5 s THE CENTRE REPORTER. CENTRE HALL, PA. HT a THE FEATHERHEADS J» Oder Metal Literature gros mm pest | COMB ON weer Hon Ts. ll) GONNA STAND | SITE WAS THERE ALL y a { C 1 3 wiHose | (STORY ? | Sam—" comm ove ZI COME On =~ (F You / - WANT SOME THING 1/- 10 READ, VIL BuY | , Yod A Book // » ¥ or Ponr | Some ) J vEOPLE L BECOME wall EYED FROM READING MEMORIALS ON BUILDINGS EY S'MATTER POP— Has His Appeti TAKE THis, - IT Will Ba Good Yor “Youn APPCTITL i Bur BVERY “TIME IL eAaT IT SPOILS My APPRTITE.. YA DIDDUNT THI oF ‘THAT, ® The Bell Syndionts, Tne) oe a By 5. L. HUNTLEY meme { ‘sean rez 2) | we TYER LAT Aiivg 7 = HAR ANY MNOTHMIA RIGHT On So That's The Trouble? Yi LanST — Lr OT NO Lolly Gags DONT You THINK HENRY A PERFECT 010 THK HE juss A BORE Ko § Lost in the Fog FINNEY OF THE FORCE | {Pr THiS }iAT— MEL ] | Our AfomE Of 7 WANTA WwWATOH OuY FER PiCK- : Be — PockiTE AN’ = 7 RoBBERI »—uvr 4 gro # AN’ ME BADGE | wuuT XN TH wivene IS S| ITIVE C v «-— J og JoT | S 086 T—~ 4’ HEASIER i Fok 41° HARDER Td’ LET WHATE THE DIFFERENCE BETWEEN A MNMOPTIMIST ANNA PESSIMIST, JIMMIE ? A GUY WHO 18 PRETTY NEAR BRIGHT SIDE = puree : HOw DOES IT FEEL TO BE A NOPTIMIST, MR, SHULTZ PEL? BR SHAT ZI IE By FRED HARMAN WELL fAAY «= WE SoBe ( SxEmio THEM GENTS AvvoiyY — OH NO YA DIONT/ How STICK “THEM PAWS UP | wen GT OFF THEM SADDLES YA GooD FER Non’ “ig tm uP Pere / A. HOSS THIEVES / go i” a Ww “THEN TRY al Extn Ta’ WELLES UA Sant oe PU HAT wes iE (0 VAD ON KR CAP IHGTEAD w= YARD Sous. {3 KiuED CovoTe PRES By Sensi ot Cg A (EVERY DAY IN THE YEAR ~ WRIGLEY" SATISFIES ok LOUSES are stepping out of their one-time obscurity under = suit Jacket and are appearing at gay social functions as costumes in thelr ows right complete with slim skirts of silk satin, wool or slik velvet. Paradoxics! ss It sounds, tallored have soft blonees have » tailored look, the fabric sup the proper glamor for the ocen blouses sion. The blouse of silk lame Is a favorite evenings” “Don’t dress.” when your hostess There are models In long afl heart's content, or if you so may have soft silks with a suggestion of metal In Inter The shirtwalst or jacket type of blouse of scintillating lame Is promi. pent, fastening with long rows of self. rhinestone studs set on a front tuck, or with elaborate frogs of self-fabric. A typleal model of each is here illustrated. Huge frogs pictured at the top in the group. White and silver silk metallic In a scroll pat. the elbow, A tiny turn-down collar of self fabric finishes the neckline, The other metallic blouse shown Is It is a glittering lit. tle affair which can be worn for formal afternoons or “little” evenings Its brief sleeves are puffed. The closely the neckline and too, are sleeveless silk lame blouses with draped armboles Blouses worn without suits under # They are worn without hats or with absurd little evening hats that are mere twists or dabs of silk tulle, silk lame or silk velvet, For luncheon in a swank restaurant, for afternoon tea, there is nothing more flattering than a blouse of lectable silk satin, softly shirred at the shoulders, version of the high the flustrated to stunning silk satin green. The sheer silk blouse, new this sea- son, is attracting favorable sttention. It can be worn with a dark woolen or tweed suit or as a separate costume with a contrasting skirt. Silk chiffon and silk georgettes are the featured fabrics. Fine pleating or tucking, shir- ring around yokes or under necklines give such blouses softness and femi- ninity, The tallored blouse for sports wear or with a tailored suit is done in varied There are youthful blouses of soft silk crepes in pastel colors, with gimple club coliars, and perky bows for trimming--correct for wear with plaid woolen skirts or with tweed suits. Then there are shirtwalst blouses of delicate silk crepe Be chine, with jabots and frills trimmed with fine jace, perfect to wear with a perfectly tatiored sult Colors are new this season, too. Gold and silver vie for favor in met. als. Strong blues and reds and greens are favorites in less formal blouses of satins and chiffons. The dusty pas- tels or strong vivid tones, both regis ter for tailored blouses. Of course classic white Is as important as ever. It is the rule for the blouse to provide the color accent for the ensemble, sounding the basic note of the costume, which makes it more than just a mere costume BCCesROTy. © Western Newspaper Union, de draped or with a new cow] peckline after Schiaparelll model below. This is ir Kelly manner of the the left blouse moods IS SMART AS EVER That the Parisian black and white who trims with white touches almost Outstanding is the sheer black wonl, which looks like a silk crepe. The dress is in two pleces, with a shorter, straight skirt whose fullness comes from box pleats at the side seams The long sleeves are full above the elbow, and of the belt Hats for Country Outfit There is lots of cholce for the hat which completes one's country outfit, The suede or chamois can be matched in a beret trimmed with a bright quill, be matched with a soft, perky woolen hat, while atill a third cholce 1s a sports felt the same shade as the skirt and trimmed with a quill of the same color as the sweater and jacket lining. Vanity News Clothes may make the man, but make-up makes the woman. Make the eyes as dramatic as possible. Keep eyebrows faint and unobtrusive. Use rouge lightly to leave the emphasis on the eyes. Rug” Tweeds New wools called “rag-rug” tweeds are being shown In Paris. They ae woven with bits of multi-colored fab ric among the threads, to resemble rag rugs, : Full and Slim Silhouette Now Appear for Evening Both the slim silhouette and the very full one appear in the evening mode. Mainbocher, the clever young man from Chicago, who has become one of the leading designers in Paris, favors slim frocks with all the follbess gath- ered in the back. For instance, a slim frock of black matelasse silk taffeta has a vast bustle that puffs out just below the low graceful V of the black decolletage. In contrast is a dress of plain black crepe done on very slim lines. The frock Is worn with a black satin cape on which there are sewn horizontal strips of monkey fur. A frock of purple-red and silver brocade has fullness only In the back. The full. ness is held out with stiffened net. Massive Jewelry Bracelets and necklaces apparently have taken a tip from, the barbaric splendor of Byzantine jewelry and ap- pear in massive designs sometimes set with stoner as large as bird's eggs. So large and blazing is the Jewelry, which a oumber of designers display for wear with the frocks of Persian and Egyptian inspiration, that only ope or two pleces ean be worn at a time, Black Supplants Pink