Page Four
Preregistration Schedule-Winter Term '74
All students returning to Behrend for the Winter Term 1975 should pre-register according to the attached
schedule. We ask that particular attention be given to the explanation of pre-registration at the end.
ADVISING PERIOD
Advising begins Wednesday, October 23. Students should consult with their faculty advisors in advance for an
appointment during the advising period indicated on the pre-registration schedule.
A master advisor list is posted in the following locations: Reed Building (first floor); Niagara, Lawrence,
and Perry Halls. A reference copy will be available in the Records Office (Main Building).
IMPORTANT: Please check the list to verify your assignment before' seeing your advisor. Many
students have been reassigned to new advisors since Fall registration and this is the only way to be sure you are
seeing the right advisor.
Your advisor will assist you in preparing a No. 2 card and will furnish you with an Alternate Course Selection
form, a No. 4 card, and a College Data card.
PREREGISTRATION
The pre-registration station will be located in the Quiet Lounge (2nd floor), Reed Union Building. The station
will be open from 9:30 a.m. to 12 noon and from 1 p.m. to 3:30 p.m. . •
The materials prepared with the advisor should be brought to the Pre-registration station on the assigned
date (see schedule) and turned in for processing. Late pre-registration will be accepted at the station and
processed as received.
Materials are handled at the station in the order received. If the requested section of a course is filled,
another section will be substituted wherever possible; failing that, the Alternate Course Request form will be
used as needed to complete schedules.
SCHEDULE VALIDATION
On the validation dates given, students may pick up a copy of the schedule as processed and indicate ac
ceptance of the schedule by signing for it. This "validates" the schedule; if a student does not sign, the course
cards being held for him will be returned for reassignment to someone else.
All students, whether or not they have pre-registered or validated a schedule must attend Registration
(Wednesday, December 4) before going to classes Winter Term.
STUDENT GROUP
( Term standing
as of Winter Term)
7m Term & Above
(Baccalaureate)
Association Degree (Ag
Bus. 2 Bus. EET.
MET. LAS)
Nursing Majors in College
of Human Develop
meet
Hamot NurSing Program
Divismn of
Undergraduate
Studies. Freshmen
Sophomores
Colleges of
Engineering, Science
Earth 8 Min. Sc en
ces.Sophomores
(Terms 4.5,6)
Collegesol
Engineering. Science.
Earth Min. Sciences
Freshmen (Terms
1.2,3
AU other Colleges •
Sophomores (Terms
1,2,3)
All Other CollegeS •
Freshmen (Terms
1,2.3
Adjunct sludenis
:except Hamot &
EvenJno Encjr.
Pro- ram)
e. AU Other Colleges includes students in Aonculture. Arts & Arch., Business Administration, Education
Health & Phys. Ed.. Human Development (except Nursmo Majors). t..,beral Arts.
ALL STUDENTS PLEASE NOTE:
Students are sometimes confused about the purpose of validation and the relationship of preregistration to
registration. It is hoped that the information given below will clarify those points.
PREREGISTRATION is the selection of a schedule of courses for the coming term and takes place several
weeks before the new term begins. REGISTRATION is the official enrollment process for the term and occurs
a day or two before the start of classes.
Preregistration offers the following advantages:
—lf you preregister, you may validate your schedule—that is, sign for the courses you have been given and
hold your place in those courses. This gives you a confirmed schedule for the coming term before you leave for
the term break.
—lf you preregister and validate your schedule, you do not need to come back a day before registration for
advising. You need only be on hand for registration itself.
—lf you validate your schedule at preregistration, you will go through' an abbreviated process at
registration. Changes in a validated schedule are:made after registration by processing a Change of Schedule
form (drop-add slip) through the Records Office.
' Students who do not preregister; or who preregister but do not validate a schedule, must return to the
campus early to see their advisors before registration and must go through the longer registration process.
Registration for Winter Term 1975 will take place on Wednesday, December 4; students not preregistered
will return for advising, Tuesday, December 3. During the term break we will mail instructions for registration
to all students at their home address. If these instructions are not received within a reasonable period of time
before classes start, we suggest telephoning the Academic Services Office (814-899-3101) for the information.
Students who appear for registration after the scheduled time will be charged a late registration fee of $lO.
For unavoidable reasons, it is occasionally necessary to cancel a section or reschedule a class after
preregistration has to en place. Therefore, we must reserve the right to change a validated schedule for ad
ministrative purposes. All students affected by such a change will be informed at Registration and should
process a change of schedule (drop-add) after Registration for any resulting adjustments to their schedule.
Do you need a
STUDENT HANDBOOK?
