. • 4 1 -V! :i. , *e?... ;":s• . ... - - -4 1 z. :::. - --", , : ~ . If * I ' !1 4 ...-i. , .: rz, .w., A ':, 4 v , cc _ A . ..:• r'. _ r SAMUEL WRIGHT, Editor and Proprietor VOLUME XXVIII, NUMBER 4.] PUBLISIIED EVERY SITURDAY MORNING. 'Office in Northern Central Railroad Com- Tang's Building, north-west corner Front and Walnut streets. Terms of Subscription. +Jae Copy per annum, if paid in advance, if not paid within three months from commencement of the year, G 4 CUXL - tEil ta, - - No sulpteription i ecerved for a le.-- time Oulu r-ix .months; and no paper will Ire di-continued untd till drrearages are paid, ursle.s at the option of the pain• usher jig" oney may be remitted by mail at the publish rrZrbt rink. Rates of Advertising. square (6 lines] one week, three weeks, each -uhsequent insertion, 10 1 " [l.2:lines] one week. 50 tlllee weeks, 1 00 tt each subsequent insertion, 25 Larger advertiGemenn iii propoi boil• A liberal tlieicount will be mode to quarterly, half yearly, or yearly itdvertisers,who are strictly confined to their busineiii. DR.S. ARMOR HOICEOPITIIIC PHYSICIAN. Office and Residence in Locust Weer, opposite the Post Office; OFFICE PRIVATE Columbia. April 25, 1e57-ern Drs. John & Rohrer, - UM associated in the Practice of Cot umbia, April Ist,lSsG4t DR. G. W. MIFFLIN, TIENTIST. Locust street, opposite the Post Oilice, Columbia, Pa. Colanibta, May 3, ISM. 11. M. NORTH., ATTORNEY AND COUNSELLOR AT LAW. Columb in, Pit. Collections, r romptly made, in Lallea‘lCr and York Columbia, May 4,1950. J. W. FISHER, Attorney and Counsellor at Law, Col uMbilt,Septenther GEORGE J. sinrrii, WHOLESALE and Retail Bread and Cake Baker—Constantly on hand a vurietv of Cakes, too numerous to mention, Crackers; Soda, Wine, Scroll. and Sugar Biscuit; Confectionery, of every ile,criptam, Ike., d..e. I.OcUST srxla 1, Feb. 4'56. Between the Bank and Franklin House. • B. P. .A.PrOLD Ent CO., - 11117 GENERAL FORWARDING AND COMMIS qxuaL,SIO REC N M ANTS, *a t EIVERS 0 I , COA LAND PRODUCE, And Deliverers on any point on the Columbia and Philadelphia Railroad. to York and Baltimore and to Pittsburg; DEALERS IN COAL FLOUR AND GRAIN, WIIISKV AND BACON, have juvt received a large lot of Monongahela Rectified Wlnikey, nom Piliihurg, of which they will keep a apply cow-tautly on hand, nt low price., Nos. I, 2 and 6 Canal Baain. Columbia, January 27. 1554. 0 ATS FOR SALE TIY TIIE BUSHEL, or in larger quantities, 1-1 at :Nos. I,Y & 6 Canal Basin. . V. APPOLD & CO. Columbia, January .9.G, 1836 Just Received, 5 n BUS. PRIME GROUND NUTS, at J. F. v ITI I's Wholeale and Retail Coil reetmeery e•mbli , lnneet. FrOlll Street, two door,, below the Wa.lnngton house, Columbia. [October 25.1556. Just Received, 6) !lUDS. SIIOUL,DIO.S. 15 TIERCE : 4 11-1:515. xd t.r Fur axle by B. E. A I'POLL) 5,, Co.. Imand 6, Cunal Basin. Columbia, October Iri, 1c513. Rapp's Gold Pens. CONSTANTLY on hand, an assortment of th eve celebrated PENS. Pe r , iing in Want of a good article are invited to cull and examine them. Columbia, June 30,1.835. JOHN FELIX. Just Received, ALARCH LOT of Children's Carriages, Gigs, Rocking Horses, Wheelbarrows. Prepel• lers, Nursery Swings, be. (SEORGE. . April 19, 18911. Locust street. 011 INA and other Fancy Artieles. too numerous to mention, for me by G. J. SN,ITII, Locust street, between the Bank and Franklin Ilutyte. Columbia, April ID, 1830. rirllE undersigned have been appointed ot•ents for the ,tle of Cook & Co's GU'rrA I'ER CIIA PENS, warranted not to corrode; in e laniteity they almost equal the quttl. SAYLOR & 111cDONALD. Columbia Jan. 17, 1317. Just Received, A BEAUTIFUL lot of Lump Shades, viz: Tic tOrIIIC, VOiC3IIIO, Drtllll, Buller Fly. Red 1111Qea, and the new French Fruit Shade, winch can he seen in the window of the Golden Mortar Drug Store. November 29, 1°52. ALARGE lot of Shaker Corm from the Shaker tieulenteal is New Turk, tut received, at 11. SUYDAM S. SON'S Columbia, Dec. 20,1856 HAIL DYE'S. Jones' Batchelor's, Peter's and Egyptian hair dyes, warranted to color the hair any desired shade, without injury to the skin. For sale by R. WILLIAMS. ➢Lay 10, Front at., Columbia, Pa. - PARR& TIMMPSOWS justly celebrated Cora- mercial and other Gold Penn--the hest in the market—just received. I'. SHREINER. Columbia, April 29,1855. FATRA by FAMILY FLOUR, by thee barrel, for na le F. A 1.P01.D h CO, Cniumbia.June 7. No=. 