EVENING LEDGEB-PHIIADELPHtA, BATUBPAY, DEOEMBEB 26, 1614.
f
NEXT WEEK : B1LLIE BURKE AT THE BROAD; GHAUNCEY OLCOTT AT TEE WALN
THEATRK
BAEDEKER
BJ-
fft ' v''W,f..,r i i.iii ., 'Ji r i i , - ... I'.,,,
THE NEW WEEK
Afsar &U& i?trz.
s?r TfF &A07Z?
WITH a gentleman named Sneer In
"Th Critic," Sherldnn needn't have
aono to the. trouble of making Puff both
press uent and reviewer, as well as
playwright But there are plenty of auoh
composites nowadays. Just as there were
In the days of the good Kins George.
There are gentlemen of the preea
though perhaps not In Phlladelphlnwwho
find their friendship for a dramatist a
great labor-aaver when It comes to writ
ing their reviews. Puff at the Llttlo
Theatre tells us the recipe:
The day before It la to be performed
I write an account of the manner In
which It woe received. I have the
plot from the author, and only add,
'Characters strongly drawn highly
colored hand of a master fund of
genuine humor mine of Invention
neat dialogue attlo salt!" ,
Tho Sternal Cliche
That Uttla specimen Ilka all the rest
of "The GrlMo" Is aa true to the present
day aa to the time when "Sherry" nour
ished at Old Entry and was a great
figure in Parliament at the age of 29.
Those tiresome routine remarks might
be the "cllohea" with which half of the
drxms.Ua critical of America receive a
caw piece. Of course, we make our own
additions to the list ''Compelling." "At
taat playf "Sure success," "Mastery
at technique," "lied blood" and, above
aft, "Panctf-ttat Is the modern sign
tenguxge by which the pnbllo must learn
whether a. play la really enjoyable or not.
'With such exact Information at hand,
1 It any wonder that Puff should be bo
nearly right when ha sayai "The num
ber of those who undergo the fatigue of
ludfftnsr for themselves la very small
tadeeov'T
But the "cliche," tie, stock phrase, the
leij&rammatlo Utf, la not an easy thing to
forego. The newspaper reviewer has the
rroblent of space to contend with, and he
knows the reader wanta the verdict short
fid sham. The tenratatlon ta haul out
CM of the familiar l&bels Is only bal
traced tar the predUaotlon to be colorleia
Owrf esstoxsa of a Crttto
In the ease of a not very pleasing piece,
how often the critic finds himself In a
cul de sac. A, "roast" easy and cheap
may- lay him open to all aorta of personal
altercation, ranging from friends who
disagree to managers who are aggrieved
at the loss of some thousands of dollars
In capital. It is no car thing to accept
responsibility even very partial respons
Iblllty for the failure, of a play upon
which a. great deal of labor and thought
and a. good many dollar hare been
peat. Moreover, after a reviewer has
written, about the theatre for a halt
dsn years, hi artistic aenilbilltlea are
apt to become so calloused that a medio
cre piece aeems nothing but the ordinary
run of his work. There are plenty of ex
cuses, for leniency.
But what about the playgoer's etdo of
ItT At least once a month a dramatic
critic need to remember that the average
rnen paya socd cold cash for hU enter
tainment. He doesn't go to (he theatre
on passes. He doesn't see play after play
as a matter of earning hi daily bread.
The playgoer's expedition means any
where from a. dollar to s or teven, Tne
BROAD Last Matinee & Night
ciiAnxBa r&omiAN pmbu
WUXIAU BLANCHE itARIH
Gillette Bates Doro
la BmAou's MuterpUc. "DIPIIXACT" I
Next Wfc 8JLM NOW BWMlXtl
MUa BILLIE BURKE mgcr. j
WVt Wed., Kw Tear's Pr sd BatupUy
FORREST Tonight at 8Sharp j
Iffy!" T4J". aaUre. Hi lime New Tear j
TWSSSr BEN-HUR ;
Frww, 80c, $1.00 and $1.50 I
V tftctwr. i Me lor Nw yufs Week 1
ttAUUWK. TV " '" I
rOTASH & PERLMUTTER
ftMuUi Price W tout JUwt tjeeu fU
MlfWPt ovxaters ai."HBW
lAurii WH AKV juuv trvn.
A.rtM)tK TU0AT Ifts AND Sdc-
tf&?vt
' vas ,.,. b . WHB gfewe . '., yaaamr thbcw
PLAYHOUSE
and
'LAYERS
critlo who "let's a show down easy"
spoils somebody's expectations of a good
evening and, let'a him waste hard-earned
money on it! too.
