Deworralic atc Belletonte, Pa., October 1, 1915. THE GREATER LOVE. [By Clarissa Mackie. ] Uncle Gregory waved his arms in a gesture of dismissal. “Very well, Roy, marry the girl if you wish to ruin your career. I have financed your art studies to the point where all you need is a couple years of perfect freedom abroad, where you can absorb the best there is in paint- ing and sculpture. Then, and then only, will you be able to throw your- self into the work and produce, per- haps, a masterpiece—for, boy, you can paint!” Roy Benton listened and knew that his uncle spoke the truth, but his heart rebelled. There was Eve Alison, to whom he had been engaged for many months. His acceptance of Uncle Gregory's offer meant their marriage must be postponed for two years. He would not let her decide, for women were self-sacrificing, but she must be told of Uncle Gregory's ultimatum, so she could understand why he was going to give up his painting and return to the profitable, though inglorious, busi- ness of commercial art—the {illustrat- ing of high-class advertisements. He could earn enough to support them in comfort, and some day he might be able to save enough to pay for his trip abroad—with Eve, of course— ‘when he would take time to paint the great, picture “Silence” that hat found form in his fancy. Anyway, he would have Eve, and Eve Alison would make up for every- thing else, even for the abandonment of a career. Eve was poor, a self- supporting girl who was making her lonely way in New York. She had been a bookkeeper in that great ad- vertising company which was anxious to secure more of Roy's work. ! ’ 1 Oh, there was absolutely no choice ! in the matter! Roy shrugged his shoulders and told Uncle Gregory just how matters stood. “I'll marry her now and go back to illustrating ad- vertisements,” he told the old man. “Very well, Roy, marry her now and you need never expect a penny of my money! I'll leave it all to the Puddi- ford Orphan asylum. I won't take your final decision now. Go and tell the girl what I've said and let her decide.” Roy picked up his hat and left his | uncle without another word. He was to meet Eve at six o'clock and they were to dine together at a quiet little restaurant. His mind was entirely clear as to what course he should fol low. He was in a rage with Uncle Gregory. How dared the cynical old man insinuate that Eve—whom he had never seen and whose name he did not even know—would refuse to marry Roy if she found he was not his uncle’s heir? Eve, cool and fresh in her white frock and smart little hat, looked across the table at her big lover with hazel eyes meltingly lovely. Her clear olive skin was pink-tinted, and her dark hair, delicately arched brows and roseleaf lips made her look like an ex- quisitely pairted Japanese miniature. “Well?” she asked, when their greetings were over. “We will be married at once—next week!” he said, finality in his tone. “And, Eve, darling, I hope you won't mind very much if I go back to Den- bigh’s.” Her eyes widened with dismay. “Denbigh’s?” she faltered. *And give up your career—give up ‘Silence’ ?” He nodded. “And give up Uncle Gregory’s help, too. He thinks that I ought to travel for a couple of years, and I simply don’t see it that way. A wife and a home look good to me, darling. We will be just as happy in our humble way, eh?” = All the lovely light died out of Eve's eyes and left them dark and brooding. Her face was white and wistful and her little hands were tightly clinched in her lap. At last her pale lips spoke, “I think you are very foolish to an- tagonize your uncle, Roy—and—and— I've been thinking for some time that our engagement was a mistake—a bit ter mistake—and—you will understand some day. Good-by.” She picked up her gloves and van- ished from the table before he had time to rise. His bewildered eyes saw on the white cloth the little pearly en- gagement ring which had plighted their troth, So Eve had only cared for Uncle Gregory's money after all. The old man had been right—of course, his - years of experience would endow him | with an understanding of women. Roy groaned bitterly, put the ring in his pocket, called for his check and went back to Uncle Gregory. On the deck of the great liner which was to bear Roy away, Uncle Greg- ory uttered a last word of advice. “Seek the silences, my lad—in the loneliness of the Sahara, the temples of India, the great bronze Buddha at Kamakura—and your picture will ‘come to you!” Roy smiled cynically. As if he ‘could ever see any other picture save ‘that sudden, woebegone face of the girl he loved! And he would not for get it—it would be his amulet against ithe charms of women the rest of his life. * * ® * LJ $ * Mr. Gregory Benton’s little nut- cracker face looked more irritated than usual as he spoke to the pro iprietor of a certain art store which ‘had handled several of Roy Benton's ‘charming little studies of peasant {life in Europe. “It's a pertty state of affairs!” } fumed Mr. Benton. “Here is my nephew sending his pictures to you to dispose of, and I can’t get hold of one to hang in my home! Who is this—this person who has bought each one before I could get hold of it?” “She is a Miss Alison; beyond that I know nothing,” said the man. “She has paid the price named without de- mur, although to outward appear- ances she is far from rich; in fact she is quite shabby.” “lI would have paid you ten times the amount you placed on each pic ture,” went on Mr. Benton. “I want to encourage the boy in his work— it’s all I've got to live for. Now, Smith, save the next picture for me —no matter what it is!” “Very well, Mr. Benton,” said the dealer, A year later Mr. Gregory Benton was standing in a well-known art gal- lery in which was hung the beautiful painting by his nephew. The picture had been accepted by the Paris salon and was now on exhibition in New York. Uncle Gregory stood before the pic- ture enraptured with its beautiful significance, its charm and mystery. “Silence,” as it was called, represent: ed the seated form of a beautiful woman—a woman with lovely, woe- begone eyes of rich hazel, with softly tinted cheeks and with tender lips closed as if locking in some secret sorrow. The