1.2 mid 6 Canal fin.in. WHY should any person do without a Clock, when they can be had for $1,50 and upwards. SHREINER'S? EMEIMI ,QAPONEFIER, or Concentrated Lye, for i...,ma king Soap. I lb. i. iitaTicient for one barrel of Soap, or Ilb.for 9 lbs. [lard Soap. Full dime .4..ions will be given at the Counter for making So ft , ...lard and Fancy Soaps. For sale by IL WILLIAMS. ,Columbia, March 31,1855. A LARGE lot of Baskets, Brooms, Buckets thrushes, &a, for sale by H. titll - 1.)A111 & SON. AATEIKEL'S Instantaneous Yeast or Baking Powder, for sale by H. SUYDAM & SON. nn DOZM TIROONIS . , 10 110\F 44 clintsn. For sale cheap, by D. APPOLD & CO. Columbia, October 25, 1956. A SUPERIOR article of PAINT on.. for .zole by It. W C ILIAANIS„ P r reet, ront Slolumbia, a. May 10, 1050 TusT RRCEIVIIR. a large and well selected variety el of Bruthea. eonskting in part ofShoe. noir, Cloth. Crumb, Nail, Ilut and Teeth Ltru.hes. and for sale by R. WILLIAMS. Front street ColumLia, Pa. March 22, '56 ASUPERIOR article of TONIC SPICE BITTERS, suitable for Hotel Weepers, for Pale by R. WILLIAMS, Front street, Columbia. May 10, 19.51 WRESII IMIEREAL OIL,* always on bend. and fo J. sale by •'• • R. WILLIX MS. May 10,1&6. front Street, Columbia, Pa. JUST received, FRESH CA ItIPH NNJ,I. and fi,r rale by IL WILLIAMS. May 10,1856. . Front Street, Columbia, Pa. 1 00 0 L i Ts ; Ne ree.7 i g mi CAr r ed .si lla t n , ;e and Shoulders, Feb. 2104±7. H. SITYDA3I dc SON. plyttrij, Differences =I SI 50 The king cnn drink the best of wine— So enn And has enough when he would dine— So have I; And cannot order rain or shine— Nor ean I; Then where - s the difference—let me see— Betwixt any lord the Lang und me! Do trusty friends surround his throne Night and day? Or make his interest their own? No, not they. Mine love me for myself alone— Bless'd they! And that's one difference which I see Betwixt my lord the king and me. ..I . Do knaves nrcund me lay in wait To deceive, Or fawn and flutter when they hate, And would grieve? Oreruel porn oppress my state— By my leave' No! iieeVell be thanked! And here you sec Wore difference 'twixt the king and Inc. Ile has his fools, with jest and quips, When he'd play; He has his armies and Ins ships— Great are they; But not a child to kiss his lips, Well-a:day! And ilia., a difference sad to see fleiwizt my lord the king and me. I wear the cap and he the crown; What of that? I sleep on straw and he on down— What of that? And he's the Icing and Pm the clown— What of That? If happy I, and wretched he, Perhaps the Mug would change with me! gEtittirfito. The Painter's Pet Claude Lafont was a painter—an artist in the fullest and completest sense of the word; fur he lived, as it were, in the centre of a circle of art, and it was through this medium that the perception of all outward things came to him; it was under the in fluence of this atmosphere that all thoughts were presented to him. He lived therefore, in a world of his own: realities were to him the things the most unreal; he mixed as little as possible in the society of other men, because he found their presence and conversation disturbed the beautiful phantoms that, when he was alone, held him such sweet and genial converse.— He cared nothing for the subjects that in terested them; they might barter and traffic --marry and give in marriage—dupe and be duped—all these things it only confused and unsettled him to hear of; the relation of them conveyed to him no clear and definite idea, while, at the same time, it disturbed and troubled his own thoughts and dreams. Alone, he was never lonely; seated in his studio in an old arm chair, with his pipe, he saw through his half-closed eyes the gracious company that surrounded him: women lovlier than angels—now gorgeous proud, queen-like—now soft and holy as the Madonna; now tearful as Niobe—now young and radiant as Aurora. Cleopatra passed before him many: times as he sat there; Helen, Clytemnestra, Guenevere, sad CEnone, frail Rosamond, murdered Iphigenia, Jeph thah's daughter, bending, an unmurmuring sacrifice to a mad oath; Ruth and Griselda, Judith and Jael—all great, or good, or beauteous, or fated, or terrible women named in scripture, or history or fable visit ed him at his call. So did all heroes all knights, all men of old remown or later Elmo, and other visions, beings begot by his own teeming brain, born of his own bright fancy, grew into form and maturity to be later fixed on the canvas. In summer time, with a knapsack, a staff, and a sketch book, he would wander forth wherever the fancy led him; now over the mountains, now by the sea shore, now through woods and valleys, collecting every