Styles In. Stars
There are fashions in footltght favor
ites Just as In everything else. Nowhere
perhaps so much as In musical comedy.
Two players here this week are Irving
testimonials Tom McNaughton and Clif
ton Crawford.
In the '90s "comlo opera," as they called
those dlsqulsltlona on tropical geography,
usually sported a comedian as the gentle
man with his name In the electric bulbs
and his hands on all the good lines of
the piece. Occasionally some lady with
a soprano voice and a couple of far bet
ter developed talents, got her name on
the billboards by slipping Into the shoes
of the fairy prince or the dashing cava
lier. But the comedian was king; De
Wolf Hopper, Frank Daniels, Jefferson
de Angelts, Francis Wilson, Jerome Sykes
then later, Raymond Hitchcock.
The Invention of American musical
comedy rocked the king's throne a bit
The advent of "The Merry "Widow" and
Vienna shook It badly. Up cropped Don
ald Brian, Julia Sanderson and other
young rjien and women who could elng
and dance, and carry off the romance that
was now the chief motif or operetta. An
all-round cost, with retired stars aa come
dians, lias become more the rote than
the exception.
Clifton Crawford and Tom MoNaugh
ton? In the nineties the comedian of
"Suzl" would have been a comlo opera
star of the first magnitude. Clifton
Crawford would havo his name in the
lights all by himself If he weren't too
amusing for the Prince Donllo "stuff,"
"Serpent Kile"
"Why are atage Egyptians female sex
ao wtckedT Probably Cleopatra set the
habit. At any rate Shakespeare gave her
a running start, and Dryden, rewriting
Shakespeare, fastened tho "serpent Kile"
upon our atage. All Egyptian women are
evil. Just as all "adventuresses" are from
Paris. Though Alda is as proper a miss
as opera can tolerate and still draw au
diences, Amnerls, plotting her destruc
tion, makes up for any gleam of kindli
ness that the slave girl manages to slip
Into our mental picture of Egypt.
When Sardou and Shaw tried their
hands at Cleopatra they did very little
to lighten her guilt, while Robert Hlch
ens plunged the Egyptian still deeper In
infamy when he furnished Mme. Nazl
mova. with the chance to give her imita
tion of the famous queen in "Bella
Donna." And now here Is "Ben Hur"
with Iras leading young Ben astray,
Eveq without Turkey Joining the remains
of the Triple Alliance here is plenty of
casus belli for Egypt
Staging the Impotaibla
A drama with 19) scenes, with charac
ters ranging from Napoleon to dlsera-
FRANKLIN AND GIRARDAVE
Mat. Every Day Next Week
A THAT OV VBUSATIUT 1
rKSinj Aiv, .
j. miuip
Aina
Ali.
TUB VAVOKITES
T1IE NEW IJKADUi'G IADX
Miss Enid May Jackson
AndaTSurpnse Feature
Wtk aaasMrtn 4
Tin? HMteck ft Nstre 3
mmv-m
asEfpyi - - j-ZlTsaaHJaaaWmr -
. i W isMlS ;' from an Invisible ahlp by a, noiseless shot,
Ma$P " ',:'' - ' Ue remain cold."
vt. Vv 'Bn: :
bodied spirits and abstract principles, and
with some COO pages of printed text
doesn't seem a very promising sort of
war play, even if Tnomas Hardy Is the
author. But Granville Barker, England's
most enterprising manager and most ar
tistic producer, has taken that ' monu
mental curiosity of the libraries, "The
Dynasts," and put some of It on the
stage In London to answer patriotic de
mand. The review of the London Dally Telo
graph describes the result as "history
in glimpses, a set of colored Illustrations
to history." He writes of the fragments
presented: "What Mr. Barker has taken
may bo easily described. He gives us
Trafalgar, the Peninsula and Waterloo.
The struggle with Napoleon becomes
merely England's affair. The continental
dynasts are ruled out Aa for the various
spirits, very little Indeed Is left of them,
and that little not wholly typical. They
are represented by two gray-robed ladles
seated on either side of the stage, who
give us antlphonlcally from time to time
the gentler and simpler poetry of the
drama. In the middle. In front of the
stage and below, Mr. Henry Alnley sits
at a reading-desk to expound to us the
scheme of things and give us Mr. Hardy's
elaborate stage directions, which are, of
course, essentially a succinct history of
the period.
