Lancaster farming. (Lancaster, Pa., etc.) 1955-current, April 18, 1981, Image 107

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    BLOOMSBURG A coUection
of drawings and paintings
depicting rural and farming scenes
will be exhibited at Bloomsburg
State College from April 22 to May
8.
The collection, entitled “Country
Reflections,” is by Carol Slusser
Fraind, an elementary art teacher
in the Berwick School District, and
her students.
A wide variety of agricultural
and rural themes are found in the
collection, which will be on exhibit
in Kehr Union on the college
campus.
Among the' paintings are the
three which accompany this ar
ticle.
“Old Fashioned Irish” is a
portrait of Patrick Finan, who
once farmed a large homestead in
the Dushore area. The
homesteader’s granddaughter
related many anecdotes to the
artist of helping to work the
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Country art exhibit opens next week
acreage and tend the livestock.
The artist characterizes Finan as
the “total embodiment of Irish
pride and dedication to the land ’ ’
“The Refuge” depicts an
abandoned wagon covered with a
mantle of snow, which is offering
refuge to a wild rabbit.
“Waiting for Spring” shows a
pair of work horses lazily standing
in a snowy barnyard obviously
waiting for the change of seasons.
Ms. Fraind, who says she is very
proud of her farming heritage, now
lives on a 20-acre farm, which she
bought from her parents at R 4
Berwick.
Her eventual ambition is to raise
Belgian horses on the farm. Many
of her paintings reflect her strong
love for horses, particularly the
large work horses.
The artist spent most of her
years of teaching in small schools
with predominantly rural
population. She describes the rural
Old Fashioned Irish
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students as more resourceful and
kind.
Following studying for six
summers at Kutztown State
College, she obtained her Penn
sylvania art teaching credentials.
Her greatest artistic influence
while studying at Kutztown was
Mrs. Rose Marie Sloat, some of
whose paintings hang in the
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Waiting for Spring
National Portrait Gallery
Washington, D.C.
“Watercolor is my favorite
medium to work in despite its
difficult and unforgiving nature,”
she explains.
“After much practice and £
great deal of patience, watercolor
finally will yield unparalleled
atmospheric and lighting effects.
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“Also, since my paintings must
be wedged into a busy schedule, I
appreciate the ease and quickness
of working that it offers.”
Due to her agricultural heritage,
the artist also has an. interest in
farm preservation other than
capturing it for future generations
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