CHAPTER XIII a, | Vance seemed profoundly puzzled and said nothing for some time. ‘Then he glanced up suddenly. “How much light was there in the room?” he asked. “Only a dim shaded night-light by my bed.” “In that case, you might con- ceivably have mistaken an empty bottle for one filled with a colorless fluid.” “Yes, of course,’ turned reluctantly. have been the case. Her voice trailed off. ‘““Tell me, when did you discover that all the medicine was gone?” Vance asked. ‘Shortly before Doctor Siefert ar- rived this morning. I moved the bottle when I was arranging the table, and realized it was empty.” “I think that will be all just now, Miss Beeton.”’ Vance glanced at the girl sombrely and then turned away. ‘Really, y' know, I'm deuced sorry. But you'd better not plan on leaving here just yet. We will undoubtedly want to see you again today.” the nurse re- “That must Unless , .. .M" fert and Doremus had departed, and that Floyd Garden had made the arrangements for the removal of his mother’s body. “And what do we do now, Mr. Vance?” Heath asked. “Oh, we carry on, Sergeant,” Vance was unusually serious. *‘I want to talk to Floyd Garden first. Send him up. And call one of your men; but stay on the job down- stairs yourself till he arrives. We may get this affair cleared up to- day.” Footsteps sounded in the passage- way, and Floyd Garden entered the study. He appeared deeply shaken. “I can't stand much today. What do you want?" “We understand just how you feel,” Vance said. ly. But if we are to get at the truth, we must have your co-operation.” **Go ahead, then,” Garden mum- bled. “We must have as many details as possible about last night. Did your expected guests come?” Garden nodded cheerlessly. “Oh, yes. Zalia Graem, Madge Weather- by, and Kroon.” ‘““Was there any one else here?” ‘No, that was all.” “Which of your visitors arrived first?" Garden took the pipe from his mouth and looked up swiftly. *Zalia Graem. She came at half- past eight, I should say. Why?" “Merely garnerin’ facts,” Vance replied indifferently. ‘“‘And how long after Miss Graem came in did Miss Weatherby and Kroon arrive?” “About half an hour. They came a few minutes after Miss Beeton had gone out.” Vance returned the man’s steady scrutiny. “What time did your guests de- part?’ he asked. “A little after midnight. Sneed brought in sandwiches about half- past eleven. Then we had another round of highballs.” ““Miss Beeton had returned by then, of course?” “Yes, long before that. her come in about eleven.” “And after your guests had gone, what did you do?” “I sat up for half an hour or so, had another drink and a pipe; then I shut up the front of the house and turned in.” Vance lighted another cigarette, took several deep inhalations on it, and settled himself deeper in the chair, “To go back a bit,” he said casu- ally. “The sleeping medicine Doc- tor Siefert prescribed for your mother seems to constitute a some- what crucial point in the situation. Did you have occasion to give her a dose of it while the nurse was out?” Garden drew himself up sharply and set his jaw. “No, 1 did not,” he said through his teeth. Vance took no notice of the change in the man’s manner, “The nurse, I understand, gave you explicit instructions about the medicine before she went out. Will you tell me exactly where this was?" “In the hall,” Garden answered with a puzzled frown. “Just out- side the den door. I had left Zalia in the drawing-room and had gone to tell Miss Beeton she might go out for a while. 1 waited to help her on with her coat. It was then she told me what to do in case the mater woke up and was restless.” “And when she had gone you re- turned to the drawing-room?” I heard ’ W.N.V. SERVICE “Yes, immediately.” Garden still looked puzzled. ‘That's exactly what I did. And a few minutes later Madge and Kroon arrived.” There was a short silence during which Vance smoked thoughtfully. “Tell me, Garden,” he said at length, ‘‘did any of your guests en- ter your mother’s room last night?" Garden's eyes opened wide: color came back into his face, and he sprang to his feet. “Good God, Vance! mother’s room!" Vance nodded slowly. ‘Very in- terestin’. Yes, quite I say, do sit down. Light your beastly pipe, and tell us about it.” Garden hesitated a moment. He laughed harshly and resumed his seat, “Damn it! You take it lightly enough,” he complained. “That may be the whole explanation." “One never knows, does one?” Vance returned indifferently. “‘Car- Zalia was in ry on.” Garden had some difficulty get- | ting his pipe going again. | “It must have been about ten | o'clock,” he said at length. ‘The | mater rang the little bell she keeps on the table beside her bed, and I was about to answer it when Zalia jumped up and said she would see | what the mater wanted.” “And did you yourself go into your mother's room at any time | during Miss Beeton's absence?” “No, 1 did not!” Garden looked defiantly at Vance. “And you're sure that no one else entered your mother's room dur- ing the nurse's