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October 25. 28
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Oct. 25.28
(Fri. & Mon.)
Oc ;. 25.28
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Behrend Collegian
VALIDATE
SCHEDULE AT
PREREG. STATION
B=;=
Oct. 29.30
(Tues. B Wed./
Oct. 29.30
(Tues. 8. Wed.)
Oct. 29,30
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Oct. 31, Nov. 1
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The Behrend Collegian is
in desperate need of typists.
Contact Linda Johnson
at 899-9994
WORLD
CAMPUS
AFLOAT
and Campagna Into
Rhythm and Blues
Ash
Fine
by Gay Catania
Managing Editor
Ash and Campagna excited blues
enthusiasts at Behrend's Coffee House
on Friday, October 18. Debby Ash held
lead vocalist position with Michael
c..ampagna producing melody and
rythm on acoustic six and twelve
string, steel body, and electric guitars.
Sitting in on the session was Jimmy
Calire, who added sax, piano, moog
and background vocals.
The group, originally from Buffalo,
New York, proved their excellent
ability with their opening selection,
"Dust My Blues," by Elmor James.
The strong blues accent was im
mediately evident with some nice slide
work on Michael's part, as well as
Debby's influential and powerful
vocals. The trio progressed into a
"funky" tune entitled "Stealin'," in
which the lead vocal spot alternated
between each member. It was a nicely
put together number with emphasized
piano, which gradually built up to a
strong, vocally-united finish. Next on
the agenda was an original of Cam.-
pagna's, "Let Us Sail Away."Ver
satitity in tempo and feeling was ex
pressed in this slow, Gospel-orientated
number. "I'm Sitting on Top of the
World" featured Cal ire on keyboards.
Blues-filled keyboard progressions
enabled Jimmy to "slip -and
slide"...nice work! An added at
traction of the moog-synthesizer was
introduced in Ash's original "A
Woman's Got To Know." In this
number, Debby's vocals and lyrics
reminded me of Bonnie Raitt,
however, Debby produced a much
clearer and stronger vocal ability.
Total captivation and involvement
brought the first set to an exciting
close.
The second set continued to express
the trio's outstanding energy and
ability. "Keep On Walking' " another
original of Debby's was strictly blues
in nature, keeping up with such basic
blues' requirements as strong vocals
and lyrics as well as moving in
strumentation. Ash and Campagna
along with Calire certainly did
iustice to Robert Jonnson's "Walking
Blues," in which Michaels overall
guitar work can be described as
nothing short of fabulous. Some fine
sax additions were prevalent in this
foot-stompin' tune. Calire's comic
personality was presented in his
original, "None of Your Jive." Again
the basic blues guitar and keyboard
work cannot go unmentioned. "It Used
To Be So Easy", written by Debby Ash
explained her feelings on performing.
It was an emotion filled tune with a lot
of meaning and a lot of room for in
strumental and vocal expression. The
closing selection for the second set was
the somewhat popular "I'm Willing,"
in which the trio's original
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arrangement was welcomely
refreshing.
Exceptiorta I harmonic
arrangements produced by Michael on
his twelve-string, opened the third set.
Expertise, precise guitar work
seemed to make Michael shine on the
opening number. This jazzy -folk
(imagine that!) type of selection
enabled the other members to prove
themselves on improvisions. The third
set consisted of four fine tunes in which
Debby's ability as a blues singer-was , ,
always noticeable. Influences of
Aretha Franklin and Ella Fitzgerald
began to show themselves as Debby_
belted out some "Lazy blues", during
which the trio was at their best. The
last half hour of performances left me
totally captivated and with no words to
express the fineness and professional
attitude of Ash and Campagna with
Calire. "I'm in Love Again", a simple
mellow selection, again expressing the
trio's untiedness, brought the
evening's performance to a delicate
conclusion.
In totality, Ash and Campagna,
assisted by Jimmy Calire, gave a
totally captivating, overwhelmingly
sensuous, energetic performance.
Some members of the audience felt
that the trio's selections were too long
and drawn out, but realization of the
blues culture calls attention to the
need of improvisions, involvement and
meaning. Communication and total
involvement on behalf of the members
of the band expressed the message of
blues in a united manner. Surprisingly,
each member was able to maintain
their individuality while at the same
time concentrate on unity. The general
atmosphere of the performance made
it easy to feel each note and word and
at the times the blues aura produced
made you feel like you were sitting in a
smoke•filled Boston bar really "gettin'
down." The performance of Debby
Ash and Michael Campagna, with
Jimmy Cal ire was one puzzle in which
all the pieces fit perfectly.
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