"Upon the stage, with no more scenery
than the simplest suggestion, we have a
swift procession of animated pictures, al
most all of real moments. After glimpses
of the Wessex rustics at Weymouth we
are at Trafalgar. To VUleneuve's quar
terdeck succeeds Nelson's. Wn owe Mr
Barker many thanks, no doubt, for spar
ing us the old-fashioned stage battle, with
Its lurid colored Are and Its headaches
of bangs. But we do not know that the
new style Is much more Impressive,
When Trafalgar la fought without smoke
or sound, when we behold Nelson smitten
Philadelphia's Newest riayhouse
Market Street Below GOth
Krrr Mudrrn Comfort Convenience.
BlATINU.. 4D U EVENINGS
DAILY & "' 7 AMI 9
AIA SEATS lOe. t IOC. Ha. tOo
I'llCKlltAil CHANOED VOX. TUUBS.
CHBWTKtrr STBHr OPBRA. HOUSE
Ilpm of WurW GrwtMt f&otopUys
jUu. 1 te . 10. 16o. Srss., T te 11. 10, IS, Sea
roemvBLY last wbbik
THESPOILERS
TVaM DHsy. AttHvcwM 3sV. jtveatsc S:30
ftcU4 W Kyiita&OBBaV rOUM
TUB CJlCAOO TWBVKIfS
Mfttiea. Piaturea at Uta EuroMait War
MU&rNDfO UMfBAT
TtJMa l 7raatniea JMafu Beyiiraanat
Ctmaag $$a
Th Gkristiaa
OLrtj
OF4
:a
. W
TCUtX
Potash, and Ferlmutterings on Buyers
One way to tip off a buyer whore ho
could see a stronger line than you're
carrying, Mawruss, Is to let him hear you
knock a competitor, ain't It?
One-eye Felgenbaum was up to see
Sammett Brothers' line last week, Maw
russ, and right away they blew htm to
a glass of elegant schnapps and a 30
cent cigar. ..Felgenbaum told 'em If they
ever open a cafe ho would give 'em a
fine recommendation, Mawruss, and then
ho como away and bought his goods
somewheres else.
Don't got sore at an out-of-town buyer,
Abe, If he wouldn't be stuck on your
up-to.the-mlnuto Paris styles. His store
probably ain't located on no bullyvard,
Abe, and there's plenty town's on trunk
line railroads, understand me, where even
dolmans ain't classed as stickers exactly.
A buyer which considers price before
quality, Mawruss, would also consider
terms before price.
Seemingly, Abe, some concerns per
suades a buyer to take what he den't
want understand me, just for the pleas
ure of receiving cancellations and having
a lot of stickers left on his hands.
Close buyers usually don't got to ask
extensions from nobody, Mawruss.
Trentini and "Spaghet"
When Mme. Trentini cornea to town
spaghetti Is not featured on the menu
of the leadlng'hotels. She has Just de
parted bag and baggage from one of
New York's leading hostelrles, leaving
after a stormy Interview with the man
agement because they christened a new
rarloty of spaghetti after her.
Though the prima donna Is afmost vol
canic In her patriotic outbursts, she does
not like spaghetti and refuses to give It
the indorsement of her name,
"I have had flowers named for me,
yes," aha declared, "and Ice cream, yes,
and even salad, yes. But spaghetti NO.
It is not lovely. It Is not good for the
digestion. And It Is very, very bad for
the voice. You have given me the Insult.
I got"
And she went.
Her chief Injunction to her manager
has been:
"Spaghetti, I do not like It Spaghetti,
I will not eat It. Tell everybody."
What Trentini adores above everything
else Is alligator pear salad, and if It Is a
bad year for this luxury, it Is a bad year
for the little star. Next to the alligator
3 BUOWS DAILY Matlneu, 3 V. M., I So
NEXT WEEK
B. A. HOWE'S NEWEST MU810AI, COMHDT
the LONESOME LASSIES
MERRY MEDLEY OB1
HARTMAN & VARADY
Europwn Society Pincers
ROBINS
"The Qur Mmlcltn"
NELLIE V. NICHOLS
TinOADWAY'B FAVORITE BONOSTnESa COMEDIENNE
FORD & TRULY
Chums In VtudevllU"
HHARBT-BBLIQ NEWEST MOTION PICTUHEa
GEORGE WHITING & SADIE BURT
IN A PBLWHTrUL 8EIUE8
SPECIAL 8 BIO SHOWS NEW TEAR'S DAT AT 1. 4:1B and 8:15 P. M.
