FEATURE
Editor's Note: Certain dialogue contained in Coffee &
Serial may be offensive. Content of the work is the sole
responsibility of the author and is not representative of
the views of The Capital Times, the college administra
tion, faculty or student body. This play is being presented
for cultural and entertainment purposes only.
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Episode Five: In our last episode, Glenn made
the shocking discovery that the mysterious
camera held photos of a beautiful young
woman with a knife held to her throat. Certainly, she
is in serious danger! Let's join our characters for
another startling episode of "Snapshot."
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Glenn checks his watch. He hears his boss's voice
BOSS'S VOICE: You better have those pictures here by noon. You hear me?
Glenn starts looking at the photos again
DISSOLVE TO: INTERIOR. GLENN'S APT. PiIIaASY
Glenn is making a cup of coffee and the , woman from the photo walks out of the bed
room wearing a nightgown. She lets it fall off her shoulders and walks toward him
naked.
WOMAN: Good mornhis i sweetheart.
GLENN: Good mominmunshine.
WOMAN: How was WOW last night?
GLENN: It sucked. I J OW WaS your wont?
WOMAN: It was lowly, missed you sOOOO much
She comes over t\t milt i sipprts kfssitig him
GLENN: You know I'm Aping this for you.
WOMAN: I know your:
GLENN: I couldn't wait to get home ant'see' you, baby.
WOMAN: And I ecouldn'mait for you to get home. BM now I've got you at last
They kiss
DISSOLVE TO: INTERIOR. DARK ROOM. LATER
CHRISTIE: Glenn . . . Glenn!
He snaps out of it and checks his watch again
GLENN: F#@k it!
Glenn takes the photos of the woman off the line and places them in a large manilla
envelope.. He takes them and exits the dark room. The camera zooms in on the crime
scene photos still hanging on the line. The clock reads 8 a.m.
CUT TO: INTERIOR. GLENN'S APT. LATER
Glenn enters the living room, grabs his coat and starts for the door. Christie looks up
from her television show.
CHRISTIE: Now where are you going?
GLENN: I'm going out. I'll be back later
CHRISTIE: Asshole
GLENN: Yeah, whatever you say
,
COFFEE
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Glenn exits the apartment and slams the door. Christie slams down the remote
CUT TO: INTERIOR. WAREHOUSE. LATER
Shorty continues to play with his butterfly knife
BOO: Will you stop that shit already, I'm trying to concentrate over here
SHORTY: Well don't hurt yourself.
BOO: You're the one who's going to get hurt. If we don't find that camera, Rocco's
gonna have you whacked, and I'm going to enjoy doing it too. Now, I'm trying to
remember that spic's name from last night.
SHORTY: What spic?
BOO: The f#@king cab driver.
SHORTY: That wacky f*#k? It was Eduardo or something
BOO: Gee, that's a great help. You know how many spics there are named Eduardo?
'SHORTY: How many can there be that drive a cab? Most cabbies are f#*king dot
heads.
800 You know we exe f#@ked if we don't find that camera.
•
SHORTY You got the lotto numbers from last night or what?
BOO: otto me • Have you lost your mind?
Shorn is et/i)tyi
y , is pockets on the table.
00 -
110RTY: What the f*#k. I might as well find out if I'm a millionaire
BOO: Too bad you won't be able to enjoy it. You'll be dead
Shorty looks at him
SHORTY:. Holy sh*t! You'll never believe what I have here. Holy sh*t! This is our
lucky day. 146
Shwiy holds up a piece of paper
BOO: What?
SHORTY: Am I the man or what?
BOO: What the f#*k is it?
SHORTY: The receipt from the cab. Yeah, baby
800 looks at it
BOO: You sick f*@k. When the hell did you get that?
SHORTY: The recording . . . You know when Joe Torre says, " And don't forget
your receipt". . . I told you the Yankees rule.
BOO: Let's go find that f@#ker
They grab their coats and head for the door.
SHORTY: Let's go Yankees . . . . Let's go Yankees
The conversation fades as they exit the building.
Gadzooks Cap Times Readers! Glenn and the bad guys seem
ready to collide head on. Is violence imminent?
Will Glenn survive the - encounter?
Don't miss the next issue . . .
Same Cap Times! Same Cap Station! :71