where fresh ideas, fresh experiences of that nature without which true art cannot exist; that nature of which she is born, and nursed, and nourished and inspired; that nature, that if she seeks to let go its hand and walk alone, her creations become monsters or pigmies, which struggle through a weak and ridiculous existence, and then fall away into an ignoble tomb. High up on the eternal hills, he listened to the voice of God in the winds that swept around him. It seemed to him that it was but the clouds that capped their summits that veiled from him the glory of his throne. Lying on a cliff that overhung the ocean, ' far and near were sights and sounds, costly, and strange, and beautiful. The low and immovable horizon, over whose barrier no mortal ken might reach; the water that might not rest day or night, but dashed passionately, or heaved in blow, unbroken undulations; indented coves, with fringes of yellow sand; cliffs with pale, stern, hard faces looking out to sea, sometimes bright ening into a faint rosy smile, in answer to the sun's ardent good morning or good night; little valleys in their laps, with trees and white cottages, and silver threads of streams, hurrying to throw themselves into the bosom of the deep. And there, about him, beneath him, within reach of his hand, what minute miraolos in the tiny tangles of the close short grass and mosses, leaves and stems, buds and blossoms, roots and seed vessels, of the unknown, unnamed plants, hundreds went through all the phases of their existence, completely and -perfectly, in the space of each inch of ground; while hosts of as minute and as perfect insects, gauze winged, rainbow tinted, burnished and speckled, roved through them as through vast forests. The woods—ah, let us not open the vol ume, for its leaves are as many as those of the trees, and the last page may never be read by man! To Claude Lafont, sensualism was a word that conveyed no meaning. He had passed through the stages of youth and early man hood untempted by any of the desires or ambitions, natural or artificial, that seem almost inseparable from man's career in society. lie worshipped beauty in whatever form it came to him, but only through the soul, and in its purest essence. Now that his life was midway spent— that the stamp of full maturity was marked upon his brow—that the time was approach ing when the sun of his existence would be declining from its zenith, there were mo ments when a vague want was felt, hints that came, he knew not whence, of a yearn ing for some more warm and real sympathy than that shadows of great men and women could afford him. These longings came and passed away, but not for long; and their stay was, at each return, more extended. But whence could lie satisfy them? Ills slight commerce with the men and women of the enter world had brought him in con tact with none whose society promised in the slightest degree to fill the void that was growing in his heart, wider and deeper each , day. One still October day, Claude was pursu ing his desultory rambles through the Au tumn forest, when the sight of a thin blue smoke, wavering upward through the stir less air attracted his attention. lle advanced with a feeling of vague curiosity, and soon perceived a sparkling fire, and distinguished amid its crackling the voice of a woman, harsh and shrill. Advancing further, he found he was approaching a sort of gipsy encampment, or the bivouac of one of those gangs of strollers, half actors, half conjurers of the lowest order, that wander about France, stopping to display their perform ances only at out-of-the-way villages and country fairs. All the party were absent with the exception of a woman, the speaker —whose hardened features and unsympa thetic aspect kept the promise given by her voice—and a little girl of about thirteen or fourteen, small, dark, sharp-featured, but with limbs firm and faultless in their slight proportions, and wondrous wild dark eyes, almost excessive in size, flashing from be neath the masses of black hair that over hung her face. To her the woman was ad dressing herself in harsh and bitter reproach es, to which the child listened in the silence that becomes almost apathy in children who from their infancy are little used to any other tone. From household Words Finding how slight was the effect of her words, the woman sprung at the girl, and, ere she could escape or parry the blow, struck her severely with a fagot on the naked shoulders. The stroke was a heavy one, yet the child uttered no cry. 