BEATS ALWAYS A WEEK IN ADVANCE Bll, Fllbtrt 80S; Key.tone, R.c. ?16Q
VI8ITOR8 TO NEW TORK SHOULD NOT FAIL TO VISIT
B. F. KEITH'S PALACE THEATRE, 47th St. and Broadway
WONDERFUL BHOWS IN THE MOST BEAUTIFUL HOUSE IN THE WORLD
w,oW. GRAND
Bread 8t n4 Uostcomiry AT.
FRBP. Q. WlXOi-NlBDUWqt.ql-Msr.
""" NEXT WEES
9-r-Makarenka Troupe 9
In -X DRKAM QV T1IB QBIBNT"
Howard & Chase
Jessie Standiah
Perlot &Scofield
Haney & Long
fiEO. NAGEL & CO.
A ViUf yiat. 'OBOIUilB THB glXtTB"
SPECIAL MOTION IAPOH FIOTURKS
&?! 9 sooo seats asiss
Mij mmni ii iTji ! I iiiaaaaaaaaa.iaiaa.liai m
AOAIMtrt Or MUSIO WED. WVQ DBO. M
THE CHORAL SOCIEmf
win. awa
THE MESSIAH
SnTia9m MiLXis ..Coatnito
pear she loves artichokes and cheese.
Friends Who would win her heart should
approach her, not with a bouquet of
flowers, but with an artichoke In one
hand and a camembert cheese In the
other. Then she would feel that they
truly appreciated her art, for these are
"good for the voice like medicine. '
Trumpeting as a Fine Art
Mario Tempest has brought over to
Amorlca for her present tour In "At the
Barn" and othor pieces a young lady
who appears to bo an artist in the gentle
feat of blowing the nose loudly and,
therefore, humorously. Kate Serjeant
son has been good enough to confess to
a reporter just how she accomplishes the
miraculous hullabaloo and who serves ns
her model.
"Reviewers nnd others have frequently
paid me tho doubtful compliment of say
ing that I could blow my nose like a
fishwife," says Miss Serjeantson. "The
same people would be surprised to know
that my model, so far from being a fish
wife, was nothing more nor less than
her Royal Highness tho venerable Prin
cess Mathllde, 'sister of the lato King of
Saxony. Any ono familiar with Dresden
25 or 30 years ago will rcmemoer ine
spectacle presented by this excellent
Princess at concert and opera, at both
of which she was a devoted attendant,
and where never a bar of music was
played until tho llttlo old lady sitting on
a dais or ensconced In the royal box had
dived Into the depths of her skirt, pro
duced a voluminous handkerchief and
blown her nose until tho auditorium re
verberated with the royal noise. When
sho had finished and the handkerchief
was restored to the cavernous depths of
her pocket tho conductor lifted his baton,
and ono heard no more from the Prin
cess until tho Intermission, when the
whole proceeding was repeated, muslc
lo'nir Dresden looking on nnd listening
with the utmost gravity and respect.
"How the Princess blew her noeo
through all those years In that violent
fashion without bursting a blood vessel
has always been a marvel to me, as to
any ono else who ever saw or beard It,"
laughed Miss Serjeantson. "For hers
was the genuine article; mine Is only an
Imitation. It Is giving away ono oi the
tricks of the trade, but I really don't
make all that horrid noise with niy nose
at all, I'd never survive one perform,
ance If I did. I do It entirely with my
throat"
and COe.
NIQIITB. S ?t M.. 85o to 11.00
MELODY AND MIRTH
TOYO TROXJlPE
EmUonU Japanese Acrobat
SHANNON & ANNIS
"A Bhlne Flirtation"
RICE, SULLY & SCOTT
A Oymnntlo Blot
OV ORIGINAL '3QNOBAYINOB"
Continuous VudIUe U WW- ta 1IPOI.
VMKmtl AtnTXM
MJ 9'h & Market
till J wWitmmK0'
virs0'FWi tgalr loo, too
BROAD "Jerry," with Mlsa Blllle Burke. A comedy by Catherine Chtsholm Cb
recording the descent of an obstreperous young lady from Chicago upon k
Philadelphia suburb. By various
rMlnff breeches, she wins a bashful
the girl: Shelley Hull, the man.
Alice Johns. Two weeks only.