white gown falling mistily about her, the crown of dark hair, the round chin cupped in one curved hand were masterly in line and treatment, but the loneliness and the speechless woe of the silent figure were its dominating features. “Humph!” muttered Mr. Gregory Benton, at last, when an odd misti ness caused him to polish his eye glasses. “The lad never found that in- spiration in the silences of India, China or Japan—it came from his heart, and, hang it all, why should he have any feeling like that in his heart?” He looked fiercely around as if to challenge any possible hearer of his unspoken question. There was only one other person besides himself be- fore the picture in this first hour of its exhibition. The other one was girl gowned in shabby black serge, with a once smart little black hat on her dark hair. She was sitting on the bench looking up at the picture of “Silence” with woe begone eyes that were strangely like the painted ones. Gregory Benton stared at the girl with growing wonderment. Then he studied the picture and looked from one to the other, his glasses poised on his hawk-like nose—first at the girl and then at the picture. At last he could bear the suspense no longer. He bowed apologetically to the silent girl and spoke. “I beg pardon, madam, but the re semblance is remarkable—remark- able. You must have posed for that picture yourself. Were you Mr. Ben- ton’s model, may I ask?” “No,” she said, in a sweet, tired voice, “I was not Mr. Benton’s model. It is a wonderful picture, is it not? But to one who had seen his earlier work it is not surprising, is it?” There was a sort of priae in the ar tist in her tone, and Uncle Gregory started violently at the recollection of what the art dealer had told him. “Are you by any chance Miss Ali- | son?” he asked courteously. “Yes,” she said quietly, “I am Eve Alison.” ‘“Eve—Eve?’ repeated Uncle Greg- ory. “Why, that was the name of Roy’s girl—I never knew her last name. Did you buy his pictures from Smith?” “Yes,” said the girl in a shaking tone, and now he saw that the poverty of her dress told a story of woman’s sacrifice for the man she loved. Not only had Eve Alison given up her ‘over for his career, but she had deprived herself of comforts— nay, necessities, in order to buy his little pictures and thus encourage him in his work. And the boy had taken her image away in his heart and made a masterpiece on canvas. He, Gregory Benton, had dared to interfere between such a noble woman as this and the man she loved. “God forgive me,” he muttered as he lcaned over and tock her hands in his. “I am Roy’s uncle—and I owe you a great apology.” Half an hour later Roy Benton dis- covered them sitting together, the girl’s eyes shining. like stars and her cheeks pink with excitement. “Hve,” sald Roy bluntly, “Smith has told me about your buying my pictures. Why did you starve your- self to do it?” “Oh, because—because—well!” She looked in distress at Uncle Gregory. The old man placed her hand in Roy's. (Copyright, 1915, by the McClure Newspa- J per Syndicate.) Chili Pushes Nitrate Trade. Chili, through its minister at Wash- ington, has offered to send experts to this country to teach American farm- ers how to use nitrate of soda as a fertilizer. To obtain the best results, the nitrate is placed on top of the soil soon after the plants begin to grow. While nitrate of soda is usual- ly sold for about eighteen cents a pound, it may be obtained in large quantities at much smaller price. Narrow Escape. Teacher—Willie, what is the differ ence between gastronomy and as tronomy? | Willie (up against it)—Gee! Teacher—That certainly is one dif: ference, Willie. Now, Bobbie, you tell | us the real difference. ee eet ——They are all good enough, but the WATCHMAN is always the best. sss m— Medical. Girls With Beautiful Faces or Graceful Figures. American girls have a worid-wide reputation for beauty, but, at the same time, there are girls in Pennsylvania who possess neither beauty of face nor form because in these instances they suffer from nervousness, the result of disorders of the womanly organism. At regular intervals they suffer so much that their strength leaves them; they are so prostrated that it takes days for them to recover their strength. Of course, such periodic distress has jts bad effect on the nervous system. The withered and drawn faces, the dark circles and crow’s feet about the eyes, the straight figure without those curves which lend so much to feminine beauty are the unmistakable signs of womanly disorders. Johnstown, Pa.— “I was always ail- ing and had severe headaches up to the time I used ‘Favorite Prescrip- tion.” I used remedies from several doctors but none helped me much. I learned of ‘Favorite Prescription’ through a little book thrown in the door. I had also heard of Dr. Fierce’s remedies through some friends. so I began using the ‘ Prescription.’ 1 was glad to see that it helped me, so I kept on using it until 6 or 7 bottles had been used. I got all over my ! headaches and my health was im- | proved — I was put on my reet. The awful headaches never came back and my general health has been better than in years. If I should | again feel the need of a woman’s med- icine I would use ‘Favorite Prescrip- | tion’ on account of what it did for | me on the above mentioned occasion.” | — Mes. LiLA BUTLER, 807 Market St., | Johnstown, Pa. Dr. Pierce’s Pleasant Pellets sre the originallittie Liver Pills, first putup nearly 50 years ago. They regulate and invigor- ate stomach, liver and bowels. Much imitated but never equaled. Sugar coated and easy to take as candy. Flour and Feed. CURTIS Y. WAGNER, BROCKERHOFF MILLS, BELLEFONTE, PA. Manufacturer, Wholesaler and Retailer ot Roller Flour Feed Corn Meal and Grain Manufactures and has on hand at all times the following brands of high grade flour: WHITE STAR OUR BEST HIGH GRADE | VICTORY PATENT '. FANCY PATENT The only place in the county where that extraor- dinarily fine grade of spring wheat Patent Flour SPRAY can be secured. Also International Stock Food and feed of all kinds. All kinds of Grain bought at the office Flour xchanged for wheat. 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