absence?” *““Absolutely.” “And who was it,”’ Vance went on, “that first suggested going home?” Garden pondered the question. “1 believe it was Zalia.” Vance got up. “Awfully good of you, Garden, to | let us bother you with these queries | at such a time,”” he said kindly. “We're deuced grateful You won't be leaving the house today?” Garden shook his head as he too | stood up. “Hardly,” with father. en up.” Garden went morosely from the | room. When he had gone Vance stood | for a moment in front of Markham, eyeing him with cynical good-na- he said. “I'll stay in | He's pretty well brok- | ‘Not a nice case, Markham. As I said.” He moved toward the window and looked out. ‘‘But I have things pret- ty well in hand. The pattern is shaping itself perfectly. I've fitted together all the pieces, Markham all but one. And I hold that piece too, but I don't know where it goes, or how it fits into the ensemble.” Markham looked up. “What's the piece that's bothering you, Vance?" “Those disconnected wires on the buzzer. They bother me frightfully. I know they have a bearing on the terrible things that have been. going on here . . ."” He turned from the window and walked up and down the room several times, his head down, his hands thrust deep into his pockets. ‘““Why should those wires have been disconnected?’ he murmured, as if talking to him- self. “How could they have been related to Swift's death or to the shot we heard? There was no mech- anism. No, I'm convinced of that. After all, the wires merely connect two buzzers . . @& signal . + 8 signal between upstairs and down- stairs . . . a signal—a call—a line of communication . . .” Suddenly he stopped his medita- tive pacing. He was now facing the door into the passageway and he stared at it as if it were some- thing strange—as if he had never seen it before. “Oh, my aunt!” he exclaimed. “My precious aunt! It was too ob- vious.” He wheeled about to Mark- ham, a look of self-reproach on his face. “The answer was here all the time,” he said. “It was simple—and I was looking for com- plexities . . . The picture is com- plete now, Markham. Everything fits. Those disconnected wires mean that there's another murder con- templated.” He led the way downstairs, Heath yas smoking gloomily in the lower “Sergeant,” Vance said to him, “phone Miss Graem, Miss Weather- say six o'clock.” “They'll be here, all right, Mr. Vance,” Heath assured him. “And Sergeant, as soon as you have taken care of this, telephone me. 1 want to see you this after- noon. I'll be at home. But wait here for Snitkin and leave him in charge. No one is to come here but those I've asked you to get, and no one is to leave the apart- ment. And, above all, no one is to be permitted to go upstairs either to the study or the garden . . . I'm staggerin’ along now." “I'll be phoning you by the time you get home, Mr. Vance.” Vance went to the front door, but paused with his hand on the knob. “I think I'd better speak to Gar- den about the gathering before I go. Where is he, Sergeant?’ ‘‘He went into the den when he came downstairs,” Heath told him with a jerk of the head. Vance walked up the hall and opened the den door. I was just behind him. As the door swung in- ward and Vance stepped over the threshold, we were confronted by an unexpected tableau. Miss Bee- ton and Garden were standing just in front of the desk, outlined against the background of the window. The nurse's hands were pressed to her face, and she was leaning against Garden, sobbing. His arms were about her. At the sound of Vance's entry they drew away from each other quickly. to us with a sudden motion, and I could see that her eyes were red and filled with tears. She caught her breath and, turning with a start, half ran through the connecting door into the adjoining bedroom. “I'm frightfully sorry,”” Vance murmured. alone.” turned, evident the man was embarrassed. misunderstand. Everything, you know, is in an emotional upheaval here. I imagine Miss Beeton had all she could stand yesterday and today, and when I found her in here she seemed to break down, and-—put her head on my shoulder.’ Vance raised his hand in good- natured indifference. “Oh, quite, Garden. A harassed lady always welcomes a strong masculine shoulder to weep on. Most of them leave powder on one's lapel, don’ y' know; but I'm sure Miss Beeton wouldn't be guilty of that Dashed sorry to inter- to have all your guests of yesterday here by six o'clock this afternoon. Of course, we'll want you and your father here, too. If you don't mind, you might help the sergeant with the phone “I'll be glad to, Vance,” Garden returned. “Anything special in mind?" Vance turned toward the door. “Yes. Oh, yes. Quite. I'm hop- in' to clear this matter up later on. Meanwhile I'm running along. Cheerio."”” And he went out, closing the door. As we walked down the outer hall to the elevator, Vance said to Mark- ham somewhat sadly: “I hope my ar. But I don't like injustice, either . . We had been home but a very short time when Sergeant Heath tel. to