WAIjUVT "The Heart of Paddy Whack," with cnauncey ificoir, A n(w j,
a., i t ..t Knit...! In rtith Mr. Olcott nlai'S n countrv Iwn, 5
falls heir to a young and bewltohlnff
proper young; man, he rlntlB hlmsolf
the supporting company. Two weeks
COWTtttVtm,
ADBliPItT"Sii," with Jose Coltlns and
Tom McNaughton and an excellent
cast A musical comedy of Viennese
origin. More tuneful than brilliant
but well acted and plerfslng. Tho story
concerns' tho courting of a young prima
donna by the son of a colonel of hussars.
FORREBT "Ben-Hur." The familiar
spectaolo of the persecuted Jew, from
Lew Wallace's novel. The oharlot raco
remains Its lg scene." Illchard
Buhler leads In acting honors.
OARRIOK "Potash and Perlmutter,"
Montague Glass' popular stories of tho
clothing trade made over Into tho sea
son's 'moat heartily amusing comedy.
LITTLE THEATRE 'The Critic," Sheri
day'a satire on things theatrical in his
day and ours. A very amusing perform
ance of this tragedy within a comedy.
LTRIC "The Peasant Girl," with Emma
Trentini nnd Clifton Crawford. A Con
tinental operetta recording tho capture
of a "mllk-fcd tenor" end "chlckon
hawk" by Miss Trontlnl. The music Is
excellent and Mr. Crawford most amus
lrig. VAUDEVILLE.
KEITH'S B. A. nolfe'a musical comedy,
"Tho Lonesome Lassies," by Will M.
Hough; Neclle Nichols, songstrosB and
comedian; George Whiting and Sadie
Burt, In "Songsaylngs" j Hartman &
Vadady, European dancers; tho Toyo
Troupo of Oriental Acrobats; Robins,
Imitator of musical instruments ; Walter
Shannon and Mario Annls, In "A Sine
Flirtation": Ford & Truly, comedian
and dog: Rice, Sully and Scott, acro
bats; and movies.
QLOBE Hoey and Lee, comedians ;
James McCormaclc and Eleanor Irving
In "Between Decks"; Gordon Eldrld &
Co. In "Won by a Leg": Captain
Treat's Trained Seals, the Slelody Trio,
William Friend and Amy Lesser. "He,
Sho and a Piano," and "Tllton."
GRAND Mme. Makarencko In "A Dream
of the Orient"; George Nagel & Co., In
"Georgie, the Fixer"; Howard and
Chase. Jessie Standlsh. Haney and
Long, comedians; Perlot nnd Scofletd,'
In "A Little of Everything." and
movies.
VICTORIA "The Three Minstrel Boys,"
"The Musical Semlnoles," Vivian and
Dagm&r, the Flying Erfords, Ethel
Golden and Adams and Adams.
STOCK.
AMERICAN "Madame Sherry." The
resident company with the addition of
a new leading lady, Enid Mae Jackson,
and a chorus In the melodious and
diverting musical comedy of the danc-
Ing professor and "Every Llttlo Move
ment" CHESTNUT ST.
LIMITED ENGAGEMENT BEGINNING MONDAY AFTERNOO!
6 Timpq "Dnilv Afternoons, 1, 2:30, 4 Prices 10 len'
o nmes uany Evenlng8f 7t 8:30( 10 xrnces 10i 15 & 2fi
A POWERFUL ARGUMENT FOR DISARMAMENT
THE POPULAR MOTION PICTURE CO.
(THOS. T. I10TNE, Gen. J!;r.), Presents
THE FIRST AND ONLY GENUINE
t! EUROPEAN WA
Taken by THE CHICAGO TRIBUNE under contract with the Behjig
Uovernment upon condition
pictures be given to
These Pictures Are the Most Marvelous Historical Record Ever Madt
Snecial Renort of the National Board of Censorship
"Unquestionably taktn at the front
wno Dave sojiaweu ina xoriunea pc idv
Coming : THE
Tot DencfJU at Ljrlo & Adelphl Ttaeatrrs,
LYRIC
New
SnaD 3a MK88IIS. BIIUUEUT Frcsest THE QUEEN OV UQUT OPXm
si A MLLE. EMMA TRENTIN
Qnm.r. ", - . '
spSrkitaffX i Me
Buoyant
Bewitching
All-Glorious
Ever-Victorious
ADELPflT tjt
New
THE BB3T GIFT OF ALL
JOSE COLLINS
IN THE ENTRANCING IDEAL OF MELODY
or
"Best musical
play of year."
