FEATURE
6i644T iktsrAutwietvr MAMA
CUT TO: INTERIOR. WAREHOUSE - LATER
Shorty and 800 are searching for the camera.
800
We're f**ked, it's not here. She gave it to you right?
SHORTY
Yeah, right before we got into the cab. I put it in my pocket
800
Then where the f**k is it? You'd lose your head if it wasn't attached
SHORTY
I bet we left it in that goddamn cab last night
What do you mean we?
CUT TO: INTERIOR. DARK ROOM - LATER
Glenn is developing the photos from his shoot last night, immersing his papers into
developer, and washing them. He begins to hang the photos on lines with clothespins
and they're pretty gruesome. He looks down and notices the disposable camera. He
looks at his watch.
GLENN
What the hell!
He rips open the camera, and starts developing. He takes the blank photo paper and
lays it in the developing pan. An image begins to appear. It is a woman, approximately
30 years old, blindfolded, her hands tied behind her back.
GLENN
Holy sh*t! It's her.
He takes the photo out and stares at the woman. He places another blank sheet in the
developing pan and another image appears. It's the same woman, gagged and bound.
The water is rippling in the pan and he's staring into it. The rippling water becomes a
flashback.
DISSOLVE TO: INTERIOR. - COFFbE SHOP - ONE MORNING
The shop is bustling, people giving their orders, the usual coffee shop scene. The
woman from the photo bumps into Glenn. She's beautiful. Glenn almost knocks her
over, she drops her bag and newspaper. She bends down to pick up her things.
As our last episode
ended, Glenn pre
pared to develop the
mystery film.
Meanwhile, gang
sters 800, Shorty
and Rocco continued
searching for the
missing disposable
camera . . . and
Christie sulked
about another day
alone.
•• • •
weirrem epwAeD CAPO22I
GLENN
I'm so Sony
Glenn bends down to help her
WOMAN
Oh, that's OK
GLENN
Are you sure you're all right?
WOMAN
I'm fine . . . really
GLENN
Well . . . thanks for being so cool . . . I mean . . . I think that was my fault
WOMAN
Don't be ridiculous . . I wasn't looking where I was going
GLENN
By the way . . . you are really beautiful
She smiles
WOMAN
Why, thank you. That's so sweet
GLENN
Usually I try to sweep a girl off her feet, not knock her . . . you know . . . off them
WOMAN
I'm sure you do
•
, • a•r
• PS")) 1
a • 11,
GLENN
You aren't beautiful .. . You are gorgeous (aloud to himself)
DISSOLVE TO: INTERIOR. DARK ROOM-LATER
We return from the flashback, and a close-up on Glenn thinking. He continues develop
ing and examining each print and hanging them to dry. He holds up one of the woman
lying nude with Rocco holding a knife to her throat. She appears to be in pain. He
flashes back to the taxi cab.
DISSOLVE TO: EXTERIOR. TRIBECA STREET-LAST NIGHT
Two men drag the woman from the cab and pull her into a building. (CLOSE-UP)
Holy kidnapping, Cap Times readers! The beautiful woman Glenn
remembers from the coffee shop is in
danger!
A \\ f f t
What can Glenn do to help? .Car
II-
What danger will he face in the I N%,....1 4,
process? .46
IP 1 4 "
Does Glenn hold evidence of a crime lit
in his hands? -,1
Find out in two weeks . . .
Li)
Same Cap Time,
Same Cap Station!