answer the call and closed the door after him. A few minutes later he re- joined us and, ringing for Currie, ordered his hat and stick. “I'm running away for a while, fact, I'm joining the doughty ser- geant at the homicide bureau. But I sha'n't be very long. In the meantime, I've ordered lunch for us here." “For Heaven's sake, Vance, what are you planning?" “I'm plannin’ to entice the mur- derer into making one more bet—a losing bet . was gone. when Vance returned to the apart. ment. “There nounced as he came in. course, but nevertheless I'm looking this evening. we're in for it, Markham. Every- one will be present, however. The sergeant, with Garden's help, has got in touch with all those who were present yesterday, and they will foregather again in the Gardens’ drawing-room at six o'clock . . .” He glanced at his watch and, ringing for Currie, ordered our lunch. “If we don't tarry too long at table,” he said, “we'll be able to hear the second half of the Phil harmonic programme. Melinoff is doing Grieg's piano concerto.” But Markham did not go with us to the concert. He pleaded an ur- gent political appointment at the Stuyvesant club, but promised to meet us at the Garden apartment at six o'clock. Sergeant Heath was waiting for us when we reached the apartment. “Everything's set, sir,” he said te Vance; “I got it here.” Vance smiled a little sadly. “Ex- cellent, Sergeant. Come into the other room.” Heath picked up a small package wrapped in brown paper, which he had evidently brought with him, and followed Vance into the bedroom. Ten minutes later they both came back into the library. shaking hands. “Good luck to you.” And he lumbered out. We arrived at the Garden apart: ment a few minutes before six o'clock. Detectives Hennessey and Burke were in the front hall. Vance nodded to them and started up the stairs. “Wait down here for me, Van,” he said over his shoulder “I'll be back immediately.” (TO BE CONTINLEIV sede de dee de oe oe ok oe oe eo of ok ok eke STAR DUST Movie + Radio * %k%k By VIRGINIA VALE kkk yen DAW is going to play the lead in her very first picture, and as if that were not enough to make her Holly- wood’s Cinderella of the week, she tops it by being a girl who can keep a secret. For six months she has known that she was going to be given a big screen opportunity and she hasn't told a soul. Even so, when she learned that her big chance was to be nothing less than prima 20 20 20 2 20 2 2 2 6 2 2 20 20 20 20 2 2 2 2 0 2 Grand National's “Something Victor Schertzinger, well-known Pe or two, but she isn't using them much these days. Every afternoon when she finishes work at the studio, up drives a station wagon all filled with fishing paraphernalia and driven by Clark Ga- ble off go the two most irrepressi- and merrymakers She claims she likes better Carole Lombard station wagon than the limousine and she'd rather attend a fashionable lark agrees with her. i Te Two newcomers to Hollywood are setting Hollywood fashions and ev- eryone is wondering just how far these new trends will go. Sigrid Gurie, the exquisite young Norwe- gian actress whom United Artists imported to play opposite Gary Coop- er in “The Adventures of Marco Polo" goes in for simplicity. Louise Hovick, most famous of striptease artists in her burlesque days when she was known as Gypsy Rose Lee, goes in for conservatism. She won't pose for pictures in bathing suits, shorts, or even negligees. sing Yn Nick Foran's brother 3 graduated from Princeton medical school just a few weeks ago and walked right into a contract to act in pictures for Universal. Buddy de Sylva, who is producing a musical extravaganza called “Merry Go Round,” saw Jimmy doing some im- personations of - Washington politi. cians and was so amused he per- suaded him to postpone his career in medicine for a while. Jimmy will certainly be welcome on the Universal lot. party. C wit Grown-ups in Hollywood may plead for a chance to watch Robert Taylor or Joan Crawford or Luise Rainer at work, but children unani- mously beg to be allowed to visit the Grand National lot. There is a reason, or rather a lot of them. Grand National is rapidly acquiring a z00 made up of the most talented animals in Hollywood. en All over the country picture fans bert's grand comedy, “I Met Him in Paris.” but in Hollywood it looks as the same people come back to see night you can find in the audience lor, Marlene Dietrich, her husband, a Opal Craven, known to radio lis- Lullaby Lady’’ of the Contented Hour, has been appearing pro- fessionally in the en- tertainment world since she was seven. With Frank Black and the Continentals program that has tion for more than five and a half years. In private life Opal Craven is the wife real earnest about a year ago when her husky son was born. smn ODDS AND ENDS—Joan Crawford's i i hie rie bbis H : a i ERE is something practical, something sweet, and something or- namental for your mid- summer wardrobe Simple As Toast and Coffee. 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