Inquirer.
iw ' i u ii
With TOM
oo
OUL1
tilimHmvs-sBmx!vifL mmhijbh! &-
T - w.iin...7a..T. -
wiles, inciuainu pinK pajamas and ro
husband-from her aunt Miss BtfrW i
The cast also Includes Selene John6nU
ward. Attempting to marry her oa b?ffll
In Cupid's snares. Edith Lucktft
only. '
BOnLESQtra.
EMPIRE "Tho Ginger Olrls.'Twfufl
Leo Wrothe, under the manaRMefttSl
"'"6i """i " ""rajnas,!
'..ivEaai
OOSUNO.
.TAMTTAllY I.
LITTLE THE A TRB "CourM .' ,
nntl-war play by A. M. RlchftrtSMt?
isngusn piaywrigni, proauceq neri:
tne nrst time on any mage, it:
with tho present conflict
AMERIOAN "Tho Hunchback of Jft
Dame." The familiar ana VelUl
tragedy of tho wronged hunh'
from wnicn "Uigoieuo-- is UKeo,'
KEITH'S Kitty Gordon & Co., Ho
St Co., and Marie Nordstrom.
JANUARY 11.
OARRIOK "Tho Miracle Mah,',..jeiSi
George Nash, Gall Kane and WS&
ThomDSOn. George M. Cohan'iTSi;
tlrely serious dramatization of 'Hi?
i'HCKaru a jiuvci ut m .urni ncmcr.Tnaj
convorted a bond of crooks bwtfSP
exploiting the public throtijn,,lifa
Fresh from a New TorK run.
BROAD "The Girl of Girls," with"
Pollock, Natchlo Alt and Al6xurj
Paulton and Oresto VesstU, MWi
Novellls conducting. ' .'iBI
ADELPHI "Tho Belle of Bond Blnettl
with Sam Bernard, too amusmjm
"Rich Mr. Hoggenhcimer" aoa qxtfjl
LYRIO "Tho Lllnc Domino."' K 'Vlsfij
neso operetta, produced with eon
mate skill by Andreas Dlppei.
WALNUT "A Fool. His Money saijt
Girl." with Han Ward and Lucy
A variegated musical comedy- pjta
Mr. Ward opportunity for trattyiw
ns well na his tramD impersonation.
KEITH'S Mr. and Mrs. Carter dellMtal
Pat Rooney and Marlon Bent nMM
marvelous Manchurlans.
JANUARY IS. CjSA
BROAD "The Legend of LeonorftT.udlj
"The Ladles' Shakespeare,", lij
Mnudn Adams. Two typical BSfi
nlfivo Thn Ant nnd more Bubst&ml
deals with tho amarlng mock trlilji
a lady who was supposed to aijii
thrown a passenger out of a morall
ifnin iAniifiA hA threatened her chlldtl
haoUh with nnn wlmlnWU. The BeCOAJi
la a little burlesque of "The TamlpgM
the Shrew." (
FORREST "The Girl From Utah," wjti
Julia Sanderson, Donald Brian M
Tn..ni, Pnwtnpnit Pnnl Tlubens EnX
Hsh musical comedy of Mormpns, M
and young, in London, weu suns g
acted. Produced In New York early tt
season.
xv A t.nttt "Hcntember Morn." A
"c3
cago show" that achieved somo
larlty In the West a season ago.
-T-l
Se
unMF np WORLD'S
r.DPATKfiT PHOTO PLAYS
uiat bu of tne sate oi mo
the Belgian Red Cross.
and will prove of particular InUreit t ttJOMJ
xieisians."
CHRISTIAN m1lste
Apply Uox Office or Those Walnut ST(MM
Year's Mat. Friday ggffi, ?1
MATINEE Inotk-no jtATfl
TODAY Lib
WILL BE OIVBH
IEDMKSOAX.
Feasant Girly
SStea CRAWF0R
1 llfiW
, "AH the glory of grand opera."
"ah tne airM of musical cornea;
Year's Mat. Friday B
vnnfrr.AU
MATINEE TIHJ
1U1JAI
TICKETS FOR LEW FIELDS'
inrw
MeNATTftTTTON
ii . Ma "-" "..
L,.jjBlB
9
S1.M ilsl
-.BHaiaBBj
"A vnratMiUm'
'jr-aT-i
"Wat
yr
Ha.uM.tBt mmmtvr
Twi
Timkib; aivaatec
Ihanx com.?
WILCJIfcymt? MATiKKii FOLi
,-, . a, -
ACADBM- 4wt at Mw, Hit "-mat
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