'Ah! little wretch! You don't care? We'll sec—take that!' and seizing her, the virago poured on the half-clothed body of her vic tim a shower of blows. At first the girl writhed in silence, then,. pain and passion overcoming her enforced stoicism, she burst into wild ringing shrieks of rage and agony that thrilled through every fibre of Claude's heart. Springing forward, he grasped the aston ished tormentor, and, with a voice trenm lons with generous emotion, indignantly re proached her cruelty. Her wrath, for a moment checked by surprise, now only di rected itself into a new channel, and with fierce abuse she turned on the child's de fender. Claude had no arms to meet such an at tack, and, after a fresh protest against the woman's brutality, he turned and left the spot, throwing a glance of pity and a word of sympathy to the sobbing child, whose slight frame still quivered with pain and excitement. Claude returned to the village inn, which was his temporary abode. Ile dined, light ed his pipe, and sat dost - n to the enjoyment of his customary reveries. But the shapes he was wont to invoke came not; one face— a wild elfin face, with heavy black hair and great lustrous eyes; one form—a slight, agile, nervous one—always stood before him. He took a pencil and sketched them in various positions and attitudes, and form ed plans of pictures in which this little fig ure was to form the conspicuous of ject. I must get that child to sit to me,' said Claude to himself; and he resolved to go on the morrow to the strollers' camp, and offer the virago a few francs to obtain this pur pose. The sound of a cracked drum and wheezy hand organ came along the village street; anon, a boyish voice proclaimed that on the following evening, at seven o'clock, would be given by Signor Pandulfa, the celebrated "Sorcerer of the South, a series of experi ments in magic and prestigiation; that Mad ame Mondolticri and Madamoiselle Edam° would perform les pas des Djinns, aided by 'figurates of the locality;'* that Signor Pan dolfo would further consent to execute va rious gymnastic exercises with the brothers Zingari; after which a variety of entertain ments, followed by 'tine piece qui a pour in- `The passages marked within inverted commas are taken verbatim from the programme of such a perform ance as is here described. "NO ENTERTAINMENT IS SO CHEAP AS READING, NOR ANY PLEASURE SO LASTING." COLUMBIA, PENNSYLVANIA, SATURDAY MORNING, AUGUST 1, 1857. litule Gnillaume Tell, Deliberateur de la Suisse,' with all the strength of the com pany, would complete the pleasures of the evening. Claude was sitting by the window. He opened his eyes and looked out languidly; a lean lad, of about fifteen, with a large shock head and very conspicuous hands, feet, knees, and elbows, scantily attired in dirty flesh-colored cotton hosiery and short spang led drawsrs, was beating the drum to fill up the pauses of his programme; behind him with the organ and a monkey, came the wild eyed child whose image had, for the last hour or two, been floating through Claude's dreams. lie got up, went into the street, and joined the crowd of urchins and idlers that followed the strollers. Soon they got beyond the limits of the village; then the boy slung the drum behind him, and flung over his histrionic costume, a ragged loose coat; he helped the girl to lade her shoulders with the organ, on the top of which the monkey perched herself, and the village idlers, seeing the artists retire into private life, and consequently cease to be objects of interest, dropped off in pairs and. groups and returned to converse of the mor row's performance. Not so Claude. When the last of the idlers had turned away, he addressed him self to the little girl, whom he had hitherto followed at sonic distance, and unperceived, for she had walked along looking neither to the right or left, but with the spiritless, apa thetic air of one performing a task whose dull routine afforded no shadow of interest or excitement. She looked up. What a change came over the listless face!—every feature became instinct with earnest life: the eyes gleamed, the lips broke into a radiant smile over daz zling little teeth, and a warm glow spread itself beneath the dark, sallow, but transpa rent skin. 'Alt, Monsieur!' 'You are glad to see me, little one?' It was very pleasant, Claude felt, to see any face light up so at his presence. 'Glad? yes!' 'What is your name?' 'Edmee, Monsieur.' 'Should you like me to make a portrait of you?' `Of me, Monsieur?' (Another blush and smile.) 'Yes, if you will sit, I'll give you forty sous.' A pained expression crossed the child's ME `Yes—only—' 'Only what? You won't? Why not?' 'Because—mother—' The boy broke in with the half laugh that rough, ba , hful boys are wont to intro duce their speeches with. 'She's afraid; the old woman's always on the look-out for excuses to beat her. Al,, that's an ugly customer—old hag!' `Bat if I ask her leave, and give her something?' 'Ali, then, perhaps.' It was settled that on the morrow Claude should make the requisite advances to the `hag,' and giving the forty sous to the chil dren by way of earnest mcney, each party took their separate way—one to the forest, the other to his inn. Next day the bargain was struck. A five franc piece softened the obdurate na ture of the hag, and she readily consented to Edmcc's giving as many sittings as Claude desired, Inn - Aided they did not inter fere with the double drudg.lry to which the child was subjected in her domestic and pro fessional occupations. She was to Claude a curious study, in her moral as well as in her physical nature.— Vicious example, uncontrolled passion of every bad sort,—brutal usage, fraud, force, the absence of all m anliness, of all woman liness in those she lived with; the absence of all tenderness, of all instruction—such was the moral atmosphere in which she had grown to girlhood; such was the soil in which were sown a warm heart, an intense sensibility, a bright intelligence, and a keen sense of grace and beauty. Not a tint of vulgarity was in the child's nature; not a word passed her lips that had not a meaning not a movement.of her limbs but was re plete with a strange peculiar grace. Claude was fascinated by the elfin child, who, as she sat or stood before him, seemed not only to guess all his slightest intentions, but constantly suggested new ideas of form and symmetry beautiful beyond description. Ile sketched and painted her in every atti tude; he sometimes feared to weary her, but when he expressed the fear, she shook her head, with one of her bright smiles, and an emphatic lanais!' so he went on painting, sometimes talking to her, sometimes in si lence which lasted for hours, and which she never attempted to break. At length, alter the fifth positive last ap pearance of the troupe, they prepared to collect their scanty properties and decamp, and with more than one heavy sigh, Claude bundled his baggage into his knapsack, armed himself with his stick, and started on the road to Paris; for his summer wander ings were over, and was going back to his quartier Beaujon to vitalise the fruits. His way lay through woods—a part of the forest where he at first met Edmee, but quite in the opposite direction. At first he was thinking of her, sadly and pityingly, and with many conjectures as to the future fate of so strange a nature so strangely placed. Then, by degrees, the artist again came up• permost. He thought of the pictures he would paint, in all of which some hint, some movement, some expression taken from her, could be introduced witn precious effect.— lie opened his sketch-book, and as walked slowly on, he contemplated the innumera ble studies of her with which it was filled. lie looked up at last; before him stood the original—trembling, her great eyes riveted on his face, with a look at once fearful, so earnest, so beseeching. 'You, Edmee!' Her breath came fast and thick, and her voice was hardly intelligible; but, as she went on it strengthoned. 'Yes! it is me; let me go with you—any where, I will be your servant,—l'll do any thing on earth for you; don't be angry—l could not stay with them any longer—she beat me worse than ever, because she knew I was happy with you, and you were kind to me. Oh, let me go with you—let me go with you!" 'But, child—your mother. I have no right to take you from her.' 'She's not my mother; she's only my step mother; and my father is dead. I belong to nobody—nobody cares for me. Even what I do for them, they only curse me for, and beat me when I can't do the work they put me to. Oh! let me go with you—let me go with you!' Claude's hesitation was gone, and taking her little trembling hand in his, he led her At the next town they approached, he gave her money, and sent her to a shop to purchase some decent clothes; then he went to a litte out-of-the-way inn, stopped to give her rest and food, and made her go and per form her toilet. In half an hour, down she came—all traces of poverty, fatigue, and emotion vanished; her neat dress sitting on her so gracefully, her wild hair parted in shining, wavy bandeaux beneath her trim cap, her little Arab feet and firm slender ankles so symmetrical in high shoes and well-drawn striped stockings; and, above all, her oval face, so radiant with beautiful joy and gratitude. Claude felt very proud and happy. `So there you are, little one; you think yourself smart do you, hein? Well, so do I, —I think you look charming.' She stood before him, smiling, holding out her skirts, as children do when their dress is admired. She broke into a short gleeful laughs of joy and triumph. 'So you're happy now?' 'Oh! Monsieur!' She seized his hand and covered it with kisses. The tears sprang to Claude's eyes; he drew her towards him, and, resting his chin on her head, he began, in a voice of deep and quiet emotion, 'Edmee, I do not know if I have done right in taking thee; at all events, it is done now; never, child, give me cause to think I have acted wrongly—even foolishly, and with God's help I will be a father and a pro tector to thee as long as I live. Kiss me, my child.' She flung her arms around Isis neck and clung to him long and in silence; and he felt it was very sweet to bold such commu nion—to claim such love, and trust, and gratitude from a human creature—sweeter than to hold imaginary unloving converse with the shadows of dead heroes and hero- IMO Claude Leconte was once more installed in his painting room. As of old ho dreamed and painted—painted and dreamed; but when the shadowy company was not suffi cient to fill his heart and brain, he half woke up from his reverie and went to the little sitting room at the back that opened into a bit of a garden; and there—in winter by the sparkling fire and clean swept hearth; in summer at the open door, round which trailed a vine, a climbing rose and gny, vul gar nasturtiums—he relighted his pipe, and half dreaming, half listening, heard the prattle, childish, yet strangely wise, of Ed mee, who, as she fluttered about, or sat on a stool at his feet, thought aloud in her own wild, suggestive, conjectural way, hitting on singular glimpses of great truths that could only come to her intuitively. By degrees Claude began to dream less and think more. Edmee was now fifteen. He felt that she had become something more than a child and a plaything, and that a certain respon sibility weighed on him in the care of her, in the provision for her future. She had learnt, it is hard to say how, reading and writing since she had been with him. One day, when he entered the sitting room, he found Edmee with a book on her knees, which she was studying with a puzzled air. 'What are you reading there, child?' he inquired, carelessly. She held up the book. It was a volume of Voltaire. 'The devil! ichere did you fish out that book? But you don't understand it?' She shook her head, 'Mind this; when you want to read any thing, you must show it to me first—do you hear, little one?' She arranged his chair, lighted his pipe, and sat down at his feet in silence. Claude's eyes were wide open, and full of earnest re flection. Once or twice she looked up tim idly, but, meeting no reply to her glance, she dropped her eyes again. She said at last., 'You're not angry with me?' 'With you? Never!" 'You see, I am afraid of nothing on earth $1,50 PER YEAR IN ADVANCE; $2,00 IF NOT IN ADVANCE. but vexing you. I care for nothing on earth but pleasing you. Between these two thoughts lay all the cares of my life.' Strange! the pain and the pleasure Claude felt. lle stroked her shining hair, kissed her forehead, and fell to thinking harder than ever. Next day, instead of putting on his dress ing gown, cap, and slippers, and retiring to his atelier, he, for the first time for many a long year at such an hour, donned coat, boots, and hat, sallied forth, and returned with a small library—books of history, biog raphy, religion, and some poetry; all works the most perfectly suited to the purpose they were intended for. `There! you want to read—there are books enough for you. What do you say to that, hein?' `She bounded round him and the books, laughing, skipping, clapping her hands, in wild, beautiful delight. For months, between her light household duties, so quickly and happily performed, and the frequent sittings she still continued to give him, the books were studied with ear nest attention. Some of them Claude al ready knew; the rest be now read, and con stantly of an evening questioned his pupil, drawing out and correcting her impressions with a pride and interest strangely new and pleasant to him. As he had anticipated, Edmee grew before his eyes into striking and remarkable beau ty. He noted the progress with a mingling of pleasure and uneasiness, and watched over her with a jealous care. Few visitors came to his painting room; but, at the sound of a strange footstep, a look warned Edmee to retreat, and she fled through the back door like a mouse into its hole. Another year and another passed by, and Edmee was seventeen. 'lt is certain,' said Claude to himself, 'this cannot go on forever. I am not im mortal, and if some day a misfortune hap pens to me, what becomes of the child? I must find a husband for her!' This is the French mode of settling all such affairs, which are conducted as any other matters purely of business might be. The idea was a good one certainly; yet many difficulties presented themselves.— Claude's mode of life and unworldly, unbu sinespike habits made him the last man in the world to set about match-making. He knew of nobody who in the least degree suited his notion of the sort of husband to whom he would confide the happiness of his adopted child. He had a vague consciousness that, in matrimonial affairs, there were trouble some details of money matters to be gone through, and on this part of the question he felt dreadfully incompetent to enter. He was quite willing to give Edmee anything and everything he possessed; but how much that might be, or how he was to find it out and get it in train, and what were likely to be the pretensions or arrangements on the other side, it put him into a state of hope less desperation to think of. All this lie ad mitted to himself; but he did not admit— for the thing was too vague and unformed for admission or actual contemplation—that a little aching jealousy, a numb pain, lay at the bottom of his heart, when he thought of giving to another the treasure that for four years had lightened his life, and given him new and human feelings and a hitherto un known love and sympathy with his race. Edmee %vas eighteen, and still Claude had found no husband for her. • Ilitherto ho had worked alone; now, the thought and the care of her, the time he de voted to her education and to her amuse ment, rendered it impossible to him to do all he had wont to do in his painting room. He resolved, therefore, to look out for a stu dent—a good student—who might never in word or deed break on the cloistral strict ness and purity with which Claude's jeal ous care had surrounded his pet. After long search the wonderful student was discovered, and installed in the painting room. Paul was essentially a pattern stu dent. The son of a rich farmer, he found painting the fields infinitely more to his taste than plowing them—drawing his father's oxen to driving them. The father, another pattern in his species, considered that his laborers might perform the plowing and driving work, and that his son would not be wasting his time in spending it as his taste dictated. It was the fete at St. Cloud, and Claude went there in the omnibus, with Paul at one side and Edmee at the other. Arrived at the park, the sight of the peo ple made him shrink a little. 'Go on, children—l'll follow you.' Arm in arm the joyous children went on, laughing and chatting gayly. 'Yes,' enid Claude to himself, 'they are young, they are happy, happy in themselves, happy in the scene, happy in each Mimeo A thought for the first time flashed across him with a thrill of such strange mingled contradicting sensations, that ho passed his hand across his brow and stopped, then quickened his steps—he hardly knew why, But the thought that had struck into his brain, stayed there, and he took it and han dled and examined it and familiarised him self with it. Strange it had never presented itself to him before! Here, under his hand! Yes; it was the thing or all others to suit. If the father would bat approve, he saw no obstacle.—Paul—Paul! he would be bat too happy—who would noti—to marry Edmee; and Edmee—she liked Paul, she certainly [WHOLE NUMBER, 1,409. liked him; how gay they were, what friends, how happy together! Yes; he would go bravely into the thing, money matters and all, and present the matter to the father.— He did so, and before the week was out re ceived a reply in the affirmative, The pat tern farmer had looked favorably at the thing from the first. All he heard of Claude and his adopted child perfectly satisfied him.— lie gave the least possible amount of mistifi cation to Claude's brain about the question of finance, and expressed his readiness to the match taking place as soon as Claude and the young people thought fit. Claude was sitting at work with PauL— There was a long silence; the student had made one or two attempts to break it, but the monosylable replies of the master bad discouraged these, and they were abandoned. At last Claude opened the matter lying heavy at his heart. "You have never thought of marrying Pail?" Paul shifted his position a little, colored very vehemently, and replied that be never had seriously. "You ought to think of it, however, my good boy—why not now?" Paul replied, ''That's true." There was a pause; Claude cleared his throat. "If I find you a wifo—a good, nice, charm ing little wife—would that suit you?" 'Well, perhaps so.' 'Do you know any one you could like?' 'Oh, yes!' Claude's heart fluttered. 'Who?' 'You don't guess? Who could I like but Edmee?' 'And do you think she likes you?' 'Alll that's what I want to know. Some times I hope so; at other times, not' 'We'll find out, my lad.' Claude sat by the open door of the garden, in the warm summer twilight—Edmee, in her old place by his knees. 'My child, I have been thinking a great deal about you' She looked up hastily. 'Do you know that you are of an age to think about being married?' Heedless of _the start she gave—for Claude's speech was all made up, and he feared that if he stopped it might stick in his throat, and he would break down—he went on. He told her how long he bad thought of this; how he felt the loneliness of the life she led; how little a man like him was fit fed to be the sole instructor, and protector. and companion of a young girl; how he dreaded that a day might came—must come —when, if she were not married, he would have to leave her alone and unprotected in the wide world; bow dreadfully this thought weighed on him; how, until she was thus provided for, lie never could feel happy or assured conserning her. Then he spoke of Paul; of his affection for her; of all his good qualities; of what peace and joy be would fool in seeing her united to him; and then, feeling he could not wait for her answer, he took her to his heart, kissed her, bid her think of all he had said, and took refuge in his painting-room, where ho smoked five pipes without stopping. So the affair was settled, and the prepara tions for the marriage, which was to take place in a fortnight, went on. Claude made himself very unnecessarily busy—nay. per fectly fidgety—when he might have kept quite still, and let other people manage matters infinitely better than he could pos sibly do. It was the night before the wedding.— Claude had been out, occupied with the last arrangement", and returned home towards eleven o'clock. As usual, he opened the door with his latch-key, and entered the quiet little dwelling, whose silence struck upon him with a feeling of disappointment; for he hail secretly hoped that Edmee would have been up to greet him, after the occuations of his busy doy. He listened, but there was no quick, light step—no sound to indicate her consiousness of his entrance. Claude sighed. i took up the dim light that had been left against his arrival, and instead of going to his room, turned into the studio. How dead ly still it was! how deserted! The wen, quivering flan.e of the little lamp only made the gloom it could not pierce more heavy. and, as its wavering light flashed and faded over the faces of the pictures, they seemed to shudder on him while he passed. And so it was all over, and she was al ready gone from him; and the old, lonely. loveless life was to be begun again, now that he was so much less able and fitted to lead it than formerly. Art is great, and noble. and elevated, and he who pursues it w ith all his energies, cannot fail to profit there by. But art is not enough to fill man's life alone. Art will be worshipped as a sovreign. and, if courted in right guise, sometime, condescends to let the votary kiss the hem of her garment, and now and than bestows on him a smile. But she gives no more than this; and though for a time it may sat isfy him, there comes a day when he would resign all the favor she ever accorded bins, for a little human love, and a little human sympathy. Claude had felt this before he had attained these. Now be had booms them, and was about to la* them.:—lhrever. The perfume of flowerr.the Some sloe bad placed there that morning, borate bs went out—drew him to the table. ♦ solo lay on it—a note in her handwriting, and di rected to himself.