breeches, she wins a bash
ful husband from her aunt. Amusing.
ADEbPtll "auil," with Jose Collins and
Tom McNnUghton and an excellent
cast. A musical comedy of Viennese
origin. More tuneful than brilliant,
but well acted and pleasing. The story
concerns tho courting of a young prima
donna by tho son ot a coionei oi nu
sars. Last week.
I'ORllEST "Ben-Hur." Tho familiar
speotnelo of. tho pereectited Jew, from
Lew Wallace's novel. The chariot race
remains Its "big scene." Richard
Buhler leads In acting honors. Last
week.
OARMatC 'Totash nnd Perlmutter,"
Montague Glass' popular stories of the
clothing trade mado over Into tho. sea
son's fnost heartily amusing corned-.
Last week.
LYRIC "Tho Peasant Girl," with Emma
Trentlnl and Clifton Crawford. A Con
tinental operetta recording the capture
of a "milk-fed tenor" and "chicken
hawk" by Miss Trentlnl. Th'o muslo Is
excellent and Mr. Crawford most
amusing. J-aat week.
WALNUT "Tho Heart of Paddy
Whack," with Chauncey Olcott. A
now Irish comedy by Rachel Crothers,
In which Mr. .Olcott plays a country
lawyer, who falls heir to a young and
bewitching ward. Attempting to marry
her off to tho proper young man, ho
finds himself In cupld's snares. Last
week.
VAUDEVILLE.
KEITH'BKitty Gordon In a comody by
Jack Lalt. "Alma'a Return"; Flo Ir
win in "Tho Lady of tho Press," by
Edgar Allen Woolf; Marie Nordstrom
In "Bits of Acting"; Richard Have
mann's "Kings of the Forest," animal
act; Harry Breen, singing comedian;
Angelo Patricolo, pianist; the Meyako
Sisters, Japanese acrobats and sing
ers; Corelll and Gillette, acrobats; Paul
Sundberg and Angeta Renee, dancers,
and Hearst-Sellg News.
QRAND "Making tho Movies," a trav
tsty by the Van and Carrie , Every
Players: Stravltz and Stratnor, musi
cians; Val Trainor and MIsb Helen In
"Be Happy"; Hazel Moran with tho
lasso; Lewis and Norton; the La
FrAnco Brothers, equilibrists, In "The
Upsldedown Family."
GLOBE Harry Rapf In "Tho Buyer
From Pittsburgh"; Kaufman Brothers,
comedians; Dolly and Mack, the musi
cians; Cooper and RIcardo In song
and comedy; Sutton, Mclntyre and Sut
ton In "The Pumpkin Girl"; Gibson
and Dyso; Robbing' Elephants; the
Velde Trio and the "Loop tho Loop
Dogs."
CHESTNUT ST.
AFTERNOONS 1 to 5-10c & 15c EVENINGS 7 to 1 1-1 Oc 15c, 25c;
beginning Monday Afternoon . :'"
The Vitagraph-Liebler Stupendous Production of V,
Hall Caine's Masterpiece '!)
A Film
Love
With Earle Williams, Edith Storey and a Great Cas
Twice Daily, at 2.30 in the Afternoon, and 8.30 in the Evening
Preceded by Keystone Comedy nnd Short Dramatic Pictures v
Musical Accompaniment by the Famous Wurlltzcr Organ Ji
YTap ninftfltai at Tvrlr anil Adlnh) Thata
A TWJ PWT MATINEE TODAY, 2:15 ' TONIGHT AT 8;15;
iTXJLjUiJi. xxx LAST POPULAR 51.00 MAT. NEXT THURSDA
LABT WEEK OP TUB SEASON'S
LEW FIELDS
JOSE COLLINS
IN
J
WITH
TOM McNAUQHTON
CONNIE EDISS LEW HEARN
Fritzl Von Buslnff Robert Evett
AWP A CHORUS
"The best muslcai play In years,"
INQUIItBIt.
BEGINNING,
fiHr ilk 1. JU ft 3k M ? B '" T. T A.
73krV& DI3,rCl-NrCI-MiIcl Comedy Triumph
"THE BELLE OF Rf)Mn ctbfft' fl
Original Production as Presented In London and New York
WITH A ROTABLE SUpFOnTINO CAST- p" MUSICAL COMEPy FAVOntTES
LYRIC
MATINEE TODAY
BE8T SEATS AT
51,50
aa STANLEY
iw
pui
ovc a " i in-1
-&t-Bw" v" -T tirl
"Vofcw of (rue vraiul'&ptnttf
.i ii w'wimvm-mmmmmimmmm mm imii Jn '' 'iji'jjiaw' ni jwii.mi. , . , t vry mWmm
1-'"'- T- i i r&Fnfr"-ftf' I "1 ' ! "Hi hi P " I raJawi mm .,Li . - .-- -.--- UKHJ
28E&
vm-wm t 'est t
NtWei,-ittL" mWtmt$4
williAM PBiVAT Sammy Burns
Alice Fulton, dancers; Bert LeVy, art.
lstenterlalnor; Goorge W. Cooper I(
Chris Smith in "Muiei uo3sp;-; qj?.
don Eldrld nnd Company In "Won-fi
n Lot": tho SUlly Trio and others, ii
CROSB KEY8 (First half of Week) JJ
,T. Curtis In "GOod'by, Boys"; ftl
Oxford rour; Jonn Myman. re tjaHt
"Twlco ft Week"; Btlly Harrison &
UmCJtluuo, . ioiviw i k , vouijl
tho TokOliama japs anu outers,
STnCA.
AunnthAK "The Hunchback, df- Nffl
nAf ivfJli tit rrtntHfrnV. an4nna&
Victor Hugo's, fftmpds old plav of thi
hunchback wno ngnis win me !.
placed villain tor the" horqlrto'S 'pUtitj
VURLESQUBi , f
EMPIRE Charles "Waldrbn'a Trocadln
. 1.1. nHl. VImhaa' ,..
liunesquera, wiin tuiin ihiioj, ucorp
S. Banks, Minnie Burko and Dorolk)
Clark in "Tne Legena oi me Kini,
by Mr. Finney. i
C03I1NG. A
JANUARY it. 1
GARUIOK "Tho Miracle Man," wlfl
George Nash, Gall Kane and W. a
Thompson. Georgo M. Cohin's en
tirely serious dramatization ot Jti.
Packard's novel of a faith healer i(
converted a band of crooks bent ci
exploiting tho public through hln
Fresh from a New York run. "j
FORREST "Tho Girl of Girls," trilj
Frank Pollock, Natchle Alt and Alei.
ander Clarke. A musical comedy l
Edward Paulton and Orosto Vesstlt,
with Novellls conducting. &
ADELPUl "Tho Belle of Bond Strtet,'
with Sam Bernard. Tho amusing -ill
"Rich Mr. Hoggcnhelmer" done overj
LYRIC "The Lilac Domino." A Vl
neso operetta, produced with contufj.
mate skill by Andreas Dlppcl. U
WALNUT "A Fool, His Monoy and tin
Girl," with Hap Ward ana Lucy Daft.
A variegated musical comedy, glvltj
Mr. Ward opportunity for travestlti
as well as hla tramp impersonation.'
KEITH'S Mr. and Mrs. Carter de Have
Pat Rooney and Marlon Bent and' thi
marvelouB Manchurlans.
AMERICAN "Tho Llttlo Lost Sister,"
the familiar play of "whito slavery.'i
JANUARY 18.
BROAD "Tho Legend of Leonora"
"The Ladles' Shakespeare," wlU
Maude Adams. Two typical Birrii
plays. The first and more Bubstantli!
doals with the amazing mock 'trlaPcl
a lady who was supposed to ftaYt
thrown a passenger out of i movifi
train because he threatened her chlld'i
health with open windows. The secoU
is a little burlesque of '"The Taming'!
the Shrew." $
FORREST "The GUI From Utah," tviti
Julia Sanderson, Donald Brian oh(
Joseph Cawthorne, Paul Rubens' Eni
llsh musical comedy of Mormons', 'ell
and young, In London. -Well sung ainJ
acted. Produced In Now Yorkrearlj
this aea60o,f . . r
hoeursae
HOME OF WORLD'S m
GREATEST PHOTO PLAYS
Dramatization of tha World's Greatest
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Phot ex) ram j. Ever Staseil
innlu Tn rmA - T, nr.1,.,,1 nTrtninr.ftfl',:
MOST BRILLIANT MUSICAL PLAY
Presentation of
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JL4 I
Melville Stewart Arthur Llpson
OF LOVELY GIULS
'Raw1iiistli'A ,. j.. -.... m a
'Full ot lauihs,'" BVG. TELEOnAPW-,.